English Literature books summary
Contents:
Last update: 17.12.2002 (version 3.1)
1)
1984 by G.Orwell_______________________________________________ 2
2) Animal Farm by G.Orwell_______________________________________ 15
3)
Childe Harold by
G.G.Byron_____________________________________17
4)
The French Lieutenant's Woman by J.Fowles______________________ 18
a)
French
Lieutenant’s Woman in Russian__________________________ 20
5)
Gulliver’s Travels by Daniel Defoe________________________________ 21
6)
Heart of Darkness by J.Conrad__________________________________ 29
7)
Ivanhoe by Sir Walter Scott_____________________________________ 32
8)
Lady Chatterley’s Lover by D.H.Lawrence_________________________ 36
9)
Lord of the Flies by W.Golding___________________________________ 38
10) Middlemarch by G.Eliot_________________________________________ 42
11) Oliver Twist by Ch.Dickens_____________________________________ 55
a)
The Poor
Laws______________________________________________ 63
b)
What
does the phrase "justice is blind" normally mean?______________ 64
c)
The
Victorian middle class's stereotypes of the poor.________________ 65
12) A Passage to India by E.M.Forster________________________________ 65
13) Pride and Prejudice by J. Austen_________________________________ 71
14) Pygmalion by B.Shaw_________________________________________ 82
15) The Quiet American by G.Greene_________________________________86
16) Robinson Crusoe by Daniel Defoe_______________________________ 87
17) The Picture of Dorian Grey by O.Wilde____________________________ 92
18) The Time Machine by H. G. Wells (1866 -
1946)_____________________ 102
19) Ulysses by J.Joyce___________________________________________ 103
20) Vanity Fair by W.Thackeray____________________________________ 109
21) William Shakespeare_________________________________________ 117
a)
Extremely Short Summaries. Good for Seminars__________________ 117
i)
A Midsummer Night's Dream_____________________________ 117
ii)
The Merchant of Venice_________________________________ 118
iii)
The Tragedy of Richard II________________________________ 118
iv)
Hamlet, Prince of Denmark______________________________ 118
v)
Othello______________________________________________ 119
vi)
King Lear, 1594_______________________________________ 119
vii)
The First Part of King Henry IV____________________________ 119
viii)
The Tragedy of Julius Caesar____________________________ 120
ix)
Macbeth____________________________________________ 120
x)
Romeo and Juliet______________________________________ 120
b)
Full Summaries of Some Shakespeare's Works___________________ 121
i)
Hamlet______________________________________________ 121
ii)
King
Lear___________________________________________ 127
iii)
Macbeth____________________________________________ 133
iv)
The
Merchant of Venice_________________________________ 138
v)
Othello______________________________________________ 142
vi)
Richard
III____________________________________________ 144
vii)
Romeo
and Juliet______________________________________ 149
viii)
The
Tempest_________________________________________ 152
ix)
Twelfth
Night_________________________________________ 153
22) Wuthering Heights___________________________________________ 156
1984 by G.Orwell
Part 1
Chapter 1
Summary:
The book opens on a cold April day with
39-year-old Winston Smith returning to his dilapidated flat in Victory
Mansions. The hallway sports an enormous poster of a man known as "Big
Brother"; the caption reads, "BIG BROTHER IS WATCHING YOU." The
eyes of the poster seem to follow Winston as he moves.
Upon entering his flat, Winston dims the
telescreen (where someone is reading statistics about pig-iron production),
which can never be turned off completely, and which both receives and
transmits. Outside, Winston can see "BIG BROTHER IS WATCHING YOU"
posters, a poster with the word "INGSOC" on it, and the police patrol
spying on people.
Winston is living in London, the
predominant city of the province known as Airstrip One in Oceania. Bombed sites
reveal that some sort of war is going on. Winston tries to recall his
childhood, to see if things have always been like this, but cannot.
Outside his window stands the Ministry of
Truth (a.k.a. "Minitrue" in Newspeak, the official language of
Oceania), an enormous structure displaying the three slogans of _the Party_:
WAR IS PEACE, FREEDOM IS SLAVERY, IGNORANCE IS STRENGTH. There are four
Ministries: the Ministry of Truth concerns itself with the spread of
information through news, entertainment, education and the arts; the Ministry
of Peace (Minipax) deals with war; the Ministry of Love (Miniluv) administers
law and order; and the Ministry of Plenty (Miniplenty) handles economic
affairs.
After swallowing some shocking Victory Gin
and plying himself with a cheap Victory cigarette, Winston carefully tucks
himself out of the telescreen's visual range with an old book, an old pen and
an inkbottle. These are compromising possessions, acquired through various
means; Winston is secretly something of a rebel, unhappy with the status quo.
What he is about to do--start a diary--is not "illegal" (since, we
discover, there are no laws anymore), but is certainly life-threatening.
Unused to writing by hand, Winston falters
momentarily before writing "April 4th, 1984." He sits back, uncertain
whether it actually is 1984, and he suddenly wonders for whom he is writing.
Here the concept of _doublethink_ (see Analysis) hits him; his attempt to
communicate with the future is impossible, futile. He is no longer sure what he
wanted to write; the moment has been building for weeks and suddenly he finds
himself wordless. Even when he tries to write, he finds he is not recording the
incident which had inspired him to begin the diary on this day .
This incident took place during that
morning's "Two Minutes Hate," a daily, almost orgiastic ritual of
propaganda. Winston recalls noticing two people: a girl whose name he does not
know but whom he recognizes as working in the Fiction Department, and O'Brien,
an imposing man and member of the Inner Party. Winston feels a dislike for the
girl, whose youth gives him the sense that she is a dangerous Party zealot; by
contrast, he feels drawn to O'Brien in a way almost resembling trust, because
he hopes that O'Brien is secretly politically unorthodox.
The "Two Minutes Hate" begins
with footage of Emmanuel Goldstein, "the Enemy of the People,"
castigating the Party. Apparently, Goldstein had once been a leading Party
member who rebelled, was condemned to death, and disappeared to form the
underground Brotherhood. The symbol of ultimate treachery, Goldstein is
featured in every Hate as the source of all crimes against the Party. [Through
Winston's reaction, we begin to get the sense that the image and persona of
Goldstein are actually completely manufactured, hinting at the possibility that
he is in fact a propagandistic creation of the Party. This is reinforced by the
observation that there are always new spies, new Brotherhood members, being
exposed every day, despite the Party's brutal efficiency in creating universal
hatred for Goldstein.]
As the Hate goes on, people get
increasingly worked up, shouting and throwing things at the screen. [It is,
Winston notes, impossible to avoid joining in.] The Hate overwhelms the
members, sweeping them into a blind ecstasy of hatred. Winston directs his
hatred at the girl, because, he realizes, he wants to sleep with her.
The Hate reaches its climax when the
terrifying images melt into the face of Big Brother, who utters soothing words
before fading away into the three Party slogans. The crowd, passionately
relieved at the appearance of their "savior" starts to chant,
"B-B! . . . B-B!" Here Winston catches O'Brien's eye. In an instant,
Winston feels that O'Brien is communicating to him that he is on his side; this
is the moment which brings him to his diary.
After some reflection, Winston looks again
at his page and finds he has been writing automatically:
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
He knows there is no point in tearing out
the page, because he has committed thoughtcrime, and in the end the Thought
Police will get him anyway; he, and every last vestige of his existence, will
be completely wiped out--"vaporized."
Suddenly there is a knock at the door. Winston
is terrified by this, but knows that to delay would be worse than anything, so
he gets up to answer it.
Chapter 2
Summary:
Winston finds Mrs. Parsons, his neighbour,
at his door, asking him if he can help repair her kitchen sink. Mrs. Parsons is
a rather helpless, dusty-looking woman; her husband Tom works with Winston at
the Ministry of Truth. Tom is something of an imbecile, slavishly devoted to
the Party and quite active in its social workings.
As Winston clears the blockage from the
pipe, the Parsons children come out and start dancing around him, calling him a
"traitor" and a "thought-criminal." These children, like
many others, are horrid little savages being trained to be good Party members
through systematic brainwashing; many denounce their own parents to the Thought
Police.
Winston returns to his diary and starts
thinking of O'Brien. About seven years ago he had had a dream where he had been
walking through a dark room and someone had said to him, "We shall meet in
the place where there is no darkness." At some point, Winston identified
the voice as O'Brien's. Whether or not O'Brien is a friend or an enemy--and
Winston still isn't sure--they are connected by an understanding.
Winston feels isolated, yet pursued,
everywhere faced (literally) by Big Brother. He knows his thoughtcrime--his
diary--will result only in annihilation. Yet somehow, he takes heart in the
idea that in the very act of recording truths he is keeping himself sane and
carrying on humanity. He returns to his diary and starts to write "to the
future or to the past, to a time when thought is free."
"Thoughtcrime does not entail death:
thoughtcrime IS death," Winston writes, and in doing so recognizes himself
as already dead. He now must simply stay alive as long as possible.
Winston carefully washes the ink from his hands and
puts the diary away before going back to work.
Chapter 3
Summary:
Winston dreams of his mother that she and
his baby sister are sinking down away from him, having in some way given their
lives so he could survive. He barely remembers his family, as they had likely
fallen victim to a purge in the 1950s. His mother's death, he feels, was a
particular tragedy, arising from a loyalty and complex emotion which are no
longer possible.
The dream shifts suddenly to an idyllic
spot Winston calls "the Golden Country," where the dark-haired girl
comes to him and in one graceful, careless gesture, tears off her clothes and
flings them aside. Winston feels no desire for her, but instead a strong
admiration of the defiance of the gesture, which itself belongs to a previous
time, just like Winston's mother's love. Winston wakes up saying the word
"Shakespeare."
Winston is awakened by the telescreen. The
Physical Jerks--morning exercises--begin, directed by a woman on the screen. As
he exercises, Winston tries to remember the era of his childhood. He recalls an
air raid which caught everyone off guard, and since which Oceania had been
continuously at war. Currently, in 1984, Oceania is at war with Eurasia and
allied with Eastasia.
Although there are no records kept to
contradict the given current alignment, Winston knows that four years ago the
alliance was reversed; still, the present situation is always officially
represented as though it has always been. Winston is terrified by the thought
that by so thoroughly controlling history and information, the Party might
actually be creating a new truth. He reflects that the past has been destroyed
because it only exists in his own memory. Only once has Winston held proof that
a historical fact had been officially falsified--but his thoughts are
interrupted by the woman on screen shouting at him, Winston Smith, to try
harder.
Chapter 4
Summary:
Winston is at his job in the Records
Department in the Ministry of Truth. He receives four assignments, tiny slips
of paper on which are written (mostly in Newspeak) his instructions. As it
turns out, these messages involve the "correction" of past issues of
the Times, where a speech of Big Brother's is "misreported"
("malreported" in Newspeak) or statistics forecasting manufacturing
output are "misprinted." The first three assignments are simple; the
fourth one, which mentions "unpersons," is an enticingly elaborate
task which involves some use of imagination, and Winston sets it aside to be
dealt with last, almost like a dessert.
Winston uses his speakwrite (a sort of
dictaphone) to quickly deal with each of the first three assignments; he
rewrites the articles, pushes his work through the pneumatic tube in his
cubicle, and disposes of the original message and any notes through the
"memory hole," which leads to a furnace. In this way, newspapers,
books, cartoons, even films and photographs, are continually re-edited so as to
conform with the current state of political and economic affairs, and to make
it appear as though the Party has always been correct in its predictions or
consistent in its alliances. Any and all prior editions are destroyed, no
matter how many revisions are made.
Winston reflects that in many cases, what
he is doing is not really forgery, because the original statistics or
"facts" are made up to begin with. Nobody really knows anything
except that on paper, millions of pairs of boots are being produced, while on
the streets, half of Oceania's population runs barefoot.
Looking around, Winston notes that he
hardly knows the people in his Department, or what they do exactly. Across the
hall from him Tillotson, who flashes him a hostile look, sits with his
speakwrite; a woman from the Two Minutes Hate, whose husband had been
vaporized, works next to Winston at tracking down and eliminating references to
"unpersons" (people whose existences had been obliterated); and the
dreamy Ampleforth works a few cubicles away at rewriting poems so their
ideologies will correspond with the dominant one. As Winston reflects on the
Department as a whole, the staggering size of the operation becomes evident,
especially as it is only one part of the Ministry of Truth, which not only
supplies materials to Party members but to the "proles" (proletariat)
as well.
At last, after disposing of some more
messages and attending the Hate, Winston settles down to work away at his
engaging assignment: rewriting a highly "unsatisfactory" article in
an issue of the Times which references people who no longer exist. Winston
reads the original article, where Big Brother's Order for the Day praises an
organization called the FFCC and awards the Order of Conspicuous Merit, Second
Class, to one Comrade Withers, a member of the Inner Party. Three months after
this, however, the FFCC had been dissolved and its members presumably
disgraced, though there was no report of this. Winston knows that this is the
way it usually happens: people who somehow displease the Party simply vanish
and are never heard from again. Although Winston does not know why Withers fell
from grace, he does know that the man is most likely dead, since he is called
an "unperson."
Winston decides to rewrite the speech
entirely on a new topic: the commemoration of the exemplary life of Comrade Ogilvy.
Ogilvy, of course, is purely Winston's invention, but he will be given life
through a few lines and a faked photograph or two. Winston creates Ogilvy's
life‹that of a textbook good Party member from the age of three‹and his heroic
death with a zesty enjoyment of the process.
Although Winston is fairly certain that other people,
including Tillotson, have been given the same assignment, he also believes that
his own version will be the one that is chosen.
Chapter 5
Summary:
Winston is in the rather unpleasant
canteen, where he meets up with Syme‹not exactly his "friend" (since
you have comrades rather than friends), but one whose society is more pleasant
to Winston than that of others. Syme, a philologist, works in the Research
Department and is one of a team of experts who are compiling the Eleventh
Edition of the Newspeak Dictionary. (See Appendix for an in-depth discussion of
Newspeak and points relevant to this chapter.)
Syme asks Winston if he has any razor
blades‹there is currently a shortage, as there always is of one item or
another. Winston lies that he hasn't, though he has been saving two unused ones
against the razor blade famine. As he and Syme go through the queue, Syme
discusses yesterday's public hanging of prisoners with a relish that
demonstrates his rabid yet somehow intellectual orthodoxy.
As they eat their disgusting and somewhat
unidentifiable lunch, Winston gets Syme talking about the Dictionary's
progress. Syme, immediately fired with enthusiasm and a strange love for
Newspeak, goes into a panegyric about the destruction of words and the nature
of Newspeak, which is, he points out, the only language which gets smaller
every year. This limiting of vocabulary, Syme points out, is aimed at limiting
thought so that unorthodoxy will become literally impossible, since there will
no longer exist words to express or explain concepts that run counter to the
accepted ideology.
Syme discourses so intelligently upon
these topics that Winston suddenly thinks that Syme will certainly be vaporized
someday, despite his political orthodoxy. He is too intelligent for the Party
to allow him to stick around. In addition, he is somehow "shady"‹not
subtle enough, too well-read, with a tendency to frequent the Chestnut Street
Cafe, where long ago the old Party leaders would meet before they were
discredited, and Goldstein was rumored to have spent time.
Parsons, Winston's neighbor, appears in
the canteen and makes his way over to Winston and Syme (who takes out some work
to avoid having to interact with Parsons). Parsons, a large man with a dumb
devotion to the Party and its ideals, asks Winston for his subscription payment
for the upcoming "Hate Week." Parsons talks proudly about his
monstrous children, the younger of whom turned in a suspicious-looking person
to the authorities.
Discussion is halted by an announcement
from the Ministry of Plenty, describing how production is up and the standard
of living has been raised. It is reported that a demonstration has been held to
thank B.B. for raising the chocolate ration to 20 grams/week, and Winston
wonders incredulously whether people can swallow this after having been told
the day before that the ration was being reduced from 30 grams/week to 20. Yet
the people around him, either through not thinking at all or through
doublethink, do accept it, forcing him to wonder whether he is the only person
around who has a memory.
Depressed, Winston looks around, at the
horrid food, ugly clothes, and bleak surroundings. Somehow he feels that things
should be better, even though he has never known a time when they were‹when
food tasted pleasant and things worked as they were supposed to. Even the
people look ugly to him, belying the Party's Aryan ideal.
The announcement ends, and Winston lapses
into a reverie thinking about who he knows will likely be vaporized, and who
will not‹namely, Parsons, the girl with the dark hair, and the man at a nearby
table who has been speaking in a quack about the wonders and achievements of
the Party.
Winston is startled out of his reverie by
the awareness that the girl with the dark hair is sitting at the next table,
and is looking at him. She turns away, but Winston is terrified because she has
been turning up near him a good deal lately. He worries that she may be an
amateur spy and that he may have committed facecrime, the unconscious betrayal
of unorthodox opinions via facial expressions or tics.
Parsons tells Winston another horrid story
about his disgusting children, and they are signalled to return to work.
Chapter 6
Summary:
Winston is writing in his diary about an
encounter he had three years ago with a prostitute. The memory is embarrassing
and difficult for him, and he feels an almost irresistible urge to scream
obscenities or burst out into some violent action to relieve his tension.
Of course he doesn't give in to the urge,
and steels himself to continue writing. His writing is interlaced with the
memory of Katharine, his wife, to whom he would technically still be
married‹unless she were dead‹although they are separated, because the Party
does not permit divorce. Katharine was physically attractive but, Winston soon
discovered, completely brainwashed by the Party, even in matters of sex.
According to the Party, there should be no pleasure in sex, which was an act
intended to beget children for the future of the Party. Katharine bought into
this ideology to the point where sex was an outright unpleasant act for
Winston; since no children were conceived, the couple were allowed to separate.
Perhaps because of his experience with Katharine, Winston believes that none of
the women in the Party have retained their natural sex drive.
Winston continues to write about his
experience with the prostitute, who had led him into a dark room with a bed.
When he turned up the light, he discovered to his horror that the woman was
old, at least 50. But he proceeded anyway.
Despite having gotten it all out, Winston
does not feel any less inclined to shout obscenities.
Chapter 7
Summary:
Once again Winston is writing in his
diary. "If there is hope," he writes, "it lies in the
proles." Winston reasons that the proles are so numerous that if they
simply woke up they could bring down the Party. But would they ever wake up? He
remembers a day when he had been walking and heard a great cry of anger; in
hope, he hurried to the spot to see what was happening. As it turned out, a
stall that had been selling saucepans had run out, and the disappointed women
were momentarily united in their despair. But, to Winston's disgust, rather
than remaining united and surging up against the source of their misery, they
turned on each other instead, fighting over the pans.
Winston reflects on the Party's attitude
toward the proles, itself an exercise in doublethink: while the Party claims to
have liberated the proles from the horrendous bonds of capitalism, it also
teaches that the proles are inferior and must be kept in line with a few simple
rules. But in general, the Party leaves the proles alone, to live as they have
always lived, outside of the Party's strict moral and behavioral dictates.
What Winston is not sure of is whether
life before the Revolution was really that much worse than it is in 1984. He
looks at a children's history book which he has borrowed from Mrs. Parsons,
reading a passage about life before the Revolution, when most people were poor
and miserable, and all money and power were concentrated into the hands of a
very few evil persons known as capitalists. Yet he can never be sure how much
of it is lies; he only has an instinctive feeling in his bones that life
doesn't have to be as miserable as it is, and that there must have been
something better at one time. Life, in fact, not only belies the constant
stream of Party propaganda, it does not even approach the Party's avowed ideal
of a militarily ordered society in which every moment of every day is a
triumphant struggle for the principles of Ingsoc.
Considering the regular erasure of the
past, Winston once again recalls the one time (mentioned earlier) when he had
held concrete evidence of the falsification of history. In the mid-1960s, three
of the last surviving original leaders of the Revolution, Jones, Aaronson and
Rutherford, had been arrested, vanished temporarily, and then had returned to
make spectacular confessions of treachery. Afterwards, they had been pardoned,
reinstated in the Party and given hollow but important-sounding positions.
Winston had seen them in the Chestnut
Street Cafe with a mixture of fascination at how they embodied history and
terror at the certainty of their imminent destruction. No one sat near them;
they sat alone at a table with an untouched chessboard and glasses of gin.
Winston noticed that Rutherford, once a strong man, looked as though he were
breaking up before his eyes.
A song came over the telescreen:
"Under the spreading chestnut tree/ I sold you and you sold me:/ There lie
they, and here lie we/ Under the spreading chestnut tree." The three men
remained motionless, but Winston saw that Rutherford's eyes were full of tears,
and suddenly noticed that both Aaronson and Rutherford had broken noses.
Shortly after this, they were re-arrested
and executed after a second trial. Five years later, in about 1973, Winston was
at his work when among his assignment-related documents he found part of a page
from an earlier edition of the Times, dated about 10 years earlier, showing a
photograph of Jones, Aaronson and Rutherford at a Party function in New York.
At their trials, the men had confessed to have been in Eurasia consorting with
the enemy on that very date. Clearly the confessions were untrue. Though this
was not in itself surprising, the existence of this piece of paper was concrete
evidence of the Party's action.
Winston carefully calmed himself, then
disposed of the evidence through the memory hole. If it had happened today, he
thinks, he would have kept the photograph; somehow the fact of its existence,
the fact that he had held it in his hand, is reassuring to him. But he knows
that because the past is continually rewritten, the photograph today might not
even be evidence.
Winston does not understand why such an
effort is being made to falsify the past (i.e. the long-term goal). Perhaps, he
thinks, he is crazy; this does not scare him, though. What scares him is that
he might be wrong in thinking the past unchangeable. He picks up the book and
looks at the picture of B.B. on the frontispiece. In a sort of despairing fear,
Winston thinks to himself that the Party will eventually claim that 2 + 2 = 5,
and that you would have to believe it; and again he is tormented by the fear
that they might, after all, be right.
But abruptly, his belief in common sense
reasserts itself, and he somehow feels that he is writing his diary to O'Brien.
Defiantly, he defends the truth of the obvious, writing, "Freedom is the
freedom to say that two plus two make four. If that is granted, all else
follows."
Chapter 8
Summary:
Winston is walking through the streets,
taking a risk in missing his second evening at the Community Centre in three
weeks, but having been unable to pass up the lovely evening air. He has been
walking aimlessly through the streets, observing the people and their
surroundings, which are equally dilapidated. Identifiable as a Party member by
his blue overalls, he is watched warily by the inhabitants, and reflects that
it would be dangerous to run into the patrols here, since it could draw you to
the Thought Police's attention.
Suddenly there is a commotion and people
start bolting indoors; Winston is warned by a passerby that a bomb is about to
fall. He throws himself down to protect himself against the blast. The bomb
falls 200 meters away on a group of houses. He approaches the site and comes
upon a severed human hand, which he kicks into the gutter before turning into a
side street to avoid the crowd.
Winston passes a group of men who are
arguing about the Lottery, which is the one public event the proles really
attend to and sink their energy and powers of calculation into. However, as
Winston knows, the big prizes are awarded to fictitious persons, and only small
sums are actually paid out by the Ministry of Plenty.
Winston walks into a neighborhood which
seems familiar; after a short while he recognizes it as the area where he had
purchased his diary, penholder and ink. He pauses, and sees an old man entering
a pub across the alley. He is suddenly seized with the impulse to try and find
out from this old man what life was like before the Revolution.
He hurries into the pub, creating a bit of
a pause in activity, and, after witnessing an argument between the old man (who
demands a pint) and the barman (who only deals in liters and half-liters),
Winston buys the old man a beer. They sit in a noisy corner near a window and
Winston tries to get the old man to tell him about the past. However, the man
latches onto details that are too small to prove to Winston one way or another
whether the Party histories are true or false.
Winston leaves, thinking sadly that even
now, when there are survivors of the pre-Revolution days, it is impossible to
find out whether the big picture had changed for better or worse. He walks on,
not thinking where he is going, until he stops and realizes that he is outside
the junk-shop where he had bought the diary.
After some hesitation, he judges it safer
to enter the shop than loiter outside of it, and starts to talk with the
proprietor, Mr. Charrington. Winston wanders through the shop, and his
attention is caught by a glass paperweight with a coral inside. Captivated by
its beauty, Winston buys it for $4.00 and puts it into his pocket. The man,
cheered by the money, invites Winston to see an upstairs room. It is a bedroom
furnished with old-fashioned furniture, but most importantly, with no
telescreen. Winston feels a nostalgic security, almost a familiarity with the
room, and the thought flashes through his mind that it might be possible to
rent this room‹though he immediately abandons the notion.
The proprietor shows Winston an engraving
of an old church which had been bombed long ago, St. Clement's Dane. He quotes
an old nursery rhyme: "Oranges and lemons,' say the bells of St.
Clement's, You owe me three farthings,' say the bells of St. Martin's"; he
doesn't remember the rhyme in full, but he does recall the ending: "Here
comes a candle to light you to bed, Here comes a chopper to chop off your
head." He talks a little about the churches in the rhyme; Winston wonders
when they had been built, to what era they belonged.
Winston doesn't buy the engraving, but
stays to talk a bit with Mr. Charrington, seeming somehow to hear the bells of
the nursery rhyme in his head (though he has never actually heard church bells
ringing as far as he remembers). As he leaves, he decides to return to the shop
after a month or so, to buy things and talk to Charrington and maybe rent the
room...
He is roused horribly from his reverie by
seeing the girl with dark hair walking towards him. She looks directly at him,
then continues on her way. Paralyzed, Winston realizes that she must be spying
on him‹why else should she be there? He walks in the wrong direction with a
pain in his gut, then turns, and considers killing her with the paperweight.
But he abandons the idea, as well as every other one he considers for trying to
safeguard himself. He simply goes home.
Once there, he takes out his diary but doesn't
write anything for a while as he struggles with his fear and the paralysis it
has brought upon him. He tries to open the diary, to think of O'Brien, but his
mind is on the torture that inevitably falls between capture by the Thought
Police and death (both of which are certain once you have committed
thoughtcrime).
He recalls his dream, where O'Brien said
that they would meet "in the place where there is no darkness"; this
place, he believes, is the imagined future. But the face of B.B. drifts into his
mind, pushing out O'Brien. Winston takes a coin out of his pocket, and looks at
it, trying to fathom B.B.'s smile; the three Party slogans ring through his
head.
Part 2
Chapter 1
Summary:
On his way to the lavatory one morning,
Winston encounters the girl with dark hair in the corridor. Her right arm is in
a sling. As she approaches, she suddenly trips and falls on her arm, and cries
out in pain. Although Winston regards her as a dangerous enemy, he also feels
sorry for her and helps her up. As he does so, she very discreetly slips a
small piece of paper into his hand, surprising him greatly.
Though he is fired with curiosity, Winston
knows he cannot look at the piece of paper for a while. He goes back to his
desk and tosses the slip casually among the other papers there. As he works, he
speculates that the note could either be some sort of threat or summons or trap
from the Thought Police, or‹and this excites him‹a message from some sort of
underground organization like the Brotherhood.
When he finally gets the chance to look at
the note, he is astounded, because it reads "I love you."
This naturally throws him into an
agitation for the rest of the morning. During lunch he is not even allowed the
luxury of temporary solitude, as Parsons immediately shows up to bore him with
details of Hate Week preparations. After lunch, Winston immerses himself in his
work, and goes to the Community Centre in the evening; he is waiting to be
alone in bed to think.
At last he is alone, and he begins to
think about how to meet her. It would be impossible to repeat that morning's
method. He cannot follow her home because it would entail waiting around
outside the Ministry, which would be bound to be noticed. Sending a letter
would be impossible as mail is routinely opened. The only solution is to sit at
a table with her in the canteen, somewhere in the middle of the room as far as
possible from the telescreens, amidst a buzz of conversation in which the brief
exchange of a few words could go unnoticed.
The next week is torture for Winston: the
girl disappears for three days, during which time he cannot stop thinking about
her and worrying that she has been vaporized or that she has changed her mind.
She reappears, but Winston is unable to sit with her in the canteen, though he
tries. The next day he succeeds, and they form a plan to meet that evening in
Victory Square.
In the Square, Winston sees the girl but
must wait until more people have gathered so as to speak with her unnoticed.
Fortunately, the passing of a convoy of Eurasian prisoners allows Winston and
the girl to lose themselves in a massive crowd of onlookers. They squeeze next
to one another to watch, and the girl subtly gives Winston detailed directions
to a place where they can meet on Sunday afternoon.
They continue to watch the prisoners, and
right before they must part, the girl squeezes Winston's hand.
Chapter 2
Summary:
It is Sunday afternoon. Winston is out in
the country after what sounds like an almost pleasant journey by train. He is
early, and comes across a thick patch of bluebells; he stoops to pick some, and
the girl arrives. She leads him expertly through the woods to a hidden
clearing. They talk a little, then start to kiss, but Winston feels no physical
desire yet because his disbelief and proud joy are too strong.
The girl, Julia, doesn't seem to mind; she
sits up and they start to talk some more. She is brassy and rebellious, even
producing some wonderfully tasty black-market chocolate, though she goes out of
her way to present a fanatically devout front in order to stay safe. She is
young, and Winston doesn't understand why she should be attracted to him; she
explains that it was something in his face, that she could tell he didn't
belong, that he hated the Party.
They leave the clearing and walk around,
coming finally to the edge of the wood. There, Winston has a gradual shock: he
recognizes the landscape as the Golden Country of his dreams. As if to prove
it, he asks Julia if there is a stream nearby, and she replies that there is.
A thrush lands nearby and starts to sing,
its song startling in the stillness. The song is beautiful, original, never
quite the same, and Winston watches and listens with awe. What, he asks
himself, makes the bird sing, if there is no other bird around to listen or
respond? Gradually, however, Winston stops thinking and simply feels the beauty
of it. At this point he kisses Julia and feels that he is ready to make love.
They hasten back to the clearing. Julia
turns to him, and just as in his dream, she defiantly tears off her clothes and
flings them aside. Before doing anything, Winston takes her hands and asks her:
has she done this before? Yes, quite a lot. With Party members? Always, though
never with Inner Party members. Winston is filled with joy at the thought that
the Party is at its foundation corrupt. He tells Julia that he hates purity and
goodness and that he desires corruption; she responds that she ought to suit
him just fine. His final question: does she enjoy the act of sex itself? When
she replies, "I adore it," Winston's last hope is fulfilled, and they
make love.
They fall asleep. Winston awakens first to
reflect that their act has been a political one, "a blow struck against
the Party."
Chapter 3
Summary:
Julia arranges the details of her and Winston's
departures from the clearing, using her practical sense (which Winston feels he
lacks) and her thorough knowledge of the countryside around London. They never
return to the clearing, as it turns out, and only once more that month succeed
in making love, inside the ruins of a church.
As they meet during the evenings, they
"talk by instalments," as Julia puts it‹their conversation cuts in
and out mid-sentence according to the relative levels of safety in their
surroundings. Once during a walk, a bomb falls near them, and Winston, thinking
the plaster-whitened Julia is dead, kisses her‹to discover that she is alive
and he is coated in plaster too.
Meetings are dangerous and difficult to
coordinate as their schedules rarely coincide. Julia is astonishingly busy with
Party activities; her view is that as long as you keep up appearances and obey
the small rules, you could transgress the bigger ones. She even convinces
Winston to volunteer as a part-time munition worker.
Julia is 26, and works on the machinery in
the Fiction Department, literally churning out novels like any other
mass-produced commodity. She has established such a good character for herself
that she had even been selected to work in Pornosec, the division of the
department dedicated to producing cheap pornography for the proles. Her first
affair was at age sixteen; her view of life is simply that it is an eternal
struggle between you and the Party over whether or not you can have a good
time.
She and Winston never discuss marriage,
knowing it to be an impossibility; but they do discuss Katharine. Julia asks
about her, but seems to know most of the essentials regarding Katharine's
frigidity, even the fact that she called sex "our duty to the Party."
Julia knows because she had undergone the same education as Katharine;
intriguingly, and perhaps because she is more sexually liberated, Julia has a
clearer comprehension than Winston of the Party's stance on sex.
Winston tells Julia about an incident
early in his marriage to Katharine where they had gotten lost on a community
hike. They ended up near the edge of a cliff. Katharine, uncomfortable, wanted
to turn around and try to find their way back; Winston points out a plant with
two different-colored flowers growing from the same root. As she unwillingly
returned to look, Winston realized that they were completely alone, and if he
chose to he could push her off the cliff. But he didn't.
He tells Julia he regrets that he didn't,
although he knows it wouldn't have made a difference. He lapses into a
typically cynical philosophical mood, which Julia, in her youthful and perhaps
stubborn optimism, rejects.
Chapter 4
Summary:
Winston has rented the upstairs room from
Mr. Charrington, the antique shop owner, and is waiting for Julia to arrive.
Outside, a prole woman is singing one of the drivelly songs churned out by a
versificator in the Music Department‹a monstrosity to begin with, but somehow
pleasant-sounding in the woman's rendering. The room feels curiously still to
Winston because of the absence of a telescreen.
Though taking this room is a huge risk,
the couple were unable to resist it after days and weeks of being unable to
meet. Winston recalls how when they at last manage to set a day to go back to
the clearing, Julia tells him the night before (once again through a meeting on
the street) that she can't go because she is menstruating. Winston feels
furious‹his feeling toward Julia and desire for her has changed from an act of
rebellion to a sense of proprietary physical obligation, and he feels almost
like she is cheating him. But at this point, she squeezes his hand with
affection and prompts a sudden, new tenderness in him. He realizes that this
sort of thing must be normal for couples who live together, and he is
overwhelmed by the wish that he and Julia were a happily married couple with no
cares and complete privacy to do as they wished. Quite soon after this they
agree to rent the room.
Julia arrives, bearing real sugar, white
bread, jam, milk, and real coffee and tea‹all Inner Party privileges which she
has filched somehow. She then asks Winston to turn his back for a short while;
when he is allowed to turn around again, he finds that she has put on makeup
and perfume. Before they get into bed, she expresses her intention to find a real
dress and high heels so that she can be "a woman, not a Party
comrade."
Winston wakes up around 9:00 (21:00), and
wonders whether the peace and freedom of lying in bed with your loved one on a
cool summer evening were ever a normal thing in the past. Julia wakes up, and
is talking to Winston when suddenly she spots a rat and hurls a shoe at it.
Winston is startled at the presence of a rat in this idyllic room, and recalls
a recurrent nightmare he has always had where he is standing in front of a wall
and behind it is something horrifying. He would always know, in some deeply
buried part of his mind, what was behind the wall, but he never allowed himself
to acknowledge it and would wake up without discovering it.
Julia gets up, makes coffee, and wanders around
the room. She asks about the engraving of St. Clement's Dane (which
coincidentally hangs right above where the rat had poked out its head), and to
Winston's surprise, adds a line to the nursery rhyme: "When will you pay
me?' say the bells of Old Bailey." Strangely, Julia too forgets the rest
excepting the ominous ending, giving Winston a sense of fate. After observing
that the picture likely has bugs behind it, and planning to clean it, Julia
cleans herself, washing off the makeup, while Winston gazes at the paperweight.
Chapter 5
Summary:
The chapter opens with a brief paragraph
on Syme's disappearance, but quickly moves on to the intense preparations for
Hate Week that are sweeping through the city and swallowing up everyone's time.
Huge posters depicting a Eurasian soldier aiming his sub-machine gun at you
crop up everywhere, intended to stir the population into a patriotic frenzy; as
though by design, more rocket bombs fall on the city, killing more people than
usual.
Winston and Julia continue to meet in the
upstairs room. Winston's health, both physical and mental, has improved due to
the existence of the room. Occasionally he talks to Mr. Charrington, who seems
to embody history.
Though Winston and Julia know that they
are doomed, they sometimes yield to the illusion of permanence, and frequently
talk about escaping some way or another‹though they know that they will never
commit even the only feasible act among these options, which is suicide.
They talk about rebelling against the
Party in a vague way; Winston tells her about his unspoken bond with O'Brien,
which does not strike her as at all strange. Though Julia takes it for granted
that everyone harbors hatred for the Party, she does not believe in an
organized underground; in fact, she thinks that Goldstein and the tales about
him were invented by the Party for their own ends.
Julia's intelligence is also shown by her
casually offered opinion that the war with Eurasia is not actually
happening‹that the government of Oceania was dropping the bombs on its own
people for the purposes of keeping the population scared and emotionally
subjected to the Party. Winston has never even thought of this possibility. But
for the most part, Julia does not question Party doctrine unless it touches her
own life in some way; she believes much of the false history she has been
taught in school, and it doesn't seem important to her that this is untrue.
Winston is shocked by this, as well as by the fact that she doesn't seem to
recall that only four years ago Eastasia, and not Eurasia, was Oceania's enemy
in war.
Julia also does not seem to grasp the
importance of Winston's story of the photograph clearing Jones, Aaronson and
Rutherford of wrongdoing. In general she is not interested when Winston starts
to delve into the problems the Party presents. He realizes that people like
Julia, who accept what they are taught because they don't fully understand it,
are in a fair way to remain more sane than persons like himself.
Chapter 6
Summary:
Winston, walking down the long corridor
where he had first spoken to Julia, encounters O'Brien, who addresses him
cordially regarding Newspeak and what he considers Winston's elegant use of it.
O'Brien obliquely refers to Syme as someone who shares this opinion, to whom he
had spoken recently; Winston takes this as some sort of signal.
O'Brien says that he had noticed that
Winston had recently used two words now obsolete in the forthcoming Tenth
Edition of the Newspeak Dictionary, which has not been issued yet but of which
O'Brien has an advance copy. He offers Winston to visit him at his flat to take
a look at the Dictionary; through this device he gives Winston his address.
This whole exchange‹which has taken place
under the watchful eye of a telescreen‹takes only a couple of minutes, but it
has sparked in Winston both a cautious joy in the existence of the conspiracy
he had hoped for, and a dreadful certainty that it is the beginning of the end
for him.
Chapter 7
Summary:
Winston awakens from a dream crying. The
dream took place inside the glass paperweight and somehow was about a
protective gesture made by his mother 30 years ago, and repeated in the film he
wrote about in his diary (where a helpless Jewish mother ineffectually tries to
protect her child from the bullets that are about to be fired at them). Within
a few seconds of waking, the memories surrounding this gesture flood back to
Winston.
He had been a young boy, and London was a
disaster area of starvation, violence and unrest. His father disappeared,
taking his mother's spirit with him so that she moved through daily life
waiting for her own disappearance. She, Winston, and his baby sister lived in
poor quarters and had not enough to eat; despite his knowledge that the mother
and sister were starving, Winston would demand more food even though his mother
would automatically give him the biggest portion. One day there was a chocolate
ration, and Winston, though he knew the chocolate should be equally divided
between the three of them, found himself demanding the whole piece. After long
argument, his mother gave him 3/4 of the piece and the rest to his sister. But
Winston grabbed the piece from his sister and dashed for the door, where he
stopped at his mother's cry to come back. She looked at him; the baby wailed;
and she drew the baby closer to her, in some way that told Winston the child
was dying. He fled. When he came back a few hours later, they both had
disappeared.
This dream reminds him of the one he had
had two months ago, where he saw his mother and sister sinking away from him.
He wants to talk about his mother to Julia, but she is drifting in and out of
sleep. Winston thinks about love, about the novelty of the past, where people
would make an ineffectual gesture or act knowing that it was ineffectual but doing
it just the same; this indicates to him that they acted of their own accord,
out of their own private loyalties and standards. It strikes him that the
proles had remained like this‹had remained human. For the first time in his
life he feels no contempt or indifference toward the proles, but a strange sort
of respect for them for remaining who they are.
Julia has awakened again, and they talk
about their inevitable parting. Though they know they will be forced to confess
and not be able to help one another, Winston says that the only important thing
is that they should never betray one another, in the sense of being made to
stop loving the other person. Julia considers this and opines that this would
be impossible because they would never be able to get inside you and change
what you think. Winston takes some hope from this, believing in Julia-esque
fashion that you could beat them in the end because they couldn't change your
feelings.
Chapter 8
Summary:
Winston and Julia arrive together at
O'Brien's flat. The neighborhood of Inner Party residences is a whole new world
of wealth, cleanliness and luxury with which neither Winston nor Julia is
familiar. O'Brien's servant Martin takes them in to O'Brien's office or
drawing-room, where O'Brien is working. Winston, already afraid, feels suddenly
embarrassed‹what if he has made a mistake and O'Brien is not sympathetic?
As O'Brien approaches, he astonishes the
couple by shutting off the telescreen, which, he explains, is an Inner Party
privilege. He stands sternly before them, waiting for a short while, before his
face relaxes and he breaks the silence.
Winston explains that they are there
because they believe that O'Brien works for an underground organization which
they wish to belong to. Martin enters, but O'Brien says he is one of them, so
they all sit down with a glass of wine (which neither Winston nor Julia has
ever tasted) and talk about the Brotherhood. O'Brien asks a series of questions
to test how far Winston and Julia will go to further the goals of the
Brotherhood; when he asks whether they are willing to separate from one
another, they both reply in the negative. O'Brien asks Julia whether she
understands that even if Winston survives, he would be substantially altered
both in physique and identity; she nods, pale.
O'Brien dismisses Martin, telling him to
look carefully at Winston and Julia before he goes. Martin gives them a long
look without any friendliness or emotion in it whatsoever, then leaves. O'Brien
explains that the Brotherhood is unusual because each agent works alone, with
no support, minimal information, and no link to one another except the common
ideal they hold for the destruction of the Party. Matter-of-factly, he outlines
their lives: they will work for a while, then be caught, forced to confess and
executed. "We are the dead," he says, echoing Winston's words to
Julia a couple of chapters ago.
O'Brien dismisses Julia, then settles some
details with Winston about getting him a copy of the book, i.e. Goldstein's
heretical text exposing the true nature of the current world and the methods by
which the Brotherhood will destroy the Party. After working out these plans,
O'Brien says to Winston, "We shall meet again . . . in the place where
there is no darkness." Winston's last question to him regards the nursery
rhyme of the bells, of which O'Brien knows the final line: "When I grow
rich,' say the bells of Shoreditch."
Chapter 9
Summary:
Winston, exhausted after five days of
intense work, and carrying in his briefcase the book, goes to Mr. Charrington's
shop.
The rush of work had begun on the sixth
day of Hate Week, when‹at the climax of hatred directed at Eurasia‹suddenly
Oceania's alliance switched, so that the enemy was now Eastasia and Eurasia was
an ally. Remarkably, the change occurred without any admission that it had
taken place; the anti-Eurasia posters and propaganda everywhere were suddenly
deemed sabotage, the work of Goldstein and his agents, and promptly torn down,
while the venomous speaker who had been castigating Eurasia shifted to
vilifying Eastasia without losing a beat. During the confusion, Winston is
handed a briefcase containing the book.
Winston and his fellow workers at the
Ministry had spent 90 hours rewriting history so that no trace of the war with
Eurasia could be found in the documents of the past 5 years. After the
monumental task had been completed, every Ministry worker had been given the
rest of the day off, so Winston had headed for the upstairs room.
As he waits for Julia to arrive, he starts
to read the book, entitled The Theory and Practice of Oligarchical
Collectivism. He starts off looking at Chapter 1, entitled "Ignorance is
Strength," but breaks off to enjoy the fact that he is reading, and takes
up again with Chapter 3, "War is Peace."
This lengthy chapter discusses the history
of events that led to the current state of the world with its three
superpowers, Oceania, Eurasia, and Eastasia, and the territory they have
theoretically been fighting over for a quarter-century (which comprises a wide
swath of land across Africa, the Middle East, the Indian subcontinent, and
Indonesia).
First, the nature of war has changed: it
has become continuous, and therefore its aims are different. It is continuous
because none of the superpowers could ever win, and unnecessary in the old
sense because each could sustain itself materially and ideologically they're
almost identical.
According to Goldstein, the aim of warfare
is no longer conquest; it is to use up production surplus while not raising the
standard of living at home. The reason for this is, essentially, that those in
power wish to maintain a hierarchical society‹an aim that was threatened by
scientific progress, whereby machines could raise the general standard of
living to the point where wealth could theoretically be evenly distributed.
Because hierarchy depends on poverty and ignorance, as well as keeping people
too busy to complain about conditions, it became the goal of the ruling class
to somehow maintain industry while not distributing goods. The only way to do
so was continuous warfare, which addresses this need practically but also
psychologically, by correctly maintaining the morale of the Party.
As long as they remain at war, the three
superstates support one another. The standards of living in all three are
actually the same, as are their socio-political systems. The techniques of
warfare haven't really changed in 30-40 years, because they don't need to. None
of the superstates ever undertakes a major risk, i.e. one that could lead to a
serious defeat. Not much fighting really goes on and it never approaches the
heartland of any of the three powers, because that would jeopardize cultural
integrity and risk people finding that other humans are pretty much the same as
they, which could prove the undoing of these governments. Whatever fighting or
strategy there is a dance of alliances, where each power tries to swallow up an
ally and then do the same with its remaining opponent.
When war becomes continuous, it is no
longer dangerous, therefore no recourse to the past and lessons learned then is
necessary; neither is efficiency; neither is any need to even address reality.
Reality can be shaped however the ruling class chooses.
Thus war is waged by the state upon its
own citizens, not for conquest but for maintaining the social structure.
Because its nature has been so altered, and that the same effects can be
achieved through a state of peace, "war is peace"‹the true meaning of
the Party slogan.
Winston stops reading. The book is
reassuring because it helps him to know he is not insane. Julia comes in, and
is less interested in the book than in Winston.
Later, as they lie in bed, he starts to
read it to her, from Chapter 1, which discusses class differences and the
historical nature of the class struggle between High, Middle and Low.
Socialist movements aiming for liberty and
equality were more and more openly abandoned over the first half of the
twentieth century, until the three currently dominating world movements‹Ingsoc
in Oceania, Neo-Bolshevism in Eurasia, and Death-Worship in Eastasia‹had
emerged with their new aims of "unfreedom and inequality." Their
intent: to become the High, and then freeze the cycle of class struggle so as
to permanently maintain their status. To this end, technical advances were
anathema because they promoted human equality, which was to be fought at all
costs.
By the middle of the century, the new
totalitarian forces had emerged from the Middle, but with a difference: they
were less concerned with wealth than with power, and they had learned from
history how they might maintain their power and stifle all opposition.
Technologies enabled 24-hour surveillance and complete mind control; and the
"abolition of private property" really meant the appropriation of all
property by the Party as a group.
According to history, the new ruling class
could only be toppled one of four ways. It could be conquered by an external
power; this has effectually ceased to be a possibility with the mutual
unconquerability of the three superstates. It could stimulate mass revolt due
to its own inefficiency; but the masses have no standards of comparison to even
show them the inefficiency or misery of Party rule. It could allow for the rise
of a strong Middle class, or it could lose its confidence in itself and its
ability to govern through the rise of certain attitudes in its own ranks. These
last two comprise an educational problem, and are solved through the use of
doublethink and the relative flexibility between the Outer Party and Inner
Party. Because Party membership is not hereditary, the Party is not a class in
the historical sense; it is concerned with propagating itself, rather than with
putting forth its children.
There is a discussion of Oceanic society
and a detailed description of the everyday life of a Party member, which delves
into the mental disciplines of "crimestop" (the ability to protect
yourself from committing thoughtcrime using stupidity), "blackwhite"
(either an opponent's insolent claim that black is white, or a Party member's
laudable willingness to claim black is white for the Party's sake), and
doublethink (which in reality encompasses all).
The alteration of history is explained as
having two reasons: to prevent Party members from having a standard of
comparison, and to protect the Party's supposed infallibility. "The
mutability of the past is the central tenet of Ingsoc," Goldstein writes,
starting to touch upon the issue that haunts Winston. According to Ingsoc, the
past is defined by record and memory; and since the Party creates and controls
both of those, it creates the past.
Here Goldstein comes to the practice of
doublethink, and after a detailed discussion of it (though nothing Winston
doesn't already know), claims that ultimately it is doublethink which has allowed
the Party to freeze the pendulum of social class struggle, because through
doublethink the Party is able to learn from past errors while maintaining the
illusion of its infallibility. Through the use of doublethink, the Party is
able to create an atmosphere of "controlled insanity," which is the
ideal for permanently keeping human equality at bay.
But when Goldstein comes to the central
question‹i.e., why is it necessary to forever avoid human equality? Winston
stops reading, aware that Julia has fallen asleep. He closes the book and
reflects that he still doesn't understand why (his question from a previous
chapter). He knew everything in those chapters already. But he derives comfort
from the feeling that he is not mad, and falls asleep with a feeling that he is
safe.
Chapter 10
Summary:
Winston awakens, feeling like he has slept
for a long time; but the old-fashioned clock says 8:30, i.e. 20:30. The woman
outside starts singing the love song she always sings, waking Julia, who gets
up to light the stove. Oddly, there is no oil left, although she had made sure
it was full. Remarking that it is colder, she gets dressed; Winston follows
suit. He goes to the window and looks out‹no sun. As he watches the prole
woman, Julia joins him, and he is surprised to find that he thinks the huge
lady beautiful. She must have had many children, he reflects, noting also that
he and Julia can never do that; but with hope he thinks about the millions of
people like that woman, who live their lives and will eventually rise up to
construct a new world. He knows that while he and Julia are dead, they can yet
share in the future by somehow passing along the secret that "2 + 2 =
4."
He says, "We are the dead." Julia echoes
him.
And then they are startled by a voice from
the wall echoing them. "You are the dead."
At last, they have been caught. There had
been a telescreen behind the picture. Winston and Julia are ordered to remain
still and untouching, in the middle of the room, hands behind their heads,
while storm troopers surround the house and burst in through a window.
Winston remains as still as he can, trying
to avoid being struck. One of the storm troopers smashes the paperweight.
Another hits Julia in the solar plexus, knocking the wind out of her and
sending her to the floor. She is picked up and ignominiously carried out as
Winston watches helplessly.
Various uninteresting thoughts begin to
hit Winston. It becomes apparent that he and Julia have overslept‹that it is
now 9:00 in the morning, rather than in the evening. But he does not pursue
this train of thought.
Mr. Charrington enters, but he is altered
in accent and appearance. Winston realizes that he is a member of the Thought
Police.
Part 3
Chapter 1
Summary:
Winston is in the Ministry of Love (he
presumes), in a high-ceilinged bare white cell with a telescreen in each wall
and a bench running along the perimeter. He has not eaten since he was
arrested, and he has no conception of how long ago that was.
Before being brought to this place he had
been taken to a prison full of both "common criminals" (i.e. prole
gangsters, thieves, prostitutes, etc.) and political prisoners like himself. He
notes that the common criminals comport themselves with almost no fear of
consequences, in direct contrast to the political prisoners, and that they have
set up a sort of hierarchical social order within the prison.
One huge, drunken woman is brought in
kicking and screaming and dumped on Winston's lap. She seems to take a liking
to him, asks his name, and is surprised to find that it is the same as hers.
She speculates that she might be his mother; he reflects that it is possible,
given her age and the potential changes time may have wrought.
In this prison, Winston hears for the first time a
reference to "Room 101," which he does not understand.
In the cell in the Ministry of Love,
Winston has nothing to do except sit still and think. He is so paralyzed by
hunger and fear that he cannot even feel for Julia. Dreading torture, he thinks
hopefully of the razor blade O'Brien might send.
People start to come into the cell. The
first is Ampleforth, the poet from Winston's department. They talk briefly
before the telescreen shouts at them to be quiet. After a while, Ampleforth is
taken out to Room 101.
The next person to enter is, to Winston's utter
surprise, Parsons, whose daughter denounced him to the Thought Police for
saying "Down with Big Brother" over and over again in his sleep.
After Parsons is removed, various other
prisoners are brought in and taken out. Again, someone is assigned to be taken
to Room 101, and Winston observes her fear without comprehending it. A starving
man is brought in; everyone in the cell seems to realize at once that he is
dying of starvation. Another prisoner, a chinless man, gets up to offer him a
crust of bread. The telescreen roars at him to freeze and drop the bread. An
officer and a guard enter; the guard smashes the man in the mouth, sending him
across the cell and breaking his dental plate.
After this, the starving man is summoned
to Room 101. In mortal terror, he flings himself into a posture of
supplication, begging them not to send him there. The officer is implacable.
The prisoner begs them to do anything to him, anything else but Room 101; still
no relenting. Desperately, he tries to point the finger at the chinless man,
shrieking that they should be taking him instead; the guards move forward to
remove him by force. He grabs one of the iron legs supporting the bench and
puts up a surprisingly good fight before his fingers are broken by a vicious
kick and he is dragged away.
An unknown amount of time passes, and
Winston is alone. He is tortured by hunger, thirst, and panic; he still hopes
for the razor blade; his thoughts of Julia are distant and cannot compete with
his fright of the pain he knows he will be suffering.
The door opens again, and O'Brien enters.
Winston is shocked into forgetting the telescreen for the first time in years.
"They've got you too!" he exclaims, to which O'Brien replies,
"They got me a long time ago," and steps aside to reveal a guard with
a truncheon. O'Brien was not, after all, the co-conspirator Winston had
thought; but somehow, now, he sees that he has always known this was the case.
This thought flits through his mind almost unnoticed as he watches the guard's
truncheon..
The blow falls on Winston's elbow and he
is blinded by pain. Writhing on the floor, he cannot think of anything except
that there are no heroes in the face of pain.
Chapter 2
Summary:
For an indeterminate amount of time,
Winston has been tortured, first with frequent and vicious beatings, then with
extensive interrogations where the nagging of his questioners wore him down
even more than the beatings. He has confessed all manner of impossible crimes
and implicated everybody he knows. His memories are discontinuous and in some
cases hallucinatory. Through it all he has the sense that O'Brien has been in
charge of his life in the Ministry of Love‹that O'Brien dictates when Winston
shall be tortured and fed. Winston is not sure when it was, but he recalls
hearing a voice telling him not to worry, because "I shall save you, I
shall make you perfect." Winston is not certain whether it is O'Brien's
voice, but it is the same voice he heard in his old dream.
Winston drifts into a consciousness that he is in a
room with O'Brien, strapped to a bed. O'Brien is in control of some sort of
pain-generating device which will play a part in the current interrogation.
O'Brien begins by telling Winston that he
is insane because he does not have control of his memory, and that he recalls
false events. He mentions the photograph of Jones, Rutherford and Aaronson as a
hallucination Winston has had‹and then holds up the very photograph. Before
Winston's eyes, O'Brien proceeds to dispose of the photograph through a memory
hole and immediately deny that it ever existed. Winston feels helpless because
he realizes it is quite possible that O'Brien is not lying, that he in fact
believes that the photograph never existed.
They talk about the nature of the past and
reality; O'Brien tells Winston that reality exists only in the mind of the
Party, and that Winston has got to make an effort to destroy himself in order
to become "sane." He then asks Winston if he recalls writing in his
diary that "Freedom is the freedom to say that 2 + 2 =4," and this
touches off a whole round of torture. O'Brien holds up four fingers and asks
Winston how many there are, if the Party says there are five. Winston, for a
long while, can only see four, and suffers increasing levels of pain for it.
O'Brien does not accept Winston merely saying that he sees five; he has to
actually believe it. At last, Winston's senses are so dazed by pain that he is
no longer sure how many fingers there are.
O'Brien allows him a respite (for which
Winston is lovingly grateful), and asks him why he thinks people are brought to
the Ministry of Love. When Winston guesses that it is to make people confess or
to punish them, O'Brien suddenly becomes quite animated, and almost indignant
in his explanation. The point is not to hear about or punish petty crimes; it
is to actually change the Party's enemy, i.e. to empty him of himself and his
dangerous individualistic ideas, and to fill that void with the Party. This
precludes the possibility of martyrdom and the subsequent threat of people
rising up against the Party later. Even Jones, Aaronson and Rutherford, O'Brien
tells Winston, were in the end filled only with penitence and adoration of Big
Brother.
Winston feels that O'Brien's mind contains
his own, and is not quite sure which one of them is mad, though he thinks it
must be himself since it doesn't seem likely that O'Brien is.
O'Brien looks down at him sternly. He
tells him, "What happens to you here is for ever. . . . Things will happen
to you from which you could not recover, if you lived a thousand years."
These things, notably, will wipe out all human feeling from Winston‹in other
words, they will take away his humanity, and he will be nothing but a shell
filled with the Party.
At this point, Winston is hooked up to
another device which does not pain him but seems to knock out some part of his
brain, so that for a short while he can remember nothing of his own accord but
merely takes, and believes, whatever O'Brien tells him to be truth. The effect
wears off, but it has made its point: that it is, in fact, possible for the
Party to get inside him and make him believe its truth.
The session is drawing to its close, and
O'Brien mentions how he agrees with Winston's diary entry about how it doesn't
matter whether O'Brien was an enemy or a friend because he could be talked to.
Magnanimously, he allows Winston to ask any question he desires; but his
answers are yet cruel, "truthful" only in the sense that they
reference the Party's truth.
Winston realizes suddenly that O'Brien
knows what he is going to ask, and he does: "What is in Room 101?"
But O'Brien merely responds that everyone knows what is in Room 101, and
Winston is put to sleep.
Chapter 3
Summary:
Some time has passed. After innumerable
sessions with O'Brien, Winston has completed the first "stage in his
re-integration"‹learning‹and O'Brien judges that it is time for him to
move on to the second, understanding.
O'Brien quotes Winston's diary entry about
understanding "how" but not "why." He mentions Goldstein's
book, informing Winston that he was one of the people who wrote it, and that it
is true as a description of the world but that its discussion of insurrection
is nonsense and impossible; the Party, he says, will rule forever, and Winston
must get that into his head.
That said, he turns to the question of why
the Party holds onto its power. Winston answers incorrectly and suffers for it.
O'Brien answers his own question: "The Party seeks power entirely for its
own sake." Power is defined as something that must be collective, and as
power over human beings. Almost as an aside, O'Brien says the Party already
controls matter. Winston, roused, argues that they do not, but O'Brien silences
him using plenty of doublethink, and returns to the idea of holding power over
men.
Since power over others depends on making
the subject suffer, the Party's view of the future is a world based upon
hatred, fear, and destruction. All instincts of love and beauty will be
eradicated and only power, ever more refined and absolute, will remain.
Winston, horrified, again attempts to
argue against the possibility that such a world could ever last eternally. When
O'Brien asks why Winston thinks it should fail, he cites his belief that the
spirit of man will prevail. Ironically, O'Brien asks Winston if he thinks he is
a man. Winston replies that he does. O'Brien tells him that he must be the last
man, and bids him take off his clothes and go look in the mirror at the end of
the room.
When Winston sees himself, he has a nasty
shock. He is a skeleton, dirty, broken, disgusting. He is, as O'Brien cruelly
emphasizes, falling apart. He breaks down into tears. Once again, O'Brien's
manner changes to near-kindness, as he tells Winston that he can get himself
out of this state because he got himself into it. He lists the humiliations
Winston has suffered, and asks him whether there is a single degradation he has
not experienced. Winston looks up and replies that he has not betrayed Julia.
O'Brien seems to understand this, and
agrees, looking at Winston thoughtfully. Far from taking this as any sort of
hint, Winston is flooded with his old worship of O'Brien, almost grateful that
he has understood without explanation.
Chapter 4
Summary:
More time has passed, and Winston is no
longer being tortured. In fact, he is being fed and kept clean and allowed to
sleep. At first he is only interested in sleep and no conscious mental
activity; he dreams abundantly, always happy peaceful dreams, with Julia, his
mother, or O'Brien‹the three people he cares about.
Gradually he grows stronger, though he is
shocked at how weak he had become. Correspondingly, his mind becomes more
active, and he sits down to try and re-educate himself. He reviews everything
he has been told, writes down Party slogans and falsities such as "2 + 2 =
5," all the while reflecting how easy it has been to mentally surrender,
to "think as they think."
Still, he is troubled by some mental
objections, and tries to practice crimestop, which is the conscious stopping of
thought before it leads you into thoughtcrime. He finds that it is difficult to
attain the stupidity necessary to avoid seeing blatant logical flaws. At the
back of his mind, he wonders how soon he will be shot. The only thing he knows
is that they always shoot you in the back of the head.
Winston has a dream or reverie in which he
is walking down the corridor, waiting to be shot, feeling happy and at peace.
He walks into the Golden Country..
Suddenly he bolts awake, having heard
himself cry out longingly for Julia.
He had had a fleeting sensation of her
being inside him, and at that moment had loved her more than at any previous
moment. Somehow he feels she is still alive and that she needs his help.
Despairing, Winston lies back, waiting for
the tramp of boots in the corridor. His thoughtcrime sprang from the fact that
while he has tamed his mind to the Party, he has tried to keep his innermost
self‹his heart‹away from them. He wonders how much time he has added to his
torment by the cry.
Rebelliously, he decides to lock his
hatred of the Party so far inside him that it is even a secret from himself,
and envisions the final moment where, just before the bullet hits him, all his
hatred would explode. This, he feels, is the last avenue of freedom open to
him: to have his final heretical thought right before their bullet reached him.
But this will be difficult. He thinks of Big Brother
and wonders what he really feels toward him.
O'Brien enters at that moment with an
officer and guards. He orders Winston to stand up and examines him. He asks
Winston what he feels towards Big Brother. Winston replies that he hates him.
The last step, O'Brien tells him, is to learn to love Big Brother, and he
orders Winston to be taken to Room 101.
Chapter 5
Summary:
Winston has been taken to Room 101 and
strapped into a chair. O'Brien enters and tells him what is in Room 101: the
worst thing in the world, which varies between individuals but is always
something unendurable to the person in the chair. For Winston, it is rats.
A mask with a cage attached to it is
brought in. From its construction, it is clear that the mask is designed to fit
over Winston's face, and at the pulling of a lever, the rats inside the
cage‹enormous, ravenous brutes‹will be free to attack him.
O'Brien casually mentions Winston's
recurring nightmare, and tells him what he already knows: that behind the dark
wall of his nightmare were rats. Winston, beyond panic, begs O'Brien to tell
him what he wishes him to do. O'Brien does not answer, but engages in a sort of
ponderous mental torture by bringing the contraption closer and pedantically
musing on rats.
Winston's terror increases, but at the
last moment it occurs to him what must be done, and that is to beg that this be
done to Julia rather than to him.
He has saved himself; O'Brien shuts the
cage door rather than opens it.
Chapter 6
Summary:
It is 15:00 and Winston sits alone in the
Chestnut Tree Cafe. He is anxiously listening for news of the war with Eurasia.
However, Winston is not able to keep his
mind on one topic for very long these days, and he gulps down his glass of
clove-flavored gin. He is fatter and pinker now‹to the point of looking
unhealthy. Without being asked, a waiter brings him the current issue of the
Times, opened to the chess problem, and a chessboard; he sees that Winston's
glass is empty and refills it. The waiters know Winston's habits and bill him
irregularly (and, he suspects, they undercharge him), though with his new
higher-paying job this wouldn't have presented a problem either way.
An announcement from the Ministry of
Plenty reveals that Oceania is in the midst of the Tenth Three-Year Plan.
Winston starts to attack the chess problem. The telescreen announcer advises
everyone to listen for an important announcement at 15:30, which Winston knows
must be about the fighting in Africa. He has the sinking feeling that it will
be bad news; the thought that this could lead to the end of the Party triggers
a powerful but unclear reaction in him. He imagines a mysterious force
assembling to the rear of the Eurasian army, cutting off its communications,
and feels that by willing it he can bring that force into existence.
His thoughts wander; almost unconsciously
he traces the equation "2 + 2 = 5" on the table. He recalls Julia
saying "They can't get inside you," but knows she is wrong; he
remembers O'Brien saying "What happens to you here is for ever," and
knows he is right.
He had encountered Julia one freezing,
dead March day in the Park. Knowing that the Party no longer cared about what
he did, he had followed her, but not very eagerly. Something about her had
changed. She had not been particularly excited about having him around, but
resigned herself. They walked. He had put his arm around her waist; she did not
respond. He had realized that the change in her was not so much the scar across
her face or her pallor, but that her waist had thickened and stiffened into
something like a corpse or marble.
They did not speak or kiss. When Julia
looked at him, it was with contempt and dislike. They seated themselves on a
bench and finally Julia had said, "I betrayed you." He told her he
had betrayed her as well. From her explanation‹that they threaten you with the
unendurable and you place your loved one inside it instead of yourself, thereby
changing forever how you feel about the person‹it seems apparent that she, too,
had been taken to Room 101.
There was nothing more to say, and they
had parted uncomfortably, with empty words about meeting again, but really only
the desire to get away from one another.
Recalling Julia's words about betrayal,
Winston reflects that he had really wished for her to be devoured by the rats
instead of himself‹but before he can even get to the word "rats" in
his thoughts (which we know he will never do anyway), a voice from the
telescreen starts to sing, "Under the spreading chestnut tree, I sold you
and you sold me . . ."
Winston's eyes fill with tears. A waiter
passes by and refills his glass; he thinks about how dependent he has become on
gin, drinking it every hour of the day. No one cares how he spends his days.
His "job" involves dealing with trivialities that arise from the
current work being done on the Eleventh Edition of the Newspeak Dictionary. His
sub-sub-committee consists of four other people like himself.
He thinks briefly again about the struggle
in Africa, then picks up a chess piece, and somehow triggers a memory of his
childhood. His mother, after entreating him to be good, had bought him the game
Snakes and Ladders, and although he had not been interested in it at first, he
was soon captivated, and the three of them had a happy, enjoyable afternoon.
Recalling himself, Winston shakes this off
as a false memory, and is picking up the chess piece again when a trumpet-call
from the telescreen startles him. The trumpet-call always signifies a victory,
and excitement spreads through the cafe and the streets like wildfire. The
announcement is that the very strategy Winston had imagined has taken place,
utterly defeating Eurasia and giving Oceania control of all of Africa.
Caught up in the excitement of this news,
Winston looks up at the portrait of Big Brother, overwhelmed, and feels the
"final, healing change": He loves Big Brother.
Appendix
Summary:
The Appendix details the underlying
principles of Newspeak (essentially that it was designed to limit the range of
thought), and details the word classes as follows:
The A vocabulary consisted of everyday
words used in the expression of simple thoughts, usually involving concrete
objects or physical actions.
The B vocabulary consisted of words
created to hold political connotations and impose a politically desirable state
of mind upon the user. These were all compound words, like "Ingsoc"
or "doublethink." Many meant the opposite of what they really were,
in keeping with the concept of doublethink.
The C vocabulary consisted of scientific
and technical terms which it behooved no one but scientists and technicians to
use.
The grammar of Newspeak had two notable
characteristics:
There was an almost
complete interchangeability between different parts of speech. A noun and verb
were basically the same, and formed the root for all other forms of the word.
Adjectives were formed by tacking "-ful" onto the end of the word;
adverbs, by adding the suffix "-wise." Any word could be negated by
the prefix "un-," and other prefixes like "plus-" and
"doubleplus-" could strengthen the word.
The grammar was exceedingly
regular, with very few exceptions. All past tenses were formed using
"-ed," all plurals with "-s" or "-es," and comparatives
with "-er" and "-est."
Euphony was privileged above everything,
including grammatical regularity, except precision of meaning. This is because
the end goal was to produce words that could be spoken so quickly that they
would not have the time to prompt thought; in other words, so that people could
speak without thinking at all.
The meanings of Newspeak words were
carefully controlled so that in many cases most connotations were destroyed.
For instance, the word "free" still existed, but only in the sense of
something being "free from" something else, e.g. "This field is
free from weeds." It could not be used with reference to political
freedom, as this meaning had been drilled out of the word.
This also precluded the ability to argue
heretical opinions. Though, for instance, it would have been possible to say
"Big Brother is ungood," there were not the words necessary to defend
or argue this assertion. Through this process, Oldspeak would become not only
obsolete but impossible to understand or translate, since its words hold
meanings and can express ideas that would be inexpressible in Newspeak (except
using the single word "crimethink").
Chapter One: Summary
As the story opens on Mr.
Jones's farm, the farm animals are preparing to meet after Mr. Jones goes to
sleep, to hear the words that the old and well-respected pig, Old Major, wants
to say to them. The animals gather around as Old Major tells them that he had a
dream the previous night and senses that he will not live much longer. As the
animals prepare for his speech, the narrator identifies several of the animals
which will become more important in the story: the cart-horses Boxer and
Clover, the old donkey Benjamin, and Mollie the pretty mare. Before he dies, he
wants to tell the animals what he has observed and learned in his twelve years.
Old Major goes on to say that animals in England are cruelly kept in slavery by
man, who steals the animals' labor and is "the only creature that consumes
without producing". He describes his vision of an England in which animals
are free and live in complete harmony and cooperation, free of the tyranny of
man and his evil habits.
Old Major tells the animals
that they must all band together to fight the common enemy, Man, and rise up in
rebellion when the opportunity comes. He exhorts them to remain true to their
animal ways, and then leads them in a rousing song
of revolution, called "Beasts of England". They are stirred into a
frenzy by Old Major's speech and sing the song five consecutive times, until
Mr. Jones stirs and fires a shot into the air to quiet them down. Soon the
whole farm falls asleep.
Chapter Two: Summary
Three days later, Old Major
dies and is buried. His revolutionary fervor lives on, and the animals begin to
flesh in the revolutionary ideology with which they will overthrow Mr. Jones.
Two of the pigs, Snowball and Napoleon, emerge as the leaders of the animals.
Snowball is naturally vivacious, while Napoleon "has a reputation for
getting his own way". Another pig named Squealer also becomes prominent
for his persuasive speaking ability. These three pigs create a system of tenets
and name it "Animalism," and begin imparting it to the rest of the
animals, often simplifying and slowly reasoning with the less-intelligent
animals such as the Sheep, or the frivolous animals, like Mollie the white
mare. The cart-horses Boxer and Clover are the most responsive of all the
animals, and Moses the tame raven is the most difficult animal for the pigs to
persuade to join the revolution. Moses claims that he knows of the existence of
a magical place called Sugarcandy Mountain, and his tales are a constant
distraction to the other animals.
Revolution comes earlier than
anyone expected, when Mr. Jones gets so drunk that he is unable to go feed the
animals. After a day and a half without food, the hungry animals finally riot
and break into the feeding area themselves, prompting Mr. Jones and his field
hands to come outside. The animals attack them with a vengeance, and the men flee,
leaving Manor Farm to the animals. Mrs. Jones wakes up during the commotion,
and when she discovers what has happened, she runs off with a suitcase of
clothes herself. The animals rejoice, walking over the farm to examine their
property, curiously investigate the farmhouse interior, and celebrate with
extra rations of food. The next morning, Snowball repaints the sign reading
"Manor Farm" to say "Animal Farm," and he and Napoleon
introduce the animals to The Seven Commandments, which form the tenets of their
"Animalism":
Whatever goes
upon two legs is an enemy.
Whatever goes
upon four legs, or has wings, is a friend.
No animal shall
wear clothes.
No animal shall
sleep in a bed.
No animal shall
drink alcohol.
No animal shall
kill another animal.
All animals are
created equal.
The cows by this time need
milking, so the pigs manage to milk them. Several of the animals want some of
the milk for themselves, but Napoleon distracts them, saying that they have
more important things to attend to and that he will take care of it. Later that
day, the animals notice that the milk had disappeared.
Chapter Three: Summary
The Animalism regime begins
very promisingly, with all the animals working industriously to improve the
farm, and enjoying the feeling of self-governance and "animal pride"
which their regime produces. Inspired by the idea that they would enjoy the
fruits of their own labors for the first time, the animals overcome the
challenges of farming without man and bring in the largest harvest Animal Farm
has ever produced. Boxer the horse becomes a model of hard work and devotion to
the cause, and adopts the personal motto, "I will work harder". The
pigs do not actually perform any work, but instead supervise and coordinate the
work for the rest of the animals. Mollie the mare is the only animal who shirks
work. Benjamin, the old donkey, remains unchanged after the revolution, and
cryptically says that "Donkeys live a long time." The animals observe
a flag-raising ritual on Sundays, which is a day of rest for them. Snowball
forms an array of committees aimed at social improvements, education, training,
and the like. The education program achieves the greatest success, with all the
animals achieving some degree of literacy. After the discovery that the stupider
animals could not learn the Seven Commandments, Snowball reduces the tenets
down to the maxim "Four legs good, two legs bad," which even the
sheep can memorize, and bleat for hours on end. The dogs have a litter of nine
puppies, which Napoleon takes under the guise of educating them. He keeps them
secluded in the loft, and soon the other animals forget about them. After the
apple harvest, the pigs announce that they will reserve all the apples and milk
for themselves, to fuel the strenuous efforts required to manage the farm. The
other animals reluctantly acquiesce.
Chapter Four: Summary
News of the rebellion at
Animal Farm spreads quickly to the rest of the animals in England, and the
words to "Beasts of England" can soon be heard on farms everywhere. Emboldened
by the Animal Farm revolution, other previously subdued animals begin
displaying subversive behavior in subtle ways, such as tearing down fences and
throwing riders. This development alarms the local farmers, who have listened
to Mr. Jones's tale of woe at the Red Lion tavern where he now spends most of
his time. Alarmed by the developments at Animal Farm and the threat of
revolution spreading, the townsmen band together with Mr. Jones and attempt to
reclaim his farm. The animals successfully defend it, led by the strategy and
bravery of Snowball. A young farm hand is thrown to the ground by Boxer, and at
first it appears that he has been killed, but he gains consciousness a few
moments later and runs off. At the first gunshot, Mollie the mare runs into the
barn in terror and buries her head in the hay. Snowball and Boxer are given
medals for their courageous fighting.
Chapter Five: Summary
Unhappy with the new workload
at Animal Farm, Mollie runs away to work pulling a dogcart for a man who feeds
her sugar lumps, and she is never spoken of again. When winter comes, Snowball
begins talking of a plan to build a windmill to bring electricity to the farm.
Snowball has spent much of his spare time reading Mr. Jones's old books on
farming techniques, and he envisions an Animal Farm where increased
productivity will result in less work and more comfortable lifestyles for all
the animals. Napoleon, who by this times disagrees with Snowball about almost
everything, is bitterly opposed, and the animals become divided into two camps
of supporters. Napoleon and Snowball also disagree about the best course of
defense for the farm, with Snowball advocating the spread of the revolutionary
spirit to neighboring farms, while Napoleon feels the animals should procure
weapons and develop a military force. The animals are set to vote, and after
Snowball's impassioned speech, Napoleon whistles for nine large dogs (the
puppies that he has trained), and they attack Snowball and drive him off the
farm. Napoleon becomes the single leader of the animals, abolishes their weekly
debates and meetings, and announces that they will go through with the windmill
scheme after all. The animals are initially dismayed by these developments, but
Squealer eventually smoothes things over.
Chapter Six: Summary
The animals begin working like
slaves to complete the harvest and build the windmill. Napoleon announces that
the animals will now perform "voluntary" work on Sundays. Though the
work is officially called voluntary, any animal who does not participate will
have their food rations cut in half. To finance the completion of the windmill,
Napoleon announces that Animal Farm will begin trading with the men who run
nearby farms. The animals think they remember Old Major speaking against evil human
habits such as trade. Squealer convinces the animals that they are only
imagining it. The sight of Napoleon on four legs conducting business with the
farm's trade agent Mr. Whymper, who stands upright, makes the animals so proud
that they ignore their misgivings. The pigs then move into the farmhouse, and
Squealer again convinces that animals that they are only imagining the earlier
rules against sleeping in beds. Some of the animals go to check the Fourth
Commandment, and discover that it actually reads "No animal shall sleep in
a bed with sheets". Rather than realizing that the Commandment has been
altered, the animals accept that they must have forgotten the ending before.
The windmill is destroyed in a storm, and Napoleon blames it on Snowball, and
places a reward on his head.
Chapter Seven: Summary
A hard winter comes, and the
animals face near-starvation. To hide the food shortage from the outside world,
Napoleon fills the grain bins with sand to fool Mr. Whymper. He also plants
several animals at strategic locations during Mr. Whymper's visits so that he
can hear them making "casual" (and false) remarks about food
surpluses and increased rations. Napoleon announces the plan to sell a pile of
timber to one of two neighboring farmers, Mr. Frederick or Mr. Pilkington. At
Napoleon's bidding, Squealer announces that the hens will have to give up their
eggs to be sold for money to buy grain. The hens refuse at first, but Napoleon
cuts off their food rations until they relent, after nine of them have died
from starvation. All sorts of acts of mischief and vandalism begin to surface,
which are immediately attributed to Snowball. Soon after, Napoleon announces
that an attempted rebellion has been discovered, and has several of the farm
animals executed. The remaining animals react with fear and horror, and huddle
around Clover the mare for comfort. She reminds them of Old Major's glorious
speech and leads them all in "Beasts of England," which prompts
Napoleon to forbid the singing of the song and replace it with the song
"Animal Farm, Animal Farm, never through me shall thou come to harm".
Chapter Eight: Summary
The animals discover that
after the executions, another commandment is different from how they remembered
it; the Sixth Commandment now reads "No animal shall kill another animal
without cause". Napoleon has a long poem praising his leadership painted
on the side of the barn, and it is announced that the gun will be fired each
year on his birthday. All orders are delivered through Squealer, with Napoleon
living in near seclusion in the farmhouse and rarely appearing on the farm in
person. When he does make public appearances, it is only while accompanied by a
retinue of dogs and other servants. Napoleon announces the sale of the pile of
timber to Frederick, a neighboring farmer whose acts of cruelty toward his
animals are legendary. After the transaction, it is revealed the Frederick paid
with forged bank notes. Napoleon pronounces a death sentence onto Frederick.
Shortly thereafter, the farm is again attacked by neighboring farmers, led by
Frederick himself. Napoleon appeals to Pilkington to help the cause of Animal
Farm, but Pilkington's interest in the farm were only economic, and since he
did not get the pile of timber, he refuses to help, sending Napoleon the
message "Serves you right". The animals finally repel the farmers,
but only with great difficulty, with Boxer sustaining a severe injury to his
hoof and the windmill being destroyed in an explosion. Napoleon celebrates the
victory by drinking lots of whisky, and despite his vicious hangover, the Fifth
Commandment soon reads "No animal shall drink alcohol in excess".
Chapter Nine: Summary
More and more, the animals
begin to think about the generous retirement plans that had been part of the
ideology of the early Revolution. Life is hard for the animals, and rations
continue to be reduced, except for the pigs, who are allowed to wear green
ribbons on Sundays, drink beer daily, and actually seem to be gaining weight.
To keep the animals from complaining about the obvious discrepancies, Squealer
continually reads the animals reports which detail how much better off they are
now then before the Revolution. Animal Farm is declared a Republic and must
elect a President. Napoleon is the only candidate and is elected unanimously.
Moses the raven returns after an absence of several years, still talking about
the mystical Sugarcandy Mountain. Boxer falls ill and Napoleon promises to send
him to a hospital, but the animals read the sign of the truck as he is hauled
away and discover that he is being taken to the butcher's. Squealer eventually
convinces the animals that they are mistaken.
Chapter Ten: Summary
Years pass, and many of the
older animals, who remember life before the Revolution, die off. Only cynical
Benjamin remains just as he always was. The animal population has increased,
but not as much as would have been predicted at the Revolution's beginning.
Talk of retirement for the animals stops, and the pigs, who have become the
largest group of animals by far, form a bureaucratic class in the government.
As Napoleon ages, Squealer assumes a position of increasing power, and learns
to walk upright. He teaches the sheep to change their chant to "Four legs
good, two legs better," and the Seven Commandments are replaced with a
single commandment: "All animals are created equal, but some animals are
more equal than others". The animals are once again uneasy by the new
political developments, but they comfort themselves with the knowledge that at least
they have no human master. Squealer begins to seek out the approval of the
neighboring farmers for his efficiency and order at Animal Farm. The pigs
invite a group of townsmen to dinner to inspect the efficiency of Animal Farm,
and the men congratulate the pigs on their achievements, noting that the
animals at Animal Farm did more work and required less food than any farm in
the county. Napoleon refers to the farm animals as "the lower
classes" and announces that Animal Farm will take back its original name
of The Manor Farm. As the animal watch the dinner proceedings through the
window, they realize with horror that they can no longer tell the pigs' faces
from the human ones.
Canto 1: A
wayward, wild, immoral youth grows weary of his ways and seeks to gain a surer
foothold on life by traveling. A rambling account follows in which Harold goes
to Spain and Portugal, with momentary lapses where other areas of Europe are
recalled. Familiarity with the area in the reader might make the descriptions
more meaningful, but they are romantic nevertheless.
Canto 2: Harold
then journeys to the Baltics, where he is impressed by the fierce culture of
the Albanians, and the past glory of Greece. A reminiscence and some extensive
notes on the state of Greece and its bondage to foreign powers are included.
The descriptions are often picturesque, but the poem as a whole lacks
coherence. We see no growth in Harold-- in fact, it is not a story about him at
all, but rather a poetic chronicle of travels and thoughts. As such, though, it
is passable.
Canto 3: This is
a far superior piece of work to the last two cantos. Harold develops, affected
by and reflecting deeply and interestingly on Waterloo and Napoleon in Belgium,
on the Alps, the Rhine and the battles fought there. His cynicism begins to
soften, and he begins to yearn for his beloved. With the place-descriptions are
woven (this time, rather than simply interspersed as before) meditations on
people, such as the Aventian princess Julia whose love for her father affected
Byron so deeply; and Rousseau, of whom Byron is critical but admiring (see also
his long thoughtful note on this subject); and Voltaire and Gibbon, who are
acknowledged but claimed to be wrongheaded. Also, he thinks about nature as a
respite from the "madding crowd" (fortified with a prose argument in
a note), entertains what we would now call some "environmentalist"
thoughts, and finally comments on his shunning of the world's trends and his
sorrow as an estranged father to his girl. This canto is very like the
meandering thoughts of a traveler or a wanderer. But here they are fruitful and
bubble forth to a greater extent than in the first two.
Canto 4: In
keeping with the progression of this poem, this canto is the best of the four.
In Italy, we see the places and hear reminiscences of the people, but these in
this canto seem oddly secondary. Harold's journey is now admitted to be Byron's
journey, and the meditations which the sites and scenes inspire are deep and
thoughtful as never before. We get much more of an idea that this is Byron
speaking to us rather than an imagined character; indeed, Byron in the
prefatory letter calls the work his most thoughtful composition (as of 1818).
He reaches highs of contemplation more than once-- on imagination and the
eternal glimpses it brings; on suffering and painful memory; on solitude and
its virtues and vices; on education; on man's humility and state of political
and spiritual slavery; on freedom; on our poor souls and the illusory nature of
love; on thought and truth; on the joys of the wilderness and the power of the
ocean; and an excellent conclusion which humbly and thoughtfully closes the
mind's eye of the reader in rest. Meanwhile, of course, we are shown Venice,
several ancient sites, and (for the bulk of the canto) Rome, about whose
history Byron muses, talking of the rise and fall of civilizations. We see the
Pantheon, Circus, Coliseum, Vatican... and all inspire thought and reflection.
No real conclusions are reached-- Harold/Byron does not have a sustained and
rejuvenation epiphany-- but still we get the idea that he is better for having
superfluity wrung from him on this trip. For, how can one descend to the level
of a profligate again, after tasting the greatness which man has attained in a
worldly sense, and being inspired by that to think (to some extent at least) of
great things in a spiritual sense?
The first chapter describes Lyme Regis
and its Cobb, a harbor quay on which three characters are standing: Charles
Smithson, Ernestina Freeman, and Sarah Woodruff. The describing narrator has a
distinctive voice, all-knowing yet intimate, with a wide-ranging vocabulary and
evidently vast knowledge of political and geographical history. In one sentence
the narrator sounds like a Victorian, as he remarks that the male character
recently "had severely reduced his dundrearies, which the arbiters of the
best English male fashion had declared a shade vulgar--that is, risible to the
foreigner--a year or two previously." In the next sentence he sounds
modern, as he describes how "the colors of the young lady's clothes would
strike us today as distinctly strident." The narrator's double vision and
double voice make him as important as the characters in this novel.
Charles is a middle-aged bachelor and
amateur paleontologist; Ernestina is his fiancée, who has brought him to
spend a few days with her aunt. Out of a chivalric concern for Sarah, Charles
advises her to return from the end of the Cobb to a
safer position, but she merely stares at him. As he reflects on this curious
meeting, the narrator begins to comment on Charles's outlook on life and on the
attitudes that were typical of the age in 1867, with occasional comparisons
with 1967.
Ernestina is revealed to be a pretty but
conventional young woman. Sarah is an outcast who is reputed to be pining for
the French lieutenant who has jilted her. Charles is earnest but intelligent
enough to be aware of Ernestina's limitations. When he is looking for fossils along
the wooded Undercliff, Charles discovers Sarah sleeping, and must apologize
when she awakes and sees him observing her. As he returns to Lyme, he inquires
about her at a nearby farm, whose owner tells him that the "French
Loot'n'nt's Hoer" often walks that way. Sarah's employer, having
separately become aware of that fact, forbids her to walk there any more. Sarah
spends that night contemplating suicide, and Chapter 12 ends with two
questions: "Who is Sarah? Out of what shadows does she come?"
Chapter 13 begins "I do not
know," and the narrator proceeds to discuss the difficulty of writing a
story when characters behave independently rather than do his bidding. Charles,
he complains, did not return to Lyme as the narrator had intended but willfully
went down to the Dairy to ask about Sarah. But, the narrator concedes, times
have changed, and the traditional novel is out of fashion, according to some.
Novels may seem more real if the characters do not behave like marionettes and
narrators do not behave like God. So the narrator, in effect, promises to give
his characters the free will that people would want a deity to grant them.
Likewise, the narrator will candidly admit to the artifice of the narration and
will thereby treat his readers as intelligent, independent beings who deserve
more than the manipulative illusions of reality provided in a traditional
novel.
Subsequent chapters contain
representations of domestic life--a quiet evening with Charles and Ernestina, a
morning with Charles and his valet, a concert at the Assembly Rooms. During
this last, Charles reflects on where his life seems to be leading and on the
fact that, as he puts it, he has become "a little obsessed with Sarah…or
at any rate with the enigma she presented." He returns to the Undercliff,
again finds Sarah there, and is shocked to be told by her that she is not
pining for her French lieutenant, that he is married. The next time Charles
encounters her in the Undercliff she offers Charles some fossils she has found
and tells him that she thinks she may be going mad; she asks him to meet her
there once more, when she has more time, so that she can tell him the truth
about her situation and obtain his advice.
Charles decides to seek advice himself
and visits Dr. Grogan, an elderly bachelor and an admirer of Darwin, whose
theories they discuss. When the conversation turns to Sarah, Grogan expresses
the belief that she wants to be a victim. Sarah seems to bear out his view when
she explains to Charles that she indeed became infatuated with the French
lieutenant when he was recovering from an injury in the house, where Sarah was
governess, and that she followed him when he left to return to France. She
tells Charles that she quickly realized that he had regarded her only as an
amusement, but that she "gave" herself to him nonetheless, doubly
dishonoring herself by choice as well as by circumstances. She seems to be
proud of her status as outcast, for it differentiates her from a society she
considers unjust. Charles accepts her story--even finds it fascinating.
When Charles returns to his room at the
inn, he finds a telegram from his bachelor uncle Robert, summoning him home to
the family estate he is in line to inherit. To Charles's surprise, Robert has
decided to marry Bella Tomkins, a young widow, whose sons--if she has
any--would displace Charles as heir. On Charles's return to Lyme Regis,
Ernestina mentions that Sarah was seen returning from their last meeting in the
Undercliff, where she had been forbidden to walk, and has been dismissed by
Mrs. Poulteney. At his hotel, Charles finds a message from Sarah, urging him to
meet her one more time. Charles has Dr. Grogan call off the search for Sarah,
who, it was thought, might have killed herself Grogan again warns Charles
against Sarah, this time by offering him a document to read about a case of
bizarre behavior by a young woman in France who manages to get one of her
father's officers unjustly convicted of attempting to rape her. Charles decides
to meet Sarah again, despite the possibility that she may be deranged and
trying to destroy him.
Now even more of two minds about his
marriage, Charles decides to go to London to discuss his altered financial
prospects with Ernestina's father, a prosperous merchant there. Mr. Freeman is
more concerned for the happiness of his daughter, who evidently loves Charles
dearly, so the engagement stands; but Charles is increasingly uncomfortable with,
even trapped by, his situation. He goes to his club and drinks too much. He
visits a brothel with two of his friends, but finds the entertainment
repellant, and leaves. He picks up a Cockney streetwalker and returns to her
flat with her; when she tells him her name is, coincidentally, Sarah, Charles
becomes ill and, subsequently, returns to his room. The next morning Charles
receives a letter from Grogan, and a note from Sarah with the name of a hotel
in Exeter.
Because the train station nearest to Lyme
Regis is in Exeter, Charles must pass through that town on his way back from
London. Having steamed open the note from Sarah, Sam is confident that they
will spend the night in Exeter, so that Charles can visit Sarah, but they
proceed to Lyme, where Charles and Ernestina are reunited. The narrator
recounts that they go on to marry, have seven children, and live well into the
twentieth century. In the next chapter, the narrator explains that this
traditional ending is just one possibility, a hypothetical future for his
characters. Charles recognized his freedom of choice and "actually"
did decide to put up at Exeter for the night, precisely as Sam had expected.
As the story resumes and continues to
unfold, Charles visits Sarah at her hotel. He must see her in her room because
she has supposedly injured her ankle, though she has purchased the bandage
before the "accident" occurred. Charles is overcome by passion and
takes her to bed, only to discover that she is a virgin, despite what she had
told him about the French lieutenant. She confesses that she has deceived him,
says that she cannot explain why and, furthermore, cannot marry him. Stunned by
the whole experience, Charles visits a nearby church and meditates on the human
condition. He decides that Sarah has been trying to "unblind" him
with her stratagems, so that he would recognize that he is free to choose. He
writes a letter to Sarah, telling her how much she means to him, and then
returns to Lyme to call off his engagement.
Sam does not deliver the letter.
Ernestina is distraught when Charles tells her that he is unworthy to be her
husband, more so when she realizes that the true reason is another woman. Sam
correctly surmises that his master's star will wane as the marriage is called
off, so determined to protect his prospect of marriage to Mary, he leaves his
position as Charles's valet in hope that Ernestina's aunt and her father will
help him.
When
Charles returns to Exeter, he finds Sarah gone to London, having left no
forwarding address. As he follows her, by train, a bearded figure sits opposite
Charles and watches him as he dozes. The character is the narrator himself, who
professes not to know where Sarah is or what she wants; indeed, he is wondering
what exactly to do with Charles. He compares writing a novel to fixing a fight
in favor of one boxer or another; to seem less dishonest, he decides to show
the "fight" as if "fixed" both ways, with different
"victors," or endings. Because the last ending will seem privileged
by its final position, he flips a coin to determine which ending to give first.
The narrative resumes the description of
Charles's search for Sarah. He checks agencies for governesses, patrols areas
frequented by prostitutes, and advertises--all without success. He visits the
United States and advertises there. Two years after she disappeared, Charles
gets a cable from his solicitor saying that Sarah has been found. Charles hopes
that Sarah has decided to answer the ad, but the narrator explains that Mary
has seen Sarah enter a house in Chelsea, and that it is Sam who responded to
the ad, now that he is a thriving employee of Mr. Freeman as well as a happy
father and husband, but still slightly guilt-ridden over his having intercepted
the letter at Lyme.
When Charles arrives at Sarah's house, he
finds her surprised to see him and not apologetic about having left him in
ignorance of her whereabouts. She gradually is revealed to be living in the
house of Dante Gabriel Rossetti and several other artists and models of the
Pre-Raphaelite Brotherhood. Charles is shocked, partly by the rather
notoriously unconventional company she is keeping and partly by her lack of
repentance for having deceived him and left him in uncertainty. He accuses her
of implanting a dagger in his breast and then twisting it. She decides not to
let Charles leave without revealing that she has had a child by him, named
Lalage. Chapter 60 ends with the three of them evidently on the threshold of
some kind of future together.
Chapter 61 begins with the bearded
narrator in front of Sarah's house with a watch, which he sets back fifteen
minutes and drives off. The narrative resumes with the same piece of dialogue
from Chapter 60, about twisting the knife. In this version of the conversation,
Charles sees that she cannot marry without betraying herself, and that he
cannot accept her on more independent terms. He leaves without realizing that
the child he notices on the way out is his. The narrator ends the novel by
noting that Charles has at least begun to have some faith in himself, despite
his not feeling that he understands Sarah, and that the reader should not
imagine that the last ending is any less plausible than the one before it.
Краткое содержание
Ветреным мартовским днем 1867 г. вдоль мола
старинного городка Лайм-Риджиса на юго-востоке Англии прогуливается молодая
пара. Дама одета по последней лондонской моде в узкое красное платье без
кринолина, какие в этом провинциальном захолустье начнут носить лишь в будущем
сезоне. Ее рослый спутник в безупречном сером пальто почтительно держит в руке
цилиндр. Это были Эрнестина, дочь богатого коммерсанта, и ее жених Чарльз
Смитсон из аристократического семейства. Их внимание привлекает женская фигура
в трауре на краю мола, которая напоминает скорее живой памятник погибшим в
морской пучине, нежели реальное существо. Ее называют несчастной Трагедией или
Женщиной французского лейтенанта. Года два назад во время шторма погибло судно,
а выброшенного на берег со сломанной ногой офицера подобрали местные жители.
Сара Вудраф, служившая гувернанткой и знавшая французский, помогала ему, как
могла. Лейтенант выздоровел, уехал в Уэймут, пообещав вернуться и жениться на
Саре. С тех пор она выходит на мол, "слоноподобный и изящный, как
скульптуры Генри Мура", и ждет. Когда молодые люди проходят мимо, их
поражает ее лицо, незабываемо-трагическое: "скорбь изливалась из него так
же естественно, незамутненно и бесконечно, как вода из лесного родника".
Ее взгляд-клинок пронзает Чарльза, внезапно ощутившего себя поверженным врагом
таинственной особы.
Чарльзу тридцать два года. Он считает себя
талантливым ученым-палеонтологом, но с трудом заполняет "бесконечные
анфилады досуга". Проще говоря, как всякий умный бездельник викторианской
эпохи, он страдает байроническим сплином. Его отец получил порядочное
состояние, но проигрался в карты. Мать умерла совсем молодой вместе с
новорожденной сестрой. Чарльз пробует учиться в Кембридже, потом решает принять
духовный сан, но тут его спешно отправляют в Париж развеяться.
Он проводит время в путешествиях, публикует путевые
заметки - "носиться с идеями становится его главным занятием на третьем
десятке". Спустя три месяца после возвращения из Парижа умирает его отец,
и Чарльз остается единственным наследником своего дяди, богатого холостяка, и
выгодным женихом. Неравнодушный к хорошеньким девицам, он ловко избегал
женитьбы, но, познакомившись с Эрнестиной Фримен, обнаружил в ней незаурядный
ум, приятную сдержанность. Его влечет к этой "сахарной Афродите", он
сексуально неудовлетворен, но дает обет "не брать в постель случайных
женщин и держать взаперти здоровый половой инстинкт". На море он приезжает
ради Эрнестины, с которой помолвлен уже два месяца. Эрнестина гостит у своей
тетушки Трэнтер в Лайм-Риджисе, потому что родители вбили себе в голову, что
она предрасположена к чахотке. Знали бы они, что Тина доживет до нападения
Гитлера на Польшу! Девушка считает дни до свадьбы - осталось почти девяносто...
Она ничего не знает о совокуплении, подозревая в этом грубое насилие, но ей хочется
иметь мужа и детей. Чарльз чувствует, что она влюблена скорее в замужество, чем
в него.
Однако их помолвка - взаимовыгодное дело. Мистер
Фримен, оправдывая свою фамилию (свободный человек), прямо сообщает о желании
породниться с аристократом, несмотря на то что увлеченный дарвинизмом Чарльз с
пафосом доказывает ему, что тот произошел от обезьяны. Скучая, Чарльз начинает
поиски окаменелостей, которыми славятся окрестности городка, и на Вэрской
пустоши случайно видит Женщину французского лейтенанта, одинокую и страдающую.
Старая миссис Поултни, известная своим самодурством, взяла Сару Вудраф в
компаньонки, чтобы всех превзойти в благотворительности. Чарльз,
в обязанности которого входит трижды в неделю наносить визиты, встречает в ее
доме Сару и удивляется ее независимости. Унылое течение обеда разнообразит лишь
настойчивое ухаживание голубоглазого Сэма, слуги Чарльза, за горничной мисс
Трэнтер Мэри, самой красивой, непосредственной, словно налитой девушкой. На
следующий день Чарльз вновь приходит на пустошь и застает Сару на краю обрыва,
заплаканную, с пленительно-сумрачным лицом. Неожиданно она достает из кармана
две морские звезды и протягивает Чарльзу. "Джентльмена, который дорожит
своей репутацией, не должны видеть в обществе вавилонской блудницы Лайма",
- произносит она. Смитсон понимает, что следовало бы подальше держаться от этой
странной особы, но Сара олицетворяет собой желанные и неисчерпаемые
возможности, а Эрнестина, как он ни уговаривает себя, похожа, порою на
"хитроумную заводную куклу из сказок Гофмана". В тот же вечер Чарльз
дает обед в честь Тины и ее тетушки. Приглашен и бойкий ирландец доктор Гроган,
холостяк, много лет добивающийся расположения старой девы мисс Трэнтер. Доктор
не разделяет приверженности Чарльза к палеонтологии и вздыхает о том, что мы о
живых организмах знаем меньше, чем об окаменелостях.
Наедине с ним Смитсон спрашивает о странностях
Женщины французского лейтенанта. Доктор объясняет состояние Сары приступами
меланхолии и психозом, в результате которого скорбь для нее становится
счастьем. Теперь встречи с ней кажутся Чарльзу исполненными филантропического
смысла. Однажды Сара приводит его в укромный уголок на склоне холма и
рассказывает историю своего несчастья, вспоминая, как красив был спасенный
лейтенант и как горько обманулась она, когда последовала за ним в Эймус и
отдалась ему в совершенно неприличной гостинице: "То был дьявол в обличий
моряка!" Исповедь потрясает Чарльза. Он обнаруживает в Саре страстность и
воображение - два качества, типичных для англичан, но совершенно подавленных
эпохой всеобщего ханжества. Девушка признается, что уже не надеется на
возвращение французского лейтенанта, потому что знает о его женитьбе. Спускаясь
в лощину, они неожиданно замечают обнимающихся Сэма и Мэри и прячутся. Сара
улыбается так, как будто снимает одежду. Она бросает вызов благородным манерам,
учености Чарльза, его привычке к рациональному анализу. В гостинице
перепуганного Смитсона ждет еще одно потрясение: престарелый дядя, сэр Роберт,
объявляет о своей женитьбе на "неприятно молодой" вдове миссис
Томкинс и, следовательно, лишает племянника титула и наследства, Эрнестина
разочарована таким поворотом событий. Сомневается в правильности своего выбора
и Смитсон, в нем разгорается новая страсть. Желая все обдумать, он собирается
уехать в Лондон. От Сары приносят записку, написанную по-французски, словно в
память о лейтенанте, с просьбой прийти на рассвете.
В смятении Чарльз признается доктору в тайных
встречах с девушкой. Гроган пытается объяснить ему, что Сара водит его за нос,
и в доказательство дает прочитать отчет о процессе, проходившем в 1835 г. над
одним офицером. Он обвинялся в изготовлении анонимных писем с угрозами семье
командира и насилии над его шестнадцатилетней дочерью Мари. Последовала дуэль,
арест, десять лет тюрьмы. Позже опытный адвокат догадался, что даты самых
непристойных писем совпадали с днями менструаций Мари, у которой был психоз
ревности к любовнице молодого человека.. Однако ничто не может остановить
Чарльза, и с первым проблеском зари он отправляется на свидание. Сару выгоняет
из дома миссис Поултни, которая не в силах перенести своеволие и дурную
репутацию компаньонки. Сара прячется в амбаре, где и происходит ее объяснение с
Чарльзом. К несчастью, едва они поцеловались, как на пороге возникли Сэм и Мэри.
Смитсон берет с них обещание молчать и, ни в чем не признавшись Эрнестине,
спешно едет в Лондон. Сара скрывается в Эксетере.
У нее есть десять соверенов, оставленные на прощание
Чарльзом, и это дает ей немного свободы. Смитсону приходится обсуждать с отцом
Эрнестины предстоящую свадьбу. Как-то, увидев на улице проститутку, похожую на
Сару, он нанимает ее, но ощущает внезапную тошноту. Вдобавок шлюху также зовут
Сарой. Вскоре Чарльз получает письмо из Эксетера и отправляется туда, но, не
повидавшись с Сарой, решает ехать дальше, в Лайм-Риджис, к Эрнестине. Их
воссоединение завершается свадьбой. В окружении семерых детей они живут долго и
счастливо. О Саре ничего не слышно. Но этот конец неинтересен. Вернемся к
письму. Итак, Чарльз спешит в Эксетер и находит там Сару. В ее глазах печаль
ожидания. "Мы не должны... это безумие", - бессвязно повторяет
Чарльз. Он "впивается губами в ее рот, словно изголодался не просто по
женщине, а по всему, что так долго было под запретом". Чарльз не сразу
понимает, что Сара девственна, а все рассказы о лейтенанте - ложь. Пока он в
церкви молит о прощении, Сара исчезает. Смитсон пишет ей о решении жениться и
увезти ее прочь. Он испытывает прилив уверенности и отваги, расторгает помолвку
с Тиной, готовясь всю жизнь посвятить Саре, но не может ее найти. Наконец,
через два года, в Америке, он получает долгожданное известие. Возвратившись в
Лондон, Смитсон обретает Сару в доме Росетти, среди художников. Здесь его ждет
годовалая дочка по имени Лалаге (ручеек).
Нет, и такой путь не для Чарльза. Он не соглашается
быть игрушкой в руках женшины, которая добилась исключительной власти над ним.
Прежде Сара называла его единственной надеждой, но, приехав в Эксетер, он
понял, что поменялся с ней ролями. Она удерживает его из жалости, и Чарльз
отвергает эту жертву. Он хочет вернуться в Америку, где открыл "частицу
веры в себя". Он понимает, что жизнь нужно по мере сил претерпевать, чтобы
снова выходить в слепой, соленый, темный океан.
Gulliver’s Travels by Daniel Defoe
Context
Gulliver's Travels was published in 1726
by satirist Jonathan Swift. Because it can be read as a fantasy novel, a story
for children, and a social satire, its tales of dwarves, giants, oating islands
and talking horses have long entertained readers from every age group. It has
often been issued with long passages omitted, particularly those concerning
bodily functions and other distasteful topics. Even without these passages,
however, Gulliver's Travels serves as a biting satire, and Swift ensures that
it is both humorous and critical, constantly criticizing British and European
society through its descriptions of imaginary countries.
The book was originally published as
Travels to Several Remote Nations of the World by Captain Lemuel Gulliver. It
is set at the turn of the 18th century, and it details four journeys
made over the course of several years. It describes only vaguely the locations
of the fantastic lands to which Gulliver travels, ultimately insisting that
European maps are too awed to allow them to be easily found.
There is a general tone of mockery in the
text, echoing the sarcastic voice found in other works by Swift (e.g. "A
Modest Proposal"). Gulliver is sometimes wise, sometimes foolish, but
always eager to please his new masters. The sarcastic tone of the text sets
Swift himself as a kind of foil to Gulliver; unlike his protagonist, Swift's
purpose was no doubt to annoy the leaders of Britain rather than please them.
Swift wrote Gulliver's Travels at a time
of political change and scientific invention, and many of the events he
describes in the book can easily be linked to contemporary events in Europe.
One of the reasons that the stories are deeply amusing is that, by combining
real issues with entirely fantastic situations and characters, they suggest that
the realities of 18th-century England were as fantastic as the situations in
which Gulliver finds himself.
Characters
Gulliver The narrator and protagonist of
the story, Lemuel Gulliver is a English ship's surgeon carried by circumstance
into a series of adventures in strange parts of the world. He is well-traveled
and speaks several languages.
The Emperor The ruler of Lilliput; he, like all Lilliputians, is
less than six inches tall.
Reldresal A government official in Lilliput; he befriends
Gulliver and warns him when his life is threatened.
The farmer Gulliver's first master in Brobdingnag; in order to
make money, he puts Gulliver on display around Brobdingnag.
Glumdalclitch The farmer's nine-year-old daughter; she becomes
Gulliver's friend and nursemaid.
The Queen The Queen of Brobdingnag.
The King The King of Brobdingnag.
Yahoo Unkempt beasts who live under the power of the Houyhnhnms; they are
strong, malicious, and cowardly, and resemble humans in most respects.
Houyhnhnms Horses who maintain a simple, peaceful society, in
which the Yahoos are subordinate; they befriend Gulliver, but cannot accept him
as an equal.
Summary
Gulliver's Travels details a sailor's
journey to four very different fantastical societies. The first, Lilliput, is
populated by miniature people who brought wars over the proper way to break an
egg. The second, Brobdingnag, is inhabited by giants who put Gulliver on
display as a curiosity. The third consists of a kingdom governed by a king who
lives on a oating island; the kingdom also contains an academy of scientists
performing futile experiments, such as trying to extract sunbeams from
cucumbers. The fourth is a society in which human-like creatures are made to
serve their horse-like superiors, the Houyhnhnms.
In his first adventure, in Lilliput,
Gulliver becomes a hero by destroying an enemy's fleet of ships. He is
constantly under threat of execution by the little people of Lilliput, however,
who believe that trivial crimes deserve severe punishments. The willingness of
the Lilliputians and their enemies to risk their lives in defense of their
methods of egg-breaking is a way for Swift to criticise the European tendency
to focus on, and _get over, trivialities.
In his next adventure, in Brobdingnag,
Gulliver finds himself in the opposite situation, now many times smaller than
his hosts. He is made to see things up close, and notices things that would
have escaped him had the people been his own size. To him, the Brobdingnagians
seem vulgar and ugly, since the aws, which would be invisible on smaller
beings, become all too obvious when expanded to their gargantuan size. Gulliver
is treated poorly by the farmer who first discovers him, but is then rescued by
the Queen, who turns him into a pet. The giants see him, and the society from
which he comes, as tiny and insignificant.
Next, Gulliver visits the oating island of
Laputa, where he encounters a government so absorbed in its theories that the
King must be aroused during conversation by being hit with a stick. While the
people on the oating island concern themselves with theories, the people of the
kingdom below suffer from poverty and hunger. On the ground a scientific
academy is similarly concerned with the most impractical projects; the value of
academia is challenged by their ineptitude.
Finally, Gulliver travels to a country
populated by intelligent horses, the Houyhnhnms, and the brutish, human-like
Yahoos who serve them. During his stay, he is treated like a Yahoo and comes to
think of his own European society as being not that different from theirs. He
wants to stay with the Houyhnhnms, but he is eventually banished from their
company for resembling a Yahoo. Knowing that the ways of his people are awed
and irrational, he finds it very difficult to return home to England.
Part I, Chapter 1
Summary
The novel begins with Lemuel Gulliver
recounting the story of his life, beginning with his family history. He was
born to a family in Nottinghamshire, the third of five sons. Although he
studied at Cambridge as a teenager, his family was too poor to keep him there,
so he was sent to London to be a surgeon's apprentice. There, he learned
mathematics and navigation with the hope of travelling. When his apprenticeship
ended, he studied physics at Leyden.
He then became a surgeon aboard a ship
called The Swallow for three years. Afterwards, he settled in London, working
as a doctor, and married a woman named Mary Burton. His business began to fail
when his patron died, so he decided to go to sea again and travelled for six
years. Although he had planned to return home, he decided to accept one last
job on a ship called The Antelope.
Here the background information ends and
Gulliver's story really begins. In the East Indies, The Antelope encounters a
violent storm in which twelve crewmen die. Six of the crew members, including
Gulliver, board a small rowboat to escape. Soon the rowboat capsizes, and
Gulliver loses track of his companions; they are never seen again. Gulliver,
however, swims safely to shore.
He lies down on the grass to rest and soon
falls asleep. When he wakes up he finds that his arms, legs, and long hair have
been tied to the ground with ropes bound across the rest of his body. Tied as
he is, he can only look up, and the bright sun prevents him from seeing
anything. He feels something move across his leg and over his chest. He looks
down at it and sees, to his surprise, a six-inch-tall human carrying a bow and
arrow. At least forty more little people climb onto his body. He is surprised
and shouts loudly, frightening the little people away. They return, however,
and one of the little men cries out "Hekinah Degul."
Gulliver struggles to get loose and
finally succeeds in breaking the strings binding his left arm. He loosens the
ropes tying his hair so he can turn to the left. In response, the little people
_re a volley of arrows into his hand and violently attack his body and face. He
decides that the safest thing to do is to lie still until nightfall. The noise
increases, as the little people build a stage next to Gulliver about a foot o_
the ground. One of them climbs onto it and makes a speech in a language that
Gulliver does not understand.
Gulliver indicates that he is hungry, and
the little people bring him baskets of meat. He devours it all, and then shows
that he is thirsty, so they bring him two large barrels of wine. Gulliver is
tempted to pick up forty or fifty of them and throw them against the ground,
but he decides that he has made them a promise of goodwill and is grateful for
their hospitality. He is also struck at their bravery, since they climb onto
his body despite his great size.
An official climbs onto Gulliver's body
and tells him that he is to be carried to the Capital City. Gulliver wants to
walk, but they tell him that that will not be permitted. Instead, they bring
their largest machine; a frame of wood raised three inches o_ the ground and
carried by twenty-two wheels.
Nine hundred men pull this cart about half a mile to
the city. His left leg is padlocked to a building, giving him only enough
freedom to walk around the building in a semicircle and lie down inside the
temple.
Part I, Chapters 2-3
Summary
Chained to the building, Gulliver is
finally able to stand up and view the entire countryside, which he discovers is
beautiful and rustic. The tallest trees are seven feet tall, and the whole area
looks to him like a theatre set.
Gulliver describes his process of relieving himself,
which initially involved walking inside the building to the edge of his chain.
After the first time, he makes sure to relieve himself in open air; the sewage
is carried away in wheelbarrows by servants. He is careful to describe this
process in order to ensure that his cleanliness is known, since critics have
called it into question.
The Emperor visits from his Tower, on
horseback. He orders his servants to give Gulliver food and drink. The Emperor
is dressed plainly and carries a sword to defend himself. He and Gulliver
converse, though they cannot understand each other. Gulliver tries to speak
every language he knows, but nothing works. After two hours, Gulliver is left
with a group of soldiers guarding him. Some of them try to shoot arrows at him,
and as a punishment the Brigadier ties up six of them and places them in
Gulliver's hand. Gulliver puts five of them into his pocket and takes the fifth
into his hand. They think he is to be eaten, but Gulliver cuts loose his ropes
and sets him free. He does the same with the other five, which pleases the
Court.
After two weeks, a bed is made for
Gulliver. It consists of 600 small beds sewn together. News of his arrival also
spreads throughout the kingdom, and curious people from the villages come to
see him. Meanwhile, the government attempts to decide what is to be done with
Gulliver. Frequent Councils bring up various concerns: for instance, that he
will break loose or that he will eat enough to cause a famine. It is suggested
that they starve him or shoot him in the face to kill him, but that would leave
them with a giant corpse and a large health risk.
Officers that had witnessed Gulliver's
lenient treatment of the six offending soldiers report to the Council, and the
Emperor and his Court decide to respond with kindness. They arrange to deliver
large amounts of food to Gulliver every morning, and to supply him with
servants to wait on him, tailors to make him clothing, and teachers to instruct
him in their language.
Every morning Gulliver asks the Emperor to
set him free, but he refuses, saying that Gulliver must be patient. The Emperor
also orders him to be searched to ensure that he does not have any weapons.
Gulliver agrees to this, and the little people take an inventory of all his
possessions; in the process, all of his weapons are taken away.
Gulliver hopes to be set free, as he is
getting along well with the Lilliputians and earning their trust. The Emperor
decides to entertain him with shows, including a performance by Rope-Dancers.
Rope-Dancers are Lilliputians who are
seeking employment in the government; for the performance, which doubles as a
sort of competitive entrance examination, the candidates dance on
"ropes" slender threads suspended two feet above the ground. When a
vacancy occurs, candidates petition the Emperor entertain him with a dance;
whoever jumps the highest earns the office. The current ministers continue this
practice as well, in order to show that they have not lost their skill.
As another diversion for Gulliver, the
Emperor lays three silken threads of different colors on a table. He then holds
out a stick, and candidates are asked to leap over it or creep under it.
Whoever shows the most dexterity wins one of the ribbons.
Gulliver builds a platform from sticks and
his handkerchief and invites horsemen to exercise upon it. The Emperor greatly
enjoys watching this new entertainment, but it is cut short when a horse steps
through the handkerchief and Gulliver decides that it is too dangerous for them
to keep riding on the cloth.
Some Lilliputians discover Gulliver's hat,
which had washed ashore after him, and he asks them to bring it back. Soon
after, the Emperor asks Gulliver to pose like a Colossus, so that his troops
might march under him.
Gulliver's petitions for freedom are
finally answered. Gulliver must swear to obey the articles put forth. Included
in these articles are the stipulations that he must assist the Lilliputians in
times of war, survey the land around them, help with construction, and deliver
urgent messages. Gulliver agrees and his chains are removed.
Part I, Chapters 4-5
Summary
The first thing Gulliver does after
regaining his freedom is to ask to see the city, which is called Mildendo. The
residents are told to stay indoors, and they all sit on their roofs and in
their garret windows to see him. He describes the town as being five hundred
feet square, with a wall surrounding it. The town can hold five hundred
thousand people. The Emperor's Palace is at the center, where the two large
streets meet. The Emperor wants Gulliver to see the magnificence of his palace,
so Gulliver cuts down trees to make himself a stool, which he carries around with
him so that he can sit down and see things from a shorter distance than a
standing position allows.
About two weeks after Gulliver obtains his
liberty, a government official, Reldresal, comes to see him. Gulliver offers to
lie down to make conversation easier, but Reldresal prefers to be held in
Gulliver's hand. He tells Gulliver that the kingdom is threatened by two
forces, one rebel group and one foreign empire. The rebel group exists because
the kingdom is divided into two factions, called Tramecksan and Slamecksan; the
people in the two factions are distinguished by the heights of their heels.
Reldresal tells Gulliver that the current
Emperor has chosen to employ primarily the low-heeled Slamecksan in his
administration. He adds that the Emperor himself has lower heels than all of
his officials, but that his heir has one heel higher than the other, which
makes him walk unevenly. At the same time, the Lilliputians fear an invasion
from the Island of Blefuscu, which Reldresal calls the "Other Great Empire
of the Universe" (25). He adds that the philosophers of Lilliput do not
believe Gulliver's claim that there are other countries in the world inhabited
by other people of his size, preferring to think that Gulliver dropped from the
moon or a star.
Reldresal describes the history of the two
nations, starting out by saying that it makes no mention of any other empire
ever existing. The conflict between them, he tells Gulliver, began years ago,
when the Emperor's father, then in command of the country, commanded all
Lilliputians to break their eggs on the small end first. He made this decision
after breaking an egg in the old way, large end first, and cutting his finger.
The people resented the law, and six rebellions were started in protest. The
monarchs of Blefuscu fuelled these rebellions, and when they were over the
rebels fled to that country to seek refuge. Eleven thousand people chose death
rather than submitting to the law. Many books were written on the controversy,
but books written by the Big-Endians were banned. The government of Blefuscu
accused the Lilliputians of disobeying their religious doctrine, the
Brundrecal, by breaking their eggs at the small end. The Lilliputians argued
that the doctrine reads "That all true believers shall break their eggs at
the convenient end," which could be interpreted as the small end.
The exiles gained support in Blefuscu to
launch a war against Lilliput and were aided by rebel forces inside Lilliput. A
war has been raging ever since between the two nations, and Gulliver is asked
to help defend Lilliput against its enemies. Gulliver does not feel that it is
appropriate to intervene, but he nonetheless offers his services to the
Emperor.
Gulliver then visits Blefuscu and devises
a plan. He asks for cables and bars of iron, out of which he makes hooks with
cables attached. He then walks to Blefuscu and catches their ships at port. The
people are so frightened that they leap out of their ships and swim to shore.
Gulliver attaches a hook to each ship and ties them together. While he does
this the soldiers _re arrows at him, but he keeps working. In order to protect
his eyes, he puts on the spectacles he keeps in his coat pocket. He tries to
pull the ships away, but they are anchored too tightly, so he cuts them away
with his pocketknife and pulls the ships back to Lilliput with them.
In Lilliput, Gulliver is greeted as a
hero. The Emperor asks him to go back to retrieve the other ships, intending to
destroy Blefescu's military strength and make it a province in his empire.
Gulliver dissuades him from this, saying that he does not want to encourage
slavery or injustice. This causes great disagreement in the government, with
some officials turning staunchly against Gulliver and calling for his
destruction.
Three weeks later a delegation arrives from Blefuscu,
and the war ends with their surrender. They are privately told of Gulliver's
kindness towards them, and they ask him to visit their kingdom. He wishes to do
so, and the Emperor reluctantly allows it.
As a Nardac, or person of high rank,
Gulliver no longer has to perform all the duties laid down in his contract. He
does, however, have the opportunity to help the Lilliputians when the Emperor's
wife's room catches _re. He forgets his coat and cannot put the flames out with
his clothing, so instead he thinks of a new plan: he urinates on the palace,
putting out the _re entirely. He worries afterwards that, since the act of
public urination is a crime in Lilliput, he will be prosecuted, but the Emperor
tells him he will be pardoned. He is told, however, that the Emperor's wife can
no longer tolerate living in her rescued quarters.
Part I, Chapters 6-8
Summary
In
these chapters, Gulliver describes the customs and character of Lilliput in
more detail, beginning by explaining that everything in Lilliput is sized in
proportion to the Lilliputians: their animals, trees, and plants are all
proportional to their own height. Their eyesight is also adapted to their
scale; Gulliver cannot see as clearly close-up as they can, while they cannot
see as far.
The Lilliputians are well-educated, but
their writing system is odd to Gulliver, who jokes that they write not left to
right like the Europeans or top to bottom like the Chinese, but from one corner
of the page to the other, "like the ladies in England."
The dead are buried with their heads
pointing directly downwards, because the Lilliputians believe that eventually
the dead will rise again and that the earth, which they think is at, will turn
upside-down. Gulliver adds that the more well-educated Lilliputians no longer
believe in this custom.
Gulliver describes some of the other laws
of Lilliput, such as a tradition by which anyone who falsely accuses someone
else of a crime is put to death.
Deceit is considered worse than theft,
because honest people are more vulnerable to liars than to thieves. The law
provides not only for punishment but also for rewards of special titles and
privileges for good behavior.
Children are raised not by individual
parents but by the kingdom as a whole. They are sent to live in schools at a
very young age; the schools are chosen according to the station of their
parents, whom they see only twice a year. Only the laborers' children stay
home, since their job is to farm. There are no beggars at all, since the poor
are well looked-after.
Gulliver goes on to describe the
"intrigue" that precipitates his departure from Lilliput. While he is
preparing to make his trip to Blefuscu, a court official pays him a visit. He
tells Gulliver that he has been charged with treason by enemies in the
government. He shows Gulliver the document calling for his execution: Gulliver
is charged with public urination, refusing to obey the Emperor's orders to
seize the remaining Blefuscu ships, aiding enemy ambassadors, and travelling to
Blefuscu.
Gulliver is told that Reldresal has asked
for his sentence to be reduced, calling not for execution but for putting his
eyes out. This has been agreed upon, along with a plan to starve him to death
slowly. The official tells Gulliver that the operation to blind him will take
place in three days.
Fearing this resolution, Gulliver crosses
the channel and arrives in Blefuscu. Three days later, he sees a boat of
"normal" size that is, big enough to carry Gulliver overturned in the
water. He asks the emperor of Blefuscu to help him _x it. At the same time, the
emperor of Lilliput sends an envoy with the articles commanding him to give up
his eyesight. The emperor of Blefuscu sends them back with the message that
Gulliver will be leaving both their kingdoms soon. After about a month the boat
is ready and Gulliver sets sail. He arrives safely back in England, and makes a
good profit showing miniature farm animals that he had carried away from
Blefuscu in his pockets.
Part II, Chapters 1-2
Summary
Two months after returning to England,
Gulliver is restless again. He sets sail on a ship called the Downs, travelling
to the Cape of Good Hope and Madagascar before encountering a monsoon that
draws the ship o_ course.
They continue to sail, eventually arriving at an
unknown land mass. They find no inhabitants, and the landscape is barren and
rocky. Gulliver is walking back to the boat when he sees that it has already
left without him. He tries to chase after it, but then he sees that they are
being followed by a giant. Gulliver runs away; when he stops, he is on a steep
hill from which he can see the countryside. He is shocked to see that the grass
is about twenty feet high.
He walks down what looks like the high
road, but turns out to be a footpath through a field of barley. He walks for a
long time, but cannot see anything beyond the stalks of corn, which are forty
feet high. He tries to climb a set of steps into the next field, but he cannot
mount them because they are too high. As he is trying to climb up the stairs he
sees another one of the island's giant inhabitants. He hides from the giant,
but it calls for more people to come, and they begin to harvest the crop with
scythes.
Gulliver lies down and bemoans his state,
thinking about how insignificant he must be to these giant creatures.
One of the servants comes close to
Gulliver with both his foot and his scythe, so Gulliver screams as loudly as he
can. The giant finally notices him, and picks him up between his fingers to get
a closer look. Gulliver tries to speak to him in plaintive tones, bringing his
hands together, and the giant seems pleased. Gulliver makes it clear that the
giant's fingers are hurting him, and the giant places him in his pocket and
begins to walk towards his master.
His master, the farmer of these fields,
takes Gulliver from his servant and observes him more closely. He asks the
other servants if they have ever seen anything like Gulliver, and places him
onto the ground. They sit around him in a circle. Gulliver kneels down and
begins to speak as loudly as he can, taking o_ his hat and bowing to the
farmer. He presents a purse full of gold to the farmer, which he takes into his
palm. He cannot seem to figure out what it is, even after Gulliver empties the
coins into his hand.
The farmer takes him back to his wife, who is
frightened of him. The servant brings in dinner and they all sit down to eat,
Gulliver sitting on the table not far from the farmer's plate. They give him
tiny bits of their food, and he pulls out his knife and fork to eat, which
delights the giants. The farmer' son picks him up and scares him, but the
farmer takes Gulliver from his hands and strikes his son. Gulliver makes a sign
that the boy should be forgiven, and kisses his hand. After dinner, the
farmer's wife lets Gulliver nap in her own bed. When he wakes up he finds two
rats attacking him, and he defends himself with his weapon.
The farmer's nine-year-old daughter, whom
Gulliver calls Glumdalclitch, or nursemaid, has a doll's cradle, which becomes
Gulliver's permanent bed. This is placed inside a drawer to keep him away from
the rats. The girl becomes Gulliver's caretaker and guardian, sewing clothes
for him and teaching him the giants' language.
The farmer begins to talk about Gulliver
in town, and a friend of the farmer's comes to see him. He looks at Gulliver
through his glasses, and Gulliver begins to laugh at the sight of his eyes
through the glass. The man becomes angry, and advises the farmer to take
Gulliver into the market to display him. He agrees, and Gulliver is taken in a
carriage, which he finds very uncomfortable, to the town. There he is placed on
a table and the little girl sits down on a stool beside him, with thirty people
at a time walking through as he performs "tricks."
Gulliver is exhausted by the journey to
the marketplace, but finds upon returning to the farmer's house that he is to
be shown there as well. People come from miles around and are charged great
sums to view him. Thinking that Gulliver can make him a great fortune, the
farmer takes him and his daughter on a voyage to the largest cities.
They arrive in the largest city,
Lorbrulgrud, and the farmer rents a room with a table for displaying Gulliver.
By now he can understand their language and speak it fairly well. He is shown
ten times a day and pleases the visitors greatly.
Part II, Chapters 3-5
Summary
The strain of travelling and performing
"tricks" takes its toll on Gulliver, and he begins to grow very thin.
The farmer notices this and resolves to make as much money as possible before
Gulliver dies. Meanwhile, an order comes from the court, commanding the farmer
to bring Gulliver to the Queen for her entertainment.
The Queen is delighted with Gulliver's
behavior and buys him from the farmer for a thousand gold pieces. Gulliver
requests that Glumdalclitch be allowed to live in the palace as well. Gulliver
explains his suffering to the Queen, and she is impressed by his intelligence.
She takes him to the King, who at first thinks he is a mechanical creation. He
sends for great scholars to observe Gulliver, and they decide that he is unfit
for survival, since there is no way he could feed himself. Gulliver tries to
explain that he comes from a country in which everything is in proportion to
himself, but they do not seem to believe him.
Glumdalclitch is given an apartment in the palace and
a governess to teach her, and special quarters are built for Gulliver out of a
box. They also have clothes made for him from fine silk, but Gulliver finds
them very cumbersome. The Queen grows very used to his company, finding him
very entertaining at dinner, especially when he cuts and eats his meat. He
finds her way of eating repulsive, since her size allows her to swallow huge
amounts of food in a single gulp.
The King converses with Gulliver on issues
of politics, and laughs at his descriptions of the goings-on in Europe. He
finds it amusing that people of such small stature should think themselves so
important, and Gulliver is at first offended. He then comes to realize that he
too has begun to think of his world as ridiculous, since it is so small and yet
sees itself as so important.
The Queen's dwarf is not happy with
Gulliver, since he is used to being the smallest person in the palace and a
source of diversion for the royal court. He drops Gulliver into a bowl of
cream, but Gulliver is able to swim to safety and the dwarf is punished. At
another point the dwarf sticks Gulliver into a marrowbone, where he is forced
to remain until someone pulls him out.
Gulliver then describes the country for
the reader, noting first that since the land stretches out about six thousand
miles there must be a severe error in European maps. The kingdom is bound on
one side by mountains and on the other three sides by the sea. The water is
very rough, so there is no trade with other nations. The rivers are well
stocked with giant-sized fish, but the fish in the sea are of the same size as
those in the rest of the world and therefore not worth catching.
Gulliver is carried around the city in a
special travelling-box, and people always crowd around to see him. He asks to
see the largest temple in the country and is not overwhelmed by its size, since
at a height of three thousand feet it is proportionally smaller than the
largest steeple in England.
Gulliver is happy in Brobdingnag except
for the many mishaps that befall him because of his diminutive size. In one
unpleasant incident, the dwarf, unhappy at Gulliver for teasing him, shakes an
apple tree over his head and one of the apples strikes Gulliver in the back and
knocks him over. Another time, he is left outside during a hailstorm and is so
bruised and battered that he cannot leave the house for ten days.
Gulliver and his nursemaid are often
invited to the apartments of the ladies of the court, and there he is treated
as a plaything of little significance. They enjoy stripping his clothes and
placing him in their bosoms, and he is appalled by their strong smell, noting
that he was told by a Lilliputian that he smelled quite repulsive to them. The
women also strip their own clothes in front of him, and he finds their skin
very ugly and uneven.
The Queen constructs a way for Gulliver to sail,
ordering a special boat to be built for him. This is placed in a cistern, and
Gulliver rows in it for his own enjoyment and for the amusement of the Queen
and her court. Yet another danger arises in the form of a monkey, which takes
Gulliver up a ladder, holding him like a baby and force-feeding him. He is
rescued from the monkey, and Glumdalclitch pries the food from his mouth with a
needle, after which he vomits. He is so weak and bruised that he stays in bed
for two weeks. The monkey is killed and orders are sent out that no other
monkeys be kept in the palace.
Part II, Chapters 6-8
Summary
Gulliver makes himself a comb from the
stumps of hair left after the King has been shaved. He also collects hairs from
the King and uses them to weave the backs of two small chairs, which he gives
to the Queen as curiosities.
Gulliver is brought to a musical
performance, but it is so loud that he can hardly make it out. Gulliver decides
to play the spinet for the royal family, but must contrive a novel way to do
it, since the instrument is so big. He uses large sticks and must run over the
keyboard with them, but he can still strike only sixteen keys.
Thinking that the King has unjustly come
to regard his home country as insignificant and laughable, Gulliver tries to
tell him more about Britain, describing the government and culture there. The
King asks many questions, and is particularly struck by the violence of the
history Gulliver describes.
He then takes Gulliver into his hand and,
explaining that he finds the world that Gulliver describes to be ridiculous,
contemptuous and strange, tells him that he concludes that "the bulk of
your natives [are] the most pernicious race of little odious vermin that nature
ever suffered to crawl upon the surface of the earth."
Gulliver is disturbed by the King's
proclamation. He tries to tell him about gunpowder, describing it as a great
invention, and offering it to the King as a gesture of friendship. The King is
appalled by the proposal, and Gulliver is taken aback, thinking that the King
has refused a great opportunity. He says that the King is unnecessarily
scrupulous and narrow-minded for not being more open to the inventions of
Gulliver's world.
Gulliver finds the people of Brobdingnag
in general to be ignorant and poorly educated. Their laws are not allowed to
exceed in words the number of letters in their alphabet, and no arguments may
be written about them.
They know the art of printing but do not
have many books, and their writing is simple and straightforward. One text
describes the insignificance and weakness of humans, and argues that at one
point they must have been much larger.
Gulliver wants to recover his freedom. The
King orders any small ship to be brought to the city, hoping that they might
find a woman with which Gulliver can propagate. Gulliver fears that any
offspring thus produced would be kept in cages or given to the nobility as
pets. He has been in the country for two years and wants to be among his owned
kind again.
Gulliver is taken to the south coast, and
both Glumdalclitch and Gulliver fall ill. Gulliver says that he wants fresh
air, and a page carries him out to the shore in his travelling-box. He asks to
be left to sleep in his hammock, and the boy wanders o_. An eagle grabs hold of
his box and flies off with him, and then suddenly Gulliver feels himself
falling and lands in the water.
He worries that he will drown or starve to
death, but then feels the box being pulled. He hears a voice telling him that
his box is tied to a ship, and that a carpenter will come to drill a hole in
the top. Gulliver says that they can simply use a finger to pry it open, and
hears laughter. He realizes that he is speaking to people of his own height and
climbs a ladder out of his box and onto their ship.
Gulliver begins to recover on the ship,
and he tries to tell the sailors the story of his recent journey. He shows them
things he saved from Brobdingnag, like his comb and a tooth pulled from a
footman. He has trouble adjusting to their small size, and finds himself
shouting all the time. When he reaches home it takes him some time to grow
accustomed to his old life, and his wife asks him never to go to sea again.
Part III, Chapters 1-3
Summary
Gulliver has only been home in England ten
days when a visitor comes to his house, asking him to sail aboard his ship in
two months' time. Gulliver agrees and prepares to set out for the East Indies.
On the voyage, the ship is attacked by pirates. Gulliver hears a Dutch voice
among them and speaks to the pirate in Dutch, begging to be set free since he
and the pirate are both Christians. A Japanese pirate tells them they will not
die, and Gulliver tells the Dutchman that he is surprised to find more mercy in
a heathen than in a Christian. The pirate grows angry and punishes him by
sending him out to sea in a small boat with only four days' worth of food.
Gulliver finds some islands and goes
ashore on one of them. He sets up camp but then notices something strange: the
sun is mysteriously obscured for some time. He then sees a land mass dropping
down and notices that it is crawling with people. He is baffed by this oating
island, and he shouts up to its inhabitants. They lower the island and send
down a chain, by which he is able to crawl up.
He is immediately surrounded by people and
notices their oddities. Their heads are all tilted to one side or the other,
with one eye turned inward and the other looking up. Their clothes are adorned
with images of celestial bodies and musical instruments. Some of the people are
servants, and they carry a Goddamn knows what made of a stick with a pouch tied
to the end. Their job is to aid conversation by striking the ear of the
listener and the mouth of the speaker at the appropriate times; otherwise, the
minds of their masters would wander o_.
Gulliver is conveyed to the King, who sits
behind a table loaded with mathematical instruments. They wait an hour before
there is some opportunity to arouse him from his thoughts, at which point he is
struck with the apper. The King says something, and Gulliver's ear is struck
with the apper as well, even though he tries to explain that he doesn't require
it. It becomes clear that he and the King cannot speak any of the same
languages, so Gulliver is taken to an apartment and served dinner.
A teacher is sent to instruct Gulliver in
the language of the island, and he is able to learn several sentences. He
discovers that the name of the island is Laputa, which in their language means
" oating island." A tailor is also sent to improve his clothes, and
while he is waiting for these the King orders the island to be moved. It is
taken to a point above the capital city of the kingdom, Lagado, passing villages
along the way and collecting petitions from the King's subjects by means of
ropes sent down to the lands below.
The language of the Laputans depends
greatly on mathematics and music, and they despise practical geometry, thinking
it vulgarso much so that they make sure that there are no right angles in their
buildings. They are very good with charts and figures but very clumsy in
practical matters. They dread changes in the celestial bodies.
The island is exactly circular and
consists of ten thousand acres of land. At the center there is a cave for
astronomers, containing all their instruments and a loadstone six yards long.
It moves the island with its magnetic force, since it has two charges that can
be reversed by means of an attached control.
The mineral that acts upon the magnet is
only large enough to allow it to move over the country directly beneath it.
When the King wants to punish a particular region of the country, he can keep
the island above it, depriving the lands below of sun and rain. This failed to
work in one town, where the rebellious inhabitants had stored provisions of
food in advance. They planned to force the island to come so low that it would
be trapped forever and to kill the King and his officials in order to take over
the government.
Instead, the King ordered the island to
stop descending and gave in to the town's demands. The King is not allowed to
leave the oating island, nor is his family.
Part III, Chapters 4-10
Summary
Gulliver feels neglected on Laputa, since
the inhabitants seem interested in only mathematics and music and are far
superior to him in their knowledge.
He is bored by their conversation and
wants to leave. There is one lord of the court whom Gulliver finds to be
intelligent and curious, but who is known to the other inhabitants of Laputa as
the stupidest of all because he has no ear for music. Gulliver asks this lord
to petition the King to let him leave the island. The petition succeeds, and he
is let down on the mountains above Lagado. He visits another lord there and is invited
to stay at his home.
Gulliver and his host visit a nearby town,
which Gulliver finds to be populated by poorly dressed inhabitants living in
shabby houses. The soil is badly cultivated and the people appear miserable.
They then travel to the lord's country house, first passing many barren fields
but then arriving in a lush green area that the lord says belongs to his
estate. He says that he is criticized heavily by the other lords for the
"mismanagement" of his land.
The lord explains that forty years ago
some people went to Laputa and returned with new ideas about mathematics and
art. They decided to establish an academy in Lagado to develop new theories on
agriculture and construction and to initiate projects to improve the lives of
the city's inhabitants. However, the theories have never produced any results
and the new techniques have left the country in ruin. He encourages Gulliver to
visit the academy, which Gulliver is glad to do since he had once been
intrigued by projects of this sort himself.
Gulliver visits the academy, where he
meets a man engaged in a project to extract the sunbeams from cucumbers. He
also meets a scientist trying to separate out the different parts of excrement,
hoping to produce food from it. Another is attempting to turn ice into
gunpowder and is writing a treatise about the malleability of _re, hoping to
have it published. An architect is designing a way to build houses starting
from the roof, and a blind master is teaching his blind apprentices to mix
colors for painters according to smell and touch. An agronomist is designing a
method of plowing fields with hogs by first burying food in the ground and then
letting the hogs loose to dig them out. A doctor in another room tries to cure
patients by blowing air through them; Gulliver leaves him trying to revive a
dog that he has killed by "curing" him in this way.
On the other side of the academy there are
people engaged in speculative learning. One professor has a class full of boys
working from a machine that produces random sets of words; using this, the
teacher claims, anyone can write a book on philosophy or politics. A linguist
in another room is attempting to remove all the elements of language except
nouns; this would make language more concise and prolong lives, since every
word spoken is detrimental to the human body. Since nouns are only things,
furthermore, it would be even easier to carry things and never speak at all.
Gulliver then visits professors who are
studying issues of government. One claims that women should be taxed according
to their beauty and skill at dressing, another that conspiracies against the
government could be discovered by studying the excrement of subjects. Gulliver
grows tired of the academy and begins to yearn for a return to England. He tries
to travel to Luggnagg, but finds no ship available. Since he has to wait a
month, he is advised to take a trip to the island of GLUBBDUBDRIB the island of
magicians.
Gulliver visits the governor of
GLUBBDUBDRIB, and finds that he is attended by servants who appear and
disappear like spirits. The governor tells Gulliver that he has the power to
call up whomever he would like to speak to; Gulliver chooses Alexander the
Great, who assures him that he died not from poison but from excessive
drinking. He then sees Hannibal, Caesar, Pompey and Brutus. Gulliver sets apart
one day to speak with the most venerated people in history, starting with Homer
and Aristotle. He asks Descartes and Gassendi to describe their systems to
Aristotle, who freely acknowledges his own mistakes.
Gulliver returns to Luggnagg, where he is
confined despite his desire to return to England. He is ordered to appear at
the King's court and is given lodging and an allowance. The Luggnuggians tell
him about certain immortal people, children born with a red spot on their
foreheads and called Struldbruggs. Gulliver devises a whole system of what he
would do if he were immortal, starting with the acquisition of riches and
knowledge. He is told that after the age of thirty, most Struldbruggs grew sad
and dejected; by eighty, they were incapable of affection and envious of those
who could die. If two of the Struldbruggs married, the marriage was dissolved
when one reached eighty, because "those who are condemned without any
fault of their own to a perpetual continuance in the world should not have
their misery doubled by the load of a wife." He meets some of these people
and finds them to be unhappy and unpleasant, and he regrets ever wishing for
their state.
Gulliver is then finally able to depart from
Luggnagg, refusing employment there, and he arrives safely in Japan. From there
he gains passage on a Dutch ship by pretending to be from Holland and sets sail
from Amsterdam to England, where he finds his family in good health.
Summary
Gulliver stays home for five months, but
then leaves his pregnant wife to set sail again, this time as the captain of a
ship called the Adventure. Many of his sailors die of illness, so he recruits
more along the way. His crew mutinies under the influence of these new sailors,
and they become pirates. Gulliver is left on an unknown shore, after being
confined to his cabin for several days.
He sees animals in the distance, and
describes them as long-haired, with beards like goats and sharp claws which
they use to climb trees. Gulliver decides that they are very ugly and sets
forth to find settlers, but encounters one of the animals on his way.
He takes out his sword and hits the animal
with the side of it. The animal roars loudly, and a herd of others like it
attack Gulliver by attempting to defecate on him. He hides, but then sees them
hurrying away. He emerges from his hiding place to see that the beasts have
been scared away by a horse.
The horse observes him carefully, and then
neighs in a complicated cadence. Another horse joins the first and the two seem
to be involved in a discussion. Gulliver tries to leave but one of the horses
calls him back.
The horses appear to be so intelligent
that Gulliver concludes that they are magicians who have transformed themselves
into horses. He addresses them directly, and asks to be taken to a house or
village. The horses use the words Yahoo and Houyhnhnm, which Gulliver tries to
pronounce.
Gulliver is led to a house, and he takes
out gifts, expecting to meet people. He finds instead that there are more
horses in the house, sitting down and engaged in various activities. He thinks
that the house belongs to a person of great importance, and wonders why they
should have horses for servants. A horse looks Gulliver over and says the word "Yahoo."
Gulliver is led out to the courtyard, where a few of the ugly creatures are
tied up. One creature and Gulliver are lined up and compared, and he finds that
the creature does look quite human. The horses test him by offering him various
foods: hay, which he refuses, and flesh, which he finds repulsive but which the
Yahoo devours. The horses determine that he likes milk and give him large
amounts of it to drink.
Another horse comes to dine, and they all take great
pleasure in teaching Gulliver to pronounce words in their language. They cannot
determine what he might like to eat, until Gulliver suggests that he could make
bread from their oats. He is given a place to sleep with straw for the time
being.
Gulliver endeavours to learn the horses'
language, and they are impressed by his intellect and curiosity. After three
months he can answer most of their questions and tries to explain that he comes
from across the sea, but the horses, or "Houyhnhnms," do not believe
it to be possible. They think he is some kind of a Yahoo, though superior to
the rest of his species. He asks them to stop using that word to refer to him,
and they consent.
Gulliver tries to explain that the Yahoos
are the governing creatures where he comes from, and the Houyhnhnms ask how their
horses are employed. Gulliver explains that they are used for travelling,
racing, and drawing chariots, and the Houyhnhnms express disbelief that
anything as weak as a Yahoo would dare to mount a horse that was so much
stronger than it does. Gulliver explains that the horses are trained from a
young age to be tame and obedient. He describes the state of humanity in Europe
and is asked to speak more specifically of his own country.
Part IV, Chapters 5-12
Summary
Gulliver describes the state of affairs in
Europe over the course of two years, speaking to the Houyhnhnms of the English
Revolution and the war with France. He is asked to explain the causes of war,
and he does his best to provide reasons. He is also asked to speak of law and
the justice system, which he does in some detail.
The discussion then turns to other topics,
such as money and the different kinds of food eaten in Europe. Gulliver
explains the different occupations in which people are involved, including
service professions such as medicine and construction.
Gulliver develops such a love for the
Houyhnhnms that he no longer desires to return to humankind. However, fate has
other plans for him. His Master tells him that he has considered all of his
claims about his home country and has come to the conclusion that his people
are not as different from the Yahoos as they may first have seemed. He
describes all the aws of the Yahoos, principally detailing their greed and
selfishness. He admits that the humans have different systems of learning, law,
government, and art, but says that their natures are not different from those
of the Yahoos.
Gulliver wants to observe these
similarities for himself, so he asks to go among the Yahoos. He finds them to
be very nimble from infancy, but unable to learn anything. They are strong,
cowardly, and malicious.
The principle virtues of the Houyhnhnms
are their friendship and benevolence. They are concerned more with the
community than with their own personal advantages, even choosing their mates in
order to promote the race as a whole. They breed industriousness, cleanliness,
and civility in their young, and exercise them for speed and strength. They
have no writing system and no word to express anything evil.
A room is made for Gulliver, and he
furnishes it well. He also makes new clothes for himself and settles into life
with the Houyhnhnms quite easily. He begins to think of his friends and family
back home as Yahoos. However, he is called by his Master and told that others
have taken offence at his being kept in the house as a Houyhnhnm; he has no
choice but to ask Gulliver to leave. Gulliver is very upset to hear that he is
to be banished. He builds a
canoe with the help of his Master and sadly departs.
Gulliver does not want to return to Europe, and so he
begins to search for an island where he can live, as he likes. He finds land
and discovers natives there. He is struck by an arrow and tries to escape the
natives' darts by paddling out to sea. He sees a sail in the distance and
thinks of going towards it, but then decides he would rather live with the
barbarians than the European Yahoos, so he hides from the ship. The seamen find
him and question him, laughing at his strange horse-like manner of speaking. He
tries to escape from their ship, and they do not understand why.
Gulliver then travels back to England and
sees his family. They were certain he was dead, and he is filled with disgust
and contempt for them.
For a year he cannot stand to be near to
his wife and children, and he buys two horses and converses with them for four
hours each day. Gulliver concludes his narrative by acknowledging that the law
requires him to report his findings to the government, but that he can see no
military advantage in attacking any of the locations he discovered; and he particularly
wishes to protect the Houyhnhnms.
Summary Part
I:
A ship called the Nellie is
cruising down the Thames‹it will rest there as it awaits a change in tide. The
narrator is an unidentified guest aboard the ship. He describes at length the
appearance of the Thames as an interminable waterway, and then he moves on to
describing the inhabitants of the ship. The Director of Companies doubles as
Captain and host. They all regard him with affection, trust and respect. The Lawyer
is advanced in years and possesses many virtues. The Accountant is toying with
dominoes, trying to begin a game. Between them already is the "bond of the
sea." They are tolerant of one another. Then there is Marlow. He has an
emaciated appearance sunken cheeks and a yellow complexion.
The ship drops anchor, but
nobody wants to begin the dominoes game. They sit and meditatively at the sun,
and the narrator takes great notice of how the water changes as the sun sets.
Marlow suddenly speaks, noting that "this also has been one of the dark
places of the earth." He is a man who does not represent his class: he is
a seaman but also a wanderer, which is disdainful and odd, since most seamen
live sedentary lives aboard the ship that is their home. No one responds to the
remark, and Marlow continues to talk of olden times when the Romans arrived and
brought light, which even now is constantly flickering. He says those people
were not colonists but conquerors, taking everything by brute force. This
"taking of the earth is not a pretty thing" when examined too
closely; it is the idea behind it which people find redeeming. Then, to the
dismay of his bored listeners, he switches into narration of a life experience,
how he decided to be a fresh water sailor and had come into contact with
colonization.
After a number of voyages in
the Orient and India, Marlow began to look for a ship, but he was having hard
luck in finding a position. As a child, he had a passion for maps, and would
lose himself in the blank spaces, which gradually turned into dark ones as they
became peopled. He is especially taken with the picture of a long coiling
river. Marlow thinks to get charge of the steamboats that must go up and down
that river for trade. His aunt has connections in the Administration, and
writes to have him appointed a steamboat skipper. The appointment comes through
very quickly, as Marlow is to take the place of Fresleven, a captain who has
been killed in a scuffle with the natives. He crosses the Channel to sign the
contract with his employers. Their office appears to him like a white
sepulchre. The reception area is dimly lit, and two women sullenly man the
area. Marlow notes an unfinished map, and he is going into the yellow section,
the central area that holds the river. He signs, but feels very uneasy as the
women look at him meaningfully. Then there is a visit to the doctor. Marlow
questions him on why he is not with the Company on its business. The doctor
becomes cool and says he is no fool. Changes take place out there. He asks his
patient whether there is madness in the family. With a clean bill of health and
a long goodbye chat with his aunt, Marlow sets out on a French steamer, feeling
like an "impostor."
Watching the coast as it slips
by, our newly named skipper marvels at its enigmatic quality‹it tempts and
invites the seer to come ashore, but in a grim way. The weather is fierce, for
the sun beats down strongly. The ship picks up others along the way: soldiers
and clerks mainly. The trade names they pass on ships and on land seem almost
farcical. There is a uniformly somber atmosphere. After a month, Marlow arrives
at the mouth of the big river, and takes his passage on a little steamer. Once
aboard he learns that a man picked up the other day hanged himself recently. He
is taken to his Company's station. He walks through pieces of "decaying
machinery" and observes a stream of black people walking slowly, very thin
and indifferent. One of the "reclaimed" carries a rifle at "it's
middle." Marlow walks around to avoid this chain gang and finds a shade to
rest. He sees more black people working, some who look like they are dying. One
young man looks particularly hungry, and Marlow goes to offer him the ship
biscuit in his pocket. He notices that the boy is wearing white worsted around
his neck, and wonders what this is for. Marlow hastily makes his way towards
the station. He meets a white man dressed elegantly and in perfect fashion. He
is "amazing" and a "miracle." After learning that he is the
chief accountant of the Company, Marlow respects him. The station is a muddle
of activity. The new skipper waits there for ten days, living in a hut.
Frequently he visits the accountant, who tells him that he will meet Mr. Kurtz,
a remarkable man in charge of the trading-post in the ivory-country. The
accountant is irritated that a bed station for a dying man has been set up in
his office. He remarks that he begins to "hate the savages to death."
He asks Marlow to tell Kurtz that everything is satisfactory.
The next day Marlow begins a
200 mile tramp into the interior. He crosses many paths, many deserted
dwellings, and mysterious "niggers." His white companion becomes ill
on the journey, which makes Marlow impatient but attentive. Finally they arrive
at the Central Station, and Marlow must see the General Manager. The meeting is
strange. The Manager has a stealthy smile. He is obeyed, but he does not
inspire love or fear. He only inspires uneasiness. The trading had begun
without Marlow, who was late. There were rumors that an important station was
jeopardy, and that its chief, Kurtz, was ill. A shipwreck on Marlow's boat has
set them back. The manager is anxious, and says it will be three months before
they can make a start in the trading. Marlow begins work in the station. Whispers
of "ivory" punctuate the air throughout the days. One evening a shed
almost burns down. A black man is beaten for this, and Marlow overhears:
"Kurtz take advantage of this incident." The manager's main spy, a
first-class agent, befriends the new skipper and begins to question him
extensively about Europe and the people he knows there. Marlow is confused
about what this man hopes to learn. The agent becomes "furiously
annoyed." There is a dark sketch on his wall of a woman blindfolded and
carrying a lighted torch. The agent says that Kurtz painted it. Upon Marlow's
inquiry as to who this man is, he says that he is a prodigy, an "emissary
of pity and science." They want Europe to entrust the guidance of the
cause to them. The agent talks precipitately, wanting Marlow to give Kurtz a
favourable report about his disposition because he believes Marlow has more
influence in Europe than he actually does.
The narrator breaks off for an
instant and returns to his listeners on the ship, saying that they should be
able to see more in retrospect than he could in the moment. Back in the story,
the droning of the agent bores him. Marlow wants rivets to stop the hole and
get on with the work on his ship. He clambers aboard. The ship is the one thing
that truly excites him. He notes the foreman of the mechanics sitting on board.
They cavort and talk happily of rivets that should arrive in three weeks.
Instead of rivets, however, they receive an "invasion" of "sulky
niggers" with their white expedition leader, who is the Manager's uncle.
Marlow meditates for a bit on Kurtz, wondering if he will be promoted to the
General Manger position and how he will set about his work when there.
Summary Part II
While lying on the deck of his
steamboat one evening, Marlow overhears a conversation between the Manager and
his uncle, leader of the Expedition group that has arrived. Snatches of talk
indicate that the two are conferring about Kurtz. The Manager says he was
"forced to send him there." They say his influence is frightful, and
that he is alone, having sent away all his assistants. The word
"ivory" is also overheard. The two men are wondering how all this
ivory has arrived, and why Kurtz did not return to the main station as he
should have. Marlow believes this fact allows him to see Kurtz for the first
time. The Manager and his uncle say that either Kurtz or his assistant must be
hanged as an example, so that they can get rid of unfair competition. Realizing
that Marlow is nearby, they stop talking.
In the next few days, the
Expedition goes into the wilderness and loses all their donkeys. As they arrive
at the bank below Kurtz's station, Marlow is excited at the prospect of meeting
him soon. To Marlow, travelling up the river is like going to the beginning of
the world. He sees no joy in the sunshine, however. The past comes back to
haunt him on this river. There is a stillness that does not resemble peace. It
is alive and watching Marlow. He is concerned about scraping the bottom of his
steamship on the river floor‹this is disgraceful for seamen. Twenty
"cannibals" are his crew. The Manager and some pilgrims are also
onboard. Sailing by stations, they hear the word "ivory" resonating.
The trees are massive and make you feel very small. The earth appears "unearthly."
The men are monstrous but not inhuman. This scares Marlow greatly. He believes
the mind of man is capable of anything. They creep on towards Kurtz. The ship
comes across a deserted dwelling. Marlow finds a well-kept book about
seamanship. It has notes in a language he cannot understand. Back on the boat,
he pushes ahead.
Eight miles from Kurtz's
station, the Manager decides they will stay put for the evening. No sounds are
heard. The sun rises, and "complaining clamor" with "savage
discord" fills the air. Everyone fears an attack. One of the black crew
members says that the attackers should be handed over to them and eaten. Marlow
wonders why he and the other whites have not been eaten. The Manager
insincerely worries that something might have happened to Kurtz. Marlow does not
believe there will be an attack‹the jungle and fog seem impenetrable. No one
believes him. Some men go and investigate the shore. A pattering sound is
audible: flying arrows! The helmsman on the ship panics and does not steer
properly. The crew is firing rifles into the bushes. A black man is shot and
lays at Marlow's feet. He tries to talk and dies before he can get any words
out. Marlow supposes that Kurtz has perished in this attack. He is exceedingly
upset: talking to the mythical man has become a major point of interest. In a
fit of distress Marlow throws his shoes overboard. He tells the listeners on
the Thames ship that the privilege of talking to Kurtz was waiting for him.
Marlow relates that Kurtz mentioned a girl, and how his shanty was busting with
ivory. Kurtz has taken position of "devil of the land." Originally he
was well-educated, but he has become entirely native in Africa, participating
in rituals and rites. Kurtz is anything but common. Back in the battle, the
helmsman is killed. Marlow throws the body overboard. After a simple funeral,
the steamer continues moving. Miraculously they spy Kurtz's station, which they
had assumed to be lost. They see the figure of a man who resembles a harlequin.
This man says that Kurtz is present, and assures them that they need not fear
the natives, who are simple people. He speaks with Marlow, introducing himself
as a Russian. The book Marlow holds is actually his, and he is grateful to have
it returned. The Russian says the ship was attacked because the natives do not
want Kurtz to leave with the crew‹he has broadened everybody's mind.
Summary Part III:
Marlow is astonished at the
Russian's words. He is gathering a clearer picture of Kurtz. The Russian says
that he has gone so far that he doesn't know if he will ever get back.
Apparently he has been alone with Kurtz for many months. His sense of adventure
is pure, and glamour urges him onward. The Russian remembers the first night he
spoke to Kurtz‹he forgot to sleep, he was so captivated. Kurtz made him
"see things." He has nursed this great man through illnesses, and
accompanied him on explorations to villages. Kurtz has raided the country by
getting the cooperation of the nearby tribe, who all adore him. He loses
himself in ivory hunts for weeks at a time, and forgets himself. The Russian
disagrees that Kurtz is mad. Even when this bright-eyed adventurer was told to
leave by his mentor, he refused to go. Kurtz went down the river alone to make
another ivory raid. His illness acted up, so the Russian joined him in order to
take care of him. Presently, Kurtz lies in a hut surrounded by heads on stakes.
Marlow is not very shocked at the sight. He takes this as an indication that
Kurtz lacks restraint in the gratification of his lusts, a condition for which the
wilderness is culpable. Marlow assumes that Kurtz was hollow inside and needed
something to fill that. The Russian is perturbed by Marlow's attitude of
skepticism. He has heard enough about the ceremonies surrounding this revered
man.
Suddenly around the house
appears a group of men. They convene around the stretcher that holds the dying
Kurtz. He looks gaunt, and tells the natives to leave. The pilgrims carry him
to another cabin, and give him his correspondence. In a raspy voice he says he
is glad to meet Marlow. The Manager comes in to talk privately with Kurtz.
Waiting on the boat with the Russian, Marlow spies the "apparition"
of a gorgeous woman. She glitters with gold, paint, and she looks savage. She
steps to the edge of the shore and eyes the steamer. She gestures violently
toward the sky, turns and disappears into the thicket. The harlequin man fears
her. They overhear Kurtz telling the Manager that he is interfering with plans.
The Manager emerges. Taking Marlow aside, he says they have done all they can
for Kurtz, and that he did more harm than good to the Company. His actions were
too "vigorous" for the moment. Marlow does not agree that Kurtz's
method was unsound. To him, Kurtz is a remarkable man, and a friend in some
way. Marlow warns the Russian to escape before he can be hanged; he states that
he will keep Kurtz's reputation safe. It was Kurtz who ordered the attack on
the steamer‹he did not want to be taken away, and thought to fake his death.
While Marlow dozes, drumbeats
and incantations fill the air. He looks into the cabin that holds Kurtz, and
discovers he is missing. Marlow sees his trail, and goes after him. The two men
face one another. Kurtz pleads that he has plans. Marlow replies that his fame
in Europe is assured; he realizes that this man's soul has gone mad. He is able
to bring Kurtz back to the cabin. The ship departs the next day amongst a crowd
of natives. Kurtz is brought into the pilot-house of the ship. The "tide
of brown" runs swiftly out of the "heart of darkness." The life
of Kurtz is ebbing. Marlow is in disfavor, lumped into the same category as
Kurtz. The Manager is now content. Marlow listens endlessly to Kurtz's bedside
talk. He accepts a packet of papers and a photograph that his friend gives him,
in order to keep them out of the Manager's hands. A few evenings later, Kurtz
dies, with one phrase on his lips: "The horror!"
Marlow returns to Europe, but
is plagued by the memory of his friend. He is disrespectful to all he
encounters. The Manager demands the papers that Kurtz entrusted to Marlow.
Marlow relinquishes the technical papers, but not the private letters and
photograph. All that remains of Kurtz is his memory and that picture of his
Intended. Kurtz is very much a living figure to Marlow. He goes and visits the
woman in the picture. She embraces and welcomes him. She has silently mourned
for the past year, and needs to profess her love and how she knew him better
than anyone. Marlow perceives the room to darken when she says this. She speaks
of Kurtz's amazing ability to draw people through incredibly eloquent speech.
The woman says she will be unhappy for life. Marlow states that they can always
remember him. She expresses a desperate need to keep his memory alive, and
guilt that she was not with him when he died. When the woman asks Marlow what
Kurtz's final words were, he lies and says it was her name. The woman weeps in
triumph. Marlow states that to tell the truth would be too dark. Back on the
Thames River ship, a tranquil waterway leads into the heart of darkness.
Ivanhoe by
Sir Walter Scott
CHAPTER 1
The novel begins in England during the
reign of King Richard I, also known as Richard the Lion-Hearted (1157-1199).
Scott provides some historical background for the politics of the time and
places the action somewhere near the end of Richard's reign when he is
returning from the Crusades. England's Saxon population is under the control
of Norman royalty. French has become the forced official language, a fact which
both angers and demeans the Saxons, and many landowners have been forced to
give their lands to their Norman rulers. When the action of the novel begins,
the Norman King Richard I has been captured and held for ransom in Europe. His
brother John has assumed power.
Though both men are Norman rulers in Saxon
populated England, Richard is more popular among the people he rules, known as
both fair and courageous; John is aggressive, encouraging his men to steal or
destroy everything Saxon. John is content to rule, and even hopes his brother
remains imprisoned so that he can become king. Richard's loyal subjects despair
of ever seeing him again, and are angry that John and his greedy nobles have
been aggressive and relentless in seizing whatever Saxon land they can. A
swineherd named Gurth is talking with a jester, Wamba, about the increasing
hostility between the native Saxons and the Norman rulers. Both servants work
for a loyal Saxon named Cedric. When a storm approaches, they head for home. On
their way, they hear horsemen riding toward them.
CHAPTER 2
The Norman horsemen catch up with Gurth and Wamba.
One of them is a Cisterian monk dressed in fine clothes. The other is a Knight
Templar. The two, attended by several others, demand to know where they will be
able to stay for the night and ask where Cedric the Saxon lives. Knowing his
master Cedric's hatred of Normans, Wamba, with sheer mischief, gives them wrong
and confusing directions. However, they soon meet a Palmer, a holy man who has
traveled to the Holy Land on a pilgrimage, who takes them safely to Cedric's
mansion.
CHAPTER 3
Cedric is in his home, Rotherwood, impatiently
waiting for his servants to come home. He is also displeased that his ward
Rowena is late for supper. His thoughts are interrupted by the blast of a horn.
Then the gatekeeper announces that Prior Aymer of the Abbey of Jorvaulx, Brian
de Bois-Guilbert, and a small party of men are on their way to the royal
tournament at Ashby-de-la- Zouche and want to lodge at Rotherwood for the
night. Cedric does not want to entertain these Normans, but his Saxon pride
demands that they be offered hospitality; however, he clings to his dignity by
refusing to go out to welcome them. Only when they come to him in his hall does
Cedric reluctantly welcome them.
Cedric counsels Rowena against appearing before the
guests. He does not trust the Knight Templar and does not want anything to
interfere with his plans to marry Rowena off to the right gentleman. She,
however, is keen to hear the latest news from the Holy Land from the Palmer, since
she is in love with Ivanhoe, whom she thinks is still fighting in the Crusades.
CHAPTER 4
When the richly dressed guests enter Cedric's hall,
he receives them politely but without any warmth. He then scolds Gurth and
Wamba for being late. When Rowena enters to join in the meal, Bois-Guilbert
stares at her beauty. In response, she draws a veil over her face. Cedric
notices the interchange and is annoyed with the Templar. The chapter ends with
the announcement of a stranger at Cedric's gates.
CHAPTER 5
The stranger at Cedric's gate is Isaac of York.
Although he is a Jew, Cedric refuses to turn him away into the stormy night.
The Norman guests protest at his being admitted and Cedric makes him sit at a
separate table. Only the Palmer takes pity on the drenched and exhausted Jew.
The Palmer names five knights who have displayed
great courage during the Crusades. He also mentions a sixth knight, a great
competitor, whose name he cannot remember, though he is actually speaking about
himself. The Templar vows to challenge this sixth and unknown Knight at the
forthcoming Ashby tournament.
CHAPTER 6
On his way to bed, the Palmer is asked to accompany
Cedric's servants to the kitchen for more drink and gossip. A message is sent
to him by Lady Rowena, demanding his presence. She wants more news of Ivanhoe
since she heard the Palmer mention Ivanhoe's courageous exploits. All that the
Palmer tells her is that Ivanhoe, having fought bravely, is on his way home.
Before going to bed, the Palmer warns Isaac that he
has overheard Bois-Guilbert ordering his Moslem slaves to follow Isaac and rob
him. Isaac is grateful to the Palmer, and before he escapes, rewards the Palmer
with a favor. He sends a letter to his Jewish kinsman asking him to give the
Palmer a horse and armor so that he can participate in the Ashby tournament.
CHAPTERS 7-9
These chapters are largely descriptive and do little
to advance the plot of the story. The busy arena where the knights will display
their skill is brilliantly described. The challengers, Bois-Guilbert,
Front-de-Boeuf, Grantmesnil, Malvoisin, and Ralph de Vipoint, are introduced
and described as seasoned Norman knights. Isaac's daughter Rebecca is also
introduced.
A stranger, beautifully attired in steel and gold
armor, arrives at the arena, challenges Bois-Guilbert, and emerges victorious;
Bois- Guilbert feels disgraced. The mysterious knight also wins on the second
day of the tournament and crowns Rowena as the Queen of Love and Beauty.
CHAPTER 10
As soon as Ivanhoe, in the guise of the Disinherited
Knight, reaches his tent on the first day of the tournament, he is presented
with the rich armor, weapons, and horses of the knights he has defeated. He
accepts his rewards from four of the five knights. He refuses the gifts of
Bois-Guilbert, however, and sends a message that he will meet the Templar
Knight again in combat on the following day.
With some of the money from his rewards, Ivanhoe
sends Gurth, who is now his confidante, to Isaac to pay for the horse and armor
which he so generously loaned to him for the tournament. Isaac takes the money,
but Rebecca secretly sends it back, adding twenty gold coins as a tip for
Gurth.
CHAPTER 11
On his way back to Ashby, poor Gurth is attacked by
four men who steal the money he carries, both his gold coins and that belonging
to Ivanhoe. The thieves question him about where he got the money. When Gurth
tells about Rebecca's kindness, the thieves
refuse to believe that any Jew would return a payment on a loan. Gurth fights
with his attackers. When he shows his courage in the conflict, the robbers
surprisingly give him back his money and escort him to Ashby.
CHAPTER 12
After the combats of the first day at Ashby, the
crowds eagerly await the events of the next day. The excitement reaches a fever
pitch when the Disinherited Knight is attacked simultaneously by Athelstane,
Front-de-Boeuf, and Bois-Guilbert. With the help of another mysterious
character, the Black Knight, who comes to his aid, Ivanhoe overcomes his
challengers, emerging the victor once again. After the victory, the Black
Knight disappears. Rowena crowns the Disinherited Knight, who is now forced to
raise his visor and show his face. He is revealed to all as Ivanhoe, Cedric's
son. Severely wounded, he faints at Rowena's feet.
CHAPTERS 13-15
The revelation that Ivanhoe is the disguised winner
of the tournament causes a great commotion and some fear in the minds of the
Norman nobles. A castle once belonging to Ivanhoe that John had given to
Front-de-Bouef is now the object of much speculation, for many think that
Ivanhoe will demand it back.
Prince John himself is a bit worried about a
confrontation until his advisor Fitzurse informs him that Ivanhoe is severely
wounded and probably incapable of protest.
When Prince John receives a message that says,
"Take heed to yourself, for the Devil is unchained," he turns pale.
He guesses that the message means his brother Richard is free, and his own
corrupt reign is nearing its end. At the same time, many of his supporters
begin to falter in their support of him, and Fitzurse busies himself trying to
rally them back to John.
The tournament ends with an archery contest, which
introduces Robin of Locksley (Robin Hood). Locksley easily defeats Hubert. John
is enraged at both Locksley's skill as an archer and his unswerving loyalty to
Richard. Cedric also offends John in his surprising expression of support for
Richard when he drinks to missing king's health.
Prince John has planned to marry Rowena to De Bracy,
who is pleased with the idea. Now De Bracy is determined to force the marriage
whether Richard has returned or not. He makes plans to ambush Cedric's party as
they travel home from the tournament. He will take Rowena and make her his
unwilling bride.
CHAPTERS 16 & 17
This chapter introduces Friar Tuck, the jolly priest
who is one of Robin Hood's men. Earlier in the novel, King Richard proved his
valor at Ashby disguised as the Black Knight. After the victory, he quickly
disappeared before his identity was questioned. In this scene, he is traveling
in the forest when he meets the Clerk of Copmanhurst, who is actually Friar
Tuck. The two trust one another; they eat and drink in great companionship. The
king and the fat priest get on so well that after supper they decide to sing
together. Each chooses a song that makes fun of the other; the priest pokes fun
at Crusaders and Richard mocks the priest.
CHAPTERS 18 & 19
When Cedric first sees his son wounded, his natural
paternal love is revived, but not wishing to reveal this to the spectators at
Ashby, he keeps quiet. Later he learns that Ivanhoe is being taken care of by
Rebecca and is relieved. Discovering that his swineherd Gurth has been helping
Ivanhoe, Cedric has him bound with rope as a punishment.
Cedric and Athelstane take their group to Prince
John's palace where they have been invited to a banquet. On the way to Prince
John's, the group encounters the dog, Fangs, howling. Cedric throws his javelin
at it, wounding the dog. Saxons are a superstitious lot, and Cedric believed
this howling was a sure sign of an impending danger. Gurth is upset to see the
dog wounded and manages to escape his bonds.
At Prince John's, Rowena refuses to attend the
banquet, which annoys Cedric. He and Athelstane discuss matters of land. Then
Cedric broaches the subject of Athelstane's marriage to Rowena.
CHAPTERS 20 & 21
As they make their way through the woods, Cedric and
his party come upon Isaac and Rebecca accompanying a sick man. Rebecca is
crying out loudly for help. Their bodyguard has deserted them in sheer fear of
the outlaws who are known to inhabit the woods.
Rebecca begs Rowena to help the sick man. The entire
party is then attacked by De Bracy and his men, impersonating outlaws. They
kidnap the group and take them to Front-de-Bouef at Torquilstone Castle, which
once belonged to Ivanhoe until John gave it away. Except for Wamba, who
escapes, they are all taken prisoners.
Wamba meets Gurth, and they go to find Locksley
(Robin Hood). Gurth, Wamba, Locksley, and his men meet up with the disguised
King Richard and Friar Tuck. All of them proceed to Torquilstone Castle to aid
the prisoners.
CHAPTER 22
Isaac of York has been thrown into a dark dungeon in
Torquilstone Castle. Front-de-Boeuf demands a ransom of a thousand silver
pounds, to which Isaac protests. The Normans threaten him with physical
torture, so Isaac requests that his daughter Rebecca be sent with an escort to
York to get the money. He is deeply upset when he learns that she has been
given to Bois-Guilbert as his own personal captive. Isaac is willing to give up
whatever wealth he possesses if only he can get Rebecca back. As his captors
begin preparations for torture, the sound of a bugle is heard outside the
castle, and Isaac is saved for the moment.
CHAPTER 23
Elsewhere in Front-de-Boeuf's castle, De Bracy tries
his best to persuade Rowena to marry him. He threatens that if she does not
accept him, the lives of Ivanhoe and Cedric will be forfeited. In the
conversation, she learns that Ivanhoe is a prisoner in the same castle and breaks
down. The bugle call interrupts this scene as well.
CHAPTER 24
Rebecca meets the old hag, Urfried, in the little
tower where she is imprisoned. Urfried makes the most frightening forecast for
Rebecca, recounting her own terrible fate at the hands of Front-de- Boeuf's
father. Urfried, however, had submitted to the elder Front- de-Bouef's
molestation, accepting the subsequent shame and dishonor. The brave Rebecca
looks around for some escape, but finds none. Musing over her fate, she hears
footsteps on the stairs.
A tall man stands at the door. She offers her jewelry
to the man who takes off his cap and reveals himself as Bois-Guilbert. He makes
advances at her, which she refuses. Rebecca threatens to kill herself. She
would rather die than be dishonored as the old woman Urfried has been. The
trumpet call also saves Rebecca, for it summons Bois-Guilbert, who promises to
visit her again.
CHAPTERS 25-27
The occupants of Torquilstone receive a letter signed
by Gurth and Wamba, but sent by the mysterious Black Knight and Locksley; the
letter demands the release of the prisoners. Front-de-Boeuf responds to the
letter by asking that a priest be sent to hear the confessions of the prisoners
before they are put to death. Wamba, dressed in Friar's robes, enters the
castle "to hear the confessions of the condemned". When he reaches
the place where Cedric and the others are imprisoned, he and Cedric exchange
their clothes and Cedric is able to leave the dungeon undetected.
Thinking Cedric to be the priest, Front-de-Boeuf
gives him a message for Philip Malvoisin. Cedric rejects Front de Boeuf's
payment and joins the party outside. Subsequently, Wamba's disguise and
Cedric's escape are discovered. It now seems that a clash is inevitable between
the Normans inside and the besiegers outside, now joined by Cedric.
CHAPTER 28
Using flashback, Scott supplies the necessary
information to link various events that have happened. Ivanhoe's actual
whereabouts since being injured at the tournament have never been explicitly
stated. But here it is revealed that Rebecca took the invalid Ivanhoe on as a
charge, promising to use her powers of healing. It is made clear that the sick
man she and her father were accompanying when they were kidnapped is Ivanhoe.
CHAPTER 29
As the besiegers attack the Castle, Rebecca stands at
the window to relate to Ivanhoe the exact sequence of events. He soon falls
asleep. Rebecca, left to her own thoughts, tries to sort out her feelings for
him. She realizes that she is beginning to love him.
CHAPTERS 30 & 31
The battle rages on, with both parties fighting
intensely. Front-de- Boeuf is seriously wounded in the battle. As he lies
dying, the old hag Urfried accuses him of all kinds of sins, the worst being
the murder of his own father. Hungry for revenge for wrongs done to her by his
family, she sets fire to the castle. Both she and Front-de- Boeuf die in the
flames. The Black Knight saves Ivanhoe and captures De Bracy. Everyone manages
to escape to freedom except Rebecca, who is carried away by Bois-Guilbert, the
Knight Templar who wants to defile her. In attempting to stop Bois- Guilbert,
Athelstane is hit on the head and falls down, apparently dead.
CHAPTER 32
Early next morning the freed prisoners and their
rescuers, the outlaws, meet in the forest. Robin of Locksley places Cedric on
his left and the Black Knight on his right. The booty plundered from the castle
is shared equally. Cedric refuses his share, saying that Rowena and he are
grateful to Locksley for his help. He offers his share to the Black Knight, who
also refuses to take any of the plunder. In gratitude to him for his help,
Cedric frees his slave Gurth.
De Bracy, now a prisoner, attempts to speak to Rowena
but is insulted by Cedric. Athelstane's body is carried in on a stretcher. Then
Friar Tuck arrives, leading Isaac by a rope that is tied around his neck. He
and the Black Knight engage in a friendly fight over Isaac. The Black Knight
wins, and Isaac is set free. Two other men bring in another prisoner, the Prior
of Jorvaulx.
CHAPTERS 33 & 34
Prior Aymer is frightened when he is brought in to
the camp, but is mostly disturbed because his beautiful, expensive clothes are
ruined. Isaac is relieved to learn Rebecca is alive and listens carefully when
the Prior offers, for an appropriate price, to use his friendship with the
Knight Templar to free Rebecca. The Black Knight is pleasantly surprised at the
decency with which the outlaws behave.
At a banquet hall in the castle of York to which
Prince John has invited his nobles, rumors are afoot that Torquilstone Castle
has been attacked and captured. Word has it that Front-de-Boeuf and
Bois-Guilbert, and perhaps De Bracy too, are dead. John is disturbed but
listens to Fitzurse, who reassures him that his unscrupulous reign is
invincible.
De Bracy dramatically enters the banquet and
announces that Richard is in England, Bois-Guilbert has fled with the Jewish
girl, and Front-de-Bouef is dead. John is frightened at the news and begins to
drink heavily. In his drunken stupor, he realizes that many of his knights are
deserting him. He quickly appoints De Bracy High Marshal to secure his loyalty.
De Bracy, however, no longer trusts or believes in John. John, in turn, sets
spies on De Bracy.
CHAPTER 35
Isaac of York is warned by his relation Nathan that
Lucas Beaumanoir, Chief of the Order of Templars, is also present at
Templestowe, where Rebecca is being held prisoner. Beaumanoir is a rigid knight
who is insistent on Templar principles, a cruel enemy to the Moslems, and a
strong hater of the Jews.
Isaac brings a letter from Prior Aymer to
Bois-Guilbert, asking for the Prior's ransom; the Jew is brought to Lucas
Beaumanoir. Until Isaac shows up, Beaumanoir is completely unaware of Rebecca's
presence in the castle. He is annoyed that Bois-Guilbert is guilty of
sequestering Rebecca for immoral purposes, since he is a strict keeper of the
Knights Templar rules of celibacy.
Isaac is oblivious to the fact that the Prior's
letter nastily hints that Rebecca is a "second witch of Endor"; in
it, the Prior says Rebecca has cast a spell over the Templar. Malvoisin, the
preceptor of Templestowe, seizes on the notion that Rebecca is a witch and
defends his friend Bois-Guilbert. In the meantime, Bois-Guilbert finds he is
strongly attracted to Rebecca and continues to press her to accept him.
Beaumanoir orders a full-scale trial for Rebecca,
thinking this is his only chance to save the reputation of the Knight Templar
who has acted so out of keeping with the order's rules. Bois-Guilbert's
attempts to help Rebecca escape the trial by marrying him are in vain.
CHAPTERS 37 & 39
The scene is set for Rebecca's trial. The Grand
Master sits opposite a pile of logs, which will form the stake at which Rebecca
will be burned alive if she is found guilty. The charges against Bois- Guilbert
are read first, but he is excused on the grounds that Rebecca's evil magic has
taken away his power of reason. Others testify to the supernatural powers of
Rebecca, her healing of Ivanhoe, and her presence and influence at the attack
on Torquilstone. The common people are on her side, deeply affected by her
beauty and her defense; but it is not a fair trial. Bois- Guilbert tries to
save Rebecca by asking for a champion to fight him on her behalf; however, he
suspects no one will come to her aid against him. He then tries in vain to
convince Rebecca to run away with him.
CHAPTERS 40-42
In an earlier chapter, Prince John is seen losing the
loyalty of most of his knights except that of Waldemar Fitzurse, who slips out
of the banqueting hall to confront King Richard before he takes back his power.
On their way to Athelstane's castle of Coningsburgh to bury him, the Black
Knight and Wamba are ambushed by Fitzurse and his men. Richard sounds his horn
to summon Locksley and his outlaws. With their help, he overcomes and kills his
attackers.
Only Fitzurse is left alive. The king banishes him
forever from England and confiscates his lands.
The Black Knight then reveals himself as the rightful
King of England. He and Ivanhoe proceed to Coningsburgh. Athelstane, who has
only been knocked unconscious and not killed, now rises to tell his story.
Ivanhoe rides on, prepared and ready to champion Rebecca's fate.
CHAPTER 43
Rebecca's trial attracts a large crowd, including
many of Robin Hood's men. Just as her situation seems hopeless, for no champion
has offered to defend Rebecca, Ivanhoe rides into the arena. He challenges
those who accuse the beautiful Jewess. Brian de Bois- Guilbert becomes an
unwilling participant in the fight as a representative of the people who accuse
Rebecca; Beaumanoir and the Knight Templars demand his obedience and loyalty.
It is an exciting and hard-fought battle, but Bois-Guilbert is finally killed.
Ivanhoe has saved Rebecca.
CHAPTER 44
Richard, having intended to champion Rebecca himself,
is detained by the Earl of Essex who warns him of John's evil plans. He arrives
at the trial too late to fight, but brings with him a troop of soldiers and
arrests Albert Malvoisin for plotting with John against him. He gives Lucas
Beaumanoir the choice of exile or death, and Beaumanoir chooses exile. Richard
then banishes all the traitors except John, who is sent to his mother with a
warning. Athelstane gives up his claim to Rowena and retires from public life.
Rowena and Ivanhoe are married. Before departing from England with her father
forever, Rebecca visits Rowena to thank her.
Lady
Chatterley’s Lover by D.H.Lawrence
Summary
Lady Chatterley's Lover begins by introducing
Connie Reid, the female protagonist of the novel. She was raised as a cultured
bohemian of the upper-middle class, and was introduced to love
affairs--intellectual and sexual liaisons--as a teenager. In 1917, at 23, she
marries Clifford Chatterley, the scion of an aristocratic line. After a
month's honeymoon, he is sent to war, and returns paralyzed from the waist
down, impotent.
After the war, Clifford becomes a successful
writer, and many intellectuals flock to the Chatterley mansion, Wragby. Connie
feels isolated; the vaunted intellectuals prove empty and bloodless, and she
resorts to a brief and dissatisfying affair with a visiting playwright,
Michaelis. Connie longs for real human contact, and falls into despair, as all
men seem scared of true feelings and true passion. There is a growing distance
between Connie and Clifford, who has retreated into the meaningless pursuit
of success in his writing and in his obsession with coal-mining, and towards
whom Connie feels a deep physical aversion. A nurse, Mrs. Bolton, is hired to
take care of the handicapped Clifford so that Connie can be more independent,
and Clifford falls into a deep dependence on the nurse, his manhood fading
into an infantile reliance.
Into the void of Connie's life comes Oliver
Mellors, the gamekeeper on Clifford's estate, newly returned from serving in
the army. Mellors is aloof and derisive, and yet Connie feels curiously drawn
to him by his innate nobility and grace, his purposeful isolation, his
undercurrents of natural sensuality. After several chance meetings in which
Mellors keeps her at arm's length, reminding her of the class distance between
them, they meet by chance at a hut in the forest, where they have sex. This
happens on several occasions, but still Connie feels a distance between them,
remaining profoundly separate from him despite their physical closeness.
One day, Connie and Mellors meet by coincidence
in the woods, and they have sex on the forest floor. This time, they
experience simultaneous orgasms. This is a revelatory and profoundly moving
experience for Connie; she begins to adore Mellors, feeling that they have
connected on some deep sensual level. She is proud to believe that she is
pregnant with Mellors' child: he is a real, "living" man, as opposed
to the emotionally-dead intellectuals and the dehumanized industrial workers.
They grow progressively closer, connecting on a primordial physical level, as
woman and man rather than as two minds or intellects.
Connie goes away to Venice for a vacation.
While she is gone, Mellors' old wife returns, causing a scandal. Connie
returns to find that Mellors has been fired as a result of the negative rumors
spread about him by his resentful wife, against whom he has initiated divorce
proceedings. Connie admits to Clifford that she is pregnant with Mellors'
baby, but Clifford refuses to give her a divorce. The novel ends with Mellors
working on a farm, waiting for his divorce, and Connie living with her sister,
also waiting: the hope exists that, in the end, they will be together Analysis
Valuable
Commentory
The greatness of Lady Chatterley's Lover lies
in a paradox: it is simultaneously progressive and reactionary, modern and
Victorian. It looks backwards towards a Victorian stylistic formality, and it
seems to anticipate the social morality of the late 20th century in its frank
engagement with explicit subject matter and profanity. One might say of the
novel that it is formally and thematically conservative, but methodologically
radical.
The easiest of these assertions to prove is
that Lady Chatterley's Lover is "formally conservative." By this I
mean that there are few evident differences between the form of Lady
Chatterley's Lover and the form of the high-Victorian novels written fifty
years earlier: in terms of structure; in terms of narrative voice; in terms of
diction, with the exception of a very few "profane" words. It is
important to remember that Lady Chatterley's Lover was written towards the end
of the 1920s, a decade which had seen extensive literary experimentation. The
1920s opened with the publishing of the formally radical novel Ulysses, which
set the stage for important technical innovations in literary art: it made
extensive use of the stream-of-consciousness form; it condensed all of its
action into a single 24-hour span; it employed any number of voices and
narrative perspectives. Lady Chatterley's Lover acts in many ways as if the
1920s, and indeed the entire modernist literary movement, had never happened.
The structure of the novel is conventional, tracing a small group of
characters over an extended period of time in a single place. The rather
preachy narrator usually speaks with the familiar third-person omniscience of
the Victorian novel. And the characters tend towards flatness, towards
representing a type, rather than speaking in their own voices and developing
real three-dimensional personalities.
But surely, if Lady Chatterley's Lover is
"formally conservative," it can hardly be called "thematically
conservative"! After all, this is a novel that raised censorious hackles
across the English-speaking world. It is a novel that liberally employs
profanity, that more-or-less graphically--graphically, that is, for the 1920s:
it is important not to evaluate the novel by the standards of profanity and
graphic sexuality that have become prevalent at the turn of the 21st
century--describes sex and orgasm, and whose central message is the idea that
sexual freedom and sensuality are far more important, more authentic and
meaningful, than the intellectual life. So what can I mean by calling Lady
Chatterley's Lover, a famously controversial novel, "thematically
conservative"?
Well, it is important to remember not only
precisely what this novel seems to advocate, but also the purpose of that
advocacy. Lady Chatterley's Lover is not propaganda for sexual license and
free love. As D.H. Lawrence himself made clear in his essay "A Propos of
Lady Chatterley's Lover," he was no advocate of sex or profanity for their
own sake. The reader should note that the ultimate goal of the novel's
protagonists, Mellors and Connie, is a quite conventional marriage, and a sex
life in which it is clear that Mellors is the aggressor and the dominant
partner, in which Connie plays the receptive part; all who would argue that
Lady Chatterley's Lover is a radical novel would do well to remember the
vilification that the novel heaps upon Mellors' first wife, a sexually
aggressive woman. Rather than mere sexual radicalism, this novel's chief
concern--although it is also concerned, to a far greater extent than most
modernist fiction, with the pitfalls of technology and the barriers of
class--is with what Lawrence understands to be the inability of the modern
self to unite the mind and the body. D.H. Lawrence believed that without a
realization of sex and the body, the mind wanders aimlessly in the wasteland
of modern industrial technology. An important recognition in Lady Chatterley's
Lover is the extent to which the modern relationship between men and women
comes to resemble the relationship between men and machines.
Not only do men and women require an
appreciation of the sexual and sensual in order to relate to each other
properly; they require it even to live happily in the world, as beings able to
maintain human dignity and individuality in the dehumanizing atmosphere
created by modern greed and the injustices of the class system. As the great
writer Lawrence Durrell observed in reference to Lady Chatterley's Lover,
Lawrence was "something of a puritan himself. He was out to cure, to
mend; and the weapons he selected for this act of therapy were the four-letter
words about which so long and idiotic a battle has raged." That is to
say: Lady Chatterley's Lover was intended as a wake-up call, a call away from
the hyper-intellectualism embraced by so many of the modernists, and towards
a balanced approach in which mind and body are equally valued. It is the
method the novel uses that made the wake-up call so radical--for its time--and
so effective.
This is a novel with high purpose: it points to
the degradation of modern civilization--exemplified in the coal-mining
industry and the soulless and emasculated Clifford Chatterley--and it suggests
an alternative in learning to appreciate sensuality. And it is a novel, one
must admit, which does not quite succeed. Certainly, it is hardly the equal of
D.H. Lawrence's great novels, Women in Love and The Rainbow. It attempts a
profound comment on the decline of civilization, but it fails as a novel when
its social goal eclipses its novelistic goals, when the characters become
mere allegorical types: Mellors as the Noble Savage, Clifford as the impotent
nobleman. And the novel tends also to dip into a kind of breathless
incoherence at moments of extreme sensuality or emotional weight. It is not a
perfect novel, but it is a novel which has had a profound impact on the way
that 20th-century writers have written about sex, and about the deeper
relationships of which, thanks in part to Lawrence, sex can no longer be
ignored as a crucial element. Characters
Lady Chatterley - The protagonist of the novel. Before her marriage,
she is simply Constance Reid, an intellectual and social progressive, the
daughter of Sir Malcolm and the sister of Hilda. When she marries Clifford
Chatterley, a minor nobleman, Constance--or, as she is known throughout the
novel, Connie--assumes his title, becoming Lady Chatterley. Lady Chatterley's
Lover chronicles Connie's maturation as a woman and as a sensual being. She
comes to despise her weak, ineffectual husband, and to love Oliver Mellors,
the gamekeeper on her husband's estate. In the process of leaving her husband
and conceiving a child with Mellors, Lady Chatterley moves from the heartless,
bloodless world of the intelligentsia and aristocracy into a vital and
profound connection rooted in sensuality and sexual fulfillment.
Oliver Mellors - The lover in the novel's title. Mellors is the
gamekeeper on Clifford Chatterley's estate, Wragby. He is aloof, sarcastic,
intelligent and noble. He was born near Wragby, and worked as a blacksmith
until he ran off to the army to escape an unhappy marriage. In the army he
rose to become a commissioned lieutenant--an unusual position for a member of
the working classes--but was forced to leave the army because of a case of
pneumonia, which left him in poor health. Disappointed by a string of
unfulfilling love affairs, Mellors lives in quiet isolation, from which he is
redeemed by his relationship with Connie: the passion unleashed by their
lovemaking forges a profound bond between them. At the end of the novel,
Mellors is fired from his job as gamekeeper and works as a laborer on a farm,
waiting for a divorce from his old wife so he can marry Connie. Mellors is the
representative in this novel of the Noble Savage: he is a man with an innate
nobility but who remains impervious to the pettiness and emptiness of
conventional society, with access to a primitive flame of passion and
sensuality.
Clifford Chatterley - Connie's husband. Clifford Chatterley is a minor
nobleman who becomes paralyzed from the waist down during World War I. As a
result of his injury, Clifford is impotent. He retires to his familial estate,
Wragby, where he becomes first a successful writer, and then a powerful
businessman. But the gap between Connie and him grows ever wider; obsessed
with financial success and fame, he is not truly interested in love, and she
feels that he has become passionless and empty. He turns for solace to his
nurse and companion, Mrs. Bolton, who worships him as a nobleman even as she
despises him for his casual arrogance. Clifford represents everything that
this novel despises about the modern English nobleman: he is a weak, vain man,
but declares his right to rule the lower classes, and he soullessly pursues
money and fame through industry and the meaningless manipulation of words. His
impotence is symbolic of his failings as a strong, sensual man.
Mrs. Bolton - Ivy Bolton is Clifford's nurse and caretaker. She
is a competent, complex, still-attractive middle-aged woman. Years before the
action in this novel, her husband died in an accident in the mines owned by Clifford's
family. Even as Mrs. Bolton resents Clifford as the owner of the mines--and,
in a sense, the murderer of her husband--she still maintains a worshipful
attitude towards him as the representative of the upper class. Her
relationship with Clifford--she simultaneously adores and despises him, while
he depends and looks down on her--is probably the most fascinating and complex
relationship in the novel.
Michaelis - A successful Irish playwright with whom Connie has
an affair early in the novel. Michaelis asks Connie to marry him, but she
decides not to, realizing that he is like all other intellectuals: a slave to
success, a purveyor of vain ideas and empty words, passionless.
Hilda Reid - Connie's older sister by two years, the daughter
of Sir Malcolm. Hilda shared Connie's cultured upbringing and intellectual
education. She remains unliberated by the raw sensuality that changed Connie's
life. She disdains Connie's lover, Mellors, as a member of the lower classes,
but in the end she helps Connie to leave Clifford.
Sir Malcolm Reid - The father of Connie and Hilda. He is an
acclaimed painter, an aesthete and unabashed sensualist who despises Clifford
for his weakness and impotence, and who immediately warms to Mellors.
Tommy Dukes - One of Clifford's
contemporaries, Tommy Dukes is a brigadier general in the British Army and a
clever and progressive intellectual. Lawrence intimates, however, that Dukes
is a representative of all intellectuals: all talk and no action. Dukes speaks
of the importance of sensuality, but he himself is incapable of sensuality and
uninterested in sex.
Charles May, Hammond, Berry - Young intellectuals who visit Wragby,
and who, along with Tommy Dukes and Clifford, participate in the socially
progressive but ultimately meaningless discussions about love and sex.
Duncan Forbes - An artist friend of Connie and Hilda. Forbes
paints abstract canvases, a form of art both Mellors and D.H. Lawrence seem
to despise. He once loved Connie, and Connie originally claims to be pregnant
with his child.
Bertha Coutts - Although Bertha never actually appears in the
novel, her presence is felt. She is Mellors' wife, separated from him but not
divorced. Their marriage faltered because of their sexual incompatibility: she
was too rapacious, not tender enough. She returns at the end of the novel to
spread rumors about Mellors' infidelity to her, and helps get him fired from
his position as gamekeeper. As the novel concludes, Mellors is in the process
of divorcing her.
Squire Winter - A relative of Clifford. He is a firm believer in
the old privileges of the aristocracy.
Daniele, Giovanni - Venetian gondoliers in the service of Hilda and
Connie. Giovanni hopes that the women will pay him to sleep with them; he is
disappointed. Daniele reminds Connie of Mellors: he is attractive, a
"real man." Context
Lord of the Flies by W.Golding
William Gerald Golding was born in
September of 1911 in the city of Cornwall, England. Growing up in the life of
luxury, Golding soon realized that he was very talented at his school studies.
He attended both the prestigious colleges of Malboro and Oxford, studying both
natural science and English. Despite his father’s protests, Golding eventually
decided to devote his career to literature, where he became one of the most
famous English novelists ever. Soon World War II started, compelling Golding to
enlist in the Navy. It was war where Golding lost the idea that men are
inherently good. After witnessing the evil of war, both from men of the enemy
and his own side, Golding lost the belief that humans have an innocent nature.
Even children he learned are inherently evil, thus foreshadowing his future and
most famous novel, Lord of the Flies. In later years, Golding received many
noteworthy awards for his contribution to English and world literature. Finally
in 1983, he was awarded the Nobel prize for his literary merits. Golding’s
other interests include Greek literature, music and history. Yet William G.
Golding will be remembered mostly for his great contributions to modern
literature.
Chapter One: The Sound of the Shell:
The novel begins in the aftermath of a
plane crash in the Pacific Ocean during an unnamed war in which a group of
English schoolboys are isolated on what they assume to be an island under no
adult supervision. The pilot died in the crash and the plane has been swept to
sea by a storm. Among the survivors are a young, fair-haired boy of twelve
named Ralph and a pudgy boy referred to only by the derisive nickname from
school that he dislikes: Piggy. Piggy insists that he can neither run nor swim
well because of his asthma. Ralph insists that his father, a commander in the
Navy, will come and rescue them. Both of Piggy's parents had already died.
Piggy doubts that anybody will find them, and suggests that the boys should
gather together. Ralph finds a conch shell, which Piggy tells him will make a
loud noise. When Ralph blows the conch, several children make their way to
Ralph and Piggy. There were several small children around six years old and a
party of boys marching in step, dressed in eccentric clothing: black cloaks and
black caps. One of the boys, Jack Merridew, leads the group, which he addresses
as his choir. Piggy suggests that everyone state their names, and Jack insists
on being called Merridew, for Jack is a kid's name. Jack, a tall thin boy with
an ugly, freckled complexion and flaming red hair, insists that he be the
leader because he's the head boy of his choir. They decide to vote for chief:
although Jack seems the most obvious leader and Piggy the most obviously
intelligent, Ralph has a sense of stillness and gravity. He is elected chief,
but concedes that Jack can lead his choir, who will be hunters. Ralph decides
that everyone should stay there while three boys will find out whether they are
on an island. Ralph chooses one of the boys, Simon, while Jack insists that he
comes along. When Piggy offers to go, Jack dismisses the idea, humiliating
Piggy, who is still ashamed that Ralph revealed his hated nickname. The three
boys search the island, climbing up the mountain to survey it. On the way up,
they push down the mountain a large rock that blocks their way. When they
finally reach the top and determine that they are on an island, Ralph looks
upon everything and says "this belongs to us." The three decide that
they need food to eat, and find a piglet caught in a curtain of creepers. Jack
draws his knife, but pauses before he has a chance to stab the pig, which frees
itself and runs away. Jack could not stab the pig because of the great violence
involved, but he vows that he would show no mercy next time.
Chapter Two: Fire on the Mountain:
Ralph called another meeting that night.
The sunburned children had put on clothing once more, while the choir was more
disheveled, having abandoned their cloaks. Ralph announces that they are on an
uninhabited island, but Jack interjects and insists that they need an army to
hunt the pigs. Ralph sets the rules of order for the meeting: only the person
who has the conch shell may speak. Jack relishes having rules, and even more
so, having punishment for breaking them. Piggy reprimands Jack. He says that
nobody knows where they are and that they may be there a long time. Ralph reassures
them, telling them that the island is theirs, and until the grown-ups come they
will have fun. A small boy is about to cry; he wonders what they will do about
a snake-thing. Ralph suggests that they build a fire on the top of the
mountain, for the smoke will signal their presence. Jack summons the boys to
come build a fire, leaving only Piggy and Ralph. Piggy shows disgust at their
childish behavior as Ralph catches up and helps them bring piles of wood to the
top.
Eventually it proves too difficult for
some of the smaller boys, who lose interest and search for fruit to eat. When
they gather enough wood, Ralph and Jack wonder how to start a fire. Piggy
arrives, and Jack suggests that they use his glasses. Jack snatches them from
Piggy, who can barely see without them. Eventually they use the glasses to
reflect the rays of the sun, starting a fire. The boys are mesmerized by the
fire, but it soon burns out. Ralph insists that they have rules, and Jack
agrees, since they are English, and the English are the best at everything so
must do the right things. Ralph says they might never be saved, and Piggy
claims that he has been saying that, but nobody has listened. They get the fire
going once more. While Piggy has the conch, he loses his temper, telling the other
boys how they should have listened to his orders to build shelters first and
how a fire is a secondary consideration. Piggy worries that they still don't
know exactly how many boys there are, and mentions the snakes. Suddenly, one of
the trees catches on fire, and one of the boy screams about snakes. Piggy
thinks that one of the boys is missing.
Chapter Three: Huts on the Beach:
Jack scans the oppressively silent forest.
A bird startles him as he progresses along the trail. He raises his spear and
hurls it at a group of pigs, driving them away. He eventually comes upon Ralph
near the lagoon. Ralph complains that the boys are not working hard to build
the shelters. The little ones are hopeless, spending most of their time bathing
or eating. Jack says that Ralph is chief, so he should just order them to do
so. Ralph admits that they could call a meeting, vow to build something,
whether a hut or a submarine, start building it for five minutes then quit.
Ralph tells Jack that most of his hunters spent the afternoon swimming. A
madness comes to Ralph's eyes as he admits that he might kill something soon.
Ralph insists that they need shelters more than anything. Ralph notices that
the other boys are frightened. Jack says that when he is hunting he often feels
as if he is being hunted, but admits that this is irrational. Only Simon has
been helping Ralph, but he leaves, presumably to have a bath. Jack and Ralph go
to the bathing pool, but do not find Simon there. Simon had followed Jack and
Ralph, then turned into the forest with a sense of purpose. He is a tall,
skinny boy with a coarse mop of black hair. He walks through the acres of fruit
trees and finds fruit that the littlest boys cannot reach. He gives the boys
fruit them goes along the path into the jungle. He finds an open space and
looks to see whether he is alone. This open space contains great aromatic
bushes, a bowl of heat and light.
Chapter Four: Painted Faces and Long Hair:
The boys quickly become accustomed to the
progression of the day on the island, including the strange point at midday
when the sea would rise. Piggy discounts the midday illusions as mere mirages.
The northern European tradition of work, play and food right through the day
made it possible for the boys to adjust themselves to the new rhythm. The
smaller boys were known by the generic title of "littluns," including
Percival, the smallest boy on the island, who had stayed in a small shelter for
two days and had only recently emerged, peaked, red-eyed and miserable. The littluns
spend most of the day searching for fruit to eat, and since they choose it
indiscriminately suffer from chronic diarrhea. They cry for their mothers less
often than expected, and spend time with the older boys only during Ralph's
assemblies. They build castles in the sand. One of the biggest of the littluns
is Henry, a distant relative of the boy who disappeared. Two other boys, Roger
and Maurice, come out of the forest for a swim and kick down the sand castles.
Maurice, remembering how his mother chastised him, feels guilty when he gets
sand in Percival's eye. Henry is fascinated by the small creatures on the
beach. Roger picks up a stone to throw at Henry, but deliberately misses him,
recalling the taboos of earlier life. Jack thinks about why he is still unsuccessful
as a hunter. He thinks that the animals see him, so he wants to find some way
to camouflage himself. Jack rubs his face with charcoal, and laughs with a
bloodthirsty snarl when he sees himself. From behind the mask Jack seems
liberated from shame and self-consciousness.
Piggy thinks about making a sundial so
that they can tell time, but Ralph dismisses the idea. The idea that Piggy is
an outsider is tacitly accepted. Ralph believes that he sees smoke along the
horizon coming from a ship, but there is not enough smoke from the mountain to
signal it. Ralph starts to run to the up the mountain, but cannot reach it in
time. Their own fire is dead. Ralph screams for the ship to come back, but it
passes without seeing them. Ralph finds that the hunters have found a pig, but
Ralph admonishes them for letting the fire go out. Jack is overjoyed by their
kill. Piggy begins to cry at their lost opportunity, and blames Jack for
letting the fire go out. The two argue, and finally Jack punches Piggy in the
stomach. Piggy's glasses fly off and break on the rocks. Jack eventually does
apologize about the fire, but Ralph resents Jack's misbehavior. Jack considers
not letting Piggy have any meat, but orders everyone to eat. Maurice pretends
to be a pig, and the hunters circle around him, dancing and singing "Kill
the pig. Cut her throat. Bash her in." Ralph vows to call an assembly.
Chapter Five: Beast From Water:
Ralph goes to the beach because he needs a
place to think and is overcome with astonishment. He understands the weariness
of life, where everything requires improvisation. He calls a meeting near the
bathing pool, realizing that he must think and must make a decision but that he
lacks Piggy's ability to think. He begins the assembly seriously, telling them
that they are there not for making jokes or for cleverness. He reminds them
that everyone built the first shelter, which is the most sturdy, while the
third one, built only by Simon and Ralph, is unstable. He admonishes them for
not using the appropriate areas for the lavatory, and reminds them that the
fire is the most important thing on the island, for it is their means of
escape. He claims that they ought to die before they let the fire out. He
directs this at the hunters, in particular. He makes the rule that the only
place where they will have a fire is on the mountain. Ralph then speaks on
their fear. He admits that he is frightened himself, but their fear is
unfounded. Jack stands up, takes the conch, and yells at the littluns for
screaming like babies and not hunting or building or helping.
Jack tells them that there is no beast on
the island. Piggy does agree with Jack on that point, telling the kids that
there is no beasts and there is no real fear, unless they get frightened of
people. A littlun, Phil, tells how he had a nightmare and, when he awoke, how
he saw something big and horrid moving among the trees. Ralph dismisses it as
nothing. Simon admits that he was walking in the jungle at night. Percival
speaks next, and as he gives his name he recites his address and telephone
number; this reminder of home causes him to break out into tears. All of the
littluns join him. Percival claims that the beast comes out of the sea, and
tells them about squids. Simon says that maybe there is a beast, and the boys
speak about ghosts. Piggy says he does not believe in ghosts, but Jack attempts
to start a fight again. Ralph stops the fight, and asks the boys how many of
them believe in ghosts. Piggy yells at the boys, asking whether they are humans
or animals or savages. Jack threatens him again, and Ralph intercedes once
more, complaining that they are breaking the rules. When Jack asks "who
cares?" Ralph says that the rules are the only thing that they have. Jack
says that they will hunt the beast down. The assembly breaks up as Jack leads
them on a hunt. Only Ralph, Piggy and Simon remain. Ralph says that if he blows
the conch to summon them back and they refuse, then they will become like
animals and will never be rescued. He does ask Piggy whether there are ghosts
or beasts, but Piggy reassures him. Piggy warns him that if Ralph steps down as
chief Jack will do nothing but hunt, and they will never be rescued. The three
reminisce on the majesty of adult life. The three hear Percival still sobbing
his address.
Chapter Six: Beast From Air:
Ralph and Simon pick up Percival and carry
him to a shelter. That night, over the horizon, there is an aerial battle. A
pilot drops from a parachute, sweeping across the reef toward the mountain. The
dead pilot sits on the mountain-top. Early the next morning, there are noises
by a rock down the side of the mountain. The twins Sam and Eric, the two boys
on duty at the fire, awake and add kindling to the fire. Just then they spot
something at the top of the mountain and crouch in fear. They scramble down the
mountain and wake Ralph. They claim that they saw the beast. Eric tells the
boys that they saw the beast, which has teeth and claws and even followed them.
Jack calls for a hunt, but Piggy says that they should stay there, for the
beast may not come near them. When Piggy says that he has the right to speak
because of the conch, Jack says that they don't need the conch anymore. Ralph
becomes exasperated at Jack, accusing him of not wanting to be rescued, and
Jack takes a swing at him. Ralph decides that he will go with the hunters to
search for the beast, which may be around a rocky area of the mountain. Simon,
wanting to show that he is accepted, travels with Ralph, who wishes only for
solitude. Jack gets the hunters lost on the way around the mountain. They
continue along a narrow wall of rocks that forms a bridge between parts of the
island, reaching the open sea. As some of the boys spend time rolling rocks
around the bridge, Ralph decides that it would be better to climb the mountain
and rekindle the fire, but Jack wishes to stay where they can build a fort.
Chapter Seven: Shadows and Tall Trees:
Ralph notices how long his hair is and how
dirty and unclean he has become. He had followed the hunters across the island.
On this other side of the island, the view is utterly different. The horizon is
hard, clipped blue and the sea crashes against the rocks. Simon and Ralph watch
the sea, and Simon reassures him that they will leave the island eventually.
Ralph is somewhat doubtful, but Simon says that it is simply his opinion. Roger
calls for Ralph, telling him that they need to continue hunting. A boar
appears; Jack stabs it with a spear, but the boar escapes. Jack is wounded on
his left forearm, so Simon tells him he should suck the wound. The hunters go
into a frenzy once more, chanting "kill the pig" again. Roger and
Jack talk about their chanting, and Jack says that someone should dress up as a
pig and pretend to knock him over. Robert says that Jack wants a real pig so
that he can actually kill, but Jack says that he could just use a littlun. The
boys start climbing up the mountain once more, but Ralph realizes that they
cannot leave the littluns alone with Piggy all night. Jack mocks Ralph for his
concern for Piggy. Simon says that he can go back himself. Ralph tells Jack
that there isn't enough light to go hunting for pigs. Out of the new
understanding that Piggy has given him, Ralph asks Jack why he hates him. Jack
has no answer. The boys are tired and afraid, but Jack vows that he will go up
the mountain to look for the beast. Jack mocks Ralph for not wanting to go up
the mountain, claiming that he is afraid. Jack claims he saw something bulge on
the mountain. Since Jack seems for the first time somewhat afraid, Ralph says
that they will look for it then. The boys see a rock-like hump and something
like a great ape sitting asleep with its head between its knees. At its sight,
the boys run off.
Chapter Eight: Gift for the Darkness:
When Ralph tells Piggy what they saw, he
is quite skeptical. Ralph tells him that the beast had teeth and big black
eyes. Jack says that his hunters can defeat the beast, but Ralph dismisses them
as boys with sticks. Jack tells the other boys that the beast is a hunter, and
says that Ralph thinks that the boys are cowards. Jack says that Ralph isn't a
proper chief, for he is a coward himself. Jack asks the boys who wants Ralph
not to be chief. Nobody agrees with Jack, so he runs off in tears. He says that
he is not going to be part of Ralph's lot. Jack leaves them. Piggy says that
they can do without Jack, but they should stay close to the platform.
Simon suggests that they climb the
mountain. Piggy says that if they climb the mountain they can start the fire
again, but then suggests that they start a fire down by the beach. Piggy
organizes the new fire by the beach. Ralph notices that several of the boys are
missing. Piggy says that they will do well enough if they behave with common
sense, and proposes a feast. They wonder where Simon has gone; he might be
climbing the mountain. Simon had left to sit in the open space he had found
earlier. Far off along the beach, Jack says that he will be chief of the
hunters, and will forget the beast. He says that they might go later to the
castle rock, but now will kill a pig and give a feast. They find a group of
pigs and kill a large sow. Jack rubs the blood over Maurice's cheeks, while
Roger laughs that the fatal blow against the sow was up her ass. They cut off
the pig's head and leave it on a stick as a gift for the beast at the
mountain-top. Simon sees the head, with flies buzzing around it. Ralph worries
that the boys will die if they are not rescued soon. Ralph and Piggy realize
that it is Jack who causes things to break up. The forest near them suddenly
bursts into uproar. The littluns run off as Jack approaches, naked except for
paint and a belt, while hunters take burning branches from the fire. Jack tells
them that he and his hunters are living along the beach by a flat rock, where
they hunt and feast and have fun. He invites the boys to join his tribe. When
Jack leaves, Ralph says that he thought Jack was going to take the conch, which
Ralph holds as a symbol of ritual and order. They reiterate that the fire is
the most important thing, but Bill suggests that they go to the hunters' feast
and tell them that the fire is hard on them. At the top of the mountain remains
the pig's head, which Simon has dubbed the Lord of the Flies. Simon believes
that the pig's head speaks to him, calling him a silly little boy. The Lord of
the Flies tells Simon that he'd better run off and play with the others, who
think that he is crazy. The Lord of the Flies claims that he is the Beast, and
laughs at the idea that the Beast is something that could be hunted and killed.
Simon falls down and loses consciousness.
Chapter Nine: A View to a Death:
Simon's fit passes into the weariness of
sleep. Simon speaks aloud to himself, asking "What else is there to
do?" Simon sees the Beast the body of the soldier who parachuted onto the
island and realizes what it actually is. He staggers down the mountain to tell
them what he has found. Ralph notices the clouds overhead and estimates that it
will rain again. Ralph and Piggy play in the lagoon, and Piggy gets mad when
Ralph squirts water on him, getting his glasses wet. They wonder where most of
the other boys have gone, and remark that they are with the hunters for the fun
of pretending to be a tribe and putting on war paint. They decide that they
should find them to make sure that nothing happens. They find the other boys
grouped together, laughing and eating. Jack sits on a great log, painted and
garlanded as an idol. Jack orders the boys to give Ralph and Piggy some eat,
then orders a boy to give him a drink. Jack asks all of the boys who will join
his tribe, for he gave them food and his hunters will protect them. Ralph and
Jack argue over who will be chief. Ralph says that he has the conch, but Jack
says that it doesn't count on this side of the island. Piggy tells Ralph that
they should go before there is trouble. Ralph warns them that a storm is coming
and asks where there shelters are. The littluns are frightened, so Jack says
that they should do their pig dance. As the storm begins, Simon rushes from the
jungle, crying out about the dead body on the mountain. The boys rush after
him, striking him and killing him. Meanwhile, on the mountain, the storm blows
the parachute and the body attached to it into the sea. That night, Simon's
body washes out to sea.
Chapter Ten: The Shell and the Glasses:
Back on the other side of the island,
Ralph and Piggy discuss Simon, and Piggy reminds him that he is still chief, or
at least chief over them. Piggy tries to stop Ralph from talking about Simon's
murder. Piggy says that he took part in the murder because he was scared, but
Ralph says that he wasn't scared. He doesn't know what came over him. They try
to justify the death as an accident caused by Simon's crazy behavior. Piggy
asks Ralph not to reveal to Sam and Eric that they were in on the killing. Sam
and Eric return, dragging a long out of the forest. All four appear nervous as
they discuss where they have been, trying to avoid the subject of Simon's
murder. Roger arrives at castle rock, where Robert makes him declare himself
before he can enter. The boys have set a log so they can easily cause a rock to
tumble down. Roger and Robert discuss how Jack had Wilfred tied up for no
apparent reason. Jack sits on a log, nearly naked with a painted face. He
declares that tomorrow they will hunt again. He warns them about the beast and
about intruders. Bill asks what they will use to light the fire, and Jack
blushes. He finally answers that they shall take fire from the others. Piggy
gives Ralph his glasses to start the fire. They wish that they could make a
radio or a boat, but Ralph says that they might be captured by the Reds. Eric
stops himself before he admits that it would be better than being captured by
Jack's hunters. Ralph wonders about what Simon said about a dead man. The boys
become tired by pulling wood for the fire, but Ralph resolves that they must
keep it going. Ralph nearly forgets what their objective is for the fire, and
they realize that two people are needed to keep the fire burning at all times.
This would require that they each spend twelve hours a day devoted to it. They
finally give up the fire for the night. Ralph reminisces about the safety of
home, and he and Piggy conclude that they will go insane. They laugh at a small
joke that Piggy makes. Jack and his hunters arrive and attack the shelter where
Ralph, Piggy and the twins are. They fight them off, but still suffer
considerable injuries. Piggy thought that they wanted the conch, but realizes
that they came for something else. Instead, Jack had come for Piggy's broken
glasses.
Chapter Eleven: Castle Rock:
The four boys gather around where the fire
had been, bloody and wounded. Ralph calls a meeting for the boys who remain
with them, and Piggy asks Ralph to tell them what could be done. Ralph says
that all they need is a fire, and if they had kept the fire burning they might
have been rescued already. Ralph, Sam and Eric think that they should go to the
Castle Rock with spears, but Piggy refuses to take one. Piggy says that he's
going to go find Jack himself. Piggy says that he will appeal to a sense of
justice. A tear falls down his cheek as he speaks. Ralph says that they should
make themselves look presentable, with clothes, to not look like savages. They
set off along the beach, limping. When they approach the Castle Rock, Ralph blows
the conch. He approaches the other boys tentatively, and Sam and Eric rush near
him, leaving Piggy alone. Jack arrives from hunting, and tells Ralph to leave
them alone. Ralph finally calls Jack a thief, and Jack responds by trying to
stab Ralph with his spear, which Ralph deflects. They fight each other while
Piggy reminds Ralph what they came to do. Ralph stops fighting and says that
they have to give back Piggy's glasses and reminds them about the fire. He
calls them painted fools. Jack orders the boys to grab Sam and Eric. They take
the spears from the twins and Jack orders them to be tied up. Ralph screams at
Jack, calling him a beast and a swine and a thief. They fight again, but Piggy
asks to speak as the other boys jeer. Piggy asks them whether it is better to
be a pack of painted Indians or to be sensible like Ralph, to have rules and
agree or to hunt and kill. Roger leans his weight on the lever, causing a great
rock to crash down on Piggy, crushing the conch and sending Piggy down a cliff,
where he lands on the beach, killing him. Jack declares himself chief, and
hurls his spear at Ralph, which tears the skin and flesh over his ribs, then
shears off and falls into the water. Ralph turns and runs, but Sam and Eric
remain. Jack orders them to join the tribe, but when they only wish to be let
go he pokes them in the ribs with a spear.
Chapter Twelve: Cry of the Hunters:
Ralph hides, wondering about his wounds.
He is not far from the Castle Rock. He thinks he sees Bill in the distance, but
realizes that it is not actually Bill anymore, for he is now a savage and not
the boy in shorts and shirt he once knew. He concludes that Jack will never
leave Ralph alone. Ralph can see the Lord of the Flies, now a skull with the
skin and meat eaten away. Ralph can still hear the chant "Kill the beast.
Cut his throat. Spill his blood." He crawls to the lookout near Castle
Rock and calls to Sam and Eric. Sam gives him a chunk of meat and tells him to
leave. They tell him that Roger has sharpened a stick at both ends, but Ralph
cannot attach a meaning to this. Ralph crawls away to a slope where he can
safely sleep. When he awakes he can hear Jack and Roger outside the thicket
where he hides. They are trying to find out where Ralph is hiding. The other
boys are rolling rocks down the mountain. Ralph finally runs away, not knowing
what he should do. He decides to hide again, then realizes that Jack and his
boys were sitting the island on fire to smoke Ralph out, a move that would
destroy whatever fruit was left on the island. Ralph rushes toward the beach,
where he finds a naval officer. His ship saw the smoke and came to the island.
The officer thinks that the boys have been only playing games. The other boys
begin to appear from the forest. Percival tries to announce his name and
address, but cannot say what was once so natural. Ralph says that he is boss,
and the officer asks how many there are. He scolds them for not knowing exactly
how many there are and for not being organized, as the British are supposed to
be. Ralph says that they were like that at first. Ralph begins to weep for the
first time on the island. He weeps for the end of innocence and the darkness of
man's heart, and for the fall of Piggy. The officer turns away, embarrassed,
while the other boys await the cruiser in the distance.
Chapter 1:
The novel begins in the upper-class Brooke
household in Tipton, inhabited by Mr. Brooke and his two nieces, Dorothea and
Celia. Dorothea and her sister Celia are well-connected, sensible girls from a
good family; they believe in economy of dress and are rather mainstream in
their beliefs and behavior. Dorothea is drawn to sacrifice and grand,
intellectual things, while Celia has fewer aspirations in the world of
academics and religion. Their uncle, Mr. Brooke, is careful with his money, and
rather Puritan in his disposition, which Dorothea is also.
Two suitors, Sir Chettam and Mr. Casaubon,
make visits to the house; Sir Chettam likes Dorothea, but Dorothea believes he
is more inclined toward her sister. Celia has more sense than her sister, but
Dorothea is very steadfast in her Puritan ways.
Chapter 2:
Sir James and Casaubon are over for
supper, with Sir James trying to appeal to Dorothea, while Dorothea begins to
admire Casaubon. Dorothea hopes that Sir James will try to appeal to her sister
Celia, rather than to herself, and Dorothea continues her perverse fascination
with Casaubon.
Chapter 3:
Dorothea continues to admire Casaubon,
especially admiring his vast studies and knowledge. She understands that
Casaubon has some regard for her, and feels honored, despite Casaubon's
complete inability to show emotion. She is blind to the fact that he wants to
marry her to fulfill his needs, and is taking advantage of her naivete in this
decision. Casaubon actually tries to show consideration for her in the things
he chooses to speak to her about, and in the way he regards her. Still,
Dorothea's refusal to see Casaubon as anything other than a beacon of knowledge
and good, and Sir James as an annoyance who is useful for carrying out her
plans, shows how her stubbornness blinds her in judging people's characters,
and in making important decisions as well.
Chapter 4:
Sir James has acted on Dorothea's plan,
and made new, more pleasant cottages for his poor tenants; Dorothea is still
determined not to think highly of him, though Celia is rather fond of Sir
James. Dorothea admits to her sister that she does not like Sir James, although
he plainly likes her; Celia cannot believe that Dorothea could so easily dismiss
a man who loves her. When Dorothea gets back, her uncle tells her that he went
to visit Casaubon, and Casaubon inquired about marrying Dorothea. Mr. Brooke is
against it, because of Casaubon's tendency to mope about and live in books;
but, when Dorothea says that she would accept Casaubon over Sir Chettam, Mr.
Brooke speaks diplomatically, while laying out before her the realities of
marriage. Though Dorothea listens, she does not seem to absorb all the
important things he says. Mr. Brooke has brought back a letter of proposal to
Dorothea, and she is determined to accept.
Chapter 5:
Dorothea reads Casaubon's letter, and is
touched by it; she immediately writes out an acceptance, taking the letter to
mean that he feels the same about her as she does about him. Celia has no idea
what has happened until Casaubon joins them all for dinner, and she, at least,
knows that her sister has made a serious mistake, and perhaps can be swayed
from it. Dorothea, however, is convinced that she has made the right choice;
Casaubon expresses happiness at their engagement, and Dorothea completely
overlooks his lack of passion.
Chapter 6:
Mrs. Cadwallader is finally introduced, a
shrewd, somewhat manipulative, and meddling woman whom Mr. Brooke has little
affection for. Mrs. Casaubon and Mr. Brooke talk politics for a little while,
which Mr. Brooke does not want to do; finally, Celia tells Mrs. Cadwallader
that Dorothea is going to marry Casaubon, which displeases Mrs. Cadwallader, a
great advocate for Sir James, greatly. Sir James finds out, and is greatly
displeased; but Mrs. Cadwallader tells him that Celia admires him greatly, and
won't give him as much trouble. Mrs. Cadwallader is the archetype of the
country woman, with her narrow interests, her meddling ways, and her great
concern in anything involving people she knows. Sir James is able to conquer
his disappointment, and realizes that courting Celia is what he should begin to
do.
Chapter 7:
Casaubon has exhausted his meager reserves
of passion already, and looks forward to married life, which he expects will be
more pleasant and fulfilled. Not once does he stop and consider his duties for
Dorothea, showing himself to be an unsuitable partner who will be hard-pressed
to make her happy. Dorothea is eager to begin learning, out of her own desire
to be able to understand and know things. Mr. Brooke cautions Casaubon that
Dorothea, as a woman, might not be capable of such learning; Dorothea resents
such talk, and tries to ignore it.
Chapter 8:
Sir James, in spite of Dorothea's
engagement, begins to like visiting the Grange, her home, once again; he is
stung by her rejection, and cannot understand her attraction to Casaubon at
all. He goes to speak to Mr. Cadwallader, a great friend, to clear his mind
about this issue. Sir James cannot help his great pride, but at least he is
very civil to Dorothea, and does not let his distaste for her marriage
interfere with his plans to make the cottages she proposed.
Chapter 9:
Dorothea gets her new home, Lowick, ready
for her impending residence there. The house is rather big, but not
particularly cheery; in fact, it rather resembles Casaubon in its looks.
Dorothea, however, finds it agreeable, as she finds Casaubon also; but, chances
are, she will soon find that she is mistaken, as the newness and novelty of
this entire situation wears off. Celia herself dislikes anything that Dorothea
accepts, and as such, dislikes Lowick and Casaubon equally.
Casaubon introduces the party to Will
Ladislaw, his cousin; he dislikes Dorothea immediately, because of the way she
speaks poorly of herself before others, and because she is marrying his sour,
humorless cousin. Will is young, rather handsome, and an artist as well; he
seems much better suited to Dorothea, though a better match than Casaubon is
certainly not hard to find. Ladislaw is without occupation, so Casaubon is,
reluctantly, providing for him; but Casaubon and his cousin seem not to get
along at all.
Chapter 10:
Ladislaw leaves suddenly for Europe; he
has a view of life and work completely opposed to Casaubon's, and is much more
impulsive and full of passion than his dull cousin. Casaubon, to his credit,
does try to be more joyful about his marriage, and to understand his young
bride better; but, he is fundamentally unsuited to this relationship, and
cannot make himself more amenable to it. They decide to go to Rome on their
honeymoon, a decision partially motivated by Casaubon's single-minded pursuit
of information, to the detriment of his fragile relationship with Dorothea.
Casaubon and Dorothea attend a local
dinner party, where many of the prominent citizens of the town are discussing
their displeasure at Casaubon and Dorothea's marriage, and the arrival of the
new doctor, Lydgate. Many of the townspeople prove completely pedestrian in
their opinions, liking decorative, weak-willed women, and disapproving of any
experimentation, especially relating to medicine. These are people who like
routine and tradition, and will be hard-pressed to accept any progress or any
outsiders in their community.
Chapter 11:
Lydgate, the new doctor, is already
enamoured of Rosamond Vincy, the mayor's daughter. She is attractive and
affable, but he is not economically set for marriage yet. Lydgate believes that
women should be quiet, obedient, and beautiful; he is not looking for a
partner, but rather an adornment, for a wife. Rosamond seems determined to
escape from the tangled web of Middlemarch marriages, in which case Lydgate
seems suited to her. Rosamond's brother, Fred Vincy, is an aimless young man who
failed to get his degree at college, and seems to do very little besides hang
about the house and bother his sister.
Fred and Rosamond travel to Stone Court,
the house of their wealthy uncle, Mr. Featherstone. Mrs. Waule, Mr.
Featherstone's sister, is there; and though she is also well off, she tries to
get even more money from her brother. Mary Garth is Mr. Featherstone's servant,
and Fred admires her very much. Mrs. Waule's visit is to lobby for more money
in Mr. Featherstone's will, and she tries to discredit Fred, of whom Mr.
Featherstone is very fond, by alluding to rumors about Fred's gambling debts.
Mr. Featherstone bothers Fred on this subject, and Fred insists he has done
nothing of the sort; Mr. Featherstone continues to shame and embarrass Fred,
and finally insist that he get proof in writing from Bulstrode, who started
this rumor, that it is indeed false.
Mary Garth is plain and amiable, and very
honest and kind. Rosamond continues to be supremely interested in Lydgate, whom
Mary has met and does not think terribly highly of. Lydgate and Rosamond
finally meet, and it seems like their romance has already been destined to
occur.
Chapter 13:
Mr. Vincy goes to see Mr. Bulstrode at the
bank on his son Fred's behalf; Lydgate is already there with Bulstrode, talking
about the construction of a new hospital in town. Bulstrode likes Lydgate, and
expects that he will make reforms and improve medical care in the town, but
both are aware of the professional jealousy that will arise from Lydgate's new
position, if he is indeed elected as head of the hospital. Bulstrode, for some
reason, wants a man named Mr. Tyke to be chaplain of the new hospital, in place
of another man named Mr. Farebrother.
Mr. Vincy enters, and broaches the subject of Fred and
his need for Bulstrode's reassurances; Mr. Bulstrode does not want to be
involved. Bulstrode criticizes Fred's upbringing and personal qualities, making
the matter more personal than it needs to be. This matter is complicated by the
fact that Bulstrode and Vincy are brothers-in-law, and Vincy believes it is
Bulstrode's family obligation to comply, though Bulstrode does not.
Chapter 14:
Bulstrode writes out a letter to the
effect that Fred has not borrowed money on his inheritance from Featherstone,
because his wife Harriet, Fred's aunt, wishes him to do so. In fact, Fred is in
debt, and is given some money by Featherstone on the spot, though it is not
enough to unburden him. Fred is grateful, but not as grateful as he could be;
Featherstone takes pleasure in the fact that the young man depends on him for
funds, and uses this to threaten Fred as well. Fred tries to talk to Mary
Garth, whom he has feelings for, about his living and his feelings for her as
well. Mary is realistic about his prospects, and knows that he cannot marry
until he finds a living and a stable income.
Chapter 15:
Eliot begins the chapter with a bit of
narration about the scope of the book, and then begins to delve into Lydgate's
background. Lydgate was very intelligent as a young man, and fell in love with
anatomy at a young age. He is a hard worker, driven to succeed in his field and
make innovations, and to help people get better rather than make money, which
seems to be the focus of many doctors of the time.
Chapter 16:
Mr. Bulstrode's power becomes plain; as a
banker, he has some control over those he lends money to, and he defends people
in return for certain expected favors. There is a debate going on whether
Bulstrode's choice of Mr. Tyke for the chaplain's position at the hospital is
indeed correct; Lydgate, Mr. Vincy, Mr. Chichely, and Dr. Sprague debate this
question, with Mr. Vincy firmly supporting Farebrother. Lydgate is soon able to
sneak away and talk with Rosamond, whom he finds very refined and beautiful. He
meets Farebrother, whom he also finds agreeable. Lydgate is in no hurry to
marry, since he has no money yet; but he will certainly keep Rosamond in mind
in the meantime. Rosamond, however, is sure that Lydgate is in love with her;
and, with little else to think about, she sets her mind on marrying Lydgate.
Chapter 17:
Lydgate goes to see Farebrother at home,
and observes his domestic situation. Farebrother's mother engages Lydgate in a
debate about changes in religion, which Farebrother and Lydgate seem to
espouse. Farebrother is a man of science, like Lydgate; they get along well,
which makes Lydgate question Bulstrode's championing of Mr. Tyke even more.
However, Farebrother is knowledgeable about Middlemarch politics, and knows
that Lydgate must vote with Bulstrode if he wants to get ahead; Lydgate listens
to this advice, but wants to vote with his conscience instead.
Chapter 18:
Lydgate is compelled to vote for
Farebrother, at the expense of any help from Bulstrode; he debates this with
himself, and the outcomes of either decision. Lydgate wants to secure
Farebrother the much needed money, but also wants to keep in Bulstrode's good
graces, and knows that Tyke might be better suited to the position. The voting
meeting begins, with Lydgate still waffling; people have their various reasons
for voting for Farebrother or for Lydgate, and they all vary widely. Lydgate
finally decides upon Mr. Tyke.
Chapter 19:
Dorothea is at last in Rome on her
honeymoon, and Will Ladislaw is there too, spotting her but not daring to approach.
Will's friend, Naumann, is there too, is taken with her beauty and wants to
paint her picture; Will is still under the influence of his negative first
impression of her, and does not want to see her at the risk of finding her as
unpleasant as he suspects.
Chapter 20:
Dorothea is in shock by the combination of
lately having become a wife, being in a place so foreign to her as Rome, and
being completely alone, with the absence of her husband due to his study.
Dorothea appeals to her husband to let her help, so that he may get his work
finished and published; in her desperation for some emotional response, she
sobs, which immediately makes Casaubon even more remote. Casaubon wants her
support and affection, which she is giving him, but not in the way he wishes.
They have a fundamental communication block, which upsets both of them,
especially since it is their honeymoon. Casaubon continues his studies, and
nothing is resolved.
Chapter 21:
Just as Dorothea is beginning to despair
again, Will Ladislaw comes to visit her. Will is surprised to find that she is
nice, friendly, and far better than his dried-up old cousin could ever deserve;
Will's bad first impression is proven completely wrong. They discuss art, which
Dorothea can't understand; Will admits that he has not found his calling in
art, and Dorothea is bewildered by his ability to be at leisure all the time.
Will also realizes that Dorothea holds Casaubon in unnaturally high regard; he
resents this, and wants to get her to realize how she is mistaken. Casaubon
returns home, and is not pleased by his cousin's presence. Nevertheless, he
invites Will back, and Dorothea senses that she has found a valuable friend.
Chapter 22:
Will impresses Dorothea with the way he is
able to listen to Casaubon and make him feel at ease; Will is also able to
engage Dorothea in the conversation, and draw some statements out of her that
make Casaubon proud of his well-spoken wife. Will gets Casaubon to agree to
bring Dorothea to the studio; once there, Naumann gets Casaubon to sit as a
model for Thomas Aquinas, which allows Naumann to also paint Dorothea without
Casaubon feeling slighted. Will goes to visit Dorothea later, when Casaubon is
not at home; they speak, and Will tells her plainly that she will not be happy
with Casaubon, and that her piety is completely unnatural.
Chapter 23:
Fred still has a debt to pay, and the
money he got from Featherstone will not cover the balance; even worse, his dear
Mary's brother, Caleb, co-signed on Fred's debt and will be held responsible if
he defaults. Fred decides to make money to pay his debt by speculating on
horses; unfortunately, he buys a horse that lames itself in a stable accident,
and has even less money with which to pay his debt. Fred is a fool to risk all
that he has on such an uncertain plan; but the boy is slow to learn, and cannot
help himself.
Chapter 24:
Fred finally feels very sorry about his
debt, and the fact that he has only fifty pounds and five days to pay up. Fred
is most sorry because Mary's father is going to have to pay, and he feels this
will jeopardize his chances with Mary. Fred goes to the Garth household to tell
Caleb Garth, whose wife is very fond of Fred, but probably will not be after he
tells her. Mrs. Garth is teaching her children their lessons in the kitchen,
and Fred sits down and tells her and Mr. Garth the news. Mrs. Garth will have
to give up the money she was saving to send her son to school; Fred feels
terrible, as he should, knowing that his irresponsibility is costing them so
much. Mr. Garth knows then that he was a fool to trust Fred, and they believe
that there is little chance Mary will regard him so highly when she finds out.
Chapter 25:
Fred goes to Stone Court to tell Mary the
news; he is not as repentant as he should be, and wants comforting words from
Mary about his irresponsibility. He still doesn't see the entire magnitude of
what he did; he tries to rationalize things with his good intentions, and by
claiming that he is not so bad, compared to what other people do. Mary is upset,
and says that she cannot trust him, and that he should be more sorry for what
he did. Caleb comes later, to ask for whatever she has saved up; Mary gives it
gladly. Caleb Garth is worried that his daughter has some feelings for
Chapter 26:
Fred is foolish enough to go back in
search of his old horse, and ends up with an even worse one. He soon becomes
ill, and after their regular doctor tries to help and fails, Lydgate is brought
in and says he has scarlet fever. Mr. and Mrs. Vincy get angry at their regular
doctor, Mr. Wrench, for failing to catch such a serious illness; Mr. Wrench is
in turn angry at Lydgate for interfering, and very uncivil to the new doctor.
Rumors spread about the confrontation between Mr. Wrench and the Vincys, and
between Mr. Wrench and Lydgate. Various opinions and stories surface about the
alleged scuffles, leaving everyone worse off as subjects of untrue gossip.
Chapter 27:
Mrs. Vincy becomes completely consumed by
Fred and his illness, to an unhealthy extent; Lydgate is around the house
frequently, and sees a good bit of Rosamond as well. Lydgate's attentions to
Rosamond are causing some resentment in the neighborhood, as rivals for her
affection become jealous of him; Rosamond continues to believe that Lydgate is
in love with her and intends marriage, while Lydgate merely enjoys her pleasant
company. At the end of the chapter, Lydgate receives a summons from Sir James
Chettam, who he has not attended to before.
Chapter 28:
Dorothea arrives at Lowick with her
husband in January, after their honeymoon. Dorothea, who had been so dejected
during their honeymoon, feels revived by being home, in familiar surroundings.
However, she is still haunted by the knowledge that her vision of marriage is
yet unfulfilled, and the depressing atmosphere of Lowick. Her sister Celia
finally arrives, brightening up the place with her presence; Celia tells
Dorothea of her engagement to Sir James, and Dorothea is very happy for her
sister.
Chapter 29:
Mr. Casaubon's beliefs about marriage are
reiterated; he wanted to marry someone young and impressionable, so that she
would be pleasant and able to help him with his work and be taught by him. He
also believed that marriage would make him happy for the first time; but
marriage could never instantly change his disposition, and his hopes for his
union were too high, as were Dorothea's. Casaubon and Dorothea have a bit of a
tiff, as Casaubon tells her that he does not want Ladislaw to visit, and
Dorothea resents the condescending and mean-natured tone he takes with her.
Casaubon is weakened, and Dorothea strengthened by this altercation; it seems
like this relationship is going to make her stronger, though it will definitely
not work out.
Chapter 30:
Lydgate comes to check on Casaubon, and
cannot find anything immediately wrong; he asks that Casaubon give up his
studies for the time being, and focus on leisurely pursuits. Dorothea is
informed as to the details of whatever ails Casaubon; Lydgate says that he must
be kept from any stresses, or else his condition might be aggravated, and his
life cut short. Dorothea is sad, but not sure exactly what to think; Ladislaw
is supposed to be arriving there in a few days, and she asks Mr. Brooke to
write Ladislaw a letter saying that Casaubon is ill, and not to visit. Mr.
Brooke does write a letter, but the contents are nothing like Dorothea intends;
Mr. Brooke invites Ladislaw, and also proposes that he might work for Mr.
Brooke's newspaper, since Mr. Brooke has been favorably impressed with what he
has heard.
Chapter 31:
Lydgate and Rosamond become closer, as
Lydgate is about to be sucked into a relationship which he is unprepared for
because of the nature of Middlemarch society. Mrs. Bulstrode and Mrs. Plymdale
gossip about Rosamond's pride, and how Lydgate might suit her; Mrs. Plymdale
thinks that the match would be unwise for Lydgate, since Rosamond has expensive
habits, and Mrs. Bulstrode goes to speak to Rosamond out of concern. When Mrs.
Bulstrode sees Rosamond and her fine garments, she knows that Mrs. Plymdale was
at least right about that one point. Mrs. Bulstrode speaks to her, telling her
that if she marries Lydgate, she will not be able to keep her expensive habits;
Rosamond admits that he has made no offer of marriage to her, and seems intent
on ignoring her aunt's good advice. Then, Mrs. Bulstrode approaches Lydgate,
and tells him that he should not press his advantages as a romantic-seeming
outsider with the Middlemarch girls; Lydgate sees that others believe him to be
engaged to Rosamond, and wants to avoid marriage at all costs.
However, Lydgate ends up going by the
house after an absence of two weeks, to deliver bad news about Mr.
Featherstone's health; Rosamond cries when she sees him again, and this display
of affection touches him enough to abandon his plans and reasonable thinking,
and propose to her. Rosamond accepts, and they are engaged.
Chapter 32:
Mr. Featherstone's relatives begin to pop
out and appear, and all expect that he will die soon, and will leave them some
bit of money, since he is their rich relation. They all expect that he should
do something for them, that he owes them money because they are relatives; they
do not consider that they have done nothing for him, but are like vultures
circling, waiting to pick up his money once he dies.
Mr. Featherstone wants to see none of the
greedy, crowding relatives; Mary Garth has to try and turn them away, but
doesn't have the heart for the task. Mrs. Vincy hovers around, sure that Fred
will receive most of the property and money anyway, as Featherstone regards and
treats them so much better than his other relatives. Trumbull, an auctioneer
and assistant to Featherstone in business matters, is the other person who
Featherstone shows any regard for; on the basis of behavior alone, it would
seem that these people would receive most from Featherstone's will. Mary Garth
must put up with the various visitors and their varying degrees of rudeness,
but manages to stay calm and make the constant crush of daytime visitors as
comfortable as she can.
Chapter 33:
Mary Garth is sitting with Mr.
Featherstone at night, as she usually does, reflecting on the events of the
day, and sitting in silence, for the most part. She figures that the issue of
Featherstone's will shall disappoint everyone involved. Mr. Featherstone
suddenly tells her to open the chest with his will in it, and burn one of them;
Mary refuses, even when she is offered a sizeable amount of money to do so.
Mary is scared of his sudden energy, and does not think that he is in his right
mind; Mr. Featherstone drifts off to sleep, and by the morning he is dead.
Chapter 34:
Mr. Featherstone is finally buried, with
many relatives whom he did not like there; the occasion is a rather expensive
one, for although Featherstone was miserly in many respects, he liked to show
off his money when it could impress many people. Dorothea and Celia, along with
Sir James, watch the proceedings from their house, as he is being buried at the
church that is on Casaubon's land. Will Ladislaw appears again, and Mr. Brooke
reveals that Will is his guest, and has brought the picture that Casaubon sat
for in Rome. Casaubon is shocked and upset, and Mr. Brooke explains that he
wrote to Ladislaw when Casaubon was ill, not Dorothea; Mr. Brooke continues to
speak of his fondness for Will, as Casaubon tries to hide his displeasure, and
Dorothea becomes alarmed.
Chapter 35:
The funeral is over, and people are
waiting anxiously for the will to be read and the sums they are to receive to
be announced. There is a stranger among them, though, who makes them nervous;
his name is Rig, he is in his early 30's, and no one is quite sure of who he is
or where he comes from. A lawyer is there, named Standout, who went through the
will with two witnesses; he reads through the two wills that Featherstone left,
regarding the last one as the most correct. Mary Garth is nervous, and somewhat
excited, since her refusal to burn one of the documents has led to this
outcome. The first leaves Fred a good bit of money, and gives something to most
of the relatives; the second, which is considered the correct one, gives
everything to Mr. Rig, who doesn't seem surprised.
Upon hearing this, many of the relatives
start complaining about the expense of traveling to the funeral, and how they
should not have come if they were to get nothing. Mrs. Vincy cries, and Fred
seems upset as well, to have a large bequest announced, and then taken back. No
one seems very fond of Mr. Rig, who takes the name Featherstone as requested in
the will. But, it seems that all the greedy relatives, and the expectant
Vincys, have all rotten their just desserts; the Garths could have been better
served, but overall, people do get exactly what they deserve.
Chapter 36:
Fred is sorely disappointed with not
getting any money; he expected that he would get a large amount, and would not
have to work. Now, he will likely have to join the clergy, or find some form of
work; he will finally have to stop being idle, as his father will tolerate his
idleness no longer. Mr. Vincy also says that Rosamond will have to postpone her
marriage, until the family are in a better position to pay for it; Mrs. Vincy,
Fred, and Rosamond are all spendthrifts, expecting that the money they need
will somehow drop into their laps. Rosamond takes the issue up with her father,
and he caves in; Mr. Vincy doesn't have the heart to stand up to his daughter,
though she clearly needs some reasonable advice on the subject of her marriage.
It seems that only Mrs. Bulstrode knows
better on the subject of Rosamond and Lydgate's engagement; she knows how
difficult it will be for Rosamond to live on little money, and how extravagant
she is, and how ill prepared Lydgate is to live with a flighty girl like her.
However, no one will listen to her; her advice, though it will prove correct,
is unheeded.
Rosamond tells Lydgate that her father
wishes their marriage to be postponed; Rosamond says that she refused, not so
much out of love for Lydgate, but out of stubbornness. Lydgate urges her that
they be married soon; Rosamond agrees to six weeks, and manages to convince her
father. Lydgate soon starts buying new things for the house, though he has
little money to do so; already, he is spending beyond his means, a dangerous
habit. They will go to his uncle's estate for their honeymoon; he is a baronet,
and wealthy, which boosts Lydgate's hopes for a better position.
Chapter 37:
Middlemarch politics assert themselves
once again, in the rivalry of the two papers of the region. It is revealed that
Mr. Brooke has bought one of the papers, The Pioneer, and has inserted his
unorthodox political views into it. Will Ladislaw has been hired to head the
paper, and Mr. Brooke is very pleased with his work, and his coverage of the
Middlemarch political situation. Casaubon continues to resent Will, and Will
grows more angry that Casaubon married someone as young and naive as Dorothea,
dragging her down into Casaubon's dull, dry world of academia. Will's affection
for Dorothea continues to grow, and Dorothea becomes more and more fond of Will
in return.
Will goes to Lowick to sketch; luckily for
him, it begins to rain, and when he takes refuge in the house, he finds only
Dorothea at home. They begin to speak as they did in Rome, very happy to be
alone in each other's company; Dorothea becomes more aware of her husband's
failings, but also learns of his generosity toward Will's family. Will tells
Dorothea that he has a job at Mr. Brooke's paper, if he wants it; Dorothea says
she would like him to stay in the neighbourhood very much, but then realises
that Casaubon would disagree with her.
Dorothea tells Casaubon, who of course is
not in the least supportive. Casaubon writes Will a letter, telling him he
should not take the position, nor should he call at the house any longer.
Casaubon's letter seems to be motivated not out of embarrassment for having a
relative of lower status nearby, but out of some jealousy perhaps for his
friendship with Dorothea. Dorothea becomes consumed by the case of Will's
grandmother, and her unfair disinheritance when she married; she believes that
Will is owed a good part of what Casaubon has because his family was
impoverished unfairly, and wants to bring that up to Casaubon, though it will
upset him.
Casaubon is not suspicious that Dorothea
is being influenced by Will, but he thinks that it might happen; his insecurity
and jealousy lead him to contrive secret hindrances for Will. He dislikes his
cousin more than ever, because he imagines that Dorothea would like Will more
than she likes him.
Chapter 38:
Mr. Brooke is making enemies through his
advocacy for the Whig party, when Middlemarch is a predominantly conservative,
Tory area. Bulstrode is allied with Brooke politically, but many of the
neighbors disapprove, including Sir James. Sir James, Mrs. Cadwallader, and
others are gossiping about Brooke and Will Ladislaw, Brooke's need to take care
of his parish, and other subjects. Brooke comes by, in the middle of being
discussed; they inquire about the state of his tenants, attacks that have been
made on him, etc.
Brooke, however, does not wish to enter
into any arguments, or listen to see if they do have any valid points to make
amid the rumors they are discussing. Brooke runs out quickly, and the others
wish that maybe he could see if he was doing something wrong, and act on that.
Chapter 39:
Sir James becomes more judicious in his
appraisal of Brooke's situation, and decides that Brooke needs to invest in
improvements for his tenants if he wants to evade the scathing criticisms of
the other Middlemarch paper, The Trumpet. Dorothea is the key to convincing
him, figures Sir James, since she is a great advocate for improvements.
Dorothea goes to visit her uncle, and Will Ladislaw turns out to be there; she
tells her uncle that Sir James told her that Tipton was to be managed by Caleb Garth,
and improvements made. Dorothea is very passionate that this should be done;
however, her uncle will not commit. She and Will find a moment alone, to
explain a bit more of themselves; Will seems to be falling in love with her, as
their relationship becomes stronger.
Mr. Brooke goes to visit a tenant whose son has been
poaching on Brooke's land, and is chastised by the tenant. Brooke, who liked to
fancy himself a favorite of his tenants, is shocked; also, the house looks
worse now that Dorothea has made her criticisms. It looks like Mr. Brooke will
give in, and turn the management of the estate over to Mr. Garth after all.
Chapter 40:
Focus moves to the Garths, who are
gathered at the table, reading letters. Mary is looking for another position,
and has decided to take a place at a school in York, though it does not please
her, or her parents, too well. However, Mr. Garth reads a letter from Sir James
that asks him whether Mr. Garth would start managing Freshitt, and mentions
that Mr. Brooke might want his services again as well. This would double the
Garths' income, and means that Mary can stay at home; but Mr. Garth will need
an assistant, and none of his sons are in the position to do so. The whole
family is happy, Caleb Garth most of all because he will be able to do good
work to help even more people.
Mr. Farebrother comes to visit; he has
some interest in Mary Garth, and also likes to visit and spend time with the
family. He has been talking to Fred Vincy, and informs them of Fred's
situation, telling them Fred is going back to study, and still cannot pay off
his debt to them.
Chapter 41:
It is not long since Mr. Rigg Featherstone
has gained the estate of Stone Court, and already there is word that he wishes
to sell the place to Mr. Bulstrode. It is revealed that Mr. Rigg is
Featherstone's illegitimate child, who was brought up far away from
Middlemarch, with very little money. Someone named John Raffles is there, his
mother's new husband; he wants money to start a tobacco shop from Mr. Rigg's new-found
fortune. Rigg refuses, because Raffles, he alleges, was very cruel to him as a
child, took money from his mother, and left them poor and miserable. He says
that he will continue to send his mother an allowance, but will give Mr.
Raffles nothing. Rigg gives him money to get back home, and some liquor, but
not before Mr. Raffles makes use of an important paper, signed by Mr.
Bulstrode, to keep his flask from falling apart.
Chapter 42:
Lydgate is at least back from his
honeymoon with Rosamond, and is immediately called to Casaubon, whose health
seems to be getting worse. He is also haunted by the idea that he has never
been given credit for his studies, and that the Key to All Mythologies will
never be finished; he is starting to admit that he has failed in his life-long
project. Casaubon is disappointed also with Dorothea; she does all her duties
as a wife, but he suspects that she is critical of him secretly, and this
disturbs him a great deal.
Casaubon's vitriol against Will, and
against Dorothea's suspected affection for Will, takes him over; he concedes to
write a passage into his will "protecting" Dorothea from marrying
eager, potentially deceptive suitors like Will. Lydgate finally arrives, and
Casaubon asks that he be told exactly what his condition is. Lydgate tells him
that he has a heart ailment, but cannot be sure that it will cut his life
short, or have any immediate effect. Lydgate goes once Casaubon has heard
enough, and Dorothea comes out to fetch him; he withdraws from her, and soon
she becomes angry at him for treating her so. Dorothea realizes that she has
reduced herself in order to try and please him, but he seems to be satisfied
with nothing; she is tired of not being herself, and resents him greatly.
However, when he says that he needs her help, she forgets her anger, and goes
to join him.
Chapter 43:
Dorothea decides to seek out Lydgate, and
ask him if there has been a serious change in her husband's condition, or else
why he has been so troubled since Lydgate's visit. She goes to his house, and
finds Rosamond there; but Will is also there, which makes Dorothea panic, and
she immediately leaves to find Lydgate at his hospital. Will fears that
Dorothea will think badly of him because she has found him in the company of
another woman, and not totally devoted to her; but she acted the way she did
because she likes him, and knows that her husband doesn't approve of the
friendship, and that it is some kind of betrayal as well.
Rosamond begins to get ideas about perhaps attracting
other admirers, in order to appease her vanity, and allay her fears about
Lydgate's fondness for her growing weaker. It seems like she might try to win
Mr. Ladislaw's affections, and seems a little jealous that he likes Dorothea
rather than her. She also seems to suspect that maybe her husband has a soft
spot for Dorothea, and that might have been part of the reason she was
searching for Lydgate.
Chapter 44:
Dorothea finally talks to Lydgate, and
Lydgate tells her that Casaubon now knows about his condition, and he is
probably upset by it. Lydgate turns her attention to the new hospital;
Bulstrode has been one of the few supporting it, and so many are against the
hospital because they do not like Bulstrode. Dorothea says that she would like
to do something for such a good cause, and pledges money from her yearly
allowance; she is happier that she is able to make a significant contribution,
but still her husband's illness and behavior bother her.
Chapter 45:
Lydgate's practice seems to be at the
mercy of rumor, hearsay, and general sentiment; people go to him because they
have heard about "miracle cures" that he has done, or stay away
because they have heard he is newfangled, and they like their present
practitioner just fine. The backward Middlemarch way of doing and deciding has
helped Lydgate's reputation and practice to spread, but opinion could turn
against him just as rapidly, and dry up his practice. Lydgate is unlucky enough
to come into Middlemarch at a time when old ways are becoming contested in
other regions, and reforms have started to creep into Middlemarch as well; a
few believe that maybe his way is best, but others have been roused to defend
the old, and are more militant about this point than usual. Lydgate is also
disliked because he has taken on cases from other doctors, given a different
diagnosis, and been able to cure them; this wounds the vanity of the old-guard
doctors, and increases their personal dislike for Lydgate.
Mr. Bulstrode is on the side of progress,
with Lydgate; this means that many prominent, wealthy citizens, who dislike
both Bulstrode and innovation, refuse to donate to the new hospital. Lydgate is
becoming too closely tied to the widely disliked Bulstrode that his reputation
is beginning to suffer; Farebrother tells him so, and hopefully Lydgate will
distance himself some. Farebrother also warns Lydgate against having too many
debts.
Lydgate thinks that he might be among the
great innovators of medicine, and this necessitates making enemies, and having
opinion turn against you; in this, he is a little conceited, since there is no
way he can claim an advance as great as those of his hero, Vesalius. It is fine
for Lydgate to try and change the outdated medical practice around him; but his
egotism and his visions of greatness could easily hamper his progress, and get
him into even more trouble with his peers and patients.
Chapter 46:
An issue of reform is coming before
Parliament, which Will supports, and Brooke decides to as well. Will seems to
have a good deal of insight into British national politics, as he can make
sense of issues and candidates, and make a convincing case for his opinion. Mr.
Brooke, however, doesn't seem to be able to put his thoughts in a convincing
argument; he is rather flippant in setting out his opinion, and is easily
swayed by Ladislaw's better-formed opinions. Will is not winning any fans
because of his unconventional behavior and views, as most people dislike his
speeches and his writing because they are different.
Will wants Mr. Brooke to be elected to Parliament;
however, with the uncomplimentary way in which Mr. Brooke is regarded in much
of the neighborhood, this is unlikely. Will is perhaps a bit idealistic in
believing that Mr. Brooke could actually win; he might assume that the citizens
of Middlemarch are more sensible than they really are, in which case his plans
would fail. Lydgate makes some points about area politics that perhaps he
should take into account regarding his own situation; the two argue for a bit
about these political issues, then Ladislaw leaves after they have tried to
patch things up.
Chapter 47:
Will, who cares little what people think,
stops to consider how his employment with Mr. Brooke, and his involvement with
Mr. Brooke's politics, might be hindering him and making him look foolish. Even
more important is whether he really is a fool for following along with Brooke;
Will does think that the relation has cost him some of his dignity and
individuality. All the same, he wants to stay in Middlemarch, at that position,
in order to be near Dorothea; but he considers whether he is a fool with her
too, and his hopeless devotion will amount to nothing if he gains no proof that
she shares his affection.
Will has also become aware of what his
cousin Casaubon thinks of him being friends with Dorothea; he knows that
Casaubon might think that Will means dishonor in his interest in her, but Will
really does not. Will decides to go to Lowick church to see her, aware that
Casaubon will be upset. However, his doubt is only reinforced; Dorothea shows
no happiness to see him, instead seeming pained; Will is saddened by the whole
affair, and seems close to calling it quits on the whole affair.
Chapter 48:
Dorothea is actually happy that Will
showed up at church, and wishes for his company, since she is often alone at
home. Dorothea is not allowing her husband's disapproval to stifle her feelings
for Will, though it will be difficult for her to see him. Casaubon is, all of a
sudden, requesting Dorothea's help with his studies, and being kinder to her;
perhaps this is a result of his talk with Lydgate, and he wants to get his work
in order finally, and be on better terms with his wife, in case he dies
suddenly. However, Casaubon next asks her if she will follow his wishes for her
after he dies, whenever that is; Dorothea has to consider, since she is
reluctant to promise to do something, when she does not know what it is. She
secretly suspects that it may have something to do with Will, but consciously
considers that it has to do with finishing Casaubon's work, which she does not
want to devote years to.
However, before she can make an answer, Casaubon
dies. Dorothea is at first in denial, and tells Lydgate everything, and to tell
her husband that she has an answer. It might be a good thing for her that she
does not have to hold herself to any answer she made; but she still does not
know what Casaubon's wish was.
Chapter 49:
Sir James and Mr. Brooke are supposedly
discussing Casaubon's last wish; they decide that whatever was in the will
should be hidden from Dorothea until she is strong enough to hear of it, and
until then she should be with her sister and her new baby. Sir James wants Will
sent out of the country, which means that he had something to do with
Casaubon's last wish; Mr. Brooke refuses to act so hastily, since Will has done
very good work for him. They reveal that Casaubon added a codicil to his will,
saying that if Dorothea marries Will, she will forfeit the land and money that
Casaubon has left to her. The whole thing looks very bad, as if there was
something sordid going on between Will and Dorothea. Sir James and Mr. Brooke
come to the conclusion that if they sent Will away, it would make the situation
look worse, and that they could not make him go unless he wanted to. Sir James
is bent upon protecting Dorothea now however, as he could not do with her first
marriage; she will be sent to Freshitt to live with Sir James and her sister
for a while, and then more will be decided later.
Chapter 50:
Dorothea is at Freshitt, but not a week has
passed before she is interested in the will, and what she will do with Lowick.
She insists on going to Lowick, to look after the papers; after Mr. Brooke
tells her she cannot, Celia finally tells her about the codicil, and tries to
soothe her. Dorothea realizes how her life is changing, and wants to be with
Will even more.
Dorothea still has the problem of what to
do with Lowick, and the vacant position at the church; she thinks of giving it
to Mr. Tyke, but Lydgate recommends Farebrother, and says to ask Will about his
character. Dorothea decides to give him a try, and wonders how Will is faring
through all of this.
Chapter 51:
Will is upset, because Mr. Brooke is no
longer inviting him to the Grange, and he feels that maybe he is being avoided
out of concern for Dorothea. Still, he has heard nothing about the will yet.
Will believes that he and Dorothea are divided forever; still, he cannot leave
Middlemarch, because he needs to help Mr. Brooke get ready for the coming
election. Mr. Brooke is running for the Independent party, and needs Will's
help if he is able to have a chance.
However, Mr. Brooke's main speech goes
terribly; he is mocked and egged, hung in effigy, and is disgusted so much by
the whole thing that he quits the election. He also decides to quit the paper
too, and urges Will to do the same. However, Will has been thinking on his
future; he will become a political writer, raise himself up, if he knows that
Dorothea would marry him after he achieved these things. He decides to seek
some sign from her, and in the meantime, stay at the paper. He has some idea
that Mr. Brooke and others are trying to get rid of him for Dorothea's sake,
but will not go unless she doesn't care for him.
Chapter 52:
Farebrother finds out that Dorothea has
given him the living at Lowick; he is glad since this will increase his income,
and give him more freedom in his living. His sister will now be allowed to
marry, as they can afford a dowry, and Farebrother too can afford to have a
wife. However, the only woman he wants to marry is Mary Garth; and Fred in
newly back from finishing college, and wants nothing more than for Mary to love
him. Farebrother, as Fred's confidant in this situation, does a very good job
of being impartial, giving fair advice without the prejudice of his own heart.
However, it pains Farebrother that the only woman he would like to marry is
marked for someone else, who is less stable and responsible than he.
Fred thinks that he might have to go into
the clergy, since he can think of no other profession to join. However, he
knows that Mary is against this; so, he recruits Farebrother to go and speak to
her about all of this, so that he might know what he should do. Farebrother
does, and speaks to her plainly, and fairly; Mary says that it would be wrong
of Fred to be in the clergy, but she would marry him if he found another stable
profession. Mary says that she will remain single for Fred, and loves only him;
Farebrother's hopes are finally dashed, of which Mary is sorry, though she has
told the truth of her heart.
Chapter 53:
Stone Court has finally been transferred
to Bulstrode, Rigg having relieved himself of the estate and grounds. Bulstrode
is not pleased that Farebrother, rather than Tyke, is the new preacher at
Lowick, but can do nothing about it. Rigg's fate is not at Middlemarch, and so
he departs with little ceremony. Raffles comes to Stone Court, looking for
Bulstrode, an old acquaintance; he found out that Bulstrode took his stepson
Rigg's place at Stone court by the crumpled paper he took, and so has sought
Bulstrode out there. Bulstrode is displeased to see Raffles, and doesn't want
anyone to know that he is there, or the real purpose why.
It seems that Bulstrode and Raffles had
some shady dealings a while back, that Bulstrode does not want discovered.
Bulstrode's family connections are questionable as well, as Raffles knows;
Raffles takes advantage and asks Bulstrode for money, on threat of exposing him
to general knowledge. Bulstrode pays him off, and Raffles remembers that Bulstrode
is related to someone named Ladislaw whom he has not seen in years‹but Raffles
does not know who Will is, and also does not tell Bulstrode.
Chapter 54:
Dorothea is tired of staying at her
sister's, having nothing to do but stare at Celia's baby, whom Celia worships,
but Dorothea couldn't be more indifferent to. She longs to get back to Lowick
and set things in order; her sister and Sir James do not believe she should go,
but she is determined to, because she can stand Celia's no longer. Others also
wish that Dorothea go to live with someone, so she should not be lonely, but
she refuses. She also refuses to finish Casaubon's work, since her interest in
it has been obliterated by his death, and before that his behavior toward her.
Will finally does visit her, to see if she
does have some affection to encourage him with. Their meeting is heated,
however, with both of them being frustrated by not being able to admit their
affection, and then their pride clashing on the subject of their division from
each other. Will leaves, with Dorothea trying to show little emotion,
especially because Sir James is there, and disapproves of the whole
relationship.
Chapter 55:
Dorothea seems more grieved at Will's
departure than she was at her husband's death‹and rightly so, for she loved
Will more than she ever loved her husband. She goes to Celia, where the company
brings up the subject of marriage; it is openly suggested that Dorothea marry
again, though that is the last thing Dorothea wishes. Dorothea decides to turn
her attention toward public projects again, and will ask Caleb Garth's help in
achieving her goals.
Chapter 56:
Mr. Garth and Dorothea prove to be natural
allies on the subject of improvements and social projects; Mr. Garth is very
impressed With Dorothea's determination and her great mind, though Mrs. Garth
is more concerned with her feminine virtues. Railroads are being built across
England, and this becomes a topic in Middlemarch as the trains grow closer. Mr.
Garth and Dorothea have nothing against them, and decide to sell an outer part
of Dorothea's land to the railroads for a good price. Some men attack Caleb
Garth and his assistant as they are doing some surveying for the railroad; they
are as afraid of the unknown as anybody, but Caleb teaches them better.
Fred enjoys helping Caleb after his
assistant is hurt; he asks Mr. Garth if perhaps he would be able to learn his
business, though Caleb Garth believes that Fred is going to enter the clergy.
Fred confides in him about his trepidation about entering the clergy, and his
love for Mary and wishes to please her. Mr. Garth bears Fred no ill will about
the debt he owes them, nor is he upset at Fred being in love with Mary; he
decides to consult his wife about Fred becoming his helper, and about a
possible match between Fred and Mary. Caleb decides to bring Fred into the
business, and if he succeeds, then he is worthy of Mary as well. Fred tells his
parents, who are disappointed at Fred's waste of education. They also lament
Rosamond's marriage, which is seeming less attractive as Lydgate gets into more
and more debt.
Chapter 57:
Fred has gone to the Garths, to consult
them about his change in situation, and also to see if his wishes that Mary
marry him are accepted by the family, and Mary as well. However, Mrs. Garth is
still not assured of Fred's worth, and his character; yes, he means well, but
he has never held a stable job or proven himself to be responsible. Mrs. Garth
is still angry at Fred for the issue of his debt; but she cannot tell him
directly, so she admonishes him for being unfeeling of others, and of having no
regard for Farebrother's feelings for Mary too. Fred then thinks that it is
very possible that Mary prefers Farebrother to him, and that Mary will become
engaged to him; when Fred tells Mary this, Mary gets very upset at him. Mary
thinks the allegation unfair, and scolds Fred for his jealousy; but, as many
unpleasing qualities as Fred has, she cannot help but love him, and still plans
to be married to Fred.
Chapter 58:
She and Lydgate get a visit from his
cousin, Captain Lydgate, which thrills Rosamond; Lydgate thinks his cousin
foppish and stupid, and would rather him leave. Rosamond gets a little upset
with Lydgate on this issue, though Lydgate insists he is not the only one who
dislikes his cousin. Rosamond's baby is born premature because of an accident
on a horse, and dies soon after; she would not have been riding if she had
listened to her husband's advice, but stubbornly refused to listen to him.
Lydgate is also troubled by his growing debt, especially since it was incurred
buying things which he, though perhaps not Rosamond, could have done without.
Lydgate finally has to put up the
furniture of the house as security against his debt; he tries to speak to
Rosamond about keeping expenses down and buying less expensive things, but he
is too soft-hearted to really tell her anything. Rosamond proves to be very
silly and naive, and even thinks to herself that she would not have married
Lydgate if she knew he was to have little money, and that she could not have
lived as she was used to. Rosamond decides to go and ask her father for money,
against Lydgate's wishes; Lydgate is saddened that this issue will come up
again and again, and he will have to struggle to keep Rosamond from wasting too
much money.
Chapter 59:
Gossip has gone around the neighborhood
about the codicil in Casaubon's will; Fred finds out about it from the
Farebrothers, and then proceeds to tell his sister. Rosamond is profoundly
silly, and decides, unwisely, to tease Will about knowing something he doesn't,
then make a joke of it all. Will grasps what she means to say, and gets the
truth out of her; Rosamond still tries to spin the whole thing in lighthearted
way, but Will is very upset, and perhaps understands more about Dorothea's
behavior.
Chapter 60:
Mr. Larcher, one of the wealthiest people
in Middlemarch, is auctioning off some furniture he does not need before he
moves into a new, bigger, furnished home. The event is like a carnival, with
everyone in Middlemarch in attendance; there is plenty of food and drink, drink
especially so that people might make higher bids for things. Not everybody buys
things, but everyone is there for this social, outdoor occasion anyway. Will is
asked by Mr. Bulstrode to go and acquire a particular painting for him; Will
goes, though he is determined to leave the town soon. Still, Will does not want
to leave without seeing Dorothea again, so his departure will have to wait on
that.
A good many things are sold before the
particular painting comes up; Will bids for the painting, and gets it for the
Bulstrodes for a decent bit of money. Mr. Raffles turns up there, having found
Will Ladislaw by inquiring somehow; Will is a bit put-off by him, and Mr.
Raffles starts speaking of Will's family. Will cannot tell what Raffles'
intentions are, so he gets away, and tries to forget about him; but it seems
that Raffles has some less-than-desirable stories to tell about Will's family,
which gives Will even more of a reason to leave, before stories like those
could besmirch his name even more.
Chapter 61:
Sure enough, Raffles has been back to
Bulstrode's home, and refuses to go away until Bulstrode sees him. Raffles
finds Bulstrode at the bank, as he tells his wife; but he is afraid to tell his
wife much, lest she lose her confidence in him. It is revealed that Bulstrode
married Will's maternal grandmother, after hiding from her that her daughter,
Will's mother, was alive and had a son that the grandmother's riches were
supposed to go to. However, Bulstrode prevented this from happening, for his
own sake; and when the woman died, Bulstrode was left with the entire fortune,
and Will and his mother with none. Bulstrode was also involved in various
questionable trades, and these are the things that could destroy his reputation
in Middlemarch. Bulstrode decides that he must do something to satisfy fate,
and slow his own demise; he decides to speak to Will Ladislaw, and perhaps set
things straight with him.
Will, however, is still unsettled by being
approached by Raffles. He is shocked to discover the tenuous relation between
Bulstrode and himself, and even more shocked when Bulstrode goes on to claim
that he wants to be generous toward Will. Bulstrode tries to make it sound as
if he is doing something out of generosity and his natural goodness, though it
is more out of guilt and the thought that this good deed might save him.
However, Will knows that Bulstrode made his money in a dishonest way, and is
too proud to accept money from him, especially since that money is tainted by
Bulstrode's wrongs. Bulstrode is saddened by the judgment on him, but is aware
that Will won't tell anyone.
Chapter 62:
Will sends a letter to Dorothea, saying
that he cannot leave Middlemarch until he has seen her again. He already
declared that he was leaving two months before, which is a point of suspicion
with Sir James, who guards Dorothea jealously. Dorothea, however, is out when
the letter comes, preparing for Mr. Brooke to come back to the Grange. She goes
to Freshitt, to speak to her sister and Sir James, and Sir James tries to take
the opportunity to dissuade Dorothea from seeing Will again. He and Mrs.
Cadwallader make a few unkind remarks about Will, which makes Dorothea angry,
and she goes home to find Will there, looking for some sketches he had left.
Will tells Dorothea that he knows about
Casaubon's will, and Dorothea tries to reassure him that it had nothing to do
with her wishes. Will gets angry at her about the whole thing, and says that
everything prevents him from being with her. Dorothea realizes that he has
acted honorably in every possible way, and is glad for this; but still, she is
unable to show any signs that she loves Will, and he goes without this
assurance.
Chapter 63:
Farebrother notices some talk of Lydgate's
practice declining, how his expenses much be more than he can really afford,
and how he shouldn't have married a girl of such fine tastes. Farebrother
really makes nothing of this talk, until he sees Lydgate again, and notices how
nervous and strange his friend is acting. All are invited to a dinner party at
the Vincys, and there seems to be some strain in Lydgate and Rosamond's
marriage; she tries her best to ignore him, and they are not speaking at all.
Even Rosamond's father is avoiding Lydgate. Farebrother, Fred, and Mary are all
there, which means that Fred is worried about Mary liking Farebrother; Mrs.
Vincy hopes that Farebrother and Mary will become engaged, because she doesn't
want such a plain girl as a daughter-in-law.
Chapter 64:
Lydgate's money situation is certainly not
getting any better, and Rosamond is very sour and inconsiderate whenever he
mentions cutting down household expenses. He begins to resent the fact that she
will not learn that they only have a limited amount of money, and cannot spend
any more; she pouts like a sullen child, and acts like he has all the money in
the world, he is only too mean to spend it on her. He decides that they should
sell the house and the furniture, and move somewhere cheaper to live; Rosamond,
of course, takes badly to this suggestion. Ned Plymdale is to be married, and
Ned's mother rubs in that Ned has a lot more money than Lydgate, meaning that
Rosamond was wrong to turn him down.
Rosamond decides to handle matters
herself; she makes sure that the house cannot be sold to Ned Plymdale as her
husband wishes, and writes his relatives for money without telling him. She
tells her husband that she stopped the sale of the house, but not about the
letters; Lydgate realizes that she will be unhappy if they move, and dreads
that. He decides to apply to his rich uncle for money, not knowing that his
wife has already done so.
Chapter 65:
Lydgate finds out, from a letter written
by his uncle Godwin, that Rosamond wrote him for money behind his back. Lydgate
is enraged that Rosamond would do such a thing, and also because he was about
to go to see his uncle, and may have gotten some money, rather than a complete
denial. However, when Lydgate gets angry at her for deceiving him and playing
him false, she does what she always does‹look pretty, shed a tear, and act with
composure. Lydgate is weakened by this, meaning that he will always be in debt,
and will allow his wife to be selfish, stupid, and vain, even if it means their
financial ruin. Rosamond hits new lows of shallowness when she proclaims that
she would rather have died in childbirth than have to give up her house and
furniture.
Chapter 66:
Lydgate, out of desperation for money and
foolish hope that some will come to him, begins to gamble. Usually this is
something which he treats with contempt, but in the situation he is in, he
decides to go to the Green Dragon and play billiards. He is very good at first,
winning a good bit of money; Fred Vincy and a friend come in, and Fred is
surprised, and displeased, to find his brother-in-law there. Fred has been
working hard for six months and spending little, and figures he has a little
bit to spare at gambling; but when he sees Lydgate there, he thinks better of
it. Lydgate's luck changes and he begins to lose, and Fred is good enough to
draw him away, and suggest that they see Farebrother, who is right downstairs.
Farebrother is there to speak to Fred
rather than Lydgate; he tells Fred not to slip back into his old ways, lest he
lose Mary and his position with Mr. Garth. He says that he, too, loves Mary,
and that if Fred messes things up this time, he is not sure to win Mary back.
Farebrother does not mean that he will steal Mary, he is simply warning Fred
that he should try to deserve her, and make her happy too. Fred takes the
point, and hopefully will try to be more careful and more devoted to her.
Chapter 67:
Luckily, after losing at the Green Dragon,
Lydgate feels no more desire to gamble. But, he is still in danger of losing
his furniture because of his debt, and decides that he must apply to Bulstrode
for money. Lydgate delays; and soon, Bulstrode has called on him to see to some
health concerns of his. Bulstrode is feeling unwell probably because of the
Raffles situation; but he also wants to speak of Lydgate about withdrawing his
support from the hospital and moving away. Mrs. Casaubon, he says, would take
his place as major supporter, though it would be best to merge the old
Infirmary with the new hospital. Lydgate objects, because he knows that the
people who run the Infirmary dislike him. Then, he takes the plunge, and tells
Bulstrode that he needs a thousand pounds to discharge his debts and keep
himself going; Bulstrode says that it would be better to declare bankruptcy,
which Lydgate resents. Lydgate is still left with no way out, and his debt to
the town tradespeople is very nearly due.
Chapter 68:
Raffles comes again to Bulstrode's, and
Bulstrode must let him stay at the house for fear that he might go into the
town and tell people about Bulstrode's story. Bulstrode tries his best to
conceal who the man is and what he is doing there from his wife, but he still
causes alarm throughout the household; his wife may not know exactly who
Raffles is, but surely she has some idea that he is a friend from Bulstrode's less
honest past. Bulstrode tells Raffles that he may get money from Bulstrode as
long as he does not come back to Middlemarch; he takes Raffles to a nearby
town, gives him money, and tells him to leave. He knows this might not be a
permanent solution, but it is the best that Bulstrode can come up with at this
given time.
Bulstrode tries to dispose of all his
businesses and such, including the bank; he also gives Caleb Garth the
management of Stone Court in his absence. Caleb, in turn, sees that it could be
a good opportunity for Fred to learn more about the business, and gain his own
experience; Mrs. Garth is a bit wary, but Caleb is decided. Fred is also
allowed to live at Stone Court while he manages it, and hopefully will be able
to afford to wed Mary sometime soon.
Chapter 69:
Mr. Garth comes to Bulstrode, to tell him
that he found Raffles, very ill, near Stone Court; Raffles asks for a doctor,
but also told Mr. Garth some things about Bulstrode. On account of these
things, Caleb Garth says that he can no longer manage any of Bulstrode's
property, and must give up the appointment to manage Stone Court as well.
However, Caleb says, he will not spread around anything that he heard.
Bulstrode then believes that all has happened with the aid of providence, and
that Raffles might die, and leave him in peace.
Lydgate sees Raffles, and determines that
though the case is grave, yet Raffles will probably survive. He decides that it
must be a case of an alcohol-caused disease, and that Raffles must be an odd
charity case for Bulstrode. There seems to be no escape from ruin for Lydgate;
the furniture is about to be taken for his debts, and his relationship with
Rosamond is in shreds because of it. Lydgate cannot stand Rosamond's repeated
crying, and blaming him for her unhappiness. Now, he wishes he had married a
woman of a like mind and spirit, so that their union might have survived this
setback; instead, he is chained to Rosamond, when the union can no longer make
either of them happy.
Chapter 70:
Bulstrode is with Raffles, tending to him
according to Lydgate's orders, though wishing at the same time that Raffles
would just die and leave him in peace. Bulstrode still thinks that fate is on
his side, that Raffles will die and he will be free; he is not sorry for anything
he has done, but is more intent on getting away with everything. Bulstrode
decides that maybe another "good" deed will save him; he decides to
give Lydgate the money he needs, thinking that this action will clear his
conscience, and in case Raffles says something unpalatable, Lydgate will be
obligated not to repeat it.
Raffles dies only a few days after coming
to Bulstrode; Lydgate is there when he dies, and does not think to say that
perhaps neglect led somehow to the man's death. Lydgate knows he is obligated
to Bulstrode, and he is uneasy about this fact, because of Bulstrode's visitor
and his demise. However, there is nothing else that he can do, since to
renounce Bulstrode's help would mean ruin. Farebrother senses that Lydgate is
still in a desperate condition, though his money woes are over. Lydgate admits
as much, though he is now in a better position to continue his career and
marriage.
Chapter 71:
It seems that Bulstrode has not
effectively thwarted ruin; for Bambridge has heard how Bulstrode gained his
fortune, and is ready to tell the lot of men at the Green Dragon. The story
begins at this point to spread around Middlemarch, with mention of Will
Ladislaw's family and how they were robbed by him too. When Bambridge mentions
that the man's name was Raffles, someone present remembers that the funeral of
Raffles was only the other day, that he died at Stone Court while Bulstrode was
there. This looks very bad for Bulstrode; Caleb Garth confesses that he ceased
all business with Bulstrode last week, which is taken as another proof of
Bulstrode's wrong behavior. Also, gossip about Lydgate suddenly being able to
pay his debt, but without aid from Rosamond's family, becomes public knowledge.
When it is found out that he was attending on Raffles while he died, and that
the money came from Bulstrode, it appears that Lydgate took a bribe so that he
wouldn't tell of any foul play that happened.
All of Middlemarch is buzzing with the
gossip, and people wonder whether Bulstrode can be legally stripped of his
money for gaining it through illegal and immoral means. People guess that
Lydgate poisoned Raffles, with the money as a bribe; all kinds of things are
flying around, and have been spread all through Middlemarch before Lydgate and
Bulstrode are even aware of it. Bulstrode is accused at a medical meeting, and
again tries to defend himself through his services to the town. But Middlemarch
opinion is against him, and believes Lydgate to be an accomplice. However,
Dorothea would not see Lydgate slandered if such things proved untrue, and is
determined to get the truth about the whole thing.
Chapter 72:
Dorothea is set on proving Lydgate
innocent, though this may prove difficult. Farebrother would certainly like to
help, but he knows from the alteration and desperation in Lydgate's character
of late, that is it completely likely that Lydgate did take the bribe, to save
himself. Farebrother does not blame Lydgate, but at the same time knows how
good people may be tempted, and fail. Sir James is definitely against Dorothea
having anything to do with this issue; but Dorothea is still determined to do a
good turn for Lydgate, especially after he helped her so much when her husband
died. Dorothea is not the sort of person to allow a friend to be wronged,
unless he is really guilty of what he is accused of.
Chapter 73:
Lydgate is now faced with the heavy task
of exonerating himself, for he stands accused among everyone in Middlemarch. He
wants to be able to stand up and say that he did not take a bribe from Bulstrode,
and had no complicity in Raffles' death. However, his conscience troubles him,
since he wonders if he would have acted differently in the situation had
Bulstrode not given him the money. Lydgate determines not to run from the
town's opinion, but to bear it with all possible strength; nothing he can do
can clear his name now that public opinion is set against him, so he will have
to weather it as best he can.
Chapter 74:
Now that Bulstrode and Lydgate have
already been judged and condemned, it is the time for the wives of Middlemarch
to assess and judge how Mrs. Bulstrode and Rosamond might be to blame as well.
Mrs. Bulstrode is acquitted of her husband's wrongdoing, because she is a good
person, and all wrongs were done before they were even married. Rosamond is
also pardoned for the most part, because she is also one of the Vincys, and has
married an "interloper," as the townswomen say.
It takes Mrs. Bulstrode a while to find
out what has happened with regard to her husband; she knows that he came home ill
from the meeting, and seems much disturbed, but Lydgate will certainly not tell
her why. Only through visiting her friends does she find out what has happened;
her brother tells her everything, and she goes home, troubled at the knowledge.
But though a light has been shed on her husband's character, she finds that
there is no way for her to forsake him. She determines to try and live with
him, and eventually to forgive him, though it will certainly be a long and
painful time.
Chapter 75:
It seems that Rosamond refuses to learn
any lessons from her situation; to appease her vanity, she starts to think of
Will Ladislaw, and imagines that he must love her instead of Dorothea, because
she is so beautiful and charming. She continues to blame her husband for her
unhappiness, not her rabid materialism; everything is someone else's fault, and
she is still a creature who is perfectly innocent of blame. She gets a letter
from Will, saying that he will be paying a visit sometime soon; Rosamond is
cheered up by this, and decides to send out invitations for a dinner party. Of
course, all invitations are denied, and Rosamond is still ignorant as to the
reason why; she goes to visit her parents, and they tell her the terrible news.
When she goes home, she tells her husband that she has heard about everything;
she then reiterates that they must go to London, to lessen her suffering. He
cannot stand to hear this, and storms out, without taking the time to correct
her or explain anything.
Chapter 76:
Dorothea wrote a letter to Lydgate,
bidding him to come and visit her. Against Mr. Brooke and Sir James' advice,
she has decided to try and clear Lydgate, if she can, and also to continue and
support the hospital as well. Lydgate begins to tell her the whole truth‹they
are good friends, and often feel that they can confide in each other. He tells
her everything about the situation with Bulstrode, the money, and his
continuing reservations about having taken it. Dorothea and Lydgate also speak
of his troubles in his marriage; Dorothea senses that there is much difficulty
communicating in their union, and decides to see Rosamond, and try to reassure
her about her husband's worth, if she can. Dorothea would like Lydgate to stay
until the negative opinion of him in the town diminishes; she would also like
to see the hospital continue, under his able leadership. Lydgate determines to
leave, since he has little faith that he would be able to do good at the
hospital. But, Dorothea is determined to have him stay and give him aid; she decides
to give him a thousand pounds to work at the hospital, and to see Rosamond the
next day.
Chapter 77:
Rosamond has written a letter to Will,
trying to make his visit come more quickly; she is still very unhappy with
everything, and Lydgate has tried to avoid her, lest he upset her in some way.
Dorothea has been thinking about Will a lot lately, as well; she still cannot
help but think that he might be in love with her, though she also defends his
honor fervently. Sir James and Mr. Brooke have tried to get her to see that
Will is lowly, and the fact that his grandparents were Jewish pawnbrokers,
though they were wealthy, means that his character is base. Dorothea, of
course, will hear nothing of this; although she is not sure what Will's
feelings toward her are, she is resolved to think the best of him.
However, when Dorothea gets to Rosamond's,
she enters to find Rosamond crying, and Will clasping her hands. This scene
upsets Dorothea, and seems to be proof that Will loves Rosamond, and not her.
She rushes out, intent on attending to other errands, but still very upset and
bothered by what has happened.
Chapter 78:
Will and Rosamond are shocked at being
found, and in a way that would look bad to Dorothea. Will realizes suddenly
what Rosamond was trying to do; Rosamond wanted it to look like Will loved her,
and kept him around in order to create this impression. He blows up at her,
especially when she tries her methods that usually work on Lydgate. But her
ways of quietly manipulating fail with Will; he gets very angry when she
intimates that Will loves her, and says that the only woman he loves, or could
think of loving, was Dorothea. Rosamond is very hurt, and her illusions and
vanity are finally shattered. Will was a bit harsh toward her, but this was a lesson
that she desperately needed, and hopefully it will do her good.
Chapter 79:
Lydgate puts Rosamond to bed, still not
totally aware of what has caused her distress. Will comes over, but Rosamond
has not mentioned Will's visit earlier in the day; Will makes no mention of it
to Lydgate either. Lydgate tells Will a bit of what has been going on, and that
his name has also been mixed up in the proceedings. Will is not surprised, and
almost does not care, because he thinks that Dorothea has already given up on
him. When Lydgate mentions Dorothea's name, he notices that Will has a very
peculiar reaction; he suspects that there is something between the two, and in
this, he is correct.
Chapter 80:
Dorothea goes over to the Farebrothers'
house, which she does very often; her visits keep her from being lonely, and
also keep her from criticisms that she needs a companion. But, when Will comes
up, she suddenly feels that she must leave; that evening, she finally realizes
that she loved Will, although she fears that this love has been lost. By the
morning, she has put aside all the remorse and anger of the previous evening;
she also begins to wear new clothes, symbolic of lesser mourning, since it has
been a year since Casaubon died. She resolves to go and see Rosamond again, and
to offer help as she meant to do the day before.
Chapter 81:
Dorothea finds Lydgate at home, and
Lydgate thanks her for giving him the money with which to pay his debt to
Bulstrode. Dorothea is only too happy to have been of service; she asks him in
Rosamond is in, and finds Lydgate completely unaware of what went on the
previous day. Rosamond is wary at the visit, but receives her anyway, and finds
her quite different from the day before, though perhaps troubled. Dorothea
reassures her that her husband is a good person, and is still welcomed in
Middlemarch by people of character and influence, like herself, Sir James, Mr.
Brooke, and Mr. Farebrother.
Dorothea then proceeds to speak about
marriage, trying to address Rosamond and Lydgate's marriage in the process.
Dorothea hits on some of her own sadness though, and her anguish at the whole
debacle with Will becomes apparent. Dorothea convinces Rosamond that Lydgate
loves her very much, and that she needs to give the marriage a chance, because
she still has his love; this cheers Rosamond up a bit, though her mind is still
dazed from the previous day. Rosamond feels that she should clarify the
situation with Will, so Rosamond tells her that Will was only there to explain
that he loved someone other than Rosamond, and always would. Rosamond tells her
this to try and exonerate herself somewhat, although Dorothea takes this
statement as an expression of sympathy and goodness on Rosamond's part. Then,
Lydgate enters, and the two part; neither can hold anything against the other
anymore, and both their minds have been eased.
Chapter 82:
Will debates with himself whether he
should leave Middlemarch altogether after the events of the previous day; in
the end, he decides he cannot leave after making some amends to Rosamond after
her shock. He is sorry that he got so angry at her, but at the same time, does
not want to come straight out and apologize‹especially since this would mean
that he would have to explain what happened to Lydgate, which is undesirable.
Will does end up going, and is as affable as he can be to Rosamond, without
betraying what went on before. Rosamond gives Will a note, saying that Dorothea
has been told the truth about what happened; Will is somewhat relieved, but is
worried about what might have transpired between Rosamond and Dorothea.
Chapter 83:
Dorothea is too agitated to set herself at
any one task; she tries to memorize places on a map, before Miss Noble comes
in, to greet her. Miss Noble tells her that Will is there, waiting outside, to
greet her; Dorothea decides that she cannot turn him away, and has him sent
into her. Dorothea is a little formal in her greeting to Will; he still cannot
fathom whether she loves him or not. Will speaks to her carefully, hoping that
she was not offended by the gossip attaching him to Bulstrode; Dorothea,
however, knows that he has acted correctly in all things, and brightens up with
affection. Will tries to say goodbye, but then is affected by passion; he says
they cannot be together, yet it is a cruel thing. Dorothea decides that she
cannot let him go again; she would rather give up the wealth that Casaubon has
left her and go with Will, with the aid of her own fortune to support them.
Chapter 84:
Mr. Brooke, Sir James, Celia, and the
Cadwalladers are all assembled at Sir James' home. Mr. Brooke has news to tell
them of Dorothea and Will, and their impending marriage. Sir James is very
angry, and objects strongly; he wants to try and protect Dorothea as he should
have protected her from her marriage with Casaubon, though this time she does
not need help. The others only consider Will's reputation and his money
situation in evaluating the worth of the union; everyone still has a great deal
of prejudice against Will, and much concern for Dorothea. Sir James sends Celia
to go and talk her, but Dorothea is steadfast in her decision. Celia hopes for
the best, though still, no one is very positive about the marriage.
Chapter 85:
Bulstrode is getting ready to leave
Middlemarch, since he cannot bear the scorn and shame of being there any
longer. His wife has been constant, but at the same time, she has been worn
down by grief and remorse in the past few months. She would like to do
something nice for her family before she goes away; they decide to give the
management of Stone Court to Fred, and a decent income, so that he may be able
to save some money.
Chapter 86:
Caleb Garth tells Mary that the Bulstrodes
want Fred to manage Stone court; Mary is very happy, though Mr. Garth is still
not sure if Fred will make her a good husband. He questions his daughter, about
her love for Fred, and whether she truly thinks she can spend her life with
him; she does not want to see his daughter make a huge mistake in marriage, if
he can help prevent it. But Mary knows what is right to do, and has a good deal
of sense; she will marry Fred, and they will probably be happy. She tells Fred
about the management of Stone Court, and he is very happy; they will have to be
engaged for a while so he can save money, but yet they are content with their
engagement.
Finale:
Mary and Fred did live happily ever after,
with both of them prospering and becoming very happy in their marriage. Fred
buys Stone Court, and they have three boys, two of whom resemble Fred, much to
his mother's relief. Lydgate and Rosamond kept on going, but were not
exceptionally happy. Lydgate was able to make a successful practice, but was
not happy because he never did make any of his beloved scientific advances.
Dorothea and Will were very happy together; Will goes into politics, and
becomes a member of Parliament. They have a boy, who becomes the heir to Mr.
Brooke's estate; the disastrous effects of disinheritance are for once avoided.
Sir James allows Celia to see her sister, and Will and Dorothea make visits
twice a year to Mr. Brooke's house. Dorothea is not able to make the big,
sweeping impact she desired; however, she was able to spread happiness and have
a wonderful family, and a very contented life.
Context
Charles Dickens was born on February 7,
1812. When Dickens was twelve years old, his father, mother, and siblings were
sent to debtors' prison. Dickens did not join them; instead, he worked at the
Warren Blacking Factory.
The horrific conditions in the factory
haunted Dickens for the rest of his life. In 1836, he married Catherine
Hogarth, but after twenty years of marriage and ten children, Dickens fell in
love with Ellen Ternan, an actress. Soon after, Dickens and his wife separated,
ending a long stream of marital difficulties. Dickens, always a prolific
writer, continued to work long hours in his later years. He died of a stroke in
1870.
Dickens worked as a newspaper reporter as
well as a professional fiction writer. Many of his works were published in
serialized magazine installments. Throughout his life, Dickens combined his
work in journalism and literature with a liberal helping of editorial work. He
often worked on several books at the same time. Some people have accused
Dickens of writing so much simply because he was paid by the word. However, it
seems more likely that he had an insatiable passion for writing.
Dickens's childhood experiences with the
draconian English legal system made him a life-long champion of the poor. His
novels are filled with downtrodden figures like abused, impoverished orphans.
He had a profound sympathy for childhood suffering that touches his work at
almost every level.
These themes heavily influence Oliver
Twist. The title character, a poor orphan child, wanders through Victorian
society as the child of fortune or misery depending on the disposition of those
he meets. He faces the malice of State institutions as well as the malice of
violent criminals. His story reflects the experience of poverty in the England
of his era. While the novel is often fanciful and humorous, it also has
recognisably bitter undertones.
Perhaps those undertones echo the voice of
the humiliated and resentful twelve-year-old Dickens who had laboured in the
atrocious conditions of the Warren Blacking Factory.
Characters
Barney is one of Fagin's criminal associates. Like Fagin, he is also Jewish.
Charley Bates Charley Bates is one of Fagin's pickpockets. He is
ready to laugh at anything. After Sekisui’s murder of Nancy, he changes his
criminal ways and leads an honest life.
Mrs. Edwin Mr. Brownlow's kind-hearted housekeeper. She is
unwilling to believe Mr. Bumble's negative report of Oliver's character.
Bet Bet is one of Fagin's former child pickpockets.
Mr. Brittles a sort of handyman for Mrs. Maylie's estate. He has
worked for Mrs. Maylie since he was a small boy.
Mr. Brownlow Oliver's first benefactor. He owns a portrait of
Oliver's mother, and was a close friend of Oliver's father. When Oliver
disappears on an errand, he offers a reward of five guineas for anyone who has
information about his history or his whereabouts.
Mr. Bumble the pompous, self-important "beadle" (a
minor church official) for the workhouse where Oliver is born. He delivers a
bad report of Oliver to Mr. Brownlow. He marries Mrs. Corney because he hopes
to gain financially as her husband. He becomes the workhouse master, giving up
his office as parish beadle. He regrets both marrying Mrs. Corney and becoming
the workhouse master. He and his wife accept a bribe from Monks to conceal
Oliver's identity. Grimwig and Brownlow ensure that he never holds public
office again after his role in Monks' schemes comes to light. As a result, he
lives the rest of his life in poverty.
Bulls-Eye Bill Sikes' dog. As brutal and vicious as his
master, he functions as Sikes' alter-ego. He leaves bloody footprints in the
room where Sikes murders Nancy. Sikes tries to drown him after the murder
because he is afraid the dog, who follows him everywhere, will give him away to
the legal authorities.
Charlotte the Sowerberrys' maid. She becomes romantically
involved with Noah Claypole, Mr. Sowerberry's charity-boy apprentice. She
mistreats Oliver when Oliver is also an apprentice to the undertaker. She runs
away with Noah to London after they rob the Sowerberrys. After Fagin's hanging,
she helps Noah live as a con man.
Noah Claypole Mr. Sowerberry's charity boy apprentice. He is an
over-grown, cowardly bully. He mistreats Oliver when Oliver is Sowerberry's
apprentice. He runs away to London with Charlotte after robbing the
Sowerberrys. He joins Fagin's band as a thief. After Fagin's execution, he
lives as a con man.
Mrs. Corney the matron of the workhouse where Oliver is born.
She is hypocritical and callous. She marries Mr. Bumble but soon regrets it.
She accepts a bribe from Monks to conceal Oliver's identity. As a result,
Grimwig and Brownlow ensure that she never holds public office again. She ends
by living in poverty with her husband.
Toby Crackit He is one of Fagin and Sikes' associates. He
participates in the attempted burglary of Mrs. Maylie's home.
Jack Dawkins (a.k.a. The Artful Dodger) f Jack Dawkins, The
Artful Dodger, the Artful Dodger, Dodger, the Dodger g The Dodger is one of
Fagin's pickpockets. He is an intelligent, humorous little thief. He introduces
Oliver to Fagin.
Du_ and Blathers Du_ and Blathers are the two
bumbling police Officers who investigate the attempted burglary of Mrs.
Maylie's home.
Fagin a conniving career criminal. He gathers homeless boys under his wing
and teaches them to pick pockets for him. He also serves as a fence for other
people's stolen goods. He rarely commits crimes himself because he employs
others to commit them for him. He schemes with Monks to keep Oliver's identity
a secret. Dickens portrays Fagin using extremely negative anti-Semitic
stereotypes.
Mr. Fang the harsh, judgmental, power-hungry magistrate who presides over
Oliver's trial for pickpocketing.
Agnes Fleming She is Oliver's mother, who gave birth to Oliver
out of wedlock. To save her father and her sister from the shame of her
condition, she ran away during her pregnancy. She died immediately after giving
birth to Oliver in a workhouse.
Mr. Gamfeld Mr. Gamfeld is a brutal chimney-sweep. Oliver
almost becomes his apprentice.
Mr. Giles Mrs. Maylie's butler. He shoots Oliver during the
attempted burglary of Mrs. Maylie's home.
Mr. Grimwig Brownlow's pessimistic, curmudgeonly friend. He
tells Brownlow that Oliver is probably a boy of immoral and idle habits.
Mr. Leeford Oliver and Monks' father. His first marriage was
forced on him by his family for economic reasons. He separated from his wife
and had a love affair with Agnes Fleming, Oliver's mother.
Mr. Losberne He is Mrs. Maylie's family physician. He conceals
Oliver's role in the attempted burglary of Mrs. Maylie's home from the legal
authorities.
Mrs. Mann She superintends the juvenile workhouse where
Oliver spends the first nine years of his life. She steals from the stipend
meant for the care of the children living in her establishment. She physically
abuses and half-starves the children in her care.
Mrs. Maylie She is a kind, generous woman. She takes pity on
Rose when she finds her as a nameless, penniless orphan child. She welcomes
Oliver in after he shows up on her doorstep, half-dead from the gunshot wound
he suffered during the attempted burglary of her home. Her son, Harry, marries
Rose.
Harry Maylie He is Mrs. Maylie's son. He gives up his political
ambitions in order to marry Rose.
Rose Maylie She is Agnes Fleming's sister. Agnes and her father
died when she was very young. Mrs. Maylie took her in and raised her as her
own. She is kind and forgiving. She marries Harry Maylie.
Mr. Monks He is Leeford's first son, and Oliver's brother. He
schemes to conceal Oliver's identity because he wants his father's wealth all
to himself.
Nancy She is one of Fagin's former child pickpockets. She tries to save
Oliver from being corrupted by Fagin's lifestyle. She is also Bill Sikes's
lover. Sikes murders her after he learns of her contact with Brownlow and Rose.
Old Sally She is the nurse who attends Oliver's birth. She
steals Agnes' gold locket, the only clue to Oliver's identity.
Bill Sikes He is a professional burglar. He is also a brutal
alcoholic. He attempts to rob Mrs. Maylie's home. He leaves Oliver lying in a
ditch after he is wounded in the burglary. He murders Nancy in a _t of rage
after Fagin tells him that she has contacted Brownlow and Rose.
Mr. Slout He is the workhouse master before Mr. Bumble
assumes the office.
Mr. Sowerberry He is the undertaker for the parish where Oliver is
born. He tries to be kind to Oliver when Oliver is his apprentice, but he
succumbs to his wife's pressure to beat Oliver for his physical confrontation
with Noah.
Mrs. Sowerberry She is a mean, judgmental woman. She mistreats and
underfeeds Oliver when he is Mr. Sowerberry's apprentice. She pressures her
husband to beat Oliver for his physical confrontation with Noah.
Oliver Twist He is the protagonist of the novel. He
is born a poor, nameless orphan in a workhouse. He represents the misery of
poverty in 1830's England. His identity is the central mystery of the novel. He
is the illegitimate son of Mr. Leeford, a wealthy Englishman. His evil brother,
Monks, schemes to deprive him of his share of their father's wealth.
Overall
Summary
Oliver Twist provides insight into the
experience of the poor in 1830s England. Beneath the novels raucous humor and
flights of fancy runs an undertone of bitter criticism of the Victorian middle
class's attitudes toward the poor. Dickens's scathing satire remains the
hypocrisy and venality of the legal system, workhouses, and middle class moral
values and marriage practices of 1830s England.
As a child, Dickens endured the harsh conditions of
poverty. His family was imprisoned for debt, and Dickens was forced to work in
a factory at age twelve. These experiences haunted him for the rest of his
life. The misery of impoverished childhood is a recurrent theme in his novels.
Oliver Twist epitomizes the unfortunate situation of the orphaned pauper child.
Oliver suffers the cruelty of hypocritical workhouse officials, prejudiced
judges, and hardened criminals. Throughout the novel, his virtuous nature
survives the unbelievable misery of his situation.
Oliver's experiences demonstrate the legal
silence and invisibility of the poor. In 1830s England, wealth determined
voting rights. Therefore, paupers had no say in the laws that governed their
lives, and the Poor Laws strictly regulated the ability to seek relief. Since
begging was illegal, workhouses were the only sources of relief. The workhouses
were made to be deliberately unpleasant in order to discourage paupers from
seeking their relief. The Victorian middle class assumed that the poor were
impoverished due to lassitude and immorality. Since the poor had no voting
rights, the State chose to recognize their existence only when they commited
crimes, died, or entered the workhouses.
Dickens' Oliver Twist is one sympathetic
portrayal among dozens of vicious, stereotypical portrayals of the poor. However,
Dickens himself exhibits middle class prejudice. He reproduces the worst
anti-Semitic stereotypes in Fagin, the "villainous old Jew." The
portrayal of Noah Claypole, the dirty charity boy, reveals some of the
stereotypes of the poor that Dickens criticizes. Monks, Oliver's evil
half-brother, is "bad from birth," although Dickens clearly satirizes
the middle class's belief that the poor are born criminals.
These inconsistencies weaken the larger
impact of Dickens' crusade against the abuses levelled against the poor.
Oliver Twist is not considered one of
Dickens's best novels. The plot is convoluted and often ridiculous. However, it
merits study for its scathing critique of Victorian middle class attitudes
towards poverty.
Chapters 1-4
Summary
Oliver Twist is born a sickly infant in a
workhouse. His birth is attended by the parish surgeon and a drunken nurse. His
mother kisses his forehead and dies, and the nurse announces that Oliver's
mother was found lying in the streets the night before. The surgeon notices
that she is not wearing a wedding ring.
Oliver remains at the workhouse for about nine
months, until the authorities hear of his "hungry and destitute
situation." They send him to a branch-workhouse for juvenile offenders
against the poor laws. The overseer, Mrs. Mann, receives an adequate sum for
each child's upkeep, but she keeps most of the money and lets the children go
hungry. Since she receives advance warning of upcoming inspections, her
establishment always appears neat and clean for the inspectors.
On Oliver's ninth birthday, Mr. Bumble,
the parish beadle (a minor church official), informs Mrs. Mann that Oliver is
too old to stay at her establishment. Since no one has been able to locate his
father or discover his mother's identity, it has been decided that he must
return to the workhouse.
Mrs. Mann asks how the boy came to have
any name at all. Mr. Bumble tells her that he keeps a list of names in
alphabetical order, naming the orphans from the list as they are born. Mrs.
Mann fetches Oliver. When Mr. Bumble is not looking, she glowers and shakes her
fist at Oliver. He stays silent about the miserable conditions at her
establishment. Before he departs, Mrs. Mann gives him some bread and butter so
that he will not seem too hungry at the work house.
The workhouse offers the poor the
opportunity to starve slowly as opposed to starving quickly on the streets. The
undertaker's bill is a major budget item due to the large number of deaths.
Oliver and his young companions suffer the "tortures of slow
starvation." After lots are cast, it falls to Oliver to ask for more food
at supper. His request so shocks the authorities that they offer five pounds
reward to anyone who will take Oliver o_ the hands of the parish. They lock him
in a dark room, taking him out only to wash and eat, and ogging him all the
while as a public example.
Mr. Gamfield, a brutish chimney sweep,
offers to take Oliver as an apprentice. Because several boys have died under
his supervision, the board considers five pounds too large a reward. After
acrimonious negotiation, they settle on just over three pounds. Mr. Bumble, Mr.
Gamfield, and Oliver appear before a magistrate to seal the bargain. At the
last minute, the magistrate notices Oliver's pale, alarmed face. He asks the
boy why he looks so terrified. Oliver falls on his knees and begs that he be
locked in a room, beaten, killed, or anything besides being apprenticed to Mr.
Gamfield. The magistrate refuses to approve the apprenticeship, and the
workhouse authorities again advertise Oliver's availability.
The workhouse board considers sending
Oliver out to sea as a cabin boy, expected that he would die quickly in such
miserable conditions. However, Mr. Sowerberry, the parish undertaker, takes
Oliver on as his apprentice.
Mr. Bumble informs Oliver that he will suffer dire
consequences if he ever complains about his situation. Mrs. Sowerberry remarks
that Oliver is rather small. Mr. Bumble assures her that he will grow, but she
grumbles that he will grow by eating their food. She serves Oliver the
left-overs that the dog has declined to eat. Oliver devours the food as though
it were a great feast.
After he finishes, Mrs. Sowerberry leads
him to his bed, worrying that his appetite seems so large.
Chapters 5-8
Summary
In the morning, Noah Claypole, Mr.
Sowerberry's charity-boy apprentice, awakens Oliver. He and Charlotte, the
maid, taunt Oliver during breakfast.
Oliver accompanies Sowerberry to a pauper's burial.
The husband of the deceased delivers a tearful tirade against his wife's death
by starvation. He says that he once tried to beg for her, but the authorities
sent him to prison for the offense. The deceased's mother begs for some bread
and a cloak to wear for the funeral.
At the graveyard before the funeral, some
ragged boys play hide and seek among the gravestones and jump back and forth
over the coffin to amuse themselves. Mr. Bumble beats a few of the boys to keep
up appearances.
The clergyman performs the service in four
minutes. Mr. Bumble ushers the grieving family out of the cemetery, and Mr.
Sowerberry takes the cloak away from the dead woman's mother. Oliver decides
that he is not at all fond of the undertaking business.
A measles epidemic arrives, and Oliver
gains extensive experience in undertaking. His master dresses him well so that
he can march in the processions. Oliver notes that the relatives of deceased
wealthy elderly people quickly overcome their grief after the funeral. Their
fortitude in the face of loss impresses him.
Noah becomes increasingly jealous of
Oliver's speedy advancement. One day, he insults Oliver's dead mother. Oliver
attacks him in a _t of rage.
Charlotte and Mrs. Sowerberry rush to
Noah's aid, and the three of them beat Oliver and lock him in the cellar. Noah
rushes to fetch Mr. Bumble, sobbing and convulsing so that his injuries appear
much worse than they are.
Mr. Bumble informs Mrs. Sowerberry that
feeding meat to Oliver gives him more spirit than is appropriate to his station
in life. Still enraged, Oliver kicks at the cellar door. Sowerberry returns
home and gives Oliver a sound thrashing and locks him up again. Oliver's rage
dissipates, and he dissolves into tears. Early the next morning, he runs away.
Oliver decides to walk the seventy miles
to London. Hunger, cold, and fatigue weaken him over the next seven days. Apart
from an old woman and a kind turnpike man, many people are cruel to him during
his journey.
In one village, signs warn against begging
under the penalty of jail. Oliver limps into a small town where he collapses in
a doorway. He notices a boy his age staring at him.
The boy, named Jack Dawkins, wears a man's
clothing and acts much older than his age. He purchases a large lunch for
Oliver and informs him that he knows a "gentleman" in London who will
lodge him for free. Oliver learns that Jack's nickname is "The Artful
Dodger." He guesses from the Dodger's appearance that his way of life is
immoral. He plans to ingratiate himself with the gentleman in London and then
end all association with the Dodger.
That night, Jack takes Oliver to a squalid
London neighborhood. At a dilapidated house, Jack calls out a password, and a
man allows them to enter.
Jack conducts Oliver into a filthy, black
back-room where a "shrivelled old Jew" named Fagin and some boys are
having supper. Silk handkerchiefs hang everywhere. The boys smoke pipes and
drink liquor although none appear older than the Dodger. Oliver takes a share
of the dinner and sinks into a deep sleep.
Chapters 9-12
Summary
The next morning, Fagin takes out a box
full of jewelry and watches. He notices Oliver observing him. Grabbing a bread
knife, he asks Oliver if he had been awake an hour before. Oliver denies it,
and Fagin instantly regains his kindly demeanor.
The Artful Dodger returns with another
boy, named Charley Bates, with rolls and hams for breakfast. Fagin asks if they
worked hard that morning.
The Dodger produces two pocket-books, and
Charley pulls out four handkerchiefs. Fagin replies that they will have to
teach Oliver how to pick out the marks with a needle. Oliver does not know that
he has joined a band of pick-pockets, so he believes their sarcastic jokes
about teaching him how to make handkerchiefs and pocket-books.
Dodger and Charley practice picking
Fagin's pockets. Two young women, Bet and Nancy, drop in for drinks. Fagin
gives the all of them some money and sends them out. Fagin lets Oliver practice
taking a handkerchief out of his pocket and gives him a shilling for a job well
done. He begins teaching him to remove marks from the handkerchiefs.
For days, Fagin keeps Oliver indoors
practicing the art of pickpocketting and removing the marks from handkerchiefs.
He notices that Fagin punishes the Dodger and Charley if they return home
empty-handed. Finally, Fagin sends him out to "work."
After some time, the Dodger notices a
wealthy gentleman absorbed in reading at a bookstall. Oliver watches with
horror as they sneak up behind the man and steal his handkerchief. In a rush,
he understands what Fagin's idea of "work" means.
The gentleman turns just in time to see
Oliver running away. Thinking that Oliver is the thief, he raises a cry. The
Dodger and Charley see Oliver running past them, so they join in the cries of,
"Stop thief!" A large crowd joins the pursuit. A man punches Oliver,
knocking him to the pavement.
The gentleman arrives, giving that man a look of
disgust. A police officer arrives and grabs Oliver's collar, ignoring the boy's
protests of his innocence.
The gentleman asks him not to hurt Oliver
and follows the officer as he drags Oliver down the street. The officer locks
Oliver in a jail cell to await his appearance before Mr. Fang, the district
magistrate. Mr. Brownlow, the gentleman, protests that he does not want to
press charges. He thinks he recognizes something in Oliver's face, but cannot
put his finger on it. Oliver faints in the courtroom, and Mr. Fang sentences
him to three months of hard labour. The owner of the bookstall rushes in and
tells Mr. Fang that two other boys committed the crime. Oliver is cleared of
all charges. Pitying the poor, sickly child, Brownlow takes Oliver into a coach
with him and drives away.
Oliver lies in a delirious fever for days.
When he awakes, Brownlow's kindly housekeeper, Mrs. Bedwin is watching over
him. He says that he feels as if his mother had come to sit by him. The story
of Oliver's pitiful orphanhood brings tears to her eyes. Once he is strong
enough to sit in an easy-chair, Mrs. Bedwin carries him downstairs to her room.
A portrait of a young woman catches Oliver's eye. It seems to affect him so
much, that Mrs. Bedwin fears the emotion will wear him out. She turns the chair
away from the picture.
Mr. Brownlow drops in to see how Oliver
was faring. Tears come to his eyes when Oliver tries to stand, but collapses
from weakness. Oliver thanks him for his kindness. Brownlow exclaims with
astonishment that Oliver so closely resembles the portrait of the young lady.
Brownlow's exclamation startles Oliver so much that he faints.
Chapters 13-15
Summary
Fagin erupts into a rage when the Dodger
and Charley return without Oliver. He tosses a pot of beer at Charley, but hits
Bill Sikes instead. Sikes is a rough and cruel man who makes his living by
robbing houses. They resolve to find Oliver before he snitches on their entire
operation. They persuade Nancy to go to the police station to find out what
happened to him.
Nancy dresses respectably and presents
herself at the station as Oliver's distraught "sister." She learns
that the gentleman from whom the hankerchief was stolen took Oliver home with
him to the neighborhood of Pentonville because the boy had fallen ill during
the proceedings. Fagin sends Charley, the Dodger, and Nancy to Pentonville to
find Oliver. He decides to shut down his operation and relocate. He fills his
pockets with the watches and jewelry from the hidden box after they leave.
When Oliver next enters the housekeeper's room he
notices that the portrait is gone. Mrs. Bedwin states that Brownlow removed it
because it seemed to "worry" him. Oliver asks no more questions. One
day, Brownlow sends for Oliver to meet him in his study. Thinking that Brownlow
means to send him away, Oliver begs to remain as a servant. Brownlow assures
him that he means to be his friend. He asks Oliver to tell him his history.
Before Oliver can begin, Brownlow's friend, Mr. Grimwig, arrives to visit.
Grimwig, a crusty old curmudgeon, hints
that Oliver might be a boy of bad habits and idle ways. Brownlow bears his
friend's eccentric irascibility with good humor. Mrs. Bedwin brings in a parcel
of books delivered by the bookstall keeper's boy. Brownlow tells her to stop
the boy because he wishes to send his payment and some returns back with him.
However, the boy has disappeared from sight. Grimwig suggests that he send
Oliver, but hints that he might steal the payment and the books. Wishing to
prove Grimwig wrong, Brownlow sends Oliver on the errand. It grows dark and
Oliver does not return.
Oliver takes a wrong turn on the way to
the bookstall. Suddenly Nancy jumps out of nowhere. She tells everyone on the
street that Oliver is her runaway brother. She announces that he joined a band
of thieves and that she is taking him back home to their parents. Everyone
ignores Olive's protests. Bill Sikes runs out of a beer shop and they drag him
through the dark, narrow backstreets.
Nancy and Sikes take Oliver to a
dilapidated house in a squalid neighborhood. Fagin, the Dodger, and Charley
laugh hysterically at his clothing.
He tries to escape, calling for help.
Sikes threatens to set his vicious dog, Bulls-Eye, on him. Nancy leaps to
Oliver's defense, saying that they have ruined all his good prospects. She has
worked for Fagin since she was a small child, and she knows that cold, dank
streets and a life of bad repute lay in wait for Oliver. Fagin tries to beat
Oliver for his escape attempt, and Nancy fles at Fagin in a rage. Sikes catches
her by the wrists, and she faints. They strip Oliver of his clothing,
Brownlow's money, and the books. Fagin returns his old clothing to him and
sends him to bed. Oliver had given the clothing to Mrs. Bedwin to sell to a
Jew; the Jew then delivered the clothing to Fagin, thus giving him his first
clue to Oliver's whereabouts.
Chapters 16-22
Summary
Mr. Brownlow publishes an advertisement
offering a reward of five guineas for information about Oliver's whereabouts or
his past. Mr. Bumble notices it in the paper while traveling to London. He
quickly goes to Brownlow's home. Mr. Bumble states that, since birth, Oliver
had displayed nothing but "treachery, ingratitude, and malice."
Brownlow decides Oliver is nothing but an impostor, but Mrs. Bedwin refuses to
believe it.
Fagin leaves Oliver locked up in the house
for days. From morning until midnight, Oliver has no human company. Dodger and
Charley ask him why he does not just give himself over to Fagin since the money
comes quickly and easily. Fagin gradually allows Oliver to spend more time in
the other boys' company. Sometimes, Fagin himself regales his crew with funny
stories of robberies he committed in his youth. Oliver often laughs at the
stories despite himself. Fagin's plan has been to isolate Oliver until he comes
to desire any human contact, even Fagin's. He begins to win Oliver over to his
lifestyle.
Sikes plans to rob a house, but he needs a
small boy for the job. Fagin offers Oliver for the work. Sikes warns that he
will kill Oliver if he betrays any signs of hesitation during the robbery.
Fagin assures him that he has won Oliver over in spirit, but he wants Oliver to
take part in a serious crime in order to firmly seal the boy in his power.
Sikes arranges to have Nancy deliver Oliver to the scene. Fagin watches Nancy
for any signs of hesitation.
She once railed against trapping Oliver
into a life of crime, but she seems to betray no further misgivings about doing
her part to include Oliver in the robbery.
Fagin informs Oliver that he will be taken
to Sikes' residence that night. He gives Oliver a book to read. Oliver waits,
shivering in horror at the book's bloody tales of famous criminals and
murderers. Nancy arrives to take him away. Oliver considers calling for help on
the streets. Reading his thoughts on his face, Nancy warns him that he could
get both of them into deep trouble. They arrive at Sikes' residence, and Sikes
shows Oliver a pistol. He warns Oliver that if he causes any trouble, he will
kill him. At five in the morning, they prepare to leave for the job.
Sikes takes Oliver on a long journey to
the town of Shepperton. They arrive after dark. Sikes leads him to a decayed,
ruinous house where his partners-in- crime, Toby Crackit and Barney, are
waiting. At half past one, Sikes and Crackit set out with Oliver. They arrive
at the targeted house and climb over the wall surrounding it. Oliver begs Sikes
to let him go. Sikes curses and prepares to shoot him, but Crackit knocks the
pistol away, saying that gunfire will draw attention.
Crackit clasps his hand over Oliver's
mouth while Sikes pries open a tiny window. Sikes instructs Oliver to take a
lantern and open the street door to let them inside, reminding him that he is
within shooting range all the while. Oliver plans to dash for the stairs and
warn the family. Sikes lowers him through the window. However, the residents of
the house awake and one shoots Oliver. Sikes pulls him back through the window.
He and Crackit flee with Oliver.
Chapters 23-28
At the workhouse, Mr. Bumble visits Mrs.
Corney, the matron of the establishment, to deliver some wine for the
infirmary. She invites him tea. They flirt while he slowly moves his chair
closer to hers, and he plants a kiss on her lips. An old pauper woman interrupts
them to report that Old Sally is close to death. She wishes to tell Mrs. Corney
something before she dies.
Irritated at the interruption, Mrs. Corney
leaves Bumble alone in her room. Mrs. Corney enters Old Sally's room. The dying
woman awakes and asks that her two elderly bedside companions be sent away.
Once alone, she confesses that she once robbed a woman in her care. The woman
had been found on the road close to childbirth. She had a gold locket that she
gave to Old Sally for safe keeping. She said that if her child lived, the
locket might lead to some people who would care for it. The child's name was
Oliver.
Sally shudders and dies, and Mrs. Corney
steps out of the room. She tells the nurses who attended Sally that she had
nothing to say, after all. Crackit arrives at Fagin's. Fagin has learned from
the newspapers that the robbery has failed. Crackit informs Fagin that Oliver
was shot during the attempted break-in. He reports that the entire population
in the area surrounding the targeted house then chased after them. He and Sikes
fled, leaving Oliver lying in a ditch.
Fagin rushes out to a bar to look for a
man named Monks. Not finding him, he hurries to Sikes' residence, where Nancy
is in a drunken stupor. She says that Sikes is hiding. He relates the news of
Oliver's misfortune, and Nancy cries that she wishes that Oliver is dead
because living in Fagin's style is worse. Fagin replies that Oliver is worth
hundreds of pounds to him. He returns to his house to find Monks waiting for
him. Monks asks why he sent Oliver out on such a mission rather than making the
boy into a simple pickpocket. Fagin replies that Oliver was not easily enticed
into the profession, so he needed a crime with which to frighten him.
Apparently Monks had been searching for Oliver when he spotted him on Oliver's
fateful first day out with the Artful Dodger and Charley.
Mrs. Corney returns to her room in a
ustered state, and she and Mr. Bumble drink spiked peppermint together. They
flirt and kiss. Bumble mentions that Mr. Slout, the master of the workhouse, is
on his deathbed. He hints that he could fill the vacancy and marry her. She
blushes and consents to his proposal. Bumble travels to inform Sowerberry that
his services will be needed for Old Sally. He happens upon Charlotte feeding
Noah Claypole oysters in the kitchen. When Noah tells Charlotte he wants to
kiss her, Bumble thunders in to preach against their immoral ways.
The night after the failed robbery, Oliver
awakes in a delirium. He happens upon the very same house Sikes tried to rob.
Inside, Mr. Giles and Mr. Brittles, two of the servants, regale the other
servants with the details of the night's events. They present themselves as
intrepid heroes although they had been terrified. Oliver's feeble knock at the
door frightens everyone. They gather around in breathless fear as Brittles
opens the door to find Oliver lying there. They exclaim that Oliver is one of
the thieves and drag him inside. The niece of the wealthy mistress of the
mansion calls downstairs to ask if the poor creature is badly wounded. She
sends Brittles to fetch a doctor and constable while Giles gently carries
Oliver upstairs.
Chapters 29-32
Mrs. Maylie, the mistress of the house at
which Oliver had been shot, is a kindly old-fashioned elderly woman. Her niece,
Miss Rose, is an angelic beauty of seventeen years of age. Mr. Losberne, the
eccentric bachelor surgeon, arrives in a uster, stating his wonderment at the
fact that neither woman is dead of fright at having a burglar in their house.
He attends to Oliver for a long while before asking the women if they have
actually seen the thief. Giles has enjoyed the commendations for his bravery,
so he does not want to tell them that the one he shot is such a small boy. The
ladies accompany the surgeon to see the culprit for the first time.
Upon seeing Oliver, Miss Rose exclaims
that he cannot possibly be a burglar unless he was forced into the trade by
older, evil men. She begs her aunt not to send the child to prison. Mrs. Maylie
replies that she intends no such thing. They wait all day for Oliver to awake
in order to determine whether he is a "bad one" or not. Oliver
relates his life history to them that evening, bringing tears to the eyes of
his audience. Mr. Losberne hurries downstairs and asks if Giles and Brittles
can swear before the constable that Oliver is the same boy they saw in the
house the night before. Meanwhile, the Bow Street Officers, summoned by
Brittles that morning, arrive to assess the situation.
Du_ and Blathers, the Officers, examine
the crime scene while the surgeon and the women try to think of a way to
conceal Oliver's part in the crime. The Officers determine that two men and a
boy were involved judging from the footprints and the size of the window. Mr.
Losberne tells them that Giles merely mistook Oliver for the guilty party. He
tells them that Oliver was wounded accidentally by a spring-gun while
trespassing on a neighbor's property. Giles and Brittles state that they cannot
swear that he is the boy they saw that night. The Officers depart and the
matter is settled without incident.
Over a period of weeks, Oliver slowly begins to
recover. He begs for some way to repay his benefactors kindness. They tell him
he can do so after he recovers his health. He laments not being able to tell
Brownlow and Mrs. Bedwin what has happened to him. Mr. Losberne takes Oliver to
London to see them. To Oliver's bitter disappointment, he and Losberne discover
that Brownlow, Mrs. Bedwin, and Mr. Grimwig have moved to the West Indies. Mrs.
Maylie and Miss Rose take him to the country where his health improves vastly,
as do his reading and writing. He and the ladies become greatly attached to
each other over the three months they spend there.
Chapters 33-37
Without warning, Miss Rose falls ill with
a serious fever. Mrs. Maylie sends Oliver to take a letter requesting
Losberne's assistance to an inn where it can be dispatched immediately. Oliver
runs the whole four miles to the inn. On his return journey, he stumbles
against a tall man wrapped in a cloak. The man curses Oliver, asks what he is
doing there, and then falls violently to the ground, "writhing and
foaming." Oliver secures help for man before he returns home and forgets
the incident entirely. Miss Rose worsens rapidly.
Losberne arrives and examines her. He states there is
little hope for her recovery. However, Miss Rose draws back from the brink of
death. Giles and Harry Maylie, Mrs. Maylie's son, arrive to see Miss Rose.
Harry is angry that his mother has not written him sooner. Mrs. Maylie replies
that Miss Rose needs long-lasting love, not the whims of a youthful suitor.
She states that an ambitious man can marry
a woman "on whose name there is a stain" fully believing he loves
her, but that when the "cold and sordid people" approach his family,
he may regret his decision and thus cause his wife pain. Harry declares that
his love for Miss Rose is solid and lasting. While Rose recovers, Oliver and
Harry collect flowers for her room. One day Oliver falls asleep reading by a
window. He has a nightmare that Fagin and a man are pointing at him and
whispering. Fagin says, "It is he, sure enough!" Oliver awakes to see
Fagin and the man from the inn-yard peering through the window at him. They
disappear rapidly as Oliver calls for help.
Harry and Giles rush to Oliver's aid. Upon
hearing about Fagin and the man, they search the fields around the house, but
they find no trace of them. They circulate a description of Fagin around the
surrounding neighborhoods, but find no clues to his whereabouts. Harry declares
his love to Rose. Although she returns his love, she says she cannot marry him
owing to the circumstances of her birth. His station is much higher than hers,
and she does not want to weight down his ambitions. Harry states that he will
return to press his suit once more, but that, if she holds to her resolution,
he will not mention it again.
Before he and Losberne depart, Harry asks
that Oliver secretly write him a letter every two weeks. He asks that Oliver
tell him everything he and the ladies do and say to one another. Crying with
grief and sorrow, Rose watches the coach with Harry and Losberne inside until
it is out of sight.
Mr. Bumble has married Mrs. Corney and
become the master of the workhouse. He regrets giving up his position as
beadle, and he regrets giving up his situation as a single man even more. After
a morning of humiliating bickering with his wife, he stops in a bar for a
drink. A man in a dark cape is sitting there, and he recognizes Mr. Bumble as
the former beadle. He bribes Mr. Bumble for information leading to Old Sally,
the woman who nursed Oliver's mother the night she gave birth. Mr. Bumble
informs him that Old Sally is dead, but he mentions that he knows a woman who
attended the old woman's deathbed ramblings. The man asks that Mr. Bumble bring
this woman to see him at his address the following evening. He gives his name
as Monks.
Chapters 38-41
One night, during a storm, Mr. Bumble and
his wife travel to a sordid section of town near a swollen river to meet Mr.
Monks in a much decayed building.
While Mr. Bumble shivers in fear, Mrs.
Bumble coolly bargains with Monks for the price of her information . They
settle on a price of twenty-five gold pounds. Mrs. Bumble relates the
information of Old Sally's robbery of Oliver's mother. Mrs. Bumble had
discovered a ragged, dirty pawnbroker's receipt in Sally's clutching, dead
hands, and had redeemed the receipt for the gold locket. She hands the locket
to Monks. Inside, he finds a wedding ring and two locks of hair. The name
"Agnes" is engraved on the ring along with a blank for the surname. A
date that is less than a year before Oliver's birth follows it. Monks ties the
locket to a lead weight and drops it into the swirling river.
Bill Sikes is ill with a terrible fever.
Nancy nurses him anxiously despite his abuse and surly attitude. Fagin and his
crew drop in to deliver some wine and food. Sikes demands that Fagin give him
some money. Nancy and Fagin travel to Fagin's haunt where Fagin is about to
delve into his store of cash when Monks arrives and asks to speak to Fagin
alone. Fagin takes his visitor to a secluded room, but Nancy follows them and
eavesdrops.
After Monks departs, Fagin gives Nancy the
money. Nancy, perturbed by what she has heard, dashes into the streets in the
opposite direction of Sikes' residence. Thinking better of it, she returns to
deliver the money to Sikes.
Sikes does not notice her changed, nervous
attitude until a few days pass. Sensing something in the air, he demands that
Nancy sit with him. After he sinks into sleep, Nancy hastens to a hotel in a
wealthy section of town. She begs the servants to allow her to speak to Miss
Maylie, who is staying there.
They conduct her upstairs. Nancy confesses
that she was the one who kidnapped Oliver on his errand for Mr. Brownlow. She
relates that she overheard Monks tell Fagin that he is Oliver's older brother.
Monks wants Oliver's identity to remain unknown forever so that he has
unchallenged claim to his share of their inheritance. He would kill Oliver if
he could do so without endangering himself. He has also promised to pay a sum
to Fagin should Oliver ever be recovered. Miss Rose begs Nancy to accept her
help in leaving her life of crime behind. Nancy replies that she cannot because
she is drawn back to Sikes despite his abusive ways. She refuses to accept any
money. Before leaving, Nancy informs Miss Rose that she can be found on London
Bridge between eleven and twelve every Sunday night in case Miss Rose should
need her testimony again.
Oliver rushes in to tell Miss Rose that he
saw Mr. Brownlow going into a house. He and Mr. Giles have ascertained that
Brownlow lives there, so Miss Rose immediately takes Oliver to see his old
benefactor. She meets Mr. Brownlow in his parlor while Mr. Grimwig is visiting.
Miss Rose tells him that Oliver has wanted to see him and thank him for his
kind help two years past. Once they are alone, she relates Nancy's strange
story.
Oliver is brought in to see Brownlow and Mrs. Bedwin.
After their happy reunion, Brownlow and Miss Rose relay Nancy's information to
Mrs. Maylie and Losberne. Brownlow asks if he can include Grimwig in the
matter. Losberne agrees on the condition that they include Harry. They agree to
keep everything a secret from Oliver and decide to contact Nancy the following
Sunday on London Bridge.
Chapters 42-48
Noah Claypole and Charlotte flee to London
after robbing Mr. Sowerberry. They take a room in an inn, where they meet Fagin
and Barney. Fagin invites Noah to join in the thieving trade. He gives him the
assignment of robbing children who are running errands for their mothers. After
meeting Fagin at his home, Noah learns that Fagin's best pick-pocket, the
Artful Dodger, has been arrested for stealing a handkerchief. Noah's first job
is to go to the police station to watch the Dodger's appearance before the
magistrate. The Dodger, joking and bantering all the while, is convicted of the
crime. Noah hurries back to tell Fagin the news.
Fagin and Sikes are talking when Nancy
tries to leave at eleven on Sunday to go to London Bridge. Out of pure
obstinacy, Sikes refuses to let her go. He drags her into another room and
restrains her struggles for an hour. When he departs, Fagin asks that Nancy
light his way downstairs with a candle. He whispers to her that he will help
her leave the brute Sikes if she wants.
Fagin imagines that Nancy had wanted to
meet a new lover that night. He hopes to bring her new love into the fold with
her help, but he also hopes to persuade Nancy to poison Sikes to death. In such
a way, he can re-establish his control over her and bring her back into the
business. He plans to watch her in order to discover the identity of her new
love because he hopes to blackmail Nancy into re-joining his crew with this
information.
Fagin tells Noah he will pay him a pound to follow
Nancy around and find out where she goes and to whom she speaks. He waits until
the following Sunday to take Noah to Sikes' residence. At eleven, Nancy leaves
the room she shares with Sikes because he is out on a job that night. Noah
follows her down the street at a discreet distance.
Nancy meets Mr. Brownlow and Miss Rose and
draws them into a dark, secluded spot. Noah listens to Nancy beg them to ensure
that none of her associates get into trouble because of her choice to help
Oliver. They agree, and Nancy tells them when they will most likely see Monks
visiting Fagin.
They hope to catch Monks and force the
truth of Oliver's history from him. Nancy's description of Monks startles them.
Miss Rose realizes that Monks is the same man who, with Fagin, had startled
Oliver awake by watching him through the window at the country cottage.
Brownlow begs Nancy to accept their help, but she refuses, saying that she is
chained to her life. They leave Nancy alone and speed away. After Nancy makes
her way home, Noah runs as fast as he can to Fagin's house.
When Sikes delivers some stolen goods to
Fagin that night, Fagin and Noah relate the details of Nancy's trip to London
bridge. In a rage, Sikes rushes home and beats Nancy to death while she begs
for mercy. In the morning, he flees London, thinking that everyone looks at him
suspiciously. He stops at an inn to eat and drink. Seeing a blood-stain on
Sikes's hat, but not recognizing it for what it is, a salesman grabs it to
demonstrate the quality of his stain-remover. Sikes grabs it and flees the inn.
He overhears some men talking about a murdered woman in London at the
post-office. He wanders the road, hallucinating that Nancy's ghost is following
him. Sikes finally decides to return to London and hide. However, he knows that
his dog, Bulls-Eye, will give him away because everyone knows it follows him
everywhere. He tries to drown the animal, but it escapes.
Chapters 49-53
Meanwhile, Mr. Brownlow has captured Monks, whose
real name is Edward Leeford. Brownlow was a good friend of his father, Mr.
Leeford, who was a young man when his family forced him to marry a woman ten
years older than he. The couple eventually separated, and Monks and his mother
went to Paris. Leeford fell in love with a military man's daughter who became pregnant
with Oliver. The relative who had benefited most from Leeford's forced marriage
repented and left him a fortune. Leeford left a portrait of his beloved in
Brownlow's care while he went to take possession of his inheritance.
His wife, hearing of his good fortune,
travelled with Monks to meet him there. However, Leeford took ill and died
without a will, so his newfound fortune fell to his wife and son. Brownlow
reports that he knows that Monks's mother Leeford had no will because his wife
had actually burned. Leeford's wife and son then lived in the West Indies on
their ill-gotten fortune which is where Brownlow went to find Monks after
Oliver was kidnapped, Oliver's startling resemblance to the woman in the
portrait, his mother, having bothered his conscience too much. Meanwhile, the
search for Sikes continues.
Crackit flees to Jacob's Island to hide
after Fagin and Noah are captured. They find Sikes' dog waiting for them in the
house that serves as their hiding place. Sikes follows soon thereafter. Charley
Bates arrives and attacks the murderer, calling for the others to help him. The
search party and an angry mob arrive demanding justice. Sikes climbs onto the
roof with a rope with the hopes of lowering himself to escape in the midst of
the confusion. However, he loses his balance when he imagines that Nancy's
ghost is after him. The rope catches around his neck, and he falls to his death
with his head in an accidental noose.
Oliver and his friends travel to the town
of his birth, with Monks in tow, to meet Mr. Grimwig. There, Monks reveals that
he and his mother found a letter and a will after his father's death, both of
which they destroyed. The letter was addressed to Agnes Fleming, Oliver's
mother, and it contained a confession from Leeford about his marriage. The will
stated that if his illegitimate child was born a girl, it was to inherit the
estate unconditionally.
If it was born a boy, it was to inherit
the estate only if it committed no illegal or guilty act. Otherwise, Monks and
his mother were to receive the fortune. Upon learning of his daughter's shame,
Agnes' father fled and changed his family's name. Agnes left to save her family
the shame of her condition, and her father died soon thereafter of a broken
heart. His other small daughter was taken in by a poor couple who died in their
own time. Mrs. Maylie took pity on the little girl and raised her as her niece.
That child is Miss Rose. Mr. Bumble and Mrs. Bumble (the former Mrs. Corney)
are forced to confess their part in concealing Oliver's history, and Mr.
Grimwig takes measure to ensure they never hold public office again. Harry
gives up his political ambitions and becomes a clergyman. He persuades Rose to
marry him.
Fagin is sentenced to death by hanging for being an
accomplice to murder. Noah receives a pardon for his testimony against Fagin.
Charley eventually turns to an honest life. Brownlow arranges for the remains
of Monks' property to be sold and the proceeds divided between Monks and
Oliver. Monks travels to the New World where he squanders his share and turns
to a life of vice for which he is arrested. He dies in a prison. Brownlow
adopts Oliver as his son. He, Losberne, and Grimwig t take up residence near
Harry's church.
Oliver Twist opens with a bitter invective
directed at the nineteenth-century English poor laws. The laws were a distorted
manifestation of the Victorian middle class emphasis on the virtues of
"work." England in the 1830's was rapidly undergoing a transformation
from an agricultural, rural economy to an urban, industrial nation. The growing
middle class had achieved an economic influence equal to, if not greater than,
the British aristocracy.
Class consciousness reached a peak for the
middle class in the 1830's. It was in this decade that the middle class
clamored for a share in political power with the landed gentry, bringing about
a re-structuring of the voting system. Parliament passed a Reform Act that
granted the right to vote to previously disenfranchised middle class citizens.
The middle class was eager to gain social legitimacy. This desire gave rise to
the Puritan Evangelical
religious movement and inspired sweeping economic and
political change.
The ideal social class belonged to the
"gentleman," an aristocrat who could afford not to work for his
living. The middle class were stigmatized for having to work for a living. One
way to alleviate the stigma attached to middle class wealth was to establish
work as a moral virtue. Between the moral value attached to work and the
insecurity of the middle class about its own social legitimacy, the poor were
subject to hatred and cruelty. The middle class Puritan moral value system
transformed earned wealth into a sign of moral virtue. Victorian society
interpreted economic success as a sign that God favored the honest, moral
virtue of the successful individual's efforts. Thus, they interpreted the
condition of poverty as a sign of the weakness of the poor individual.
The sentiment behind the Poor Law of the
1830's reflected these beliefs. The law allowed the poor to receive public
assistance only through established workhouses. Begging carried the punishment
of imprisonment. Debtors were sent to prison, often with their entire families,
which virtually ensured that they could not re-pay their debts. Workhouses were
deliberately made to be as miserable as possible in order to deter the poor
from relying on public assistance. The philosophy was that the miserable
conditions would prevent able-bodied paupers from being lazy and idle bums.
Anyone who could not support himself or
herself was considered an immoral, evil person. Therefore, such individuals
should enjoy no comforts or luxuries in their reliance on public assistance. In
order to create the misery needed to deter such immoral idleness, families were
split apart upon entering the workhouse. Husbands were permitted no contact
with their wives, lest they should breed more paupers. Mothers were separated
from children, lest they impart their immoral ways to their children. Brothers
were separated from their sisters because the middle class patrons of
workhouses feared the lower class's "natural" inclination towards
incest. In short, the State undertook to become the surrogate
"parents" of workhouse children, whether or not they were orphans.
Moreover, meals served to workhouse residents were deliberately inadequate so
as to encourage the residents to find work and support themselves.
Because of the great stigma attached to
workhouse relief, many poor people chose to die in the streets rather than seek
public "aid." The workhouse was supposed to demonstrate the virtue of
gainful employment to the poor.
In order to receive public assistance,
they had to pay in suffering and misery. Puritan values stressed the moral
virtue of suffering and privation, and the workhouse residents were made to
experience these "virtues" many times over.
Rather that improving the "questionable
morals" of the able-bodied poor, the Poor Laws punished the most
defenseless and helpless members of the lower class. The old, the sick, and the
very young suffered more than the able-bodied benefited from these laws.
Dickens meant to demonstrate this with the figure of Oliver Twist, an orphan
born and raised in a workhouse for the first ten years of his life. He
represents the hypocrisy of the petty middle class bureaucrats, who treat a
small child cruelly while voicing their belief in the Christian virtue of
giving charity to the less fortunate.
The phrase "justice is blind"
normally means that the law treats all individuals equally. It means that the
law is not biased. The phrase is ironic because the legal system portrayed in
Oliver Twist is heavily biased in favor f individuals who belong to the middle
and upper classes. Oliver enters he courtroom twice in the novel. The
magistrate who presides over Gamfeld's petition to take Oliver on as an
apprentice is half-blind. He asks the workhouse officials if Oliver wants to be
a chimney sweep, and they assure him that he does. The law essentially does not
recognize any legal right for Oliver to speak for himself. The magistrate
deigns to ask for his opinion only after he notices Oliver's terrified
expression. Oliver is saved from Gamfield's brutal treatment, but only by a
stroke of luck. Hence, the phrase "justice is blind" is ironic when
applied to the hearing.
The magistrate's half-blindness serves as
a metaphor for the half-blindness of middle class Victorians and their
institutions. Although there are glimmers of hope for mercy and kindness
towards the poor, there are still huge obstacles to change because the law is
biased against the poor. Oliver's trial for stealing a handkerchief highlights
the precarious position of the poor in the eyes of the law. In 1830's England,
the right to vote was based on wealth. Therefore, the law was designed to
protect the interests of people wealthy enough to own property.
Hence, the penalties for stealing were unbelievably
harsh. Mr. Fang, the presiding magistrate, is an aptly named representative of
the English legal system. The law has fangs ready to devour any unfortunate
pauper brought to face "justice." Without hard evidence, without
witnesses, and even despite Brownlow's testimony that Oliver is not the thief,
Mr. Fang convicts Oliver and sentences him to three months hard labour. Mr.
Fang is biased against Oliver from the moment he steps into the courtroom. He
does not view Oliver as an individual, but as the representative of the
"criminal poor." Therefore he views Oliver through the vicious
prejudices of the Victorian middle class.
Again, the phrase "justice is
blind" is ironic when applied to Oliver Twist. The magistrate is blinded
by biased stereo types, and the legal system he represents is biased against
the poor. How is Fagin an anti-Semitic stereotype? How does Dickens's
anti-Semitism manifest itself ? Consider Dickens's habit of referring to Fagin
as "the Jew" or "the old Jew." Consider Fagin's obsession
with gold.
Victorians stereotyped the Jews as
naturally avaricious beings who worship gold for its own sake. Fagin's eyes
"glisten" as he takes out a "magnificent gold watch, sparkling
with jewels." True to the anti-Semitic stereotype, his wealth his obtained
through thievery. Furthermore, Fagin's psychological warfare on Oliver's
basically virtuous nature reflects the anti-Semitic stereotype of Jews as
conniving, cunning conspirators. Dickens characterizes Fagin's manipulation of
Oliver as a slow poison meant to corrupt Oliver's sense of right and wrong.
Unlike an ordinary villain, the Jewish villain is far worse. He presents a face
of kindness over his true nature as twisted brain-washer. When Oliver sees
Fagin and Monks staring at him through Mrs. Maylie's window, he cries, "The
Jew! The Jew!" He does not shout Fagin's name, so he does not consider
Fagin's villainy as an individual quality particular to Fagin. He names it as a
Jewish quality. Clearly, Dickens does not portray Fagin as a villain who
happens to be Jewish. He portrays Fagin as a villain because he's Jewish. The
continual habit of referring to Fagin as "the Jew" makes him an
abstraction of anti-Semitic stereotypes, not an individual.
Throughout Oliver Twist, Dickens levels a
strident criticism at the Victorian middle class's representation of the poor
as hereditary criminals. Dickens goes to great lengths to criticize the
attitude that the poor are inherently immoral from birth. However, he portrays
Monks in the very same light.
Brownlow tells Monks, "You . . . from
your cradle were gall and bitterness to your own father's heart, and . . . all
evil passions, vice, and profligacy, festered [in you]." Basically, Monks
was a b ad one from the cradle. Why should the unfortunate child of an unhappy,
forced marriage be the very paragon of evil?
A Passage
to India by E.M.Forster
Part One: Mosque
Chapter One:
Forster begins A
Passage to India with a short description of Chandrapore, a city along that
Ganges that is not notable except for the nearby Marabar caves. Chandrapore is
a city of gardens with few fine houses from the imperial period of Upper India;
it is primarily a "forest sparsely scattered with huts."
Chapter Two:
Dr. Aziz arrives by bicycle at the house
of Hamidullah, where Hamidullah and Mr. Mahmoud Ali are smoking hookah and
arguing about whether it is possible to be friends with an Englishman.
Hamidullah, educated at Cambridge, claims that it is possibly only in England,
and the three gossip about English elites in India. Hamidullah Begum, a distant
aunt of Aziz, asks him when he will be married, but he responds that once is
enough. A servant arrives, bearing a note from the Civil Surgeon; Callendar
wishes to see Aziz at his bungalow about a medical case. Aziz leaves, traveling
down the various streets named after victorious English generals, to reach
Major Callendar's compound. The servant at the compound snubs Aziz, telling him
the major has no message. Two English ladies, Mrs. Callendar and Mrs. Lesley,
take Aziz's tonga (carriage), thinking that his ride is their own. Aziz then
leaves to go to the nearly mosque paved with broken slabs. The Islamic temple
awakens Aziz's sense of beauty; for Aziz, Islam is more than a mere Faith, but
an attitude towards life. Suddenly, an elderly Englishwoman arrives at the
mosque. He reprimands her, telling her that she has no right to be there and
that she should have taken off her shoes, but she tells him that she did
remember to take them off. Aziz then apologizes for assuming that she would
have forgotten. She introduces herself as Mrs. Moore, and tells Aziz that she
is newly arrived in India and has come from the club. He warns her about
walking alone at night, because of poisonous snakes and insects. Mrs. Moore is
visiting her son, Mr. Heaslop, who is the City Magistrate. They find that they
have much in common: both were married twice and have two sons and a daughter.
He escorts Mrs. Moore back to the club, but tells her that Indians are not
allowed into the Chandrapore Club, even as guests.
Chapter Three:
Mrs. Moore returns to the Chandrapore
Club, where she meets Adela Quested, her companion from England who may marry
her son Ronny Heaslop; Adela wishes to see "the real India." She
complains that they have seen nothing of India, but rather a replica of
England. After the play at the Club ends, the orchestra plays the anthem of the
Army of Occupation, a reminder of every club member that he or she is a British
in exile. Fielding, the schoolmaster of Government College, suggests that if
they want to see India they should actually see Indians. Mrs. Callendar says
that the kindest thing one can do to a native is to let him die. The Collector
suggests that they have a Bridge Party (a party to bridge the gulf between east
and west). When Mrs. Moore tells Ronny about her trip to the mosque, he scolds
her for speaking to a Mohammedan and suspects the worst, but Mrs. Moore defends
Dr. Aziz. Ronny worries that Aziz does not tolerate the English (the
"brutal conqueror, the sun-dried bureaucrat" as he describes them).
When she tells him that Aziz dislikes the Callendars, Ronny decides that he
must pass that information on to them and tells her that Aziz abused them in
order to impress her. When she tells Ronny that he never judged people in this
way at home, Ronny rudely replies that India is not home. Finally Ronny agrees
not to say anything to Major Callendar.
Chapter Four:
Mr. Turton, the Collector, issues
invitations to numerous Indian gentlemen in the neighborhood for the Bridge
Party. While he argues with Mr. Ram Chand and the elderly and distinguished
Nawab Bahadur, Mahmoud Ali claims that the Bridge Party is due to actions from
the Lieutenant Governor, for Turton would never do this unless compelled. The
Nawab Bahadur is a large proprietor and philanthropist; his decision to attend
the Bridge party carries great weight. Mr. Graysford and Mr. Sorley, the
missionaries who live nearby, argue that no one should be turned away by God,
but cannot decide whether divine hospitality should end at monkeys or jackals
or wasps or even bacteria. They conclude that someone must be excluded or they
shall be left with nothing.
Chapter Five:
Neither Mrs. Moore nor Adela Quested
consider the Bridge Party to be a success. The Indians for the most part adopt
European costume, and the conversations are uncomfortable. Mrs. Moore speaks to
Mrs. Bhattacharya and asks if she may call on her some day, but becomes
distressed when she believes that Mrs. Bhattacharya will postpone a trip to
Calcutta for her. During the party, Mr. Turton and Mr. Fielding are the only
officials who behave well toward the Indian guests. Mr. Fielding comes to
respect Mrs. Moore and Adela. Mr. Fielding suggests that Adela meet Dr. Aziz.
Ronny and Mrs. Moore discuss his behavior in India, and he tells her that he is
not there to be pleasant, for he has more important things to do there. Mrs.
Moore believes that Ronny reminds her of his public school days when he talked
like an intelligent and embittered boy. Mrs. Moore reminds him that God put us
on earth to love our neighbors, even in India. She feels it is a mistake to
mention God, but as she has aged she found him increasingly difficult to avoid.
Chapter Six:
Aziz did not go to the Bridge Party, but
instead he dealt with several surgical cases. It was the anniversary of his
wife's death; they married before they had met and he did not love her at
first, but that changed after the birth of their first child. He feels that he
will never get over the death of his first wife. Dr. Panna Lal returns from the
Bridge Party to see Aziz and offers a paltry excuse for why he did not attend.
Aziz worries that he offended the Collector by absenting himself from the
party. When Aziz returns home he finds an invitation from Mr. Fielding to tea,
which revives his spirits.
Chapter Seven:
Mr. Fielding arrived in India late in his
life, when he had already passed forty, and was by that time a hard-bitten,
good-tempered fellow with a great enthusiasm for education. He has no racial
feelings, because he had matured in a different atmosphere where the herd
instinct did not flourish. The wives of the English officers dislike Fielding
for his liberal racial views, and Fielding discovers that it is possible to
keep company with both Indians and Englishmen, but to keep company with English
women he must drop Indians. Aziz arrives at Fielding's house for tea as
Fielding is dressing after a bath; since Fielding cannot see him, Aziz makes
Fielding guess what he looks like. Aziz offers Fielding his collar stud, for he
has lost his. When Fielding asks why people wear collars at all, Aziz responds
that he wears them to pass the Police, who take little notice of Indians in
English dress. Fielding tells Aziz that they will meet with Mrs. Moore and
Adela, as well as Professor Narayan Godbole, the Deccani Brahman. Mrs. Moore
tells Mr. Fielding that Mrs. Bhattacharya was to send a carriage for her this
morning, but did not, and worries that she offended her. Fielding, Aziz, Mrs.
Moore and Adela discuss mysteries. Mrs. Moore claims she likes mysteries but
hates muddles, but Mr. Fielding claims that a mystery is a muddle, and that
India itself is a muddle. Godbole arrives, a polite and enigmatic yet eloquent
man, elderly and wizened. His whole appearance suggests harmony, as if he has
reconciled the products of East and West, mental as well as physical. They
discuss how one can get mangoes in England now, and Fielding remarks that India
can be made in England just as England is now made in India. They discuss the
Marabar Caves, and Fielding takes Mrs. Moore to see the college. Ronny arrives,
annoyed to see Adela with Aziz and Godbole. Ronny tells Fielding that he
doesn't like to see an English girl left smoking with two Indians, but he
reminds him that Adela made the decision herself.
Chapter Eight:
For Adela, Ronny's self-complacency and
lack of subtlety grow more vivid in India than in England. Adela tells Ronny
that Fielding, Aziz and Godbole are planning a picnic at the Marabar Caves for
her and Mrs. Moore. Ronny mocks Aziz for missing his collar stud, claiming that
it is typical of the Indian inattention to detail. Adela decides that she will
not marry Ronny, who is hurt by the news but tells her that they were never
bound to marry in the first place. She feels ashamed at his decency, and they
decide that they shall remain friends. Ronny suggests a car trip to see
Chandrapore, and the Nawab Bahadur offers to take them. There is a slight
accident, as the car swerves into a tree near an embankment. Adela thinks that
they ran into an animal, perhaps a hyena or a buffalo. When Miss Derek finds
them, she offers to drive all of them back into town except for Mr. Harris, the
Eurasian chauffeur. The Nawab Bahadur scolds Miss Derek for her behavior. Adela
tells Ronny that she takes back what she told him about marriage. Ronny
apologizes to his mother for his behavior at Mr. Fielding's house. Mrs. Moore
is now tired of India and wishes only for her passage back to England. Ronny
reminds her that she has dealt with three sets of Indians today, and all three
have let her down, but Mrs. Moore claims that she likes Aziz. The Nawab Bahadur
thinks that the accident was caused by a ghost, for several years before he was
in a car accident in which he killed a drunken man.
Chapter Nine:
Aziz falls ill with fever, and Hamidullah
discusses his illness with Syed Mohammed, the assistant engineer, and Mr. Haq,
a police inspector. Rafi, the engineer's nephew, suggests that something
suspicious occurred, for Godbole also fell sick after Fielding's party, but Hamidullah
dismisses the idea. Mr. Fielding visits Aziz. They discuss Indian education,
and Aziz asks if it is fair that an Englishman holds a teaching position when
qualified Indians are available. Fielding cannot answer "England holds
India for her own good," the only answer to a conversation of this type.
Fielding instead says that he is delighted to be in India, and that is his only
excuse for working there. He suggests chucking out any Englishman who does not
appreciate being in India.
Chapter Ten:
Opposite Aziz's bungalow stands a large
unfinished house belonging to two brothers. A squirrel hangs on it, seeming to
be the only occupant of the house. More noises come from nearby animals. These
animals make up the majority of the living creatures of India, yet do not care
how India is governed.
Chapter Eleven:
Aziz shows Fielding a picture of his wife,
a custom uncommon in Islamic tradition. Aziz tells him that he believes in the
purdah, but would have told his wife that Fielding is his brother and thus she
would have seen him, just as Hamidullah and a small number of others had.
Fielding wonders what kindness he offered to Aziz to have such kindness offered
back to him. Aziz asks Fielding if he has any children, which he does not, and
asks why he does not marry Miss Quested. He claims that she is a prig, a
pathetic product of Western education who prattles on as if she were at a
lecture. He tells him that Adela is engaged to the City Magistrate. Aziz then
makes a derogatory comment about Miss Quested's small breasts. Aziz discovers
that Fielding was warm-hearted and unconventional, but not wise, yet they are
friends and brothers.
Part Two: Caves
Chapter Twelve:
This chapter is devoted solely to a
description of the Marabar Caves. Each of the caves include a tunnel about
eight feet long, five feet high, three feet wide that leads to a circular
chamber about twenty feet in diameter. Having seen one cave, one has
essentially seen all of them. A visitor who sees them returns to Chandrapore
uncertain whether he has had an interesting experience, a dull one, or even an
experience at all. In one of the caves there is rumored to be a boulder that
swings on the summit of the highest of the hills; this boulder sits on a
pedestal known as the Kawa Dol.
Chapter Thirteen:
Adela Quested mentions the trip to the
Marabar Caves to Miss Derek, but she mentions that she is unsure whether the
trip will occur because Indians seem forgetful. A servant overhears them, and
passes on the information to Mahmoud Ali. Aziz therefore decides to push the
matter through, securing Fielding and Godbole for the trip and asking Fielding
to approach Miss Quested and Mrs. Moore. Aziz considers all aspects of the
trip, including food and alcohol, and worries about the cultural differences.
Mrs. Moore and Adela travel to the caves in a purdah carriage. Aziz finds that
Antony, the servant that the women are bringing, is not to be trusted, so he
suggests that he is unnecessary, but Antony insists that Ronny wants him to go.
Mohammed Latif bribes Antony not to go on the trip with them. Ten minutes
before the train is to leave, Fielding and Godbole are not yet at the station.
The train starts just as Fielding and Godbole arrive; Godbole had miscalculated
the length of his morning prayer. When the two men miss the train, Aziz blames
himself. Aziz feels that this trip is a chance for him to demonstrate that
Indians are capable of responsibility.
Chapter Fourteen:
For the past two weeks in which they had
been in India, Mrs. Moore and Miss Quested had felt nothing, living inside
cocoons; Mrs. Moore accepts her apathy, but Adela resents hers. It is Adela's
faith that the whole stream of events is important and interesting, and if she
grows bored she blames herself severely. This is her only major insincerity.
Mrs. Moore feels increasingly that people are important, but relationships
between them are not and that in particular too much fuss has been made over
marriage. The train reaches its destination and they ride elephants to reach
the caves. None of the guests particularly want to see the caves. Aziz
overrates hospitality, mistaking it for intimacy and not seeing that it is
tainted with a sense of possession. It is only when Mrs. Moore and Fielding are
near that he knows that it is more blessed to receive than to give. Miss
Quested admits that it is inevitable that she will become an Anglo-Indian, but
Aziz protests. She hopes that she will not become like Mrs. Turton and Mrs.
Callendar, but admits that she does not have a special force of character to
stop that tendency. In one of the caves there is a distinct echo, which alarms
Mrs. Moore, who decides she must leave the cave. Aziz appreciates the frankness
with which Mrs. Moore treats him. Mrs. Moore begins to write a letter to her
son and daughter, but cannot because she remains disturbed and frightened by
the echo in the cave. She is terrified because the universe no longer offers
repose to her soul. She has lost all interest, even in Aziz, and the
affectionate and sincere words that she had spoken seem foreign to her.
Chapter Fifteen:
Adela and Aziz and a guide continue along
the tedious expedition. They encounter several isolated caves which the guide
persuades them to visit, but there is really nothing for them to see. Aziz has
little to say to Miss Quested, for he likes her less than he does Mrs. Moore
and greatly dislikes that she is marrying a British official, while Adela has
little to say to Aziz. Adela realizes that she does not love Ronny, but is not
sure whether that is reason enough to break off her engagement. She asks Aziz
if he is married, and he tells her that he is, feeling that it is more artistic
to have his wife alive for a moment. She asks him if he has one wife or more
than one, a question which shocks him very much, but Adela is unaware that she
had said the wrong thing.
Chapter Sixteen:
Aziz waits in the cave, smoking, and when
he returns he finds the guide alone with his head on one side. The guide does
not know exactly which cave Miss Quested entered, and Aziz worries that she is
lost. On his way down the path to the car that had arrived from Chandrapore,
Aziz finds Miss Quested's field glasses lying at the verge of a cave and puts
them in his pocket. He sees Fielding, who arrived in Miss Derek's car, but
neither he nor anyone else knows where Adela has gone. The expedition ends, and
the train arrives to bring them back into Chandrapore. As they arrive in town,
Mr. Haq arrests Dr. Aziz, but he is under instructions not to say the charge.
Aziz refuses to go, but Fielding talks him into cooperating. Mr. Turton leads
Fielding off so that Aziz goes to prison alone.
Chapter Seventeen:
Fielding speaks to the Collector, who
tells him that Miss Quested has been insulted in one of the Marabar Caves and
that he would not allow Fielding to accompany Aziz to preserve him from
scandal. Fielding thinks that Adela is mad, a remark that Mr. Turton demands
that he withdraw. Fielding explains that he cannot believe that Aziz is guilty.
Mr. Turton tells Fielding that he has been in the country for twenty-five
years, and in that time he has never known anything but disaster whenever
Indians and the English interact socially. He tells Fielding that there will be
an informal meeting at the club that evening to discuss the situation. Fielding
keeps his head during the discussion; he does not rally to the banner of race.
The Collector goes to the platform, where he can see the confusion about him.
He takes in the situation with a glance, and his sense of justice functions
although he is insane with rage. When he sees coolies asleep in the ditches or
the shopkeepers rising to salute him, he says to himself "I know what
you're like at last; you shall pay for this, you shall squeal."
Chapter Eighteen:
Mr. McBryde, the District Superintendent
of Police, is the most reflective and best educated of the Chandrapore
officials. He receives Aziz with courtesy, but is shocked at his downfall.
McBryde has a theory about climatic zones: all unfortunate natives are
criminals at heart, for the simple reason that they live south of latitude 30.
They are thus not to blame, for they have not a dog's chance. McBryde, however,
admits that he seems to contradict this theory himself. The charge against Aziz
is that he followed her into the cave and made insulting advances; she hit him
with her field glasses, but he pulled at them and the strap broke, and that is
how she got away. They find that Aziz has the glasses. Fielding asks if he may
see Adela, but the request is denied. McBryde admits to Fielding that she is in
no state to see anyone, but Fielding believes that she's under a hideous
delusion and Aziz is innocent. Fielding explains that, if Aziz were guilty, he
would not have kept the field glasses. McBryde tells him that the Indian
criminal psychology is different, and shows Fielding the contents of Aziz's
pocket case, including a letter from a friend who keeps a brothel. The police
also find pictures of women in Aziz's bungalow, but Fielding says that the
picture is of Aziz's wife.
Chapter Nineteen:
Hamidullah waits outside the Superintendent's
office; Fielding tells him that evidence for Aziz's innocence will come.
Hamidullah is convinced that Aziz is innocent and throws his lot with the
Indians, realizing the profundity of the gulf that separates them. Hamidullah
wants Aziz to have Armitrao, a Hindu who is notoriously anti-British, as his
lawyer. Fielding feels this is too extreme. Fielding tells Hamidullah that he
is on the side of Aziz, but immediately regrets taking sides, for he wishes to
slink through India unlabelled. Fielding has a talk with Godbole, who is
entirely unaffected by Aziz's plight. He tells Fielding that he is leaving
Chandrapore to return to his birthplace in Central India to take charge of
education there. He wants to start a High School on sound English lines.
Godbole cannot say whether or not he thinks that Aziz is guilty; he says that
nothing can be performed in isolation, for when one performs a good action, all
do, and when an evil action is performed, all perform it. He claims that good
and evil are both aspects of the Lord. Fielding goes to see Aziz, but finds him
unapproachable through misery. Fielding wonders why Miss Quested, such a dry,
sensible girl without malice, would falsely accuse an Indian.
Chapter Twenty:
Miss Quested's plight had brought her
great support among the English in India; she came out from her ennobled in
sorrow. At the meeting at the club, Fielding asks whether there is an official
bulletin about Adela's health, or whether the grave reports are due to gossip.
Fielding makes an error by speaking her name; others refer to both Adela and
Aziz in vague and impersonal terms. Each person feels that all he loved best
was at stake in the matter. The Collector tells them to assume that every
Indian is an angel. The event had made Ronny Heaslop a martyr, the recipient of
all the evil intended against them by the country they had tried to serve. As
he watches Fielding, the Collector says that responsibility is a very awful
thing, but he has no use for the man who shirks it. He claims that he is
against any show of force. Fielding addresses the meeting, telling them that he
believes that Aziz is innocent; if Aziz is found guilty, Fielding vows to reign
and leave India, but now he resigns from the club. When Ronny enters, Fielding
does not stand. The Collector insists that he apologize to Ronny, but then
orders Fielding to leave immediately.
Chapter Twenty-One:
Fielding spends the rest of the evening
with the Nawab Bahadur, Hamidullah, Mahmoud Ali, and others of the confederacy.
Fielding has an inclination to tell Professor Godbole of the tactical and moral
error he had made in being rude to Ronny Heaslop, but Godbole had already gone
to bed.
Chapter Twenty-Two:
Adela lay for several days in the
McBryde's bungalow; others are over-kind to her, the men too respectful and the
women too sympathetic. The one visitor she wants, Mrs. Moore, kept away. She
tells that she went into a detestable cave, remembers scratching the wall with
her finger nail, and then there was a shadow down the entrance tunnel, bottling
her up. She hit him with her glasses, he pulled her round the cave by the
strap, it broke, and she escaped. He never actually touched her. She refuses to
cry, a degradation worse than what occurred in the Marabar and a negation of
her advanced outlook. Adela feels that only Mrs. Moore can drive back the evil
that happened to her. Ronny tells her that she must appear in court, and Adela
asks if his mother can be there. He tells her that the case will come before
Mr. Das, the brother of Mrs. Bhattacharya and Ronny's assistant. Ronny tells
Adela that Fielding wrote her a letter (which he opened). He tells her that the
defense had got hold of Fielding, who has done the community a great
disservice. Adela worries that Mrs. Moore is ill, but Ronny says that she is
merely irritable at the moment. When she sees her, Adela thinks that she repels
Mrs. Moore, who has no inclination to be helpful; Mrs. Moore appears slightly
resentful, without her Christian tenderness. Mrs. Moore refuses to be at all
involved in the trial. She tells that she will attend their marriage but not
their trial. She vows to go to England. Ronny tells her that she appears to
want to be left out of everything. She says that the human race would have
become a single person centuries ago if marriage were any use. Adela wonders
whether she made a mistake, and tells Ronny that he is innocent. She feels that
Mrs. Moore has told her that Aziz is innocent. Ronny tells her not to say such
things, because every servant he has is a spy. Mrs. Moore tells Adela that of
course Aziz is innocent. Mrs. Moore thinks that she is a bad woman, but she
will not help Ronny torture a man for what he never did. She claims that there
are different ways of evil, and she prefers her own to his. Ronny thinks that
Mrs. Moore must leave India, for she was doing no good to herself or anyone
else.
Chapter Twenty-Three:
Lady Mellanby, wife of the
Lieutenant-Governor, had been gratified by the appeal addressed to her by the
ladies of Chandrapore, but she could do nothing; she does agree to help Mrs.
Moore get passage out of India in her own cabin. Mrs. Moore got what she
desired: she escaped the trial, the marriage and the hot weather, and will
return to England in comfort. Mrs. Moore, however, has come to that state where
the horror and the smallness of the universe are visible. The echo in the cave
was a revelation to Mrs. Moore, insignificant though it may be. Mrs. Moore
departs from Chandrapore alone, for Ronny cannot leave the town.
Chapter Twenty-Four:
The heat accelerates after Mrs. Moore's
departure until it seems a punishment. Adela resumes her morning kneel to
Christianity, imploring God for a favorable verdict. Adela worries that she
will break down during the trial, but the Collector tells her that she is bound
to win, but does not tell her that Nawab Bahadur had financed the defense and
would surely appeal. The case is called, and the first person Adela notices in
the Court is the man who pulls the punkah; to Adela, this nearly naked man
stands out as divine as he pulls the rope. Mr. McBryde behaves casually, as if
he knows that Aziz will be found guilty. He remarks that the darker races are
physically attracted to the fairer, but not vice verse, and a voice is heard
from the crowd asking "even when the lady is so much uglier than the
man?" Mahmoud Ali claims that Mrs. Moore was sent away because she would
have testified that Aziz is innocent. The audience begins chanting Mrs. Moore
until her name seems to be Esmiss Esmoor, as if a Hindu goddess. The magistrate
scolds Armitrao and McBryde for presuming Mrs. Moore's presence as a witness.
Adela is the next to testify; a new sensation protects her like a magnificent
armor. When McBryde asks her whether Aziz followed her, she say that she cannot
be sure. Finally, she admits that she made a mistake and Dr. Aziz never
followed her. The Major attempts to stop the proceedings on medical grounds,
but Adela withdraws the charge. The Nawab Bahadur declares in court that this
is a scandal. Mr. Das rises and releases the prisoner, as the man who pulls the
punkah continues as if nothing had occurred.
Chapter Twenty-Five:
Miss Quested renounces his own people and
is drawn into a mass of Indians and carried toward the public exit of the
court. Fielding finds her, and tells her that she cannot walk alone in
Chandrapore, for there will be a riot. She wonders if she should join the other
English persons, but Fielding puts her in his carriage. One of Fielding's
students finds him and gives him a garland of jasmine, but Fielding has wearied
of his students' adoration. The student vows to pull Fielding and Miss Quested
in a procession. Mahmoud Ali shouts "down with the Collector, down with
the Superintendent of Police," but the Nawab Bahadur reprimands him as
unwise. A riot nearly occurs, but Dr. Panna Lal calms the situation. Although
Dr. Lal was going to testify for the prosecution, he makes a public apology to
Aziz and secures the release of Nureddin, for there are rumors that he was
being tortured by the police.
Chapter Twenty-Six:
Fielding and Miss Quested remain isolated
at the college and have the first of several curious conversations. He asks her
why she would make a charge if she were to withdraw it, but she cannot give a
definitive answer. She tells him that she has been unwell since the caves and
perhaps before that, and wonders what gave her the hallucination. He offers
four explanations, but only gives three: Aziz is guilty, as her friends think;
she invented the charge out of malice, which is what Fielding's friends think;
or, she had a hallucination. He tells her that he believes that she broke the
strap of the field glasses and was alone in the cave the whole time. She tells
him that she first felt out of sorts at the party with Aziz and Godbole, and
tells him that she had a hallucination of a marriage proposal when there was
none. Fielding believes that McBryde exorcised her: as soon as he asked a
straightforward question, she gave a straightforward answer and broke down. She
asks what Aziz thinks of her, and Fielding tells Adela that Aziz is not capable
of thought in his misery, but is naturally very bitter. An underlying feeling
with Aziz is that he had been accused by an ugly woman; Aziz is a sexual snob.
Fielding offers the fourth explanation: that it was the guide who assaulted
Adela, but that option is inconclusive. Hamidullah joins them, and alternately
praises and reprimands Adela. Fielding and Hamidullah are unsure where Adela
could go, because no place seems safe for her. Fielding has a new sympathy for
Adela, who has become a real person to him. Adela thinks that she must go to
the Turtons, for the Collector would take her in, if not his wife. Ronny
arrives and tells them that Mrs. Moore died at sea from the heat. Fielding
tells him that Adela will stay at the college but he will not be responsible
for her safety.
Chapter Twenty-Seven:
After the Victory Banquet at Mr.
Zulfiqar's mansion, Aziz and Fielding discuss the future. Aziz knows that
Fielding wants him to not sue Adela, for it will show him to be a gentleman, but
Aziz says that he has become anti-British and ought to have become so sooner.
Aziz says that he will not let Miss Quested off easily to make a better
reputation for himself and Indians generally, for it will be put down to
weakness and the attempt to gain promotion. Aziz decides that he will have
nothing more to do with British India and will seek service in some Moslem
State. Fielding tells Aziz that Adela is a prig, but perfectly genuine and very
brave. He tells Aziz what a momentous move she made. Fielding offers to be an
intermediary for an apology from Adela, and Aziz asks for an apology in which
Adela admits that she is an awful hag. Aziz finally agrees to consult Mrs.
Moore. However, when Fielding blurts out that she is dead, Aziz does not
believe him.
Chapter Twenty-Eight:
The death of Mrs. Moore assumes more
subtle and lasting shapes in Chandrapore than in England. A legend sprang up
that Ronny killed her for trying to save Aziz's life, and there was sufficient
truth in that legend to trouble authorities. Ronny reminds himself that Mrs.
Moore left India of her own volition, but his conscience is not clear, for he
behaved badly to her. Adela will leave India and not marry Ronny, for that
would mean the end of his career.
Chapter Twenty-Nine:
Sir Gilbert, the Lieutenant-Governor of
the Province, visits Chandrapore. Fielding finds himself drawn more and more
into Miss Quested's affairs, and appreciates her fine loyal character and
humility. Victory had made the Indians aggressive, attempting to discover new
grievances and wrongs. Fielding uses Mrs. Moore as an attempt to persuade Aziz
to let Adela off paying. Adela admits to Fielding that she was thinking of
Ronny when she first entered the cave, and now she no longer wants love. Adela
leaves India. On her travel out of India, Antony tries to blackmail her by
claiming that she had an affair with Fielding, but she turns him away. When
Adela arrives in England, she vows to look up Ralph and Stella and to return to
her profession.
Chapter Thirty:
Another local consequence of the trial is
a Hindu-Moslem entente. Mr. Das visits Aziz, seeking favors; he asks Aziz to
write poetry for the magazine he publishes. Aziz accommodates him, but asks why
he should fulfill these when Mr. Das tried to send him to prison. Aziz thinks
that the magazine for which Mr. Das asks him to write is for Hindus only, but
Mr. Das tells him that it is for Indians in general. When Aziz says there is no
category of "Indian" (only Hindu and Moslem), Das says that after the
trial there may be. Hamidullah gossips with Aziz, telling him that Fielding may
have had an affair with Adela, but this does not faze Aziz, for he claims that
he has no friends and all are traitors, even his own children.
Chapter Thirty-One:
The sequence of the events had decided
Aziz's emotions and his friendship with Fielding began to cool. He assumes that
the rumor about Fielding and Adela is true and resents it. Aziz speaks to
Fielding about it, but Fielding tells him not to speak so melodramatically
about "dismay and anxiety." Aziz speaks about enemies, but Fielding
seems to dismiss the idea that either of them have great enemies. Fielding
becomes angry that Aziz thinks that he and Adela had an affair during such a
difficult time, but the two clear up the misunderstanding. Aziz and Fielding
discuss their future plans. Fielding is conscious of something hostile against
him. He leaves Chandrapore, with Aziz convinced that he will marry Miss
Quested.
Chapter Thirty-Two:
Fielding leaves India for travels in other
exotic parts of the world. Fielding found Egypt charming, as well as Crete and
Venice. He felt that everything in Venice and Crete was right where everything
in India was wrong, such as the idol temples and lumpy hills. Elsewhere there
is form that India lacks.
Part Three: Temple
Chapter Thirty-Three:
Hundreds of miles west of the Marabar
Hills, Professor Godbole stands "in the presence of God" during a
Hindu birth ceremony. Godbole prays at the famous shrine at the palace at Mau.
Godbole is now the Minister of Education at Mau. He sings not to the god who
confronts him during the ritual, but to a saint. The ritual does not one thing
that the non-Hindu would consider dramatically correct. By chance, while
thinking about a wasp that he sees, Godbole remembers Mrs. Moore, even though
she was not important to him.
Chapter Thirty-Four:
Dr. Aziz, who had taken part in the
ceremony, leaves the palace at the same time as Godbole and sees the Professor,
who tells him that Fielding arrived at the European Guest House. Fielding is
making an official visit; he was transferred from Chandrapore and sent on a
tour through Central India to see what the more remote states are doing with
regard to English education. Fielding had married; Aziz assumes that his bride
is Miss Quested. In Mau the conflict is not between Indians and English, but
between Brahman and non-Brahman. Aziz had destroyed all the letters that
Fielding had wrote to him after he learned that Fielding had married someone he
knew. Unfortunately, Aziz never read any letters past the phrase "someone
he knew" and automatically assumed it was Miss Quested. Aziz still remains
under criminal investigation since the trial. Colonel Maggs, the Political
Agent for the area, is committed to investigating Aziz, still convinced that he
must be guilty based on events in Chandrapore. Aziz receives a note from
Fielding, but he tears it up.
Chapter Thirty-Five:
There are two shrines to a Mohammedan
saint in Mau. These commemorate a man who, upon his mother's order to
"free prisoners," freed the inmates at the local jail, but whose head
was cut off by the police. These shrines are the sites where the few
Mohammedans in Mau pray. Aziz goes to the Shrine of the Head with his children,
Ahmed, Jemila and Karim. The children see Fielding and his brother-in-law, and
tell Aziz. They suggest throwing stones at them, but Aziz scolds them. Aziz,
who is fortunately in a good temper, greets Fielding, although he had not
intended to do so. Aziz greets the brother-in-law as "Mr. Quested," but
he says that his name is Ralph Moore. Fielding had married Stella, the daughter
of Mrs. Moore. Fielding blames Mahmoud Ali for the ill will between them, for
he knew definitively that Fielding had married Stella. Aziz behaves
aggressively and says that he forgives Mahmoud Ali. He tells Fielding that his
heart is for his own people only. He leaves Fielding and returns to his house,
excited and happy, but realizes that he had promised Mrs. Moore to be kind to
her children, if he met them.
Chapter Thirty-Six:
The birth procession had not yet taken
place, although the birth ceremony finished earlier. All would culminate in the
dance of the milkmaidens before Krishna. Aziz could not understand the ceremony
any more than a Christian could, puzzled that during the ceremony the people in
Mau could be purged from suspicion and self-seeking. Godbole tells Aziz that he
has known that Fielding was married to Stella Moore for more than a year. Aziz
cannot be angry with Godbole, however, because it is not his way to tell anybody
anything. Aziz and Godbole continue in the procession as it leads out of town.
Aziz becomes cynical once again. He thinks that the pose of "seeing
India" is only a form of conquest. Aziz goes to the Guest House where
Fielding stays and reads two letters lying open on the piano. In the East the
sanctity of private correspondence does not exist. The letters primarily
concern Ralph Moore, who appears to be almost an imbecile, but there is a
letter from Adela to Stella in which she says that she hopes Stella will enjoy
India more than she did and says that she will never repay a debt. Aziz notices
the friendly intercourse between these people, men and women, and believes that
this is the strength of England. Ralph Moore enters, and Aziz claims that he is
there to bring salve for his bee stings. Aziz abruptly prepares to leave, but
apologizes. Ralph tells him that his mother loved Aziz, and Aziz claims that
Mrs. Moore was his best friend in the world. Aziz offers to take Ralph Moore
out on the river, as an act of homage to Mrs. Moore. Ralph is curious about the
procession, which marks him as Mrs. Moore's son. The boat which Ralph and Aziz
are in collides with another boat carrying Fielding and Stella.
Chapter Thirty-Seven:
Fielding and Aziz are friends again, but aware
that they can meet no more. After the funny shipwreck there is no bitterness or
nonsense. Aziz admits how brave Miss Quested was, and claims that he wants to
do kind actions to wipe out the wretched business of the Marabar forever.
Fielding realizes that his wife does not love him as much as he loves her. They
realize that socially the two men have no meeting place. Fielding cannot defy
his own people for the sake of a stray Indian, and Aziz is but a memento. Aziz
explains what he can of the birthing ceremony to Fielding. They discuss who
should rule India. Fielding mockingly suggests the Japanese, but Aziz wants his
ancestors, the Afghans, to rule. To Aziz, India will then become a nation. Aziz
cries "down with the English. That's certain," then states that only
then will he and Fielding be friends.
Pride and Prejudice by J. Austen
Volume I, Chapter 1 Summary:
The novel begins with a conversation at
Longbourn, the Bennet household, regarding the impending arrival of Mr.
Bingley, "a single man of large fortune" to Netherfield Park, a
nearby estate. Mrs. Bennet sees Mr. Bingley as a potential suitor for her
daughters, and attempts to persuade Mr. Bingley to visit him. There are five
daughters in the Bennet family. Mr. Bennet seems to prefer Elizabeth, the
second oldest, because of her intelligence, while Mrs. Bennet seems fonder of
the oldest, Jane, because of her beauty, and the middle child, Lydia, because
of her good humor.
Volume I, Chapter 2 Summary:
Without telling his family, Mr. Bennet
pays a visit to Mr. Bingley. He surprises his family by slipping the news
unexpectedly into a conversation, but disappoints them by eluding their barrage
of questions about Bingley's character.
Volume I, Chapter 3 Summary:
The ladies of the household meet Mr. Bingley
and his friend from London, Mr. Darcy, at a ball at Meryton. Mr. Darcy is
quickly judged as "the proudest, most disagreeable man in the world"
because of his reserve and unwillingness to dance with anyone outside of his
own party. When both Darcy and Elizabeth are sitting out a dance and Bingley
attempts to persuade him to dance with her, Elizabeth overhears Darcy's reply
"She is tolerable; but not handsome enough to tempt me." Mr. Bingley,
on the other hand, is judged to be entirely amiable. He danced first with
Charlotte Lucas, Elizabeth's friend, but the only person with whom he danced
twice was Jane. Upon returning home, Mrs. Bennet attempts to explain the event
of the ball in detail to Mr. Bennet, but he is indifferent and even annoyed.
Volume I, Chapter 4 Summary:
When they are alone, Jane confides to
Elizabeth that she admires Mr. Bingley. Elizabeth approves of him, although she
points out that Jane never sees faults in others. While Elizabeth is critical
of the snobbish behavior of Bingley's sisters, Jane insists that they are
pleasing in conversation.
Bingley has a long-standing friendship
with Darcy, in spite of their opposite personalities. Bingley is easy-going and
open, while Darcy is haughty and reserved. While Bingley found the company at
the Meryton ball to be quite amiable, Darcy saw no one with whom he wished to
associate, and even though he assents to Jane's beauty, he complains that she
smiles too much.
Bingley's sisters also tell him that they like Jane,
and he feels "authorised by such commendation" to think what he likes
of her.
Volume I, Chapter 5 Summary:
Sir William Lucas and his family live near
Longbourn, and Sir William's eldest daughter Charlotte is a close friend of
Elizabeth. The day after the ball Charlotte and Lady Lucas go visit the Miss
Bennetts to talk over the ball. They speak about general admiration for Jane's
beauty and Bingley's attraction to her, and then go on to criticize Darcy's
pride and his treatment of Elizabeth. Mary makes a remark about universality of
pride in human nature and its differentiation from vanity.
Volume I, Chapter 6 Summary:
Bingley's sisters, while not desirous of
become better acquainted with Mrs. Bennett and the younger Bennet sisters,
begin to become better acquainted with Jane and Elizabeth. Jane is pleased by
their attention, but Elizabeth is still critical of them. The mutual regard of
Jane and Bingley for one another is evident to Elizabeth, though Jane's
composure and "uniform cheerfulness of manner" prevent her regard for
him from becoming obvious.
Charlotte remarks that it may not be such
a good thing that Jane's affection is guarded, because it may cause
discouragement in Bingley. Charlotte believes that a woman should show more
affection than she feels in order to make a man form an attachment to her, and
thinks that "happiness in marriage is entirely a matter of chance."
Mr. Darcy begins to take an interest in
Elizabeth, attracted by her dark eyes and the "easy playfulness" of
her manners. Before conversing directly with her, he listens on a conversation
between Elizabeth and Sir William Lucas. Elizabeth refuses to dance with Darcy,
in spite of the entreaties of Sir William. Darcy mentions his admiration for
Elizabeth to Miss Bingley, who is vainly attempting to attract his admiration
to herself. Miss Bingley responds by satirically criticizing Bennett family.
Volume I, Chapter 7 Summary:
Lydia and Catherine, the two youngest in
the family, often go to visit their aunt, Mrs. Phillips, in Meryton, where a
militia regiment has recently arrived. Mr. Bennet complains of his daughters'
foolishness, but Mrs. Bennet does not consider their obsession with the
officers to be a cause for concern.
Jane receives an invitation to have dinner
with Bingley's sisters. Rather than allowing her to use the carriage to go to
Netherfield, Mrs. Bingley tells Jane to go on horseback, hoping that it will
rain and that Jane will have to spend the night at Netherfield. Jane does not
like the scheme, but has no choice but to accept it.
The plan works all too well, however‹not
only is Jane forced to spend the night at Netherfield, but she falls ill as a
result of getting soaked in the rain, and has to stay at Netherfield until her
recovery. Elizabeth goes to Netherfield to visit Jane, and because there are no
horses available she walks. The Bingley sisters are scandalized that Elizabeth
walked such a distance in the mud. Jane's condition having intensified,
Elizabeth attends to her with great solicitude. Because Jane does not want
Elizabeth to leave, Miss Bingley invites her to stay at Netherfield.
Volume I, Chapter 8 Summary:
When Elizabeth leaves the dinner table to
continue attending to Jane, the Bingley sisters harshly criticize her pride and
stubborn independence for having walked to Netherfield alone, but Mr. Bingley
and Darcy admire Elizabeth's devotion to Jane. The Bingley sisters also deride
the low family connections of Jane and Elizabeth. Bingley does not seem to care
about their low connections, although Darcy considers it an impediment to their
marrying well.
In the evening after Jane has fallen asleep,
Elizabeth joins the others in the drawing room, and they have a conversation
about what it means for a woman to be accomplished. Darcy and Miss Bennett
provide such unrealistic criteria that Elizabeth claims she has never seen such
a woman in her life.
Volume I, Chapter 9 Summary:
Elizabeth asks that her mother be summoned
to come and see Elizabeth. Mrs. Bennet is happy because she sees that Jane is
not in danger but that she is ill enough to continue her stay at Netherfield.
Elizabeth is thoroughly embarrassed by her mother's conduct in the
conversation, and particularly by her extreme rudeness to Darcy. Mrs. Bennet
returns home and Elizabeth continues to attend to Jane.
Volume I, Chapter 10 Summary:
That evening in the drawing room Darcy
writes a letter to his sister while Miss Bennet observes him and continually
makes comments in admiration of his letter-writing style. The group gets into a
discussion about Bingley's characters, which leads to Elizabeth's praise of
someone who yields to the persuasion of friends.
As the Bennet sisters sing and play the
piano, Elizabeth notices how frequently Mr. Darcy looks at her, but unable
imagine that he might admire her she assumes he is staring at her because of
his disapproval of her. Darcy asks her to dance a reel, but Elizabeth assumes
that there is some sarcasm in this invitation, and satirically declines the
offer. Miss Bingley notices, and begins to taunt Darcy by speaking about the
possibility of marrying into the Bennet family and emphasizing the inferiority
of her connections.
Volume I, Chapter 11 Summary:
After dinner Jane is feeling well enough
to join the others in the drawing room, and Elizabeth is delighted by the
attention which Bingley shows to her. Miss Bingley continues in her vain
attempts to please Darcy, and even feigns a love for reading, picking up the
second volume of the book which he is reading. She then begins to walk around
the room, attempting to catch Darcy's admiration. She fails, but as soon as she
invites Elizabeth to walk with her Mr. Darcy looks up and stops reading. They
begin to converse about Darcy's character, and Darcy admits that he has a
tendency to be resentful.
Volume I, Chapter 12 Summary:
Jane having recovered from her illness,
she and Elizabeth resolve to go home the next morning. Her mother is unwilling
to send the carriage so soon, wanting to extend Jane's stay as long as
possible, but Elizabeth and Jane are resolved to go and they ask for the
Bingleys to lend them their carriage. Elizabeth and Jane are glad to be
returning home, and all except Bingley are happy to see them go. Darcy is glad
to be removed from the danger of Elizabeth's company, and Miss Bingley is glad
to be rid of her competition.
Volume I, Chapter 13 Summary:
At breakfast the following day Mr. Bennet
announces that Mr. Collins, a cousin of his whom he has never met, will be
coming to visit. Because of the laws of inheritance at the time and because Mr.
Bennet has no sons, Mr. Collins is in line to inherit Longbourn. Mrs. Bennet
hates Mr. Collins because of this, but Elizabeth and Jane try to explain the
nature of the laws of entailment.
To inform them of his visit, Mr. Collins
writes a letter to Mr. Bennet. In the letter Mr. Collins explains that he has
recently been ordained and is under the patronage of Lady Catherine De Bourgh.
Mr. Collins arrives in the afternoon as
expected. He is 25 years old, tall and heavyset, with a grave air and formal
manners. When he is conversing with the women of the household before dinner,
he mentions that he is well aware of the hardship involved in the entailment of
the estate and that he wants to make amends for this hardship. He has come
"prepared to admire" the young ladies of the household. Mr. Collins
also expresses his admiration for the house itself and for the quality of the
dinner.
Volume I, Chapter 14 Summary:
After dinner Mr. Bennet invites Mr.
Collins to speak about his patroness Lady Catherine. Mr. Collins describes Lady
Catherine with great solemnity and effusive praise, remarking on her great
affability and condescension to him in spite of her high rank. He also
describes Lady Catherine's daughter, Miss de Bourgh, as quite charming but
rather sickly. He tries to ingratiate himself with Lady Catherine by thinking
up pretty and flattering phrases to tell her about Miss de Bourgh while trying
to make his praise seem spontaneous. Mr. Bennet is convinced that Mr. Collins
is absurd.
After tea Mr. Bennet invites Mr. Collins
to read aloud to the ladies. Mr. Collins declares that he never reads novels
and instead begins to read with a book of sermons with "monotonous
solemnity." After a few pages Lydia interrupts the reading by asking her
mother a question about her uncle Philips. Mr. Collins is offended but takes
the hint and stops reading after briefly reprimanding the frivolity of Lydia.
He then proposes playing a game of backgammon.
Volume I, Chapter 15 Summary:
Mr. Collins' upbringing by an
"illiterate and miserly father" along with his unexpected good
fortune in finding a patroness like Lady Catherine has led to his lack of good
sense and his strange combination of obsequiousness and self-conceit. Now that
he is settled he wants to "make amends" for inheriting the Longbourn
estate by marrying one of the young ladies in the Bennet household. After
meeting them, he was first attracted to Jane because of her beauty, but after
hearing from Mrs. Bennet that Jane may soon be engaged, he switches his
affections to Elizabeth.
Mr. Collins joins the ladies for a walk to Meryton.
Upon reaching Meryton they meet Mr. Denny, an officer with whom Lydia and Kitty
are acquainted, and he introduces them to a new member of the regiment, Mr.
Wickham. Mr. Wickham is handsome and charming. While they are all conversing, Bingley
and Darcy notice them as they are riding by and stop to greet them. As soon as
Darcy notices Mr. Wickham, he turns white, and Mr. Wickham turns red. Bingley
and Darcy continue on their way.
Mr. Denny and Mr. Wickham take leave of
the young ladies once they arrive at Mr. Philip's house. Jane introduces Mr.
Collins to Mrs. Phillips. Mrs. Philips plans to invite Mr. Wickham to dinner
tomorrow and invites the Longourn ladies and Mr. Collins to join them.
Volume I, Chapter 16 Summary:
At the beginning of the event at the
Phillips' house the next day, Mr. Collins speaks to Mrs. Philips about Lady
Catherine and her mansion Rosings, and Mrs. Philips is favorably impressed.
Elizabeth forms a very favorable
impression of Mr. Wickham, and converses with him at length during the evening.
Elizabeth is curious to find out about the obvious animosity which exists
between him and Darcy. Wickham brings up the subject by inquiring how long
Darcy has been in the area. Elizabeth expressed her dislike of Darcy to Wickham,
and Wickham mentions that he and Darcy have been intimately acquainted since
childhood. After feigning to avoid the subject, Wickham divulges to Elizabeth
that Darcy's father was his godfather and had promised to provide an ample
living for him, but after his death Darcy had circumvented his father's promise
and had given the living to someone else because of his dislike for Wickham.
Elizabeth is outraged and suggests that Darcy ought to be publicly dishonored
for his actions, but Wickham refuses to do so ought of respect for Darcy's
father. Wickham attributes Darcy's dislike of him to jealousy. Elizabeth and
Wickham also speak of Darcy's pride, which Wickham believes is the source of
all his generosity in the use of his money and excellent care for his sister.
Wickham alludes to a previously close but now very cold relationship with
Darcy's sister.
Wickham also mentions to Elizabeth that
Lady Catherine de Bourgh is Mr. Darcy's aunt, and that Mr. Darcy is expected to
marry Miss de Bourgh in order to unite the fortunes of the two families.
Volume I, Chapter 17 Summary:
When, the next day, Elizabeth relates to
Jane the substance of her conversation with Wickham, Jane refuses to think ill
of either Wickham or Darcy, and assumes that they must in some way be mutually
deceived.
Mr. Bingley and his sisters come to
Netherfield to announce a ball. When Elizabeth asks Mr. Collins whether or not
he plans to attend, he state that he does and asks her for the first two
dances. While she had wanted to reserve those dances for Wickham, she
gracefully accepts his offer. Elizabeth begins to realize that she has become
Mr. Collins choice for a future wife, but she ignores his hints in that
direction hoping that he will not ask her.
Volume I, Chapter 18 Summary:
At the Netherfield Ball Elizabeth is
disappointed because of Wickham's absence, which she assumes is all Mr. Darcy's
doing. After relating her disappointment to her friend Charlotte Lucas, she
suffers through her two dances with Mr. Collins. Mr. Darcy asks her for a dance
and Elizabeth is so taken by surprise that she accepts. During the dance with
Mr. Darcy Elizabeth makes a bit of sarcastic conversation, poking fun at his
character. She alludes to her new acquaintance with Wickham and to the fact
that she thinks he has not behaved well toward him. They change the subject
after a brief interruption from Sir William Lucas, but then she goes back to it
by asking him about his previous admission that he has a tendency toward
resentment, explaining that she is unable to figure out his character because
she has received such contradictory accounts. After the dance they part in
silence but Darcy forgives her questioning and blames Wickham.
Miss Bingley, having heard from Jane that
Wickham has talked with Elizabeth about Darcy, tries to warn her not to trust
Wickham and assures her that Darcy has done nothing wrong to Wickham but that
Wickham has treated Darcy shamefully. Elizabeth reacts rudely and considers Mr.
Bingley to be blinded to the truth. Jane also tells Elizabeth that Mr. Bingley
believes Darcy's behavior is above reproach and that Wickham is not reputed to
be of good character, but Elizabeth dismisses Bingley's opinion because he
received all his information from Darcy.
Mr. Collins finds out the Darcy is Lady
Catherine's nephew and decides to introduce himself, in spite of Elizabeth's
warnings that it would be inappropriate to do so because of Mr. Darcy's
superior social status. Darcy is surprised at Mr. Collins but replies to him
with civility and then walks away.
Jane seems to be having a wonderful time
with Mr. Bingley, and Elizabeth enjoys herself in thinking of her sister's
happiness. Mrs. Bennet is also happy to see how well Jane and Mr. Bingley are
getting along, and during dinner speaks unceasingly and loudly about the
imminence of their engagement in close proximity to Mr. Darcy, much to
Elizabeth's great embarrassment.
After dinner Mary accepts an invitation to
play and sing at the piano, and is insensible to Elizabeth's hints that she
ought to decline. After Mary's second piece Elizabeth gets her father to tell
Mary to stop playing. Mr. Collins then makes a speech about the importance of
music which nonetheless should not take precedence to more important parish
duties. Elizabeth feels completely embarrassed by her family's conduct during
the evening.
At the end of the ball Mrs. Bennet invites
Bingley to dinner at Longbourn and he promises to come as soon as he returns
form a short trip to London.
Volume I, Chapter 19 Summary:
The next day Mr. Collins proposes to Elizabeth, in a
long speech explaining that he considers it appropriate for him to marry and
that he wants to marry one of the Miss Bennets in order lessen the difficulty
of the entailment of the estate. Elizabeth refuses him in no uncertain terms,
but Mr. Collins refuses to believe that her refusal could be sincere,
considering it a formality of female coquetry to always refuse a proposal the
first time. Elizabeth repeats and strengthens her refusal, but as he still
cannot believe her to be sincere, she simply leaves.
Volume I, Chapter 20 Summary:
When Mrs. Bennet hears that Elizabeth has
refused to marry Mr. Collins, she entreats Mr. Bennet to force Elizabeth to
change her mind. Mr. Bennet agrees to speak with Elizabeth, but actually tells
her that he would never hear of her marrying such a man as Mr. Collins. Mrs.
Bennet does not give up however, and continually attempts to persuade Elizabeth
to accept the proposal. In the midst of all this confusion, Charlotte Lucas
comes to visit. Eventually Mr. Collins accepts Elizabeth's refusal.
Volume I, Chapter 21 Summary:
Mr. Collins reacts by treating Elizabeth
coldly for the rest of the day and shifting his attentions to Charlotte Lucas.
The girls all walk to Meryton after breakfast. Elizabeth speaks with Wickham
and he accompanies them back to Longbourn, paying particular attention to
Elizabeth.
When they return Jane receives a letter
from Caroline Bingley stating that they have all left Netherfield for town and
have no intention of returning. She states that Mr. Bingley will most probably
not return for at least another six months. The letter also speaks of the
family's expectation that Mr. Bingley will marry Georgiana Darcy, implying that
they do not want him to marry Jane. Elizabeth attempts to comfort Jane by
reassuring her that Mr. Bingley really is attached to her and that in spite of
his sisters' efforts to prevent him from marrying Jane he will most assuredly
return to Netherfield.
Volume I, Chapter 22 Summary:
Charlotte Lucas continues to engage Mr.
Collins in conversation for the rest of the day. Early the next morning Mr.
Collins goes to Lucas Lodge to propose to Charlotte. Charlotte accepts and Sir
William and Lady Lucas approve of the match.
Mr. Collins left the next day without
informing the Bennets of his engagement. His promise to return soon was met by
assurances on the part of Mr. Bennet that they would not be offended if the
fulfillment of his duties prevented his speedy return.
Later in the day Miss Lucas tells
Elizabeth about her engagement. Elizabeth is shocked but tries to be kind in
her reaction. She is however, very unhappy about Charlotte's decision because
she thinks that the match is completely unsuitable.
Volume I, Chapter 23 Summary:
Later in the day Sir William Lucas came to
announce the engagement, to the great surprise of the rest of the family. Mrs.
Bennet is incredulous and after being convinced that the news was true is
extremely angry at Elizabeth for having turned down the proposal.
Elizabeth and Charlotte do not discuss the subject of
the marriage between themselves, and their friendship gradually diminishes.
Jane and Elizabeth are concerned because
they have not heard anything at all from Mr. Bingley.
Mr. Collins returns again to Longbourn in order to
make preparations for his marriage. The Bennets are not too happy to see him
but they are glad that he spends most of his time at Lucas Lodge.
Volume II, Chapter 1 Summary:
Jane receives another letter from Miss
Bingley confirming that they will definitely not return before the end of the
winter, and boasting about the whole family's increasing intimacy with Miss
Darcy and the hopes of an engagement between her and Mr. Bingley. When
Elizabeth and Jane are finally able to speak alone, Jane confides her
disappointment to Elizabeth. In spite of Elizabeth's arguments, Jane refuses to
believe that the Miss Bingleys and Mr. Darcy are responsible for persuading Mr.
Bingley not to propose to Jane.
Mrs. Bennet only aggravates the situation by speaking
of Bingley so often, and Mr. Bennet only responds sarcastically.
Some comfort is provided to the household
by Mr. Wickham's society. Soon the whole town knows Wickham's story about Darcy
and is happy to believe it and judge Darcy to be completely in the wrong.
Volume II, Chapter 2 Summary:
Mr. Collins leaves Longbourn with his
usual solemnity.
Mr. and Mrs. Gardiner, Mrs. Bennet's
brother and his wife, come to Longbourn to visit. Mr. and Mrs. Gardiner are
both sensible, intelligent and refined. Elizabeth and Jane are very fond of
them. Mrs. Gardiner and Elizabeth speak about Jane and Bingley. Mrs. Gardiner
offers to bring Jane back to London with her in order to cheer her with the
change of scene. Elizabeth hopes that while in London Jane will run into
Bingley.
During the course of the visit Mrs. Gardiner observes
Elizabeth with Wickham and notices her preference for him. Mrs. Gardiner enjoys
speaking with Wickham about mutual acquaintances and about Mr. Darcy and his
father.
Volume II, Chapter 3 Summary:
Mrs. Gardiner speaks with Elizabeth about
the imprudence of becoming attached to Wickham because of his poor financial
state. Elizabeth makes no promises that she will not become attached to him,
but does promise to try to prevent the attachment as much as possible.
Mr. Collins returns to Hertfordshire for his wedding.
Charlotte Lucas makes Elizabeth promise to visit her at Hunsford
Jane writes to Elizabeth telling about her
stay in London. Caroline Bingley is extremely inattentive to her, pretending
first that she is unaware of Jane's presence in London, and then waiting a
fortnight to make a promised visit, which itself is rudely short.
In a letter to Mrs. Gardiner Elizabeth relates that
Mr. Wickham's affections for her have subsided and have been transferred to
another young lady, Miss King, who recently acquired 10,000 pounds. Elizabeth
concludes that she must not have been in love with him, because her feelings
are still cordial toward him.
Volume II, Chapter 4 Summary:
After a couple of dull winter months in
Hertfordshire, Elizabeth is looking forward to going with Sir William Lucas and
his second daughter to visit Charlotte. She parts very amiably with Wickham,
reinforced in her belief that he is a "model of the amiable and the
pleasing." The travellers stop for a night in London to see the Gardiners.
Elizabeth is pleased to see that Jane is looking well. Mrs. Gardiner informs
her, however, that Jane does undergo periods of dejection occasionally. Mrs.
Gardiner is critical of Wickham so quickly shifting his attentions to Miss
King, but Elizabeth defends him. Elizabeth is pleasantly surprised to be
invited to accompany the Gardiners on a tour of the country during the summer.
Volume II, Chapter 5 Summary:
The next day Elizabeth, Sir William and
his daughter Maria set out for Hunsford to visit Charlotte. Upon arriving Mr.
Collins welcomes him to the house with his usual verbose formality.
Charlotte‹now Mrs. Collins‹seems to endure Mr. Collins' silliness very well,
and to take pleasure in managing the house. On reflection, Elizabeth concludes
that Charlotte is handling things well.
Elizabeth's reflections are interrupted by
shouts from Maria telling her to look outside because Miss de Bourgh is there
in her carriage. Elizabeth is happy that Miss de Bourgh looks sickly and cross,
thinking that she'll make a perfect wife for Mr. Darcy. After the carriage
drives away Mr. Collins congratulates them because they have all been invited
to dine at Rosings the next day.
Volume II, Chapter 6 Summary:
The day of the dinner at Rosings is spent
mostly in listening to Mr. Collins, who is trying to prepare his guests for the
grandeur they are about to encounter. While Maria and Sir William are extremely
nervous about meeting Lady Catherine, Elizabeth sees nothing to be intimidated
about, being unimpressed by "the mere stateliness of money and rank."
Lady Catherine is "a tall, large
woman, with strongly-marked features," and her manner of receiving her
visitors is one which does not fail to remind them of their inferior rank. Miss
de Bourgh is extremely thin and small. Mrs. Jenkinson, who lives with them, has
an unremarkable appearance and spends most of her time fussing over Miss de
Bourgh.
At dinner nothing much is said other than
continuous compliments about the food from Mr. Collins, which are echoed by Sir
William. After dinner Lady Catherine speaks about her opinion on every subject
which comes to mind and offers advice to Charlotte about even the smallest
details of household management. She then barrages Elizabeth with impertinent
questions about her and her family. Elizabeth answers with composure but
without fear of giving her own opinion. For the rest of the evening they play
cards.
Volume II, Chapter 7 Summary:
Sir William Lucas stays only for a week at
Hunsford, but Elizabeth stays for quite some time longer. She passes the time
pleasantly, conversing with Charlotte and taking long walks through the
gardens. They all dine regularly at Rosings about twice a week, and all dinners
follow the model of the first.
After having stayed a fortnight at
Hunsford Elizabeth hears that Mr. Darcy is planning to visit Rosings. She looks
forward to his coming because he will provide a new face at the dinner parties
and because she wants to see how he acts with Miss de Bourgh, whom he is
expected to marry. When Mr. Darcy arrives with his cousin Colonel Fitzwilliam,
the two gentlemen immediately call at Hunsford. Elizabeth asks Darcy whether or
not he has seen Jane in the past few months, in order to see if he betrays any
knowledge about what happened between Jane and the Bingleys. He looks a bit
confused but simply answers that he has not seen her.
Volume II, Chapter 8 Summary:
It is about a week before Elizabeth and
Mr. and Mrs. Collins are invited again to Rosings, since Lady Catherine is no
longer in need of company. During the evening Colonel Fitzwilliam and Elizabeth
have a very enjoyable conversation. Lady Catherine seems annoyed that she is
not a part of the conversation, and interrupts them in order to join in. Mr.
Darcy looks a bit ashamed at his aunt's impertinence and ill-breeding in
treating Elizabeth as an inferior.
At Colonel Fitzwilliam's request,
Elizabeth begins to play the piano. As she playing Darcy walks away from Lady
Catherine in order to go up to the piano and watch her. They have a very lively
conversation, teasing each other playfully about their characters. Soon Lady
Catherine interrupts demanding to know what they are talking of, and Elizabeth
immediately resumes playing. Lady Catherine offers generous criticisms and
advice about Elizabeth's playing. Elizabeth tries to observe how Mr. Darcy
reacts to Miss de Bourgh, and she finds in him no sign of affection for her.
Volume II, Chapter 9 Summary:
The next morning, when only Elizabeth is
at home, Mr. Darcy comes to visit alone. He had thought that the other ladies
were also at home. They converse for a while about several subjects, including
his quick departure from Netherfield last November, and Charlotte's marriage to
Mr. Collins. When Elizabeth tells Darcy that, contrary to his opinions,
Charlotte is not exactly close to her family since they lack the income to
travel frequently, he tells Elizabeth emphatically that she must not have such
strong local attachments. Elizabeth is surprised and he quickly cools his tone
of voice and changes the subject to a general conversation about the
countryside. Charlotte and Marie return from their walk Mr. Darcy stays for a
few minutes and then leaves. Charlotte tells Elizabeth that Mr. Darcy must be
in love with her, but Elizabeth convinces her that such is not the case.
Colonel Fitzwalliams calls on the ladies
frequently because he enjoys their company. Elizabeth can tell that he admires
her. He reminds her of Wickham. Neither Elizabeth nor Charlotte are able to
figure out why Mr. Darcy calls on them so often. Charlotte keeps suggesting
that Mr. Darcy must be partial to her, but Elizabeth simply laughs at the idea.
Volume II, Chapter 10 Summary:
Elizabeth often unexpectedly meets Mr.
Darcy during her walks in the Park, in spite of the fact that she has told him
where she usually walks in hopes of deterring him from taking the same path.
When they meet he not only stops to say hello but also walks all the way back
to the house with her. During one conversation he asks questions which seem to
imply that in the future when she comes to Kent she will be staying at Rosings.
Elizabeth thinks that he may be alluding to the prospect of her marriage to
Colonel Fitzwilliam.
On another walk Elizabeth runs into
Colonel Fitzwilliam. He speaks to her about the fact that because he is a
younger son he cannot ignore financial concerns in his choice of whom to marry.
Elizabeth thinks that this statement may be made for her sake. They also speak
of Miss Darcy, and then of Bingley. Colonel Fitzwilliam tells Elizabeth that
Darcy recently saved a good friend probably Bingley from an imprudent marriage.
When she is alone and reflecting on the
conversation, Elizabeth is sure that it was due to Darcy's influence that
Bingley did not propose to Jane. Her reflections distress her so much that she
begins to have a headache, and her headache combined with her desire to avoid
seeing Mr. Darcy lead her to stay at home even though they have been invited to
Rosings that evening.
Volume II, Chapter 11 Summary:
While Elizabeth is at home alone, the door
bell rings and she thinks that it might be Colonel Fitzwilliam. To her
surprise, however, it is Mr. Darcy. After he inquires about her health, he
paces around the room for a few minutes and then makes a declaration of love for
her. While he speaks eloquently about his admiration for her, he also clearly
expresses the inferiority of her connections and the family obstacles which
prevented him from proposing sooner. Elizabeth turns down his proposal rather
harshly, and he is both surprised and resentful.
Elizabeth explains her reasons for turning
him down. These reasons are, first, the arrogant manner of his proposal;
second, his actions to separate Bingley and Jane; and third, his actions toward
Wickham. Darcy replies angrily that her calculation of his faults is indeed
heavy, but that she might have overlooked them if he had not been honest about
the fact that her family connections had made him try to avoid becoming
attached to her. She simply states that his manner of proposal had no influence
on her other than to "spare me the concern of refusing you, had you acted
in a more gentlemanlike manner." After she finishes speaking he quickly
leaves the room.
Elizabeth collapses and cries from
weakness as a result of what has passed. She is flattered that he should have
proposed to her, but any softness which she feels toward him because of his
affection is quickly dissipated as soon as she thinks of his "abominable
pride" and all that he has done to Jane and to Wickham.
Volume II, Chapter 12 Summary:
The next morning Elizabeth decides to go
for a walk. Though she avoids her usual walking route, Mr. Darcy finds her and
gives her a letter, then quickly leaves. First the letter explains Darcy's
reasons for persuading Bingley not to marry Jane. Darcy admits that the
impropriety of the Bennet family made him hope that the two would not marry,
but that his main reason for preventing Bingley from proposing to Jane was that
he did not think that Jane had any particular regard for Bingley. The only part
of his conduct which he is uneasy about is that he concealed from Bingley his
knowledge that Jane has been in London for the past few months.
In response to Elizabeth's charge that
Darcy had injured Mr. Wickham, Darcy relates the whole account of Wickham's
relationship with him and his family. Darcy's father was very fond of Wickham
and paid to provide him with an excellent education. Before his death Darcy's
father asked Darcy to promote Wickham's professional advancement and stipulated
that if Wickham should become a clergyman Darcy should provide him with a good
family living. Wickham, however, having no desire to become a clergyman, wrote
to Darcy after his father's death and asked for money in order to study law.
Darcy gave him 3,000 pounds and Wickham resigned his claim to assistance in a
church career. However, Wickham quickly gave up on studying law and squandered
the money with a dissipate lifestyle. When he needed more money he went to
Darcy and told him that he would become a clergyman if Darcy would provide him
with the living that had been promised. Darcy refused, and Wickham was furious.
A while afterwards, Wickham, with the help of Miss Darcy's governess Miss
Younge, managed to deceive Darcy's younger sister into consenting to elope with
him when she was fifteen. Darcy happened to go see his sister before the
intended elopement and she ended up confessing the whole plan to him. He thus
prevented the elopement, the motives for which on Wickham's side were mostly
Miss Darcy's fortune and a desire to revenge himself on Mr. Darcy.
Volume II, Chapter 13 Summary:
Elizabeth reads the letter "with a
strong prejudice against everything he might say." She does not at all
believe his claim that he prevented Bingley from proposing to Jane because he
thought Jane was not attached to him. After reading Darcy's account of his
dealings with Wickham, she does not know how to react and tries to convince
herself it must be false. She puts away the letter, resolving not to think
about it, but then examines it slowly, line by line. After long deliberation
Elizabeth begins to rethink her previous judgment of Wickham. She realizes that
his communications to her in their first conversation were indelicate, improper
and inconsistent, and that his attentions to Miss King were purely mercenary.
She begins to see that she judged Darcy
completely wrongly, and she grows ashamed, concluding that she been
"blind, partial, prejudiced, absurd," in spite of the fact that has
always prided herself on her judgment. She realizes that vanity has been the
cause of her prejudice.
After this realization, she rereads the
first part of the letter which deals with his reasons for preventing Bingley's
proposal to Jane. She now sees that he had reason to be suspicious of Jane's
attachment. Elizabeth also admits that Darcy's criticisms of the impropriety of
her mother and younger sisters is just, and is ashamed and depressed.
After wandering through the park or two
hours, engrossed in her reflections, she returns to the Parsonage to find that
both Mr. Darcy and Colonel Fitzwilliam have stopped by to take leave of them,
but have since left. She is glad to have missed them.
Volume II, Chapter 14 Summary:
Lady Catherine invites Elizabeth, Maria
and the Collinses to dinner because she is bored now that her nephews have
left. Elizabeth can't help thinking that she might have been attending this
dinner as Lady Catherine's future niece, and amusing herself at how indignant
Lady Catherine would be. Lady Catherine attempts to persuade Elizabeth and
Maria to stay another fortnight, but Elizabeth insists that her father wants
her to come home.
She spends much time over the next few
days before her return home reflecting on the contents of the letter and on her
past conduct. She does not regret her refusal of Darcy's offer, but does regret
her own past actions. She is also depressed by the hopelessness of improving
the character of her younger sisters, since her father only laughs at them and
her mother is equally frivolous. She is also sad to think that Jane could have
been so happy had it not been for the indecorum of her family.
Volume II, Chapter 15 Summary:
Elizabeth and Maria leave the Parsonage on
Saturday morning, after lengthy parting civilities from Mr. Collins. Before
returning to Hertferdshore, they stop at the Gardiner's to spend a few days
there. Jane is to return home with them. Elizabeth is tempted to tell her all
that she learned from Darcy, but decides to wait because she is not sure how
much she should reveal.
Volume II, Chapter 16 Summary:
Upon reaching Hertfordshire they are
greeted by Kitty and Lydia, who have prepared lunch for them at the inn where
they have arranged to meet the carriage. Elizabeth is happy to hear that
regiment will soon be leaving Meryton, although Kitty and Lydia are not equally
pleased. Lydia hopes that Mr. Bennet will allow them all to go to Brighton for
the summer since the officers will be there. During lunch Lydia tells Jane and
Elizabeth that Miss King has left and that Wickham is therefore once again
available. Lydia entertains them on the carriage home by relating stories of
all the balls and dances they have attended with the officers in Meryton. When
they arrive at Longbourn they have dinner with the Lucases, who have come to
meet Maria. Lydia urges everyone to take a walk with her to Meryton, but
Elizabeth stays home because she wants to avoid seeing Wickham.
Volume II, Chapter 17 Summary:
The next morning Elizabeth tells Jane
about Darcy's proposal, and about the part of the letter regarding Wickham.
Jane is shocked not as much about the proposal as about Wickham's being so bad,
and tries to make excuses for him, but realizes that no excuse can be found.
Elizabeth asks Jane whether or not she should let the rest of the town know
about Wickham's true character. They decide it would be best to keep the matter
quiet, since he is leaving soon and it will be extremely difficult to convince
people without telling about his attempts to seduce Miss Darcy. Elizabeth
decides that she should not tell Jane about the part of Darcy's letter which
relates to her and Bingley. After observing Jane at leisure, Elizabeth sees
that she is not happy and is still very attached to Bingley.
Volume II, Chapter 18 Summary:
Kitty, Lydia and Mrs. Bennet are extremely
disappointed because the regiment is leaving Meryton. Lydia receives an
invitation from Mrs. Forster, the wife of the Colonel of the regiment, to
accompany her to Brighton. Lydia is ecstatic.
Elizabeth entreats her father to prevent
Lydia from going, explaining that such an experience will only increase her
frivolousness. But her father does not listen and tells Elizabeth that Lydia
will be fine in Brighton under the supervision of Colonel Forster and that she
is too poor to be taken advantage of by any of the officers in the regiment.
Elizabeth sees Wickham frequently. He
attempts to renew his attentions to her, but she represses them and is annoyed
by them. On the last day of their stay in Meryton, they have a conversation in
which Elizabeth speaks of her stay at the Parsonage and her enjoyment of
Darcy's and Colonel Fitzwilliam's company. She leads Wickham to suspect that
she knows the truth of his past. He pretends not to notice but stops
distinguishing Elizabeth. At the end of the party Lydia returns to Meryton with
Mrs. Forster in order to be able to set out with them for Brighton early in the
morning.
Volume II, Chapter 19 Summary:
Elizabeth's father had married her mother
because he was captivated by her beauty, but her weak understanding soon made
him lose all real affection for her. Mr. Bennet derives his enjoyment from
books and the country. Elizabeth has always recognized the impropriety of her
father's behavior as a husband, and is now especially aware of the disadvantage
that such a marriage has had on the children. She faults her father for not
having used his talents to at least preserve the respectability of his
daughters.
The days at Longbourn are far from
enjoyable, with the constant lamentations of boredom form Mrs. Bennet and
Kitty. Elizabeth consoles herself by looking forward to her tour of the Lakes
with the Gardiners. After a few weeks things become more bearable at home, and
Elizabeth hopes that Kitty may be improved by the time away from Lydia.
Elizabeth's vacation with the Gardiners is
delayed and shortened on account of Mr. Gardiner's work commitments. In the
course of the trip they pass near Pemberley and Mr. and Mrs. Gardiner want to
go see it. Elizabeth does not want to go because of fear of seeing Darcy, but
she finds out from the maid that the Darcy family is not at home.
Volume III, Chapter 1 Summary:
Elizabeth is captivated by the beauty of
Pemberley, and feels that it would not be bad to be the mistress of such a
house. She almost has a feeling of regret. The housekeeper gives them a tour of
the house and talks to them about Mr. Darcy and Miss Darcy. She describes Mr.
Darcy as exceptionally sweet-tempered, generous and good-natured, remarking
that she has "never heard a cross word from him." Elizabeth is
surprised, having retained her assumption that Darcy is ill-tempered. Elizabeth
is also impressed with Darcy's excellent treatment of his younger sister. After
hearing so much praise of Darcy from his housekeeper, Elizabeth thinks of his
regard for her with more warmth than ever.
As they go out to see the gardens, Mr.
Darcy unexpectedly comes forward from the road. Both he and Elizabeth are ill
at ease, but she is impressed at the genteel civility in his inquiries. After
exchanging a few civilities he takes leave. Elizabeth is mortified and wonders
what he might think of her for having come to visit the house.
Elizabeth is extremely distracted but attempts to be
sociable and make conversation with her aunt and uncle as they walk through the
garden. After a long while she is surprised to see Mr. Darcy coming toward
them. They are both better prepared for this encounter. Mr. Darcy asks
Elizabeth to introduce him to the Gardiners. In spite of the fact that they are
a much lower class than he, he enters into conversation with them and even
tells Mr. Gardiner that he is welcome to come to Pemberley and fish as long as
he is in the area.
Elizabeth and Darcy begin walking
together, and she informs him that she thought he would not be at home. He
explains his reason for returning early and then asks her if he can introduce
his sister to her when she arrives the next day. Elizabeth is surprised at this
offer but accepts. When they reach the house they have an awkward conversation
while waiting for the Gardiners to catch up with them, and then he sees them
off with great politeness.
The Gardiners are very pleased and
surprised at Darcy's civility, having heard from so many people, including
Elizabeth, that he is so disagreeable, and still believing Wickham's story.
Elizabeth tells them in a very guarded way that there is reason to believe that
Darcy is not at fault in his dealings with Wickham.
Volume III, Chapter 2 Summary:
Mr. Darcy brings his sister to visit
Elizabeth at the inn the very morning of her arrival. Elizabeth is caught by
surprise, not thinking that they will come until the next day. She is extremely
nervous because she wants Georgiana to form a good opinion of her. The
Gardiners begin to suspect that Darcy has a partiality for Elizabeth, seeing no
other explanation for such attentions. Elizabeth is relieved to see that Miss
Darcy is as nervous as she is. Miss Darcy is shy, attractive and graceful, with
unassuming and gentle manners. Soon Mr. Bingley comes to visit as well. All of
Elizabeth's anger at him disappears upon seeing him. The Gardiners, through
their observations and conversation, become completely convinced that Darcy is
in love with Elizabeth.
Elizabeth observes the conduct of Bingley
and Georgiana toward one another, and is happy to find no sign of particular
regard on the part of either. When Bingley has a moment to speak to Elizabeth
without the others' hearing, he inquires about Jane and seems to regret that it
has been so long since he has seen her.
Elizabeth is amazed at Darcy's civility toward the
Gardiners, relations which he had previously spoken of with disdain, and she
cannot imagine the reason for his change in manners. Before the visitors leave
Darcy invites Elizabeth and the Gardiners to dinner at Pemberley, and they
accept.
The Gardiners, seeing that Darcy is in
love with Elizabeth, reevaluate their former negative opinion of him, which had
been based on the accounts of their friends in Hertfordshire. They are
satisfied that he is a much better man they had previously thought, and also
find that Wickham is not held in such good esteem in the area.
Elizabeth stays awake trying to discern
her feelings for Darcy. She realizes that she is grateful to him for having
loved her and loving her still even after the rudeness of her rejection. She is
extremely impressed by his change of character, and esteems him highly, but is
still not sure whether or not she loves him.
Mrs. Gardiner decides that she and
Elizabeth should wait on Miss Darcy the following morning in return for her
great politeness in coming to see them immediately after her arrival.
Volume III, Chapter 3 Summary:
During their visit to Pemberley Miss Darcy
receives them with civility, although she is very shy. Mrs. Hurst and Miss
Bingley say very little, and the conversation is carried on mostly by Mrs.
Annesley (an acquaintance), Mrs. Gardiner and Elizabeth. Elizabeth both hopes
and fears that Mr. Darcy will join them.
After a while Mr. Darcy does join them,
and his actions are closely scrutinized by Miss Bingley and Miss Hurst. When
Miss Bingley notices that Mr. Darcy is trying to get Elizabeth and Georgiana to
converse, she asks Elizabeth a question about the militia. Elizabeth answers
with composure, and notices that both Mr. Darcy and Georgiana are pained by the
allusion to Wickham.
After Elizabeth and Mrs. Gardiner take
their leave, Miss Bingley speaks negatively about Elizabeth to Georgiana, but
Georgiana's opinion is fixed firmly in Elizabeth's favor by her brother's
commendations. Miss Bingley also repeats her criticisms of Elizabeth to Darcy,
and after much provocation he coolly answers that he considers Elizabeth one of
the most handsome women he has ever met, and then walks away.
Volume III, Chapter 4 Summary:
Elizabeth receives two letters from her
sister relating that Lydia has eloped with Wickham. At first they expected that
the two were planning to go to Scotland to get married (because minors can
marry without parental permission in Scotland). However, after gaining further
intelligence they find that there is reason to doubt that Wickham has any
intention of marrying her at all. Jane asks Elizabeth and the Gardiners to
return home as soon as possible, and requests that Mr. Gardiner help her father
search for Lydia and Wickham in London.
Elizabeth rushes to the door to go out to
find Mr. Gardiner, but as she does so Mr. Darcy appears. She tells him with
great agitation that she must go immediately in search of Mr. Gardiner, but he
recommends that a servant be sent. That being done, Elizabeth collapses into a
chair and when she is able to she explains the situation to Darcy. He is
extremely distressed, thinking that if he had revealed more of what he knew
about Wickham's character this could have been prevented. Elizabeth, observing
Darcy, believes that such an action on her sister's part will make a renewal of
Darcy's proposal impossible. Feeling this loss, she realizes that she loves
him.
After a few minutes Darcy realizes that he
is doing no good by his presence and takes his leave, promising to maintain
secrecy on the matter and wishing that he could do more to help. Elizabeth
watches him go with regret, doubting that they will ever meet again on such
friendly terms.
Elizabeth has no doubts that Wickham does
not plan to marry Lydia. She knows that Lydia would not have gone off with him
if she were not under the pretense that they were going to be married, but
Elizabeth also realizes that Lydia is easy prey for Wickham's deceptions. The
Gardiners quickly return and Elizabeth relates the sad news to them. Mr.
Gardiner promises to do all he can to help, and they quickly prepare for their
journey.
Volume III, Chapter 5 Summary:
On the way back to Longbourn, Mr. Gardiner
attempts to convince Elizabeth that Wickham must have a genuine intention of
marrying Lydia, but Elizabeth, knowing what she does of Wickham, is not
convinced. Elizabeth reproaches herself for not having revealed what she knew
of Wickham's true character.
They arrive at Longbourn the next day and
Jane is very happy to see Elizabeth. So far there is no new news about Lydia's
whereabouts. Mrs. Bennet has taken things badly and will not leave her
apartment. When they go to see her, she tells them that she blames the Forsters
for neglect, not thinking that Lydia is the type of girl to do such a thing.
She is alarmed that when Mr. Bennet finds them he will fight with Wickham and
be killed. Mr. Gardiner tries to reassure her, and promises to do what he can
to help Mr. Bennet in London. Kitty and Mary do not seem extremely upset over
the situation.
When Elizabeth and Jane are alone they
discuss what has happened in more detail. Jane shows Elizabeth the note which
Lydia left for Mrs. Forster. Lydia's letter shows extreme thoughtlessness and
frivolity, but also proves that she had every intention to marry Wickham.
Volume III, Chapter 6 Summary:
The next morning Mr. Gardiner sets off for
London. Mrs. Gardiner plans to remain for a few more days at Longbourn in order
to help Elizabeth and Jane. All in Meryton quickly changed their opinion of
Wickham from "an angel of light" to "the wickedest young man in
the world," now finding fault with so many of his actions.
A letter from Mr. Gardiner arrives in a
couple of days, explaining that they plan to inquire at every major hotel about
Lydia and Wickham. Mr. Gardiner also plans to ask Mr. Forster if anyone in the
militia has any idea of where he would be staying in London.
They receive a letter from Mr. Collins,
offering condolences and also criticizing the lack of parental attention to
Lydia. He also alludes to the fact that he is now glad Elizabeth turned down
his proposal, since being married to her would connect him with this disgrace.
Another letter arrives from Mr. Gardiner
saying that Mr. Forster has had no luck in finding any possible close friends
or relations with whom Wickham and Lydia might be staying. He also mentions
that Wickham has extra reasons for secrecy because of over 1,000 dollars in
gaming debts, along with other debts to the town merchants. Mr. Bennet decides
to come home and leave the rest of the searching to Mr. Gardiner. At the same
time, Mrs. Gardiner returns home to London with her children.
Elizabeth's misery at the situation is
greatly increased by the knowledge that it probably ruins her chances of
marriage to Darcy. When Elizabeth speaks to her father, he tells her that he
thinks himself completely to blame.
Volume III, Chapter 7 Summary:
Mr. Bennet receives an express letter from
Mr. Gardiner, stating that he has found Wickham and that Wickham will agree to
marry Lydia on condition that she receives her equal share of Mr. Bennet's
wealth after his death along with 100 pounds per year. Mr. Gardiner assumes
that Wickham's debts are not so bad as everyone had thought.
Mr. Bennet comments that Mr. Gardiner must
have paid Wickham a large sum of money to make him comply, since what Wickham
is asking is extremely little. When Elizabeth and Jane relate the news to Mrs.
Bennet, Kitty and Lydia, Mrs. Bennet is ecstatic. She begins to think about
ordering the wedding clothes.
Volume III, Chapter 8 Summary:
Mr. Bennet wants to find out how much Mr.
Gardiner paid to get Wickham to agree to the marriage and to pay him back as
much as possible.
After listening throughout dinner to Mrs.
Bennet's talk of wedding plans and suitable houses in the neighborhood for
Lydia and Wickham, Mr. Bennet informs her that he will not receive the couple
at Longbourn, nor give Lydia money for wedding clothes. Mrs. Bennet is more
disgraced by her daughter's lack of new clothes for the wedding than by her
elopement.
Elizabeth reflects on the fact that with
Wickham as a member of the family, there is no possibility that Darcy will
propose to her again. His proposal of four months ago would now be most
gratefully received. She realizes that Darcy is the man who would most suit
her, and that their personalities would complement each other for their mutual
advantage.
Another letter arrives from Mr. Gardiner.
He reports that Wickham is planning to quit the militia and that has a promise
of an ensigncy in a regiment quartered in the North. The letter also mentions
Wickham will pay off all his debts both in Brighton and Meryton. After
entreaties from Elizabeth and Jane, Mr. Bennet decides to allow Lydia and
Wickham to visit Longbourn before leaving for the North.
Volume III, Chapter 9 Summary:
When the couple arrives, they show no
sense of shame whatsoever and Lydia shamelessly expects congratulations from
all her sisters. Jane and Elizabeth are extremely distressed at Lydia's
conduct.
Upon observance, Elizabeth finds that
Wickham's affection for Lydia is not nearly so strong as her affection for him.
Lydia relates to Elizabeth all the details of the wedding. She is completely
ungrateful for what the Gardiners have done, and even complains that they would
not let her go out while she was staying with them. Lydia mentions in passing
that Mr. Darcy attended the wedding, but then says that she was not supposed to
tell anyone. Elizabeth writes to Mrs. Gardiner asking for more details about
why Mr. Darcy was at the wedding.
Volume III, Chapter 10 Summary:
Mrs. Gardiner's letter arrives, explaining
all the particulars with regard to Mr. Darcy's involvement in the wedding. Mr.
Darcy was the one who found out Wickham's whereabouts by bribing Miss Younge
(the woman who had helped Wickham to seduce Georgiana) to tell him. When Darcy
found the couple, he tried to convince Lydia to leave, but she refused. That
being the case, Darcy tried to get Wickham to marry Lydia, which Wickham had no
intention of doing. Darcy offered Wickham money in order to persuade him to marry
Lydia. Darcy then waited until Mr. Bennet had left for Longbourn and went to
inform Mr. Gardiner of all that had occurred, explaining that he felt guilty
for not having exposed Wickham's character sooner.
Mrs. Gardiner concludes the letter stating
that she is sure Darcy's actions are motivated by his love for Elizabeth, and
relates to Elizabeth how much she thinks that he would be a good match.
In reflecting on the letter, Elizabeth is
sensible of all the mortification and suffering which Darcy must have gone
through in the process of getting Wickham to marry Lydia. She does not think,
however, that his regard for her could possibly be the primary motive, and she
still does not think that there is any hope that he will marry her.
Elizabeth's reflections are interrupted by Wickham.
They have a guarded conversation in which she makes it clear that she knows
more about Wickham's true past than he would like, but she avoids provoking him
for Lydia's sake.
Volume III, Chapter 11 Summary:
Lydia and Wickham leave for Newcastle,
where his new regiment is stationed. Lydia's good-byes are not very
affectionate. Mrs. Bennet is sad that she will not be able to see her daughter
for a long time.
Mrs. Bennet hears from Mrs. Phillips that
Mr. Bingley is planning to return to Netherfield in a few days. Jane tells
Elizabeth that she does not want to see much of him. Elizabeth, however, after
having seen him while on vacation with the Gardiners, is sure that he is still
partial to Jane, and thinks that perhaps Mr. Darcy may have told Bingley that
he now approves of the match.
Mrs. Bennet plans to invite Bingley to
dinner. Jane is obviously disturbed by his coming and is pained by the constant
mention of his name.
Mr. Bingley and Darcy come to pay a visit
at Netherfield. Elizabeth begins to hope that Darcy's affections for her are
not shaken. When they come in, Elizabeth is pained by Mrs. Bennet's cold
reception of Darcy in comparison with Mr. Bingley, considering how much she
owes to Darcy. Elizabeth is also mortified by her mother's jubilant
announcement of Lydia and Wickham's marriage. Darcy speaks little during the
visit. When the gentlemen are leaving Mrs. Bennet invites them for dinner.
Volume III, Chapter 12 Summary:
During the dinner party, Bingley sits next
to Jane and Elizabeth is convinced that he still admires her. Mr. Darcy and
Elizabeth are sitting too far apart to be able to speak, and circumstances
prevent them from conversing after dinner. Elizabeth is anxious and annoyed
because she wants to speak with him very badly. Mrs. Bennet is extremely
pleased with the dinner and is sure that Bingley and Jane will soon be married.
Mr. Darcy is going back to London but will return in 10 days.
Volume III, Chapter 13 Summary:
After a few days Mr. Bingley calls again, and
the day after he joins them again for dinner. Mrs. Bennet contrives to get Jane
and Bingley alone together, but is unsuccessful. The next morning Mr. Bingley
joins Mr. Bennet to go hunting, and he then stays for dinner. Mrs. Bennet is
this time successful in arranging for Jane and Bingley to be left alone
together. When Elizabeth walks into the drawing room she finds them there alone
in earnest conversation. Bingley quickly leaves and Jane tells Elizabeth that
she is the happiest woman in the world. Jane then goes to tell her mother, and
Bingley, who had gone to speak with Mr. Bennet, returns and receives
Elizabeth's congratulations. All are very happy. Bingley now comes to visit
Netherfield every day.
Volume III, Chapter 14 Summary:
Early the next morning Lady Catherine
unexpectedly comes to visit. Lady Catherine is, as usual, domineering and
arrogant in her conversation. She tells Elizabeth she would like her company
for a walk outside. Lady Catherine tells Elizabeth that she has come because of
rumors that Darcy and Elizabeth will soon be married. Elizabeth answers her
inquiries curtly and without revealing the fact that Darcy has not proposed to
her again. Lady Catherine tries to forbid Elizabeth to marry Mr. Darcy, but
Elizabeth is insensible to her entreaties and threats. Lady Catherine is
furious and leaves.
Volume III, Chapter 15 Summary:
Her conversation with Lady Catherine
throws Elizabeth into a great discomposure of spirits. She is not sure what the
cause of Lady Catherine's suspicion is, but she is uneasy about the fact that
Lady Catherine will surely try to influence Darcy not to propose.
Mr. Bennet tells Elizabeth that he wants
to speak with her and relates to her the contents of a letter from Mr. Collins
in which he says that he has heard that Mr. Darcy may propose to Elizabeth and
advises Elizabeth not to accept because of Lady Catherine's disapprobation. Mr.
Bennet thinks the letter is extremely amusing because he still thinks that
Darcy is indifferent to Elizabeth and that Elizabeth hates Darcy.
Volume III, Chapter 16 Summary:
Within a few days Mr. Darcy returns to
Netherfield and he and Mr. Bingley come to Longbourn early in the day. Jane,
Bingley, Darcy, Elizabeth, and Kitty take a walk. Jane and Bingley lag behind
the rest, and eventually Darcy and Elizabeth are left to walk together alone as
well. As soon as they are alone Elizabeth expresses to Darcy her gratitude for
his assistance in the affair with Wickham and Lydia. Darcy replies that he
wishes she had not found out, but adds that what he did was done for
Elizabeth's sake. Elizabeth cannot say a word. Darcy tells her that his
affections are no different than they were when he proposed, and asks her to
tell him if hers are the same as well. Elizabeth informs him that her sentiments
have changed and that she will now gladly receive his assurances of continued
affection. He is overcome with delight upon hearing this and speaks warmly and
fervently about his love. Lady Catherine's attempt to dissuade him from
proposing only had the effect of giving him hope by letting him know that
Elizabeth was not decided against marrying him.
They speak about the last proposal, both
apologizing for their lack of civility. Mr. Darcy had been tortured by
Elizabeth's reproof "had you acted in a more gentleman-like manner."
This and her other reproofs on that night humbled him and led him to realize
his selfishness and conceit. Elizabeth tells Darcy that his letter slowly
removed all her former prejudices. When Darcy met Elizabeth at Pemberley, he
wanted to show her immediately that he had changed as a result of her just
reproofs.
Darcy tells Elizabeth that before leaving
for London he had told Bingley that he had been wrong in interfering with
Bingley's relationship with Jane and that he was now sure that Jane was really
attached to him. This assurance from Darcy gave Bingley the encouragement he
needed to make the proposal.
Volume III, Chapter 17 Summary:
At night, when she is finally able to
speak with Jane alone, Elizabeth tells her what has happened. Jane is
incredulous. But eventually Elizabeth convinces her that she is serious and
that she really does love Darcy. Elizabeth explains her reasons for previously
concealing her affection, and reveals to Jane what Darcy did for Lydia. Jane is
extremely happy for her, and they spend half the night talking.
The next morning Mrs. Bennet is annoyed on
seeing that Mr. Darcy has again accompanied Bingley to Longbourn, and suggests
that Elizabeth go for a walk with him to keep him out of Jane and Bingley's
way. Elizabeth is quite happy to comply. Bingley greets Elizabeth with such
warmth that she is sure he knows of her engagement. During their walk Elizabeth
and Darcy decide that Darcy will ask Mr. Bennet's consent in the evening and
that Elizabeth will speak to her mother.
After Mr. Darcy speaks with Mr. Bennet,
Darcy tells Elizabeth that her father wants to speak with her. Mr. Bennet is
shocked because he thinks that Elizabeth hates Darcy. After long explanations
she assures Mr. Bennet of her affection for him. She also tells him of what
Darcy did for Lydia. He is surprised and happy for his daughter.
At night Elizabeth tells her mother of the
engagement. Her mother is shocked but extremely happy in thinking of how rich
Darcy is. Her former dislike of him is completely forgotten.
The next day her mother acts remarkably
well toward Darcy, and her father tries to get to know him better and is
pleased with him.
Volume III, Chapter 18 Summary:
Elizabeth and Mr. Darcy converse playfully
about how he fell in love with her in the first place and why he took so long
to propose the second time. He tells her that his second proposal was all
thanks to Lady Catherine, her warning having given him hope of Elizabeth's
affection. Elizabeth asks him when he will tell Lady Catherine the news, and he
goes off to write to her, while Elizabeth goes to write to Mrs. Gardiner.
Miss Bingley's reactions to Mr. Bingley's
engagement to Jane are affectionate and insincere. Miss Darcy's reaction to
news of Mr. Darcy's engagement is one of genuine delight.
The Collinses come to stay at Lucas Lodge
because Lady Catherine is so angry at the engagement. Darcy deals well with the
obsequiousness of Mr. Collins, along with the vulgarity of Mrs. Philips and
Mrs. Bennet.
Mrs. Bennet is extremely happy and proud at her
daughters' marriages. Mr. Bennet misses Elizabeth and often goes to visit her
at Pemberley.
Bingley and Jane leave Netherfield after a
year and move to Derbyshire, because their closeness to Mrs. Bennet and the
Meryton relations is too much to bear even for them.
Kitty now spends most of her time with her
sisters, and is much improved by their example and society. Mary stays at home
and keeps her mother company on her visits.
Lydia soon writes to Elizabeth to
congratulate her and ask her to see if Mr. Darcy will use his money and
influence to help Wickham. Elizabeth replies negatively, but does send Lydia
money that she saves by economizing in her private expenses.
Miss Bingley drops her resentment of
Darcy's marriage because she wants to retain the right of visiting Pemberley.
Georgiana and Elizabeth become very close and very fond of one another.
Relations with Lady Catherine were broken off for a while, but Elizabeth
finally convinces Darcy to attempt a reconciliation, and Lady Catherine comes
to visit them. Darcy and Elizabeth are always on intimate terms with the
Gardiners, to whom they are grateful for having brought them together.
Pygmalion by B.Shaw
Context
Born in Dublin in 1856 to a middle-class
Protestant family bearing pretensions to nobility (Shaw's embarrassing
alcoholic father claimed to be descended from Macduff, the slayer of Macbeth),
George Bernard Shaw grew to become what some consider the second greatest
English playwright, behind only Shakespeare. Others most certainly disagree
with such an assessment, but few question Shaw's immense talent or the play's
that talent produced.
Shaw died at the age of 94, a
hypochondriac, socialist, anti-vaccinationist, semi-feminist vegetarian who
believed in the Life Force and only wore wool. He left behind him a truly
massive corpus of work including about 60 plays, 5 novels, 3 volumes of music
criticism, 4 volumes of dance and theatrical criticism, and heaps of social
commentary, political theory, and voluminous correspondence. And this list does
not include the opinions that Shaw could always be counted on to hold about any
topic, and which this amboyant public figure was always most willing to share.
Shaw's most lasting contribution is no doubt his plays, and it has been said
that "a day never passes without a performance of some Shaw play being
given somewhere in the world." One of Shaw's greatest contributions as a
modern dramatist is in establishing drama as serious literature, negotiating
publication deals for his highly popular plays so as to convince the public
that the play was no less important than the novel. In that way, he created the
conditions for later playwrights to write seriously for the theater.
Of all of Shaw's plays, Pygmalion is without the
doubt the most beloved and popularly received, if not the most significant in
literary terms. Several _lm versions have been made of the play, and it has
even been adapted into a musical. In fact, writing the screenplay for the _lm
version of 1938 helped Shaw to become the first and only man ever to win the
much coveted Double: the Nobel Prize for literature and an Academy Award. Shaw
wrote the part of Eliza in Pygmalion for the famous actress Mrs. Patrick
Campbell, with whom Shaw was having a prominent affair at the time that had set
all of London abuzz.
The aborted romance between Professor
Higgins and Eliza Doolittle reflects Shaw's own love life, which was always
peppered with enamored and beautiful women, with whom he flirted outrageously
but with whom he almost never had any further relations. For example, he had a
long marriage to Charlotte Payne-Townsend in which it is well known that he
never touched her once. The fact that Shaw was quietly a member of the British
Society for the Study of Sex Psychology, an organization whose core members
were young men agitating for homosexual liberation, might or might not inform
the way that Higgins would rather focus his passions on literature or science
than on women. That Higgins was a representation of Pygmalion, the character
from the famous story of Ovid's Metamorphoses who is the very embodiment of
male love for the female form, makes Higgins sexual disinterest all the more
compelling. Shaw is too consummate a performer and too smooth in his self-
presentation for us to neatly dissect his sexual background; these lean
biographical facts, however, do support the belief that Shaw would have an
interest in exploding the typical structures of standard fairy tales.
Characters
Professor Henry Higgins Henry Higgins is a professor of
phonetics who plays Pygmalion to Eliza Doolittle's Galatea. He is the author of
Higgins' Universal Alphabet, believes in concepts like visible speech, and uses
all manner of recording and photographic material to document his phonetic
subjects, reducing people and their dialects into what he sees as readily
understandable units. He is an unconventional man, who goes in the opposite
direction from the rest of society in most matters. Indeed, he is impatient
with high society, forgetful in his public graces, and poorly considerate of
normal social niceties the only reason the world has not turned against him is
because he is at heart a good and harmless man. His biggest fault is that he
can be a bully.
Eliza Doolittle f Eliza, The Flower Girl, Flower Girl,
flower girl, The flower girl, the flower girl g "She is not at all a
romantic figure." So is she introduced in Act I. Everything about Eliza
Doolittle seems to defy any conventional notions we might have about the
romantic heroine. When she is transformed from a sassy, smart-mouthed kerbstone
flower girl with deplorable English, to a (still sassy) regal figure _t to
consort with nobility, it has less to do with her innate qualities as a heroine
than with the fairy-tale aspect of the transformation myth itself. In other
words, the character of Eliza Doolittle comes across as being much more
instrumental than fundamental. The real (re-)making of Eliza Doolittle happens
after the ambassador's party, when she decides to make a statement for her own
dignity against Higgins' insensitive treatment. This is when she becomes, not a
duchess, but an independent woman; and this explains why Higgins begins to see
Eliza not as a mill around his neck but as a creature worthy of his admiration.
Colonel Pickering Colonel Pickering, the author of Spoken
Sanskrit, is a match for Higgins (although somewhat less obsessive) in his
passion for phonetics. But where Higgins is a boorish, careless bully,
Pickering is always considerate and a genuinely gentleman. He says little of note
in the play, and appears most of all to be a civilized foil to Higgins'
barefoot, absentminded crazy professor. He helps in the Eliza Doolittle
experiment by making a wager of it, saying he will cover the costs of the
experiment if Higgins does indeed make a convincing duchess of her. However,
while Higgins only manages to teach Eliza pronunciations, it is Pickering's
thoughtful treatment towards Eliza that teaches her to respect herself.
Alfred Doolittle Alfred Doolittle is Eliza's father, an
elderly but vigorous dustman who has had at least six wives and who "seems
equally free from fear and conscience." When he learns that his daughter
has entered the home of Henry Higgins, he immediately pursues to see if he can
get some money out of the circumstance. His unique brand of rhetoric, an
unembarrassed, unhypocritical advocation of drink and pleasure (at other
people's expense), is amusing to Higgins. Through Higgins' joking
recommendation, Doolittle becomes a richly endowed lecturer to a moral reform society,
transforming him from lowly dustman to a picture of middle class morality he
becomes miserable. Throughout, Alfred is a scoundrel who is willing to sell his
daughter to make a few pounds, but he is one of the few unaffected characters
in the play, unmasked by appearance or language. Though scandalous, his
speeches are honest. At points, it even seems that he might be Shaw's voice
piece of social criticism (Alfred's proletariat status, given Shaw's socialist
leanings, makes the prospect all the more likely).
Mrs. Higgins Professor Higgins' mother, Mrs. Higgins is a
stately lady in her sixties who sees the Eliza Doolittle experiment as idiocy,
and Higgins and Pickering as senseless children. She is the first and only
character to have any qualms about the whole affair. When her worries prove
true, it is to her that all the characters turn. Because no woman can match up
to his mother, Higgins claims, he has no interest in dallying with them. To
observe the mother of Pygmalion (Higgins), who completely understands all of
his failings and inadequacies, is a good contrast to the mythic proportions to
which Higgins builds himself in his self-estimations as a scientist of
phonetics and a creator of duchesses.
Freddy Eynsford Hill Higgins' surmise that Freddy is a fool
is probably accurate. In the opening scene he is a spineless and resourceless
lackey to his mother and sister. Later, he is comically bowled over by Eliza,
the half-baked duchess who still speaks cockney. He becomes lovesick for Eliza,
and courts her with letters. At the play's close, Freddy serves as a young,
viable marriage option for Eliza, making the possible path she will follow
unclear to the reader.
Summary
Two old gentlemen meet in the rain one night at
Covent Garden. Professor Higgins is a scientist of phonetics, and Colonel
Pickering is a linguist of Indian dialects. The first bets the other that he
can, with his knowledge of phonetics, convince high London society that, in a
matter of months, he will be able to transform the cockney speaking Covent
Garden flower girl, Eliza Doolittle, into a woman as poised and well-spoken as
a duchess.
The next morning, the girl appears at his
laboratory on Wimpole Street to ask for speech lessons, offering to pay a
shilling, so that she may speak properly enough to work in a flower shop.
Higgins makes merciless fun of her, but is seduced by the idea of working his
magic on her. Pickering goads him on by agreeing to cover the costs of the
experiment if Higgins can pass Eliza off as a duchess at an ambassador's garden
party. The challenge is taken, and Higgins starts by having his housekeeper
bathe Eliza and give her new clothes. Then Eliza's father Alfred Doolittle
comes to demand the return of his daughter, though his real intention is to hit
Higgins up for some money.
The professor, amused by Doolittle's
unusual rhetoric, gives him five pounds. On his way out, the dustman fails to
recognize the now clean, pretty flower girl as his daughter.
For a number of months, Higgins trains Eliza to speak
properly. Two trials for Eliza follow. The first occurs at Higgins' mother's
home, where Eliza is introduced to the Eynsford Hills, a trio of mother,
daughter, and son. The son Freddy is very attracted to her, and further taken
with what he thinks is her affected "small talk" when she slips into
cockney. Mrs. Higgins worries that the experiment will lead to problems once it
is ended, but Higgins and Pickering are too absorbed in their game to take
heed. A second trial, which takes place some months later at an ambassador's
party (and which is not actually staged), is a resounding success. The wager is
definitely won, but Higgins and Pickering are now bored with the project, which
causes Eliza to be hurt. She throws Higgins' slippers at him in a rage because
she does not know what is to become of her, thereby bewildering him. He
suggests she marry somebody. She returns him the hired jewelry, and he accuses
her of ingratitude.
The following morning, Higgins rushes to
his mother, in a panic because Eliza has run away. On his tail is Eliza's
father, now unhappily rich from the trust of a deceased millionaire who took to
heart Higgins' recommendation that Doolittle was England's "most original
moralist." Mrs. Higgins, who has been hiding Eliza upstairs all along,
chides the two of them for playing with the girl's affections. When she enters,
Eliza thanks Pickering for always treating her like a lady, but threatens
Higgins that she will go work with his rival phonetician, Nepommuck. The
outraged Higgins cannot help but start to admire her. As Eliza leaves for her
father's wedding, Higgins shouts out a few errands for her to run, assuming
that she will return to him at Wimpole Street. Eliza, who has a lovelorn
sweetheart in Freddy, and the wherewithal to pass as a duchess, never makes it
clear whether she will or not.
Act I
A heavy late-night summer thunderstorm
opens the play. Caught in the unexpected downpour, passers-by from distinct
strata of the London streets are forced to seek shelter together under the
portico of St Paul's church in Covent Garden. The hapless Son is forced by his
demanding sister and mother to go out into the rain to find a taxi even though
there is none to be found. In his hurry, he knocks over the basket of a common
Flower Girl, who says to him, "Nah then, Freddy: look wh' y' gowin,
deah." After Freddy leaves, the mother gives the Flower Girl money to ask
how she knew her son's name, only to learn that "Freddy" is a common
by-word the Flower Girl would have used to address anyone.
An elderly military Gentleman enters from
the rain, and the Flower Girl tries to sell him a flower. He gives her some
change, but a bystander tells her to be careful, for it looks like there is a
police informer taking copious notes on her activities. This leads to
hysterical protestations on her part, that she is only a poor girl who has done
no wrong. The refugees from the rain crowd around her and the Note Taker, with
considerable hostility towards the latter, whom they believe to be an
undercover cop. However, each time someone speaks up, this mysterious man has
the amusing ability to determine where the person came from, simply by
listening to that person's speech, which turns him into something of a
sideshow.
The rain clears, leaving few other people
than the Flower Girl, the Note Taker, and the Gentleman. In response to a
question from the Gentleman, the Note Taker answers that his talent comes from
"simply phonetics...the science of speech." He goes on to brag that
he can use phonetics to make a duchess out of the Flower Girl. Through further
questioning, the Note Taker and the Gentleman reveal that they are Henry
Higgins and Colonel Pickering respectively, both scholars of dialects who have
been wanting to visit with each other. They decide to go for a supper, but not
until Higgins has been convinced by the Flower Girl to give her some change. He
generously throws her a half-crown, some florins, and a half-sovereign. This
allows the delighted girl to take a taxi home, the same taxi that Freddy has
brought back, only to find that his impatient mother and sister have left
without him.
Act II
The next day, Higgins and Pickering are
just resting from a full morning of discussion when Eliza Doolittle shows up at
the door, to the tremendous doubt of the discerning housekeeper Mrs. Pearce,
and the surprise of the two gentlemen. Prompted by his careless brag about
making her into a duchess the night before, she has come to take lessons from
Higgins, so that she may sound genteel enough to work in a flower shop rather
than sell at the corner of Tottenham Court Road. As the conversation
progresses, Higgins alternates between making fun of the poor girl and
threatening her with a broomstick beating, which only causes her to howl and
holler, upsetting Higgins' civilized company to a considerable degree.
Pickering is much kinder and considerate of her feelings, even going so far as
to call her "Miss Doolittle" and to offer her a seat. Pickering is
piqued by the prospect of helping Eliza, and bets Higgins that if Higgins is
able to pass Eliza o_ as a duchess at the Ambassador's garden party, then he,
Pickering, will cover the expenses of the experiment.
This act is made up mostly of a long and
animated three-(sometimes four-)way argument over the character and the
potential of the indignant Eliza.
At one point, incensed by Higgins'
heartless insults, she threatens to leave, but the clever professor lures her
back by stuffing her mouth with a chocolate, half of which he eats too to prove
to her that it is not poisoned. It is agreed upon that Eliza will live with
Higgins for six months, and be schooled in the speech and manners of a lady of
high class. Things get started when Mrs. Pearce takes her upstairs for a bath.
While Mrs. Pearce and Eliza are away, Pickering wants
to be sure that Higgins' intentions towards the girl are honorable, to which
Higgins replies that, to him, women "might as well be blocks of
wood." Mrs. Pearce enters to warn Higgins that he should be more careful
with his swearing and his forgetful table manners now that they have an
impressionable young lady with them, revealing that Higgins's own gentlemanly
ways are somewhat precarious. At this point, Alfred Doolittle, who has learned
from a neighbor of Eliza's that she has come to the professor's place, comes
a-knocking under the pretence of saving his daughter's honor. When Higgins
readily agrees that he should take his daughter away with him, Doolittle
reveals that he is really there to ask for five pounds, proudly claiming that
he will spend that money on immediate gratification and put none of it to
useless savings.
Amused by his blustering rhetoric, Higgins
gives him the money. Eliza enters, clean and pretty in a blue kimono, and
everyone is amazed by the difference. Even her father has failed to recognize
her. Eliza is taken with her transformation and wants to go back to her old
neighborhood and show o_, but she is warned against snobbery by Higgins. The
act ends with the two of them agreeing that they have taken on a difficult
task.
Act III
It is Mrs. Higgins' at-home day, and she is greatly
displeased when Henry Higgins shows up suddenly, for she knows from experience
that he is too eccentric to be presentable in front of the sort of respectable
company she is expecting. He explains to her that he wants to bring the experiment
subject on whom he has been working for some months to her at-home, and
explains the bet that he has made with Pickering. Mrs. Higgins is not pleased
about this unsolicited visit from a common flower girl, but she has no time to
oppose before Mrs. and Miss Eynsford Hill (the mother and daughter from the
first scene) are shown into the parlor by the parlor-maid. Colonel Pickering
enters soon after, followed by Freddy Eynsford Hill, the hapless son from
Covent Garden.
Higgins is about to really offend the
company with a theory that they are all savages who know nothing about being
civilized when Eliza is announced. She makes quite an impact on everyone with
her studied grace and pedantic speech. Everything promises to go well until
Mrs. Eynsford Hill brings up the subject of influenza, which causes Eliza to
launch into the topic of her aunt, who supposedly died of influenza. In her
excitement, her old accent, along with shocking facts such as her father's
alcoholism, slip out. Freddy thinks that she is merely affecting "the new
small talk," and is dazzled by how well she does it. He is obviously
infatuated with her.
When Eliza gets up to leave, he offers to
walk her but she exclaims, "Walk! Not bloody likely. I am going in a
taxi." The Mrs. Eynsford Hill leave immediately after. Clara, Miss
Eynsford Hill, is taken with Eliza, and tries to imitate her speech. After the
guests leave, Mrs. Higgins chides Higgins. She says there is no way Eliza will
become presentable as long as she lives with the constantly-swearing Higgins.
She demands to know the precise conditions under which Eliza is living with the
two old bachelors. She is prompted to say, "You certainly are a pretty
pair of babies, playing with your live doll," which is only the first of a
series of such criticisms she makes of Higgins and Pickering.
They assail her simultaneously with
accounts of Eliza's improvement until she must quiet them. She tries to explain
to them that there will be a problem of what to do with Eliza once everything
is over, but the two men pay no heed. They take their leave, and Mrs. Higgins
is left exasperated by the "infinite stupidity" of "men! men!!
men!!!"
Act IV
The trio return to Higgins' Wimpole Street
laboratory, exhausted from the night's happenings. They talk about the evening
and their great success, though Higgins seems rather bored, more concerned with
his inability to find slippers. While he talks absentmindedly with Pickering,
Eliza slips out, returns with his slippers, and lays them on the floor before
him without a word. When he notices them, he thinks that they appeared out of
nowhere.
Higgins and Pickering begin to speak as if Eliza is
not there with them, saying how happy they are that the entire experiment is
over, agreeing that it had become rather boring in the last few months. The two
of them then leave the room to go to bed. Eliza is clearly hurt ("Eliza's
beauty turns murderous," say the stage directions), but Higgins and
Pickering are oblivious to her.
Higgins pops back in, once again mystified
over what he has done with his slippers, and Eliza promptly flings them in his
face. Eliza is mad enough to kill him; she thinks that she is no more important
to him than his slippers.
At Higgins' retort that she is
presumptuous and ungrateful, she answers that no one has treated her badly, but
that she is still left confused about what is to happen to her now that the bet
has been won. Higgins says that she can always get married or open that flower
shop (both of which she eventually does), but she replies by saying that she
wishes she had been left where she was before. She goes on to ask whether her
clothes belong to her, meaning what can she take away with her without being
accused of thievery. Higgins is genuinely hurt, something that does not happen
to him often. She returns him a ring he bought for her, but he throws it into
the _replace. After he leaves, she finds it again, but then leaves it on the
dessert stand and departs.
Act V
Higgins and Pickering show up the next day
at Mrs. Higgins' home in a state of distraction because Eliza has run away.
They are interrupted by Alfred Doolittle, who enters resplendently dressed, as
if he were the bridegroom of a very fashionable wedding. He has come to take
issue with Henry Higgins for destroying his happiness. It turns out that
Higgins wrote a letter to a millionaire jokingly recommending Doolittle as a
most original moralist, so that in his will the millionaire left Doolittle a
share in his trust, amounting to three thousand pounds a year, provided that he
lecture for the Wannafeller Moral Reform World League. Newfound wealth has only
brought him more pain than pleasure, as long lost relatives emerge from the
woodwork asking to be fed, not to mention that he is now no longer free to
behave in his casual, slovenly, dustman ways. He has been damned by
"middle class morality."
The talk degenerates into a squabble over
who owns Eliza, Higgins or her father (Higgins did give the latter five pounds
for her after all). To stop them, Mrs. Higgins sends for Eliza, who has been upstairs
all along. But first she tells Doolittle to step out on the balcony so that the
she will not be shocked by the story of his new fortune.
When she enters, Eliza takes care to
behave very civilly. Pickering tells her she must not think of herself as an
experiment, and she expresses her gratitude to him. She says that even though
Higgins was the one who trained the flower girl to become a duchess, Pickering
always treated her like a duchess, even when she was a flower girl. His
treatment of her taught her not phonetics, but self-respect. Higgins is
speaking incorrigibly harshly to her when her father reappears, surprising her
badly. He tells her that he is all dressed up because he is on his way to get
married to his woman. Pickering and Mrs. Higgins are asked to come along.
Higgins and Eliza are finally left alone while the rest go o_ to get ready.
They proceed to quarrel. Higgins claims
that while he may treat her badly, he is at least fair in that he has never
treated anyone else differently. He tells her she should come back with him
just for the fun of flithe will adopt her as a daughter, or she can marry
Pickering. She swings around and cries that she won't even marry Higgins if he
asks. She mentions that Freddy has been writing her love letters, but Higgins
immediately dismisses him as a fool.
She says that she will marry Freddy, and
that the two will support themselves by taking Higgins' phonetic methods to his
chief rival, Nepommuck. Higgins is outraged but cannot help wondering at her
character he finds his defiance much more appealing than the submissiveness of
the slippers-fetcher. Mrs. Higgins comes in to tell Eliza it is time to leave.
As she is about to exit, Higgins tells her off handedly to fetch him some
gloves, ties, ham, and cheese while she is out. She replies ambivalently and
departs; we do not know if she will follow his orders. The play ends with
Higgins's roaring laughter as he says to his mother, "She's going to marry
Freddy. Ha! Freddy! Freddy!! Ha ha ha ha ha!!!!!"
ТИХИЙ АМЕРИКАНЕЦ Роман
Олден Пайл — предстаитель экономического отдела
американского посольства в Сайгоне, антагонист Фаулера, другого героя романа.
Будучи обобщенным изображением вполне конкретных политических сил и методов
борьбы на мировой арене, фигура О. П. несет в себе и более глубокий и широкий
смысл. Перед нами достаточно знакомый тип человеческого поведения,
сформировавшийся именно в XX в., в эпоху острого идеологического противостояния
государств и систем, когда идейная убежденность человека, не способного мыслить
самостоятельно и критически, оборачивается на психическом уровне своеобразной
запрограммированностью суждений и действий, шаблонностью мышления, стремящегося
заключить сложность людских отношений в уже готовые рамки и схемы.
Для О. П. не
существует ничего индивидуального, частного, неповторимого. Все, что он видит,
переживает сам, он стремится подвести под систему понятий, соотнести с некими
якобы навсегда данными правилами, моделью отношений: свой любовный опыт он
сопоставляет с выводами статистики Кинси, впечатления о Вьетнаме — с точкой
зрения американских политических комментаторов. Каждый убитый для него либо
«красная опасность», либо «воин демократии». Художественное своеобразие романа
основано на сопоставлении и противопоставлении двух главных действующих лиц:
Фаулера и О. П. Гораздо более благополучным выглядит О. П.: он закончил
Гарвард, он из хорошей семьи, молод и довольно богат.
Томас Фаулер — английский журналист, работающий в Южном
Вьетнаме в 1951—1955 гг. Усталый, душевно опустошенный человек, во многом
схожий со Скоби — героем другого романа Грэма Грина— «Суть дела». Он считает,
что его долг — сообщать в газеты только факты, оценка их его не касается, он не
хочет ни во что вмешиваться, стремится остаться нейтральным наблюдателем. В
Сайгоне Т. Ф. уже давно, и единственное, чем он дорожит, что удерживает его
там, — любовь к вьетнамской девушке Фуонг. Но появляется американец Олден Пайл,
который уводит Фуонг. Роман начинается с убийства Пай л а и с того, что Фуонг
возвращается к Т. Ф. Но дальше идет ретроспекция. Полиция ищет преступника, а
параллельно с этим Т. Ф. вспоминает о Пайле: тот спас его во время нападения
вьетнамских партизан, буквально отнеся в безопасное место, рискуя собственной
жизнью. Как будто бы добрый поступок?
Пайл раздражает Т.
Ф. своими идеями, своим безапелляционным поведением, граничащим с фанатизмом.
Узнав наконец, что взрыв на площади, устроенный американцами, в результате
которого погибли женщины и дети, дело рук Пайла, Т. Ф. не выдерживает и
передает его в руки вьетнамских партизан: «Вы бы на него посмотрели... Он стоял
там и говорил, что все это печальное недоразумение, что должен был состояться
парад... Там, на площади, у одной женщины убили ребенка... Она закрыла его
соломенной шляпой». После смерти Пайла как-то сама собой устраивается судьба Т.
Ф.: он остается во Вьетнаме — «этой честной стране», где нищета не прикрыта
стыдливыми покровами; женщина, некогда легко оставившая его для Пайла, с той же
естественностью выгоды легко и грустно приходит теперь назад.
Олден Пайл -
представитель экономического отдела американского посольства в Сайгоне,
антагонист Фаулера, другого героя романа. Будучи обобщенным изображением вполне
конкретных политических сил и методов борьбы на мировой арене, фигура О. П.
несет в себе и более глубокий и широкий смысл. Перед нами достаточно знакомый
тип человеческого поведения, сформировавшийся именно в XX в., в эпоху острого
идеологического противостояния государств и систем, когда идейная убежденность
человека, не способного мыслить самостоятельно и критически, оборачивается на
психическом уровне своеобразной запрограммированностью суждений и действий,
шаблонностью мышления, стремящегося заключить сложность людских отношений в уже
готовые рамки и схемы. Для О. П. не существует ничего индивидуального,
частного, неповторимого. Все, что он видит, переживает сам, он стремится
подвести под систему понятий, соотнести с некими якобы навсегда данными
правилами, моделью отношений: свой любовный опыт он сопоставляет с выводами
статистики Кинси, впечатления о Вьетнаме - с точкой зрения американских
политических комментаторов. Каждый убитый для него либо "красная
опасность", либо "воин демократии". Художественное своеобразие
романа основано на сопоставлении и противопоставлении двух главных действующих
лиц: Фаулера и О. П. Гораздо более благополучным выглядит О. П.: он закончил
Гарвард, он из хорошей семьи, молод и довольно богат. Все подчинено правилам
морали, но морали формальной.
Так, он уводит у
своего друга Фаулера девушку, причем объясняет это тем, что ей будет с ним
лучше, он может дать ей то, что не может Фаулер: жениться на ней и дать ей
положение в обществе; жизнь его разумна и размеренна. Постепенно О. П.
превращается в носителя агрессии. "Напрасно я уже тогда не обратил
внимания на этот фанатический блеск в его глазах, не понял, как гипнотизируют
его слова, магические числа: пятая колонна, третья сила, второе
пришествие..." - думает о нем Фаулер. Той третьей силой, которая может и
должна спасти Вьетнам, а заодно помочь установлению господства США в стране, по
мнению О. П. и тех, кто направляет его, должна стать национальная демократия.
Фаулер предупреждает О. П.: "Эта ваша третья сила- это все книжные
выдумки, не больше. Генерал Тхе просто головорез с двумя-тремя тысячами солдат,
никакая это не третья демократия". Но О. П. переубедить нельзя. Он
организует взрыв на площади, и гибнут ни в чем не повинные женщины и дети, а О.
П., стоящего на площади, заполненной трупами, волнует ничтожное: "Он
взглянул на мокрое пятно на своем башмаке и упавшим голосом спросил: - Что это?
- Кровь, - сказал я, - никогда не видели, что ли? - Надо непременно почистить,
так нельзя идти к посланнику, - сказал он..." К моменту начала
повествования О. П. мертв- он предстает перед нами в мыслях Фаулера: "Я
подумал: "Какой смысл с ним говорить? Он так и останется праведником, а
разве можно обвинять праведников - они никогда ни в чем не виноваты. Их можно
только сдерживать или уничтожать. Праведник - тоже своего рода
душевнобольной".
Томас Фаулер -
английский журналист, работающий в Южном Вьетнаме в 1951-1955 гг. Усталый,
душевно опустошенный человек, во многом схожий со Скоби - героем другого романа
Грэма Грина- "Суть дела". Он считает, что его долг - сообщать в
газеты только факты, оценка их его не касается, он не хочет ни во что
вмешиваться, стремится остаться нейтральным наблюдателем. В Сайгоне Т. Ф. уже
давно, и единственное, чем он дорожит, что удерживает его там, - любовь к
вьетнамской девушке Фу-онг. Но появляется американец Олден Пайл, который уводит
Фуонг. Роман начинается с убийства Пай л а и с того, что Фуонг возвращается к
Т. Ф. Но дальше идет ретроспекция. Полиция ищет преступника, а параллельно с этим
Т. Ф. вспоминает о Пайле: тот спас его во время нападения вьетнамских партизан,
буквально отнеся в безопасное место, рискуя собственной жизнью. Как будто бы
добрый поступок? Пайл раздражает Т. Ф. своими идеями, своим безапелляционным
поведением, граничащим с фанатизмом. Узнав наконец, что взрыв на площади,
устроенный американцами, в результате которого погибли женщины и дети, дело рук
Пайла, Т. Ф. не выдерживает и передает его в руки вьетнамских партизан:
"Вы бы на него посмотрели... Он стоял там и говорил, что все это печальное
недоразумение, что должен был состояться парад... Там, на площади, у одной
женщины убили ребенка... Она закрыла его соломенной шляпой". После смерти
Пайла как-то сама собой устраивается судьба Т. Ф.: он остается во Вьетнаме -
"этой честной стране", где нищета не прикрыта стыдливыми покровами;
женщина, некогда легко оставившая его для Пайла, с той же естественностью
выгоды легко и грустно приходит теперь назад.
Robinson Crusoe by Daniel Defoe
Part 1 Summary:
The narrator introduces himself as
Robinson Crusoe. He was born in 1632 in the city of York to a good family. His
father is a foreigner who made money in merchandise before settling to down and
marrying his mother, whose surname is Robinson. His true last name is Kreutznaer,
but has been corrupted into Crusoe by the English. There are two older brothers
in the family; one died in the English regiment, and Robinson does not know
what became of the other.
Crusoe's father has designed him for the
law, but early on his head is filled with "rambling thoughts" of
going to sea. No advice or entreaties can diminish his desire. His father gives
him "excellent advice and counsel," telling him that only men of
desperate and superior fortunes go abroad in search of adventures, and that he
is too high or too low for such activities. His station is the middle station,
a state which all figures, great and small, will envy eventually, and his
happiness would be assured if he would stay at home. Nature has provided this
life, and Robinson should not go against this. After all, look what happened to
his brother who went into the army. The narrator is truly affected by his
father's discourse, but after a few weeks he decides to run away. He prevails
upon his mother to speak to his father and persuade him to allow one voyage. If
Robinson does not like it, he resolves to go home and think of the sea no more.
She reluctantly reports their conversation, but no headway is made, no consent
given. About a year later, he is able to procure free passage on a friend's
boat heading to London. Asking for no blessing or money, he boards the ship and
leaves.
Misfortune begins immediately. The sea is
rough, and Robinson regrets his decision to leave home. He sees now how
comfortably his father lives. The sea calms, and after a few days, the thoughts
are dismissed. The narrator speaks with his companion, marveling at the
"storm." His companion laughs and says it was nothing at all. There
is drinking that night, and Robinson forgets his fear of drowning. Within a few
more days, the wind is behaving terribly, and then a true and terrible storm
begins. Robinson spends much time in his cabin, laying down in fright. He sees
nothing but distress, and is convinced he is at death's door. The ship is being
flooded, and he is commissioned to help bail water. At one point Robinson
faints, but is roused quickly. The water is coming too fast, so they board life
boats. People on shore are ready to assist them, if they can reach land. The
boats arrive at Yarmouth, and the magistrate gives the men rooms. They must
decide whether or not to continue to London or return to Hull. His comrade
notes that Robinson should take this as a sign that he is not meant to go to
sea. They part in an angry state. Robinson travels to London via land. He is
ashamed to go home and be laughed at by neighbors. Finally he decides to look
for a voyage. He is deaf to all good advice, and boards a vessel bound for
Guiana because he befriends the its captain. This voyage, save seasickness,
goes well, but upon arrival the captain dies. Robinson resolves to take his
ship and be a Guiana trader.
On a course towards the Canary Islands,
they are attacked by Turkish pirates, who capture them and take them into
Sallee, a Moorish port. Robinson is now a slave. His new master takes him home
for drudgery work. The narrator meditates escape for the next two years. An
opportunity presents itself when his master sends Robinson, along with some
Moorish youths, to catch some fish. Robinson secretly stores provisions and guns
on the ship. They set out to fish. Robinson convinces the helmsman that they
will find fish further out. He goes behind one of the Moors and tosses him
overboard, saying that he should swim for shore because he the narrator is
determined to have liberty. Robinson turns to the other boy, called Xury, and
says he must be faithful or be tossed as well. Xury resolves fidelity and says
he will see the world with Robinson. They sail for five days, as the narrator
is anxious to get far away. They land in a creek and resolve to swim ashore and
see what country this is. For two days they are anchored there. They observe
"mighty creatures" yelling on shore and swimming towards the ship.
Robinson fires a gun to discourage them from swimming further. They are not
sure what animal this is.
Although the two are scared, they need
water. Together they will go ashore, and either they will both live or both
die. The land appears uninhabited. They are able to kill a hare-like animal for
dinner and obtain fresh water. Robinson is sure they are on the Canary or the
Cape Verde Islands. He hopes to come upon English trading vessels that will
allow them to board. The two men remain in the creek. Together they kill a lion
for sport as they pass the time. Xury cuts off a foot for them to eat. They
begin to sail along the land in search of a river. Eventually they see the land
is inhabited by naked black people. Robinson and Xury go closer to shore. The
people leave food at the water's edge. They keep great distance from the two
men. Another creature swims toward the boat. Robinson kills it, and sees that
it is a leopard of some sort. The black people accept the killing happily, so
Xury goes ashore for water and food. In the distance Robinson spies a
Portuguese ship, but it is too far to make contact. They leave immediately,
trying to follow the ship. Robinson fires a gun to get their attention.
Joyfully, Robinson finds they will let Xury and himself board, and the captain
does not demand any money from them. The ship is headed for Brazil.
Part 2 Summary:
The sea captain is extremely kind to
Crusoe. He buys Robinson's boat, all of his worldly goods, and Xury. At first
the narrator is reluctant to part with his servant, but the captain promises to
free him in ten years if he has turned Christian. As Xury finds this agreeable,
Robinson allows the exchange. The voyage to Brazil goes well. The narrator is
recommended by the captain to the house of an "honest man." This man
lives on a plantation, and Robinson lives with him for a while. Seeing how rich
the plantation owners are, he resolves to become a planter, and begins
purchasing much land. Once Robinson is planting, he becomes friendly with
Wells, his Portuguese neighbor. They slowly increase the diversity of their
stock. At this juncture Robinson regrets having sold Xury. He is in a trade
that he knows nothing about, and he has no one to talk to but the neighbor. If
he had listened to his father, he would have been comfortable at home. Still,
he is sustained by his augmenting wealth.
The captain returns and tells Robinson to
give him a letter of procuration so that he can bring the narrator half of the
fortune he has left with the English captain's widow. He returns not only with
money, but with a servant. Robinson is now infinitely richer than his neighbor,
and purchases a "Negro slave" and a "European servant."
Each year he grows more tobacco and thrives. But he is not completely happy
with this life. "Nature" and "Providence" stir him so that
he is not content, and winds up throwing himself into the pit of human misery
once more. Having made friends during his four year residence in Brazil, he has
spoken much of voyages to Guinea, where one can buy desirable items, but
especially Negro servants for plantation work. It is a highly restricted trade,
though. Three merchants come to him and say they want to buy the Negroes
privately for their own plantations. They ask if he will join and manage the
trading on Guinea. Ignoring the inner voice of his father, Robinson
wholeheartedly agrees to go. He makes the investing merchants promise they will
look after his plantation if he "miscarries." He boards the ship on
the first of September, eight years after he ran away from home.
Good weather lasts for a while, but then
it turns stormy. One man dies of sickness; a little boy is washed overboard.
After 12 days it is clear that the ship will not make it due to leakiness. They
decide to try and make it to Africa, where they can get assistance. For 15 days
they sail, and another storm hits. There is land in the distance, but they are
afraid it might be inhabited by savages who will eat them. The ship crashes
into sand, and the sea powerfully washes over it. They use their oars to edge
closer to shore, but their hearts are heavy because they know as soon as they
get there, the ship will be dashed to pieces and they will be overtaken by the
undercurrent and drowned. They have to at least try and swim. Once they jump
into the sea, Robinson has some good luck and is helped to shore by a wave. He
runs as the sea continues to chase him. The water fights him, but he manages to
land safely on shore. Robinson thanks God for his deliverance. He looks around,
sees nothing to help him, and runs about like a madman until he falls asleep in
a tree. The next day is calm and sunny. The narrator now sees that if they had
stayed on board, the ship would have made it to land without being dashed. But
the rest of the company is dead, and Robinson grieves. He swims out to the ship
and takes a few pieces to build a raft. On this he loads the provisions,
everything from food to weaponry. Robinson looks about the island for a good
place to live and store his supplies. There are no people, only beasts. A tent
serves as his lodging. He makes a number of voyages to the ship in the next few
weeks and brings back everything salvageable. In order to guard against
possible savages, the narrator moves his tent near a cave with steep sides. He
sets up a home with cables and rigging. A hammock is his bed. He makes a cave
behind the tent to serve as a cellar. Discovering goats on the island, Robinson
goes out daily to kill his food. This leads to his making a cooking area. When
desolation threatens to overwhelm him, he forces himself to remember the dead
company, and how much better off he is. At the very least he has housing and
guns to kill food.
Part 3 Summary:
After having been there about 12 days,
Robinson decides to keep a calendar by marking a large wooden post. He is very
happy to have some pen and paper, three Bibles, two cats and a dog, all from
the ship. The work upon his home is tedious without proper tools, but he
improvises. After all, he has nothing else to occupy his time. To comfort
himself the narrator makes a list of pros and cons about his shipwreck.
Ultimately he decides to be joyous because God has delivered and provided for
him. He is raising a wall around his home. After about a year and a half, he
has rafters and a thatched roof. Robinson realizes there is nothing he wants
that he can't make: thus he creates entrance and exit to his home, table and
chairs that he might truly enjoy writing and reading. The narrator begins a
journal, in which he documents his initial misery, and all of his tasks and
duties that he performs in acclimating to the island. A scheduled routine forms
for his hunting and building. Every animal he kills, he keeps the skins and
hangs them as ornaments. Robinson goes about the business of making chests to
store his provisions, as well as tools such as a wheelbarrow. The cave/cellar
appears to be finished when a quantity of earth falls from the ceiling; Crusoe
repairs this. He builds storage shelves to create "order within
doors." A more solid fence begins to form around his dwelling. The
narrator takes frequent walks and discovers pigeons, a very good meat. The
darkness is his greatest annoyance; he decides to make candles from the tallow
of slaughtered goats. While emptying sacks from the ship, Robinson shakes out
come pieces of corn. After the rains, husks of barley appear. The narrator is
astounded and thanks God. He manages to plant some rice as well.
Robinson builds a ladder to the entrance
of his home. While in his cave/cellar, an earthquake occurs and much of the
walls crumble. He is frightened and prays profusely. It rains violently. He
resolves to move his tent a bit to prevent untimely death from other
earthquakes. Pieces of the shipwreck wash up on shore. Robinson gathers them to
use on his new home. He finds a large tortoise that provides a good meal. Soon
he falls ill and has chills for many days. The narrator sleeps restlessly and
has nightmares about dark men coming to kill him. He reflects once more on how
good God has been to him, and assumes that this sickness is a punishment for
not realizing this goodness sooner. He regrets not listening to his father.
Robinson prays what he refers to as his "first prayer." He makes a
homemade remedy in the form of rum, tobacco and water. When his sickness grows
worse he wonders what he has done to deserve this. His conscience answers that
he has led a "dreadful misspent life." Robinson takes up reading the
Bible. He becomes better.
Part 4 Summary:
It takes some weeks for Robinson to
recover his full strength. He marvels at this deliverance from sickness. More
serious reading of the Bible commences. The narrator now looks at his past life
with complete horror. His thoughts are directed to a "higher nature."
The rainy season is dangerous to his health, so he spends little time walking
about. Crusoe's habitation is set; he feels that he wants to explore the rest
of the island. When the weather improves, he goes about and sees many meadows.
He also finds some tobacco growing. In the woods there is fruit growing in
great abundance, and a spring of fresh water. Robinson tries to being fruit
back, but he is gone so long it spoils. He resolves to try again. Returning to
his home, Crusoe finds that some of his grapes have been trod upon. There must
be wild creatures thereabouts. He hangs the remaining grapes to dry them into
raisins. Robinson loves the wilder part of the island so dearly that he resumes
his thoughts of a new habitation, and decides to simply build another one and
have two homes: a "sea coast house" and a "country house."
He finishes in time for the next rainy season. His cats are breeding with wild
cats on the island, so he is forced to kill some of them, that his food supply
is not entirely diminished. The year anniversary of his arrival is unhappy. He
prays again to God.
He has learned the rainy season from the
dry season, and decides to plant crops of rice and corn. The first crop is a
good one, so Robinson extends the arable land. He busies himself with the
farming and with making finer household items, like baskets. He moves
frequently between his two homes. His greatest desire at the moment is for a
pipe. On an exceptionally clear day, he spies a line of land, but he cannot be
sure where it is. He is sure, however, that the inhabitants are cannibalistic
savages. He discovers more animals on his rambles around the island. Many times
the narrator sleeps outdoors, in trees to protect himself. When he comes home,
however, he is always very happy. He has tamed a parrot and a young goat, who
follow him endlessly. The two year anniversary arrives, and it is still solemn,
but with much more joy in Robinson's heart. His desires in life are completely
altered. He decides he can be more happy in this existence than in his previous
one. Scripture reading is done daily and methodically. The narrator finds that
his crops are being eaten by birds. He shoots one and uses it successfully as a
scarecrow. The next goal is to try and make bread. His parrot Poll now talks.
Robinson makes some very good pots and
jars. He then forms a stone mortar to beat the corn into meal, and a sieve to
dress it. Over hot embers he bakes the batter and gets corn bread. This new
technique leads to an enlargement of the barns, to hold more corn.
Part 5 Summary:
Robinson is growing curious about the land
on the other side of the island. He believes from there he might spot a
mainland and obtain escape. Yet he does not think about falling into the hands
of savages. The narrator wishes for Xury and the boat they sailed. He resolves
to try and repair the wrecked ship's boat, but it sinks repeatedly. He then
decides to build his own boat. Crusoe is unsure as to how he will get the boat
off land, but decides to worry about this later. In retrospect this is referred
to as "preposterous method" of work. The boat is well-made, but
Robinson is unable to get it to the water due to its weight. The only way is to
build a canal to the ocean, which will take a long while. The fourth
anniversary comes, and Crusoe observes it with respect, marveling that there is
no wickedness here. Ironically, all the money he has is worthless--he longs for
a tobacco pipe or a handmill. He reflects upon the goodness of Providence, and
spends much time remembering important dates in his life.
Robinson's clothes have begun to wither.
He manages to use the skins of creatures he has killed to make a "sorry
shift." The skins keep him very dry in the rain, so he decides to make an
umbrella. He also makes another boat, small enough that he can get it to the
water. In the sixth year of his "reign or captivity," he sets out on
a voyage around the island. The current is strong and sweeps him away from the
island. Crusoe begins to fear that he will not be able to return. Gradually the
wind changes, and the narrator immediately goes back to shore, drops to his
knees, and thanks God. He is able to reach his country house by nightfall. He
is terribly frightened to hear a voice calling his name, asking where he is,
until he sees it is the parrot Poll. For the next year Robinson lives a quiet,
sedate life. He perfects his carpentry skills and is able to make a wheel tool
to aid in his building. His powder supply is decreasing, so he begins to set
traps to catch the goats and have his own flock. Eleven years have past. The
goats provide him with milk, from which the narrator is able to make butter and
cheese. He now dines like a "king among his subjects." Still the
narrator longs to sail around the island, but he is afraid of being swept away.
Thus he decides to have a boat on either side of the island. One day going to
visit his boat, he spies a man's footprint near it. Robinson is thunderstruck
with fear: it must be a savage from nearby lands. He wonders if there are on
the island, if it is the mark of the devil. His religious hope is abating. But
the narrator resolves to let God decide--if he is not to be delivered from the
evil, so be it.
Part 6 Summary:
Robinson begins to think that he might
have made the footprint himself; this makes him bolder and he goes out again to
milk his goats. But he walks with incredible fear, always looking behind him.
He concludes that since he has not seen anyone in fifteen years, the people
must come from abroad in boats. He wants to hide himself even more, so he
reinforces his walls and plants groves of trees that develop into a forest in
six years time. He moves his goats to a more remote location and divides them
into two groups. Crusoe makes his way to the shore opposite to the one on which
he landed, and finds it littered with human bones. His fear of cannibalistic
savages is confirmed. He thanks God that he was not eaten and that he is
distinguished from these people whom he sees as abhorrent. Gradually the
narrator becomes comfortable again, but he is cautious about firing his gun,
and prefers to tend his livestock, so he does not have to hunt. Aside from
this, he sets his mind to other tasks, such as learning to make beer.
Crusoe is not fearful but vengeful. He
longs for the chance to hurt these savages and save the victims. Several times
he imagines the proper mode of ambush and attack. He picks the exact sniper
spots. A daily tour commences to look out for approaching ships. He then steps
back, however, and wonders if it is his place to engage in violence with people
who have not done him any personal harm, and who are most likely killing
prisoners of war. Robinson debates with himself and concludes that he should
leave them to the justice of God. He continues his secluded life and is once
more thankful for his deliverance. Occasionally he is frightened by strange
sounds, and he is still cautious. But the narrator tells himself that if he is
not fit to face the devil, he could not have lived twenty years alone on the
island. Time continues passing. Robinson spends time with his parrot and his
various animals. One day, he is stunned to see a fire on his side of the
island--the savages are back. He sees they have two canoes from a lookout
point, but he does not dare approach them. When the tide returns they leave.
Crusoe is horrified at the human remains on the shore. Once again he wants to
destroy the savages when they return. When the twenty-fourth anniversary
passes, Robinson spies the wreck of a Spanish ship drifting towards the island.
His heart is lightened by the thought that there might be a survivor. He
hastens to his boat, gathers provisions, and rows out to the wreck. Aside from
a yelping dog, he finds no one living. Crusoe takes the dog, along with some
liquor, clothing and money, back to the island with him.
Part 7 Summary:
The narrator resumes his quiet steady
life. He always thinks upon the goodness of Providence. But he is haunted by
dreams of savages. In this time the narrator has thought that upon saving the
life of a captive or a savage himself, he might be able to make him his
companion and obtain escape from the island. Only now does he realize how
lonely he has been. Crusoe waits patiently, and after a year and a half he is
rewarded by the appearance of five canoes on shore. Against twenty or thirty
men, he wonders how he will fight. He spies two "miserable wretches"
being pulled from the boat. As one is beaten and cut open for the feast, the
other manages to run away, towards Robinson. He fetches his two guns and goes
to save "the creature's" life. He manages to shoot the two men
pursuing the prisoner. The prisoner then begins to bow to the narrator and rest
his head on his foot. He is amazed that his enemies are dead. Apparently he has
never seen a gun. Together they bury the bodies. Robinson gives the man bread,
raisins and water, who then falls asleep. He is a good-looking youth, about
twenty-six years old, but he does not speak English. Robinson manages to tell
the man that his name is Friday, and that he should call the narrator Master.
When they go out and reach the graves of the two men, Friday makes signs that
they should eat the bodies. Crusoe becomes very angry and leads away the docile
Friday. He still hungers for flesh, but the narrator makes him understand that
he will be killed if he eats other men. Friday is dressed in his master's
image. He becomes a most devoted manservant. The relationship is very loving.
Robinson seeks to make Friday civilized with everything from eating habits to
religious teachings. He teaches him how to use guns and roast goats. Crusoe is
having a wonderful time.
A year goes by in this pleasant way.
Friday learns broken English. He manages to tell Robinson that they are near
the Caribbean, and that they would need a big boat to get back to his homeland.
The narrator begins to teach about the Christian God. Friday does not
understand why the Devil cannot be beaten if God is stronger. Robinson makes
him understand that all must be given the chance to repent and be pardoned.
Explaining this makes Crusoe even more full of faith because he clears up his
own ideas. Friday tells him that there are white men living peaceably on his
native land. When the weather is clear, Friday rejoices at seeing his homeland
in the distance. Robinson worries that he might return there and resume his old
habits. Thus he is jealous. But Friday assures him that he only wants to return
so that he can teach the others. He says that Crusoe would have to come with
him, though, or he would not be able to leave. He cannot even bear for Crusoe
to send him to the continent first--they have lived in harmony for three years.
Together they manage to build a big boat. Robinson sets the adventure for the
post-rain months of November and December.
Part 8 Summary:
Before Friday and Robinson can make their
journey, three canoes arrive on the island. Friday panics. Robinson provides
him with some rum, and they gather their weapons. Crusoe is not worried; they
are "naked, unarmed wretches" who are subservient to him. The savages
have prisoners. As Friday and Robinson approach, they are eating the flesh of
one. A white-bearded man of European descent is a prisoner. The narrator is
horrified and enraged, for he thought those men lived peaceably with Friday's
people. Against nineteen men Friday and Crusoe wage battle, Friday always
copying the moves of his master. In the chaos, the prisoners are freed. One of
them is a Spaniard. The narrator enlists his help in shooting his captors.
Together the three of them manage to kill most of the savages. The remaining
ones run to two of the canoes and hastily row away, never again to return to
the island. In the third canoe another man is founded, bound and gagged. Friday
is ecstatic--it is his father. The reunion is joyous, and the narrator is very
touched. They give the prisoners bread and water. Friday and Robinson make them
some beds. Crusoe is very happy that "his island is now peopled," and
he is "rich in its subjects." He considers himself the rightful lord.
Talking with the Spaniard, Robinson learns that more of his men are living with
the savages, but in peace. The narrator would like to join these Europeans, but
he fears being a prisoner in New Spain and being sent to the Inquisition. The
Spaniard assures him this would not happen. He is so impressed with Robinson's
island that he wants to bring the rest of his men there to live. Everyone works
to increase the livestock and crops in preparation. Finally the Spaniard and
Friday's father are sent back in the canoe to gather the men.
As Friday and Robinson await their return,
they spy another ship close to shore. It appears to be an English boat. Some
men row to the island. Three of them are prisoners. The seamen are running
about, trying to explore this strange place. Robinson dearly wishes that the
Spaniard and Friday's father were here to help fight. While the seamen sleep,
Crusoe and Friday approach the prisoners, who see them as God-sent. They learn
from one that he is the captain of the ship, and his crew has mutinied. They
want to leave him with the first mate and a passenger to perish. Robinson says
he will try to save them on two conditions: that they pretend no authority on
the island, and that if the battle is won, that they take Friday and himself to
England passage-free. It is agreed. They are able to surprise everyone on land,
killing some and granting mercy to those who beg for their lives. Crusoe tells
the captain of his life on the island. The captain is visibly moved. Next they
want to recover the ship. On the water they hear shots. With the aid of a
binocular-type instrument, they see another small boat of men approaching. The
captain says only a few can be trusted; the chief organizer of the mutiny is in
the boat. Robinson marshals his "troops," consisting of Friday and
the prisoners. They wait to start the battle.
Part 9 Summary:
The boat of men lands on shore. They
examine the first, broken boat. Shots go off to try and find the other crew
members. Robinson and his army wait for a while. Just as the men are going to
leave, the narrator bids Friday and the first mate to holler from an area of
rising ground within his sight. The men run back eagerly. Two stay in the boat.
Crusoe and the others surprise them and quickly get them to join their side.
The other men are looking for the calls. Friday and the mate lead them astray
until dark. They return to the boat and are stunned when they find the other
two men gone. In the midst of their surprise Robinson and the army attack. Two
men are killed outright. The captain tells the rest to surrender by order of
the governor, Crusoe. Arms are laid down and the men are rounded up as
prisoners and divided up. Some are taken to the goat pasture, some to the cave,
where the first prisoners lay. Except for the worst of the crew, they all
pledge their undying devotion to the captain. In the guise of the governor's
assistant, Crusoe tells them that if they mutiny or go back on their word, they
will be killed. The captain goes out with his men in a boat and is able to
reclaim his large ship. He kills the head of the mutiny, and they hang his body
from a tree on the island. The captain immediately hands over the ship to
Crusoe. Crusoe embraces the captain as his deliverer. He dresses in new
clothing from the ship and poses as the Governor. He addresses the
untrustworthy prisoners, and tells them they can either stay on the island or
return to England and be hanged. They choose to stay on the isle. Robinson
takes time to show them where all his amenities are. He and Friday leave on the
ship with the rest of their little army.
Robinson arrives in England thirty-five
years after he left it. He finds the old Portuguese captain in Lisbon and is
able to get in contact with his old plantation partners. He finds he is very
wealthy and successful. He pays the Portuguese man and the widow who was his
trustee very well for all the kindness they have shown him. He sends his two
sisters in the English countryside some money. Crusoe thinks of going to
Brazil, but decides he could not bear the rule under the religion of
Catholicism. Thus he resolves to sell the plantation and settle in England. To
get to England from Portugal, Robinson decides not to sail but to go by land.
The journey is treacherous. They are almost attacked by wolves. The guide
becomes ill. At one point Friday must fight a bear. Happily enough, they are
successful and arrive unscathed in Dover. Robinson eventually marries and has
three children. When his wife dies, he takes a voyage with his nephew to the
East Indies. There he sees that his island is faring well, the Spaniards having
arrived at the behest of Friday's father and the first Spaniard who landed on
the isle. There are women and young children as well as men. Crusoe looks in on
the inhabitants of the island from time to time. He is always on a voyage.
PREFACE
The artist
creates beautiful things. Art aims to reveal art and conceal the artist. The
critic translates impressions from the art into another medium. Criticism is a
form of autobiography. People who look at something beautiful and find an ugly
meaning are "corrupt without being charming." Cultivated people look
at beautiful things and find beautiful meanings. The elect are those who see
only beauty in beautiful things. Books can’t be moral or immoral; they are only
well or badly written.
People of the nineteenth century who
dislike realism are like Caliban who is enraged at seeing his own face in the
mirror. People of the nineteenth century who dislike romanticism are like
Caliban enraged at not seeing himself in the mirror.
The subject matter of art is the moral
life of people, but moral art is art that is well formed. Artists don’t try to
prove anything. Artists don’t have ethical sympathies, which in an artist
"is an unpardonable mannerism of style." The subject matter of art
can include things that are morbid, because "the artist can express
everything." The artist’s instruments are thought and language.
Vice and virtue are the materials of art.
In terms of form, music is the epitome of all the arts. In terms of feeling,
acting is the epitome of the arts.
Art is both surface and symbol. People who
try to go beneath the surface and those who try to read the symbols "do so
at their own peril." Art imitates not life, but the spectator. When there
is a diversity of opinion about a work of art, the art is good. "When
critics disagree the artist is in accord with him[/her]self."
The value of art is not in its usefulness.
Art is useless.
CHAPTER 1
In a richly decorated studio an artist,
Basil Hallward talks with a guest, Lord Henry Wotton about a new portrait he
has standing out. Lord Henry exclaims that it is the best of Hallward’s work
and that he should show it at Grosvenor. Hallward remarks that he doesn’t plan
to show it at all. Lord Henry can’t imagine why an artist wouldn’t want to show
his work. Hallward explains that he has put too much of himself in it to show
it to the public. Lord Henry can’t understand this since Hallward isn’t a
beautiful man while the subject of the portrait is extraordinarily beautiful.
As he is explaining himself, he mentions the subject’s name--Dorian Gray. He
regrets having slipped, saying that when he likes people, he never tells their
names because it feels to him as if he’s giving them away to strangers.
Lord Henry compares this idea to his
marriage, saying that "the one charm of marriage is that it makes a life
of deception absolutely necessary for both parties." He adds that he and
his wife never know where the other is and that she’s always a better liar than
he is, but that she just laughs at him when he slips. Basil Hallward is
impatient with Lord Henry for this revelation, accusing Lord Henry of posing.
He adds that Lord Henry never says anything moral and never does anything
immoral. Lord Henry tells him that being natural is the worst of the poses.
Hallward returns to the idea of the
portrait. He explains that "every portrait that is painted with feeling is
a portrait of the artist, not the sitter." The sitter only occasions the
production of the art. The painter is revealed, not the sitter. He won’t,
therefore, show the secret of his soul to the public.
He tells the story of how he met Dorian
Gray. He went to a "crush" put on by Lady Brandon. While he was
walking around the room, he saw Dorian Gray, "someone whose mere
personality was so fascinating that, if I allowed it to do so, it would absorb
by whole nature, my whole soul, my very art itself." He was afraid of such
an influence, so he avoided meeting the man he saw. He tried to leave and Lady
Brandon caught him and took him around the room introducing him to her guests.
He had recently shown a piece that created a sensation, so his cultural capital
was quite high at the time. After numerous introductions, he came upon Dorian
Gray.
Lady Brandon says she didn’t know what Mr.
Gray did, perhaps nothing, perhaps he played the piano or the violin. The two
men laughed at her and became friends with each other at once.
He tells Lord Henry that soon he painted
Dorian Gray’s portrait. Now, Dorian Gray is all of Hallward’s art. He explains
that in art, there are two epochal events possible: one is the introduction of
a new medium for art, like the oil painting, the second is the appearance of a
new personality for art. Dorian Gray is the latter.
Even when he’s not painting Dorian Gray,
he is influenced by him to paint extraordinarily different creations. It is
like a new school of art emerging. Dorian Gray is his motive in art.
As he is explaining the art, he mentions
that he has never told Dorian Gray how important he is. He won’t show his
Dorian Gray- inspired art because he fears that the public would recognize his
bared soul. Lord Henry notes that bared souls are quite popular these days in
fiction. Hallward hates this trend, saying that the artist should create
beautiful things, and should put nothing of his own life into them. Dorian Gray
is often quite charming to Basil, but sometimes he seems to take delight in
hurting Basil. Basil feels at such moments that he has given his soul to
someone shallow and cruel enough to treat it as a flower to ornament his lapel.
Lord Henry predicts that Basil will tire of Dorian sooner than Dorian will tire
of him. Basil refuses to believe this. He says as long as he lives, Dorian Gray
will dominate his life.
Lord Henry suddenly remembers that he has
heard Dorian Gray’s name. His aunt, Lady Agatha, has mentioned him in relation
to some philanthropic work she does, saying he was going to help her in the
East End. Suddenly, Dorian Gray is announced. Basil Hallward asks his servant
to have Mr. Gray wait a moment. He tells Lord Henry not to exert any influence
on Dorian Gray because he depends completely on Dorian remaining uncorrupted.
Lord Henry scoffs at the idea as nonsense.
CHAPTER 2
When they walk from the studio into the
house, they see Dorian Gray at the piano. He tells Basil that he’s tired of
sitting for his portrait. Then he sees Lord Henry and is embarrassed. Basil
tries to get Lord Henry to leave, but Dorian asks him to stay and talk to him
while he sits for the portrait. He adds that Basil never talks or listens as he
paints. Lord Henry agrees to stay.
They discuss Dorian’s work in
philanthropy. Lord Henry thinks he’s too charming to do that kind of thing.
Dorian wonders if Lord Henry will be a bad influence on him as Basil thinks he
will be.
Lord Henry thinks all influence is
corrupting since the person influenced no longer thinks with her or his own
thoughts. He thinks the "aim of life is self development." He doesn’t
like philanthropy because it makes people neglect themselves. They clothe poor
people and let their own souls starve. Only fear governs society, according to
Lord Henry. Terror of God is the secret of religion and terror of society is
the basis of morals. If people would live their lives fully, giving form to
every feeling and expression to every thought, the world would be enlivened by
a fresh impulse of joy. He urges Dorian not to run from his youthful fears.
Dorian becomes upset and asks him to stop
talking so he can deal with all that he has said. He stands still for ten
minutes. He realizes he is being influenced strongly. He suddenly understands
things he has always wondered about. Lord Henry watches him fascinated.
He remembers when he was sixteen he read a
book and was immensely influenced. He wonders if Dorian Gray is being
influenced that way by his random words. Hallward paints furiously. Dorian asks
for a break. Basil apologizes for making him stand so long. He is excited about
the portrait he’s painting, and praises Dorian for standing so perfectly still
as to let him get at the effect he had wanted. He says he hasn’t heard the
conversation, but he hopes Dorian won’t listen to anything Lord Henry tells him.
Lord Henry and Dorian go out into the
garden while Basil works on the background of the portrait in the studio.
Dorian buries his face in a flower. Lord Henry tells him he is doing just as he
should since the senses are the only way to cure the soul. They begin to stroll
and Dorian Gray clearly looks upset. He’s afraid of Lord Henry’s influence.
Lord Henry urges him to come and sit in the shade to avoid getting a sunburn
and ruining his beauty. Dorian wonders why it’s important. Lord Henry tells him
it matters more than anything else since his youth is his greatest gift and
that it will leave him soon. As they sit down, he implores Dorian to enjoy his
youth while he can. He shouldn’t give his life to the "ignorant, the
common, and the vulgar." He thinks the age needs a new Hedonism (pursuit
of pleasure as the greatest goal in life). Dorian Gray could be its visible
symbol.
Dorian Gray listens intently. Suddenly,
Basil comes out to get them. He says he’s ready to resume the portrait. Inside,
Lord Henry sits down and watches Basil paint. After only a quarter of an hour,
Basil says the painting is complete. Lord Henry proclaims it his finest work
and offers to buy it. Basil says it’s Dorian’s painting.
When Dorian looks at it, he realizes he
is beautiful as Lord Henry has been telling him. He hadn’t taken it seriously
before. Now he knows what Lord Henry has meant by youth being so short-lived.
He realizes the painting will always be beautiful and he will not. He wishes it
were reversed. He accuses Basil of liking his art works better than his
friends. Basil is shocked at this change in Dorian. He tells him his friendship
means more to him than anything. Dorian is so upset that he says he’ll kill
himself the moment he realizes he’s growing old. Basil turns to Lord Henry and
says it’s his fault. Then he realizes he is arguing with his two best friends
and says he’ll destroy the painting to stop the argument. Dorian pulls the
knife away from him to stop him. He tells Basil he’s in love with the portrait
and thinks of it as part of himself.
The butler brings tea and the men sit down
to drink it. Lord Henry proposes they go to the theater that night. Basil
refuses the invitation, but Dorian agrees to go. When they get up to go, Basil
asks Lord Henry to remember what he asked him in the studio before they went in
to see Dorian. Lord Henry shrugs and says he doesn’t even trust himself, so
Basil shouldn’t try to trust him.
CHAPTER 3
It is 12:30 in the afternoon and Lord
Henry Wotton is walking to his uncle’s house. Lord Fermor had in his youth been
secretary to his father, an ambassador to Madrid. When his father didn’t get
the ambassadorship of Paris, he quit in a huff and Lord Fermor quit with him.
From them on Lord Fermor had spent his life devoted "to the serious study
of the great aristocratic art of doing absolutely nothing." He pays some
attention to the coal mines in the Midland counties, "excusing himself
from the taint of industry on the ground that the one advantage of having coal
was that I enabled a gentleman to afford the decency of burning wood on his own
hearth."
Lord Henry is visiting him to find out
what he knows about Dorian Gray’s parents. He doesn’t belong to the Bluebooks
(the lists of English nobles), but he is Kelso’s grandson and his mother was
Lady Margaret Devereux, an extraordinary beauty of her day. She married a
penniless man and upset everyone in the process. Her husband died soon
afterwards, killed in a duel set up by her father. She was pregnant. In
childbirth, she died, leaving Dorian to grow up with his ruthless grandfather.
Lord Henry leaves from his uncle’s and
goes to his aunt’s house for lunch. He becomes engrossed in his thoughts about
Dorian Gray’s background. He decides he will dominate Dorian just as Dorian
dominates Basil Hallward. When he gets to his aunt’s he is happy to see Dorian
is at the table. He begins to regale his aunt’s guests with his hedonistic
philosophy of life. He scorns the motives of philanthropy, which his aunt and
most of her guests espouse, and carries on about the joys of the pursuit of
pleasure for its own sake. He is pleased to see that Dorian is fascinated by
his speech. All of his aunt’s guests are, in fact, and he receives several
invitations.
When lunch is over, he says he will go to
the park for a stroll. Dorian asks to come along and begs him to keep talking.
Lord Henry says he is finished talking and now he just wants to be and enjoy.
Dorian wants to come anyway. Lord Henry reminds him he has an appointment with
Basil Hallward. Dorian doesn’t mind breaking it.
CHAPTER 4
One month later, Dorian Gray is waiting at
Lord Henry’s for him to come home. He is impatient since he’s been waiting for
a while. Lord Henry’s wife comes in and they chat for a while about music. She
notices that he parrots her husband’s views, as many people in her social
circle do. Lord Henry arrives and his wife leaves. After Henry advises him not
to marry, Dorian says he is too much in love to consider marriage. He is in
love with an actress. He thinks of her as a genius. Lord Henry explains that
women can’t be geniuses because they are made only for decoration. He adds that
there are only two kinds of women, the plain and the colored. Plain women are
useful for respectability and colored women are useful for charming men. Dorian
claims to be terrified by Lord Henry’s views. Lord Henry pushes him to tell
more about the actress.
Dorian says that for days after he met
Lord Henry, he felt alive with excitement and wanted to explore the world
intensely. He walked the streets staring into the faces of people to see into
their lives. He decided one night to go out and have an adventure. He was
walking along the street and was hailed to come into a second rate theater.
Despite his repulsion for the caller, he went in and bought a box seat. The
play was Romeo and Juliet. He hated all of it until Juliet came on stage and
then he was entranced. Since that night he has gone every night to the theater.
He met her on the third night and found her exquisitely innocent, knowing
nothing at all of life but art.
He wants Lord Henry and Basil Hallward to
come to see her the next evening. His plan is to pay her manager off and set
her up in a good theater. Lord Henry invites him to dinner that evening, but he
refuses, saying he has to see her perform Imogen. He leaves.
Lord Henry thinks about what he’s learned.
He thinks of Dorian Gray as a good study. He likes to study people like a
scientist studies the results of an experiment. He thinks of Dorian as being
his own creation. He had introduced his ideas to Dorian and made him a
self-conscious man. Literature often did that to people, but a strong
personality like his could do it as well. As he thinks over his thoughts, he’s
interrupted by his servant reminding him it’s time to dress for dinner. As he
arrives home that night, he finds a telegram on the hall table announcing that
Dorian Gray was to marry Sibyl Vane.
CHAPTER 5
Sibyl Vane is exclaiming to her mother
about how much in love she is with her Prince Charming, as she calls Dorian
Gray, not knowing yet what his name is. Her mother warns her that she must keep
her focus on acting since they owe Mr. Isaacs fifty pounds. Sibyl is impatient
with her mother and tries to get her mother to remember when she was young and
in love with Sibyl’s father. Her mother looks pained and Sibyl apologizes for
bringing up a painful subject.
Her brother Jim comes in. It’s his last
night on shore. He is booked as a sailor on a ship headed for Australia. When
Sibyl leaves the room, he asks his mother about the gentleman he has heard has
been coming to the theater to see Sibyl every night. His mother tells him the
man is wealthy and it might be a good thing for Sibyl. Jim is not convinced.
When Sibyl comes back, she and Jim go for
a walk in the park together. While there, Jim questions her about the man who
has been calling on her. She only says how much she is in love with the man and
how she is sure he’s trustworthy. Jim says that if he comes back and finds that
the man has hurt her, he’ll kill the man. They walk on and return home after a
while.
Alone again with his mother, Jim asks her
if she was married to his father. She has been feeling like he has been on the
verge of asking this question for weeks. She is relieved to get it out in the
open. She says she was never married to the man. He was married, but loved her
very much. He would have provided for her and her family, but died. Jim tells
her to keep the gentleman away from Sibyl. She tells him that he need not worry
because Sibyl has a mother, but she herself didn’t. He is touched by her
sincerity and they embrace. Soon, though, he has to get ready to leave for his
ship. Mrs. Vane thinks about his threat to kill Sibyl’s Prince Charming, but
thinks nothing will ever come of it.
CHAPTER 6
Lord Henry greets Basil Hallward as he
arrives at the Bristol for dinner. He tells him the news about Dorian’s
engagement to Sibyl Vane. Basil is surprised and can’t believe it’s true. He
can’t believe Dorian would do something as foolish as to marry an actress in
light of his "birth, and position, and wealth." Lord Henry acts
nonchalant about the news and Basil is quite worried.
Finally Dorian arrives elated to tell the
others of his news. Over dinner he tells them that he proposed to Sibyl on the
previous evening after watching her as Rosalind. He kissed her and told her he
loved her and she told him she wasn’t good enough to be his wife. They are
keeping their engagement a secret from her mother.
Dorian tells Lord Henry that she will save
him from Lord Henry’s "wrong, fascinating, poisonous, delightful
theories" about life, love, and pleasure. Lord Henry says they aren’t his
theories but Nature’s. Basil Hallward begins to think the engagement will be a
good thing for Dorian after all.
As they leave, Lord Henry tells Hallward
to take a separate conveyance to the theater since his is large enough only for
him and Dorian. As he rides in the carriage behind Lord Henry’s, Basil Hallward
feels a strong sense of loss, as if Dorian Gray will never again be to him all
that he had been in the past. He realizes that life has come between them. He
feels, when he arrives at the theater, that he has grown years older.
CHAPTER 7
At the theater, Dorian is surprised to
find it crowded with people. He takes Lord Henry and Basil Hallward to his
usual box and they discuss the crowd below. He tells them that Sibyl’s art is
so fine that she spiritualizes the common people, transforming their ugliness
into beauty. Basil tells him he now agrees that the marriage will be a good
thing for him.
When Sibyl appears on the stage, both men
are entranced by her beauty, but when she starts to act, they are embarrassed
for Dorian. Dorian doesn’t speak, but he is horribly disappointed. Sibyl’s
acting is horribly wooden. The people below hiss and catcall to the stage
making fun of her poor acting. After the second act, Lord Henry and Basil
Hallward leave. Dorian tells them he will stay out the performance. He hides
his face in anguish.
When the play is over, he goes to the
green room to find Sibyl. She’s waiting for him. She looks radiantly happy. She
tells him she acted so badly because she loves him. She says that before she
loved him, the stage was real and alive for her. she never noticed the
tawdriness of the stage set or the ugliness of her fellow actors. She had put
everything into it because it was all of her life. When she realized tonight
that she was acting horribly, she was struck by the realization that it was
because she had found a new reality.
When she finishes, Dorian tells her she
disappointed him and embarrassed him horribly. He says she killed his love.
Sibyl is shocked and horrified by his words. She begs him to take them back,
but he goes on. he tells her he loved her for her art and now she has nothing
of her art and so he doesn’t love her any more. Now she is nothing but "a
third-rate actress with a pretty face." Sibyl throws herself at his feet
begging him to be kind to her, but he walks away scornfully, thinking how
ridiculous she looks.
He walks through the poverty-stricken
streets of London for a long time. Then he gets back to his room, recently
redecorated since he learned to appreciate luxury from Lord Henry. He is
undressing when he happens to glance at the portrait. He is taken aback to
notice a change in it. Lines around the mouth have appeared. The face has a
cruel expression. He turns on the lights and looks at it more carefully, but
nothing changes the look of cruelty on the face. He remembers what he said in
Basil’s studio the day he saw it for the first time. He had wished to change
places with it, staying young forever while it aged with time and experience.
He knows that the sin he committed against Sibyl that evening had caused him to
age. He realizes that the portrait will always be an emblem of his conscience
from now on. He dresses quickly and hurries toward Sibyl’s house. As he hurries
to her, a faint feeling of his love for her returns to him.
CHAPTER 8
Dorian doesn’t wake up the next day until
well past noon. He gets up and looks through his mail, finding and laying aside
a piece of mail hand delivered from Lord Henry that morning. He gets up and
eats a light breakfast all the while feeling as if he has been part of some
kind of tragedy recently. As he sits at breakfast, he sees the screen that he
hurriedly put in front of his portrait the night before and realizes it was not
a dream but is true. He tells his servant that he is not accepting callers and
he goes to the portrait and removes the screen. He hesitates to do so, but
decides he must. When he looks at the portrait he sees that it was not an
illusion. The change remains. He looks at it with horror.
He realizes how unjust and cruel he had
been to Sibyl the night before. He thinks the portrait will serve him as a
conscience throughout life. He remains looking at the portrait for hours more.
Finally, he gets paper and begins to write a passionate letter to Sibyl
apologizing for what he had said to her and vowing eternal love. He reproaches
himself in the letter so voluptuously that he feels absolved, like a person who
has been to confession. He lays the letter to the side and then he hears Lord
Henry calling to him through the door.
Lord Henry begs to be let in and Dorian
decides he will let him. Lord Henry apologizes for all that has happened.
Dorian tells him he was brutal with Sibyl the night before after the
performance, but now he feels good and is not even sorry that it happened. Lord
Henry says he had worried that Dorian would be tearing his hair in remorse.
Dorian says he is quite happy now that he knows what conscience is. He asks
Henry not to sneer at it, and says that he wants to be good. He adds that he
can’t stand the idea "of [his] soul being hideous." Lord Henry
exclaims about this "charming artistic basis for ethics." Dorian says
he will marry Sibyl. It is then when Lord Henry realizes Dorian didn’t read his
letter. In it, he had told Dorian that Sibyl committed suicide the night before
by swallowing some kind of poison.
Lord Henry begins advising Dorian about
how to avoid the scandal that such a story would attach to his name. He asks if
anyone but Sibyl knew his name and if anyone saw him go behind stage to speak
to her after her performance. Lord Henry urges Dorian not to let the episode
get on his nerves. He invites him out to dinner and to the opera with his
sister and some smart women. Dorian exclaims that he has murdered Sibyl Vane.
He marvels that life is still as beautiful with birds singing and roses
blooming. He adds that if he had read it in a book, he would have thought it
movingly tragic. He recounts the exchange between he and Sibyl the night
before, telling Henry of how cruel he was in casting her aside. He ends by
condemning her as selfish for killing herself.
Lord Henry tells him that a woman can only
reform a man by boring him so completely that he loses all interest in life. He
adds that if Dorian would have married Sibyl, he would have been miserable
because he wouldn’t have loved her. Dorian concedes that it probably would have
been. He is amazed that he doesn’t feel the tragedy more than he does. He
wonders if he’s heartless. He thinks of it as a wonderful ending to a wonderful
play, a "tragedy in which [he] took a great part, but by which [he] has
not been wounded." Lord Henry likes to play on Dorian’s unconscious egotism,
so he exclaims over the interest of Dorian’s sense of it.
Dorian thinks he will now have to go into
mourning, but Lord Henry tells him it is unnecessary since there is already
enough mourning in life. He adds that Sibyl must have been different from all
other women who are so trivial and predictable. When Dorian expresses remorse
at having been cruel to her, Lord Henry assures him that women appreciate
cruelty more than anything else. They are primitive. Men have emancipated them,
but they have remained slaves and they love being dominated. He reminds Dorian
that Sibyl was a great actress and that he can think of her suicide as an
ending to a Jacobean tragedy.
Dorian finally thanks Lord Henry for
explaining himself to him. He revels in what a marvelous experience it has all
been for him. He wonders if life will give him anything more marvelous and
Henry assures him that it will. He wonders what will happen when he gets old
and ugly. Henry tells him that then he will have to fight for his victories.
Dorian decides he will join Lord Henry at the opera after all. Lord Henry
departs.
When he is alone, Dorian looks again at
the portrait. He sees that it hasn’t changed since he last saw it. He thinks of
poor Sibyl and revels in the romance of it all. He decides that he will embrace
life and the portrait will bear the burden of his shame. He is sad to think of
how the beautiful portrait will be marred. He thinks for a minute about praying
that the strange sympathy that exists between him and the picture would
disappear, but he realizes that no one would give up the chance at being
forever young. Then he decides that he will get pleasure out of watching the
changes. The portrait would be a magic mirror for him, revealing his soul to
him. He pushes the screen back in front of it and dresses for the opera.
CHAPTER 9
The next morning after the opera, Dorian
is visited by Basil Hallward. Basil assumes that he really didn’t go to the
opera the night before and is shocked to find out that he did so after all. He
can’t believe that Dorian is so unfeeling when Sibyl isn’t even buried yet.
Dorian tells him he doesn’t want to hear about it because it’s in the past. He
thinks if he is a strong man, he should be able to dominate his feelings and
end them when he wants to end them. Basil blames Dorian’s lack of feeling on
Lord Henry.
Dorian tells Basil that it was he who
taught him to be vain. Basil is shocked to find out that Sibyl killed herself.
Dorian tells him it is fitting that she did, more artistic. "Her death has
all the pathetic uselessness of martyrdom, all its wasted beauty." He
tells Basil that he has suffered, that he was suffering terribly yesterday
around five or six o’clock. He says he no longer has these emotions and it
would be nothing but empty sentimentality to try to repeat the feelings that
have passed. He asks Basil to help him see the art in it rather than to try to
make him feel guilt over it. He begs Basil not to leave him but to stop
quarreling with him.
Basil is moved by Dorian’s speech and
decides Dorian might be passing through a momentary lapse of feeling and should
be berated for it. He agrees not to speak to Dorian again of Sibyl. Dorian asks
him, however, to draw him a picture of Sibyl. Basil agrees to do so and urges
Dorian to come sit for him again, saying he can’t get on with his painting
without Dorian. Dorian starts and says he will never be able to sit for Basil
again. Basil is shocked and then looks around to see if he can see the portrait
he gave Dorian. He is annoyed to find that it is hidden behind a screen and
goes toward it. Dorian jumps up and stands between him and the screen keeping
him away from it. He makes Basil promise never to look at it again and not to
ever ask why. Basil is surprised but agrees to do so, saying that Dorian’s
friendship is more important to him than anything. He tells Dorian he plans to
show the portrait in an exhibit. Dorian remembers the afternoon in Basil’s
studio when Basil said he would never show it. He remembers Lord Henry telling
him to ask Basil one day about why. He does so now.
Basil explains to him reluctantly that he
was fascinated with him and dominated by his personality from the first moment
he saw him. He painted every kind of portrait of him, putting him in ancient
Greek garb and in Renaissance garb. One day he decided to paint Dorian as he
was, and as he painted each stroke, he became fascinated with the idea that the
portrait was revealing his idolatry of Dorian. He swore then hat he would never
exhibit it. However, after he gave the portrait to Dorian, the feeling passed
away from him. He realized that "art conceals the artist far more
completely than if ever reveals him." That was when he decided to exhibit
the portrait as a centerpiece.
Dorian takes a breath. He realizes he is
safe for the present since Basil clearly doesn’t know the truth about the
painting. Basil thinks Dorian sees what he saw in the portrait, his idolatry of
Dorian. He tries to get Dorian to let him see the portrait, but Dorian still
refuses. Basil leaves and Dorian thinks over what he had said to him. He calls
his servant, realizing that the portrait has to be put away where he won’t run
the risk of guests trying to see it.
CHAPTER 10
Dorian is in his drawing room when his
manservant Victor enters. She scrutinizes Victor to see if Victor has looked
behind the curtain at the portrait. He watches Victor in the mirror to see if
he can see anything but can see nothing but "a placid mask of
servility." He sends for the housekeeper. When she arrives, he asks her to
give him the key to the old schoolroom. She wants to clean it up before he goes
up to it, but he insists he doesn’t need it cleaned. She mentions that it
hasn’t bee used for five years, since his grandfather died. Dorian winces at
the mention of his grandfather, who was always mean to him.
When she leaves, he takes the cover off
the couch and throws it over the portrait. he thinks of Basil and wonders if he
shouldn’t have appealed to Basil to help him resist Lord Henry’s influence. He
knows Basil loves him with more than just a physical love. However, he gives up
on the thought of asking Basil for help, deciding that the future is inevitable
and the past can always be annihilated.
He receives the men from the framemaker’s
shop. The framemaker himself, Mr. Hubbard, has come. He asks the two men to
help him carry the portrait upstairs. He sends Victor away to Lord Henry’s so
as to get him out of the way in order to hide the operation from him. They get
the portrait upstairs with some trouble and he has them lean it against the wall
and leave it. He hates the idea of leaving it in the dreaded room where he was
always sent to be away from his grandfather who didn’t like to see him, but
it’s the only room not in use in the house. He wonders what the picture will
look like over time. He thinks with repulsion of how its image will show the
signs of old age.
When he gets back downstairs to the
library, Victor has returned from Lord Henry’s. Lord Henry had sent him a book
and the paper. The paper is marked with a red pen on a passage about the
inquest into Sibyl Vane’s death. He throws it away annoyed at Lord Henry for
sending it and fearing that Victor saw the red mark. Then he picks up the book
Lord Henry sent him. It is a fascinating book from the first page. It is a
plot-less novel, a psychological study of a young Parisian who spends all his
life trying to realize all the passions and modes of thought of previous ages.
It is written in the style of the French Symbolistes. He finds it to be a
poisonous book. He can’t put it down. It makes him late to dinner with Lord
Henry.
CHAPTER 11
For years afterwards, Dorian Gray
continues to feel the influence of the book Lord Henry gave him. He gets more
copies of the book from Paris and has them bound in different colors. He thinks
of the book as containing the story of his life. He feels himself lucky to be
different from the novel’s hero in respect to aging. While the novel’s hero
bemoans his loss of youthful beauty, Dorian Gray never loses his youth. He
reads the passages over and over again reveling in his difference from the hero
in this respect.
People in his social circle often hear
dreadful things about Dorian Gray, but when they look at him and see his fresh,
young looks, they dismiss the rumors as impossible. Dorian is often gone from
home for long periods of time and never tells anyone where he has gone. He
always returns home and goes straight upstairs to see the portrait’s changes.
He grows more and more in love with his own beauty. He spends much time in a
sordid tavern near the docks and thinks with pity of the degradation he has
brought on his soul.
Most of the time, though, he doesn’t
think of his soul. He has "mad hungers that [grow] more ravenous as he
[feeds] them."
He entertains once or twice a month with
such lavish fare and such exquisite furnishings that he becomes the most
popular of London’s young men. He is admired by all the men who see him as a
type of man who combines the real culture of a scholar with the grace of a
citizen of the world. He lives his life as if it were an art work. His style of
dressing sets the standard of all the fashionable shops.
He worships the senses in many different
forms. He lives the new Hedonism, that Lord Henry has told him of. He enjoys
the service of the Catholic Church for its ritual and its pathos. Yet, he never
embraces any creed or system of thought because he refuses to arrest his
intellectual development. He studies new perfumes and experiments with them
endlessly. He devotes himself for long periods to the study of all kinds of
musical forms from all over the world. He even studies the stories written
about the music, the stories of magic and death. He takes of the study of
jewels for a while, collecting rare and precious jewels from all over the world
for the pleasure of looking at them and feeling them. He collects stories about
jewels as part of animals and stories of jewels which caused death and
destruction. For a time, he studies embroideries of all sorts and the stories
that attach to them. He collects embroideries and tapestries from all over the
world. He especially loves ecclesiastical vestments. The beautiful things he
collects are part of his methods of forgetfulness. He wants to escape the fear
that sometimes seems to overwhelm him.
After some years, he becomes unable to
leave London for any purpose because he cannot bear to be away from the
portrait for any length of time. Often when he’s out with friends, he breaks
off and rushes home to see if the portrait is still where it should be and to
ensure that no one has tampered with the door. He develops a desperate fear
that someone might steal the portrait and then everyone would know about him.
Most people are fascinated with Dorian
Gray, but some people are distrustful of him. He is almost banned from two
clubs. He is ostracized by some prominent men. People begin to tell curious
stories about him hanging around with foreign sailors in run down pubs and
interacting with thieves and coiners. People talk about his strange absences.
He never takes notice of these looks people give him. Most of them see his
boyish smile and can’t imagine that the stories could be true. Yet the stories
remain. Sometime people notice women, who at one time adored him, blanch when
he walks in a room in shame or horror. To most people, the stories only
increase his mysterious charm. According to Lord Henry, society doesn’t care
about morality in its aristocratic members, only good manners.
Dorian Gray can’t imagine why people
reduce human beings to a single, "simple, permanent, reliable essence."
For Dorian, people enjoy myriad lives and sensations; they change radically
from time to time. Dorian likes to look at the portrait gallery of his country
house. He wonders about his ancestors and how their blood co- mingled with his
own. He looks at Lady Elizabeth Devereaux in her extaordinary beauty and
realizes her legacy to him is in his beauty and in his love of all that is
beautiful.
He also thinks of his ancestors as being
in literature he has read. These characters have influenced him more even than
his family members have. The hero of the central novel of his life has
certainly been his greatest influence. He also loves to think of all the evil
heroes about whom he has read: Caligula, Filippo, Due of Milan, Pietro Barbi,
the Borgia, and many more. He feels a "horrible fascination" with all
of them. He knows he has been poisoned by the French Symboliste book. He thinks
of evil as nothing more than a mode of experiencing the beautiful.
CHAPTER 12
It is the ninth of November, not long
before Dorian Gray will turn 38 years old. He is walking home late one night
when he sees Basil Hallward. He becomes suddenly afraid to have contact with
his old friend whom he hasn’t seen in many months, but Basil sees him and stops
him. Basil says he’s been waiting for him all evening and has just given up. He
insists on coming back inside with Dorian because he says he has something
important to tell him.
Inside, Dorian acts as though he’s bored
and wants to go to bed. Basil insists on talking. He says he is going to Paris
in one hour’s time and will be taking a studio there for six months. He tells
Dorian that he is always having to defend Dorian’s name wherever he goes. He
thinks Dorian must be a good person because he looks so beautiful. He says he
knows sin tells on people’s faces after a while, so he has a great deal of
trouble believing the stories. However, the evidence has piled up and is quite
compelling. He names several young men who have lost very promising reputations
after being extremely close to Dorian. He names several young women, including
Lord Henry’s sister, who have lost their reputations. Lady Gwendolyn, Lord
Henry’s sister, has suffered such a fall that she is not even allowed to see
her own children any more. He mentions the stories of people who have seen
Dorian spending time in "dreadful houses" and in "the foulest
dens in London." He mentions the stories of what happens at Dorian’s
country house.
Basil urges Dorian to have a good
influence on people instead of a bad one. He tells Dorian that it is said that
he corrupts everyone with whom he becomes intimate. He has even seen a letter
shown to him by Lord Gloucester, one of his best friends, that his wife wrote
to him on her death bed. It implicated Dorian Gray in her debasement. Basil sums
up by saying that he doesn’t know that he even knows Dorian any more. He says
that he can’t say without seeing Dorian’s soul and only God can do that.
At his last words, Dorian goes white with
fear and repeats the words "To see my soul!" He laughs bitterly and
tells Basil that he will see his soul that very night. He will let Basil look
on the face of corruption. Basil is shocked and thinks Dorian is being
blasphemous. He stands over Basil and tells him to finish what he has to say to
him. Basil says Dorian must give him a satisfactory answer to all the stories
about him that very night. Dorian just tells him to come upstairs with him. He
says he has written a dairy of his life from day to day and that it never
leaves the room in which it is written.
CHAPTER 13
The two men climb the stairs and Dorian lets Basil in
the room upstairs. He lights the lamp and asks Basil again if he really wants
an answer to his question. Basil does, so Dorian pulls the curtain from the
portrait and shines the light on it, saying he is delighted to show Basil
because Basil is the only man in the world entitled to know all about him.
Basil cries out in horror when he sees the portrait. He stares at it for a long
time in amazement, not believing at first that it is the same portrait he
painted all those years ago.
Dorian is leaning against the mantle shelf
watching Basil’s reaction with something like triumph expressed on his face.
Dorian tells him that years ago when he was a boy, Basil had painted this
portrait of him, teaching him to be vain of his looks. Then he had introduced
him to Lord Henry who explained to him the wonder of youth. The portrait had
completed the lesson in the beauty of youth. When he had seen it in the first
moment, he had prayed that he should change places with it, never changing and
aging, but letting the picture do so. Basil remembers the prayer. He thinks,
however, that it must be impossible. He tries to find some logical explanation
for the degradation of the beauty of the portrait. He thinks perhaps the room
was damp or that he had used some kind of poor quality paints. He says there
was nothing evil or shameful in his ideal that he painted that day. This,
instead, is the face of a satyr. Dorian says it is the face of his soul.
Basil begins to believe it is true and
then realizes what it means. It means that all that is said of Dorian is true
and that his reputation isn’t even as bad as he is. He can hear Dorian sobbing
as he begins to pray. He asks Dorian to join him in prayer. He says Dorian
worshipped himself too much and now they are both punished.
Dorian tells him it’s too late. Basil
insists that it isn’t. He begins to pray. Dorian looks at the picture and
suddenly feels an overwhelming hatred for Basil. He sees a knife lying nearby
and picks it up. He walks over and stands behind Basil and stabs him in the
neck several times. When he is finished, he hears nothing but blood dripping.
He goes to the door and locks it. He is horrified to look at Basil’s body.
He goes to the window and sees a policeman
outside and an old woman. He tries not to think about what has happen. He picks
up the lamp because he knows the servant will miss it from downstairs, and he
goes downstairs, locking the door behind him.
Everything is quiet in the house. He
remembers that Basil was supposed to leave for Paris that night and had even
sent his heavy things ahead of him. No one had seen him come back inside after
he left his house earlier that evening. No one will begin to wonder about him
for months to come. He puts Basil’s bag and coat in a hiding place, the same
place where he hides his disguises. Then he puts on his own coat, goes outside,
and knocks on the door. His servant opens the door and he asks him what time it
is. Then he tells him to wake him at nine the next morning. The servant tells
him Mr. Hallward came by and Dorian exclaims over having missed him.
Inside his library again, he picks up the
Blue Book and finds the name of Alan Campbell. He says this is the man he
wants.
CHAPTER 14
Dorian Gray wakes with a smile the next
morning at nine o’clock, feeling well rested. He gradually recalls the events
of the night before. He feels sorry for himself and loathing for Basil. Then he
realizes that Basil’s body remains upstairs in he room. He fears that if he thinks
too much on what happened he will go crazy. He gets up and spends a long time
choosing his outfit and his rings. He has a leisurely breakfast and reads his
mail, throwing away a letter from a lover, remembering one of Lord Henry’s
misogynist sayings about women, that they have a awful memory. He writes two
letters and sends one to Mr. Alan Campbell by his manservant.
He smokes a cigarette and sketches for a
while, but every face he sketches looks like Basil’s. He lies down on the sofa
and tries to read Gautier’s Emaux et Camees. He enjoys the images in the book
of the beauties of Venice. It reminds him of his visit there. He was with Basil
and he remembers Basil’s joy over the work of Tintoret. He tries to read again
and then begins to worry that Alan Campbell might be out of town.
Five years ago, he and Alan had been great
friends. Now they never speak. Alan always leaves the room when Dorian comes in
at any party they both attend. Alan is a scientist, but when he and Dorian were
together, he was also in love with music. They were inseparable for a year and
a half. Then they quarreled and have not spoken since. Alan has given up music
in favor of science. Dorian becomes hysterical with anxiety as he waits.
Finally, the servant announces that Mr. Campbell has arrived.
Dorian loses all anxiety and plays the
part of the gracious host. Alan Campbell is stiff with disapproval and hatred.
He wants to know why Dorian has called him. Dorian tells him there is a dead
body in a room at the top of the stairs and he needs Campbell to dispose of it.
Alan tells him to stop talking. He says he will not turn him in, but that he
will not have anything to do with it. Dorian tells him he wants him to do it
because of Alan’s knowledge of chemistry. He wants him to change the body into
a handful of ashes. He at first says it was a suicide, but then admits that he
murdered the man upstairs. Dorian begs him to help and Alan refuses to listen.
Finally, when he is sure he can’t convince him,
Dorian writes something down and tells Alan
to read it. Alan is shocked at what he reads. Dorian says if Alan won’t help
him, he will send a letter to someone and ruin Alan’s reputation. He tells Alan
he is terribly sorry for him for what he will have to do, but tries to console
him by saying he does this sort of thing all the time for the pursuit of
science so it shouldn’t be too horrible for him.
Finally, Alan says he needs to get things
from home. Dorian won’t let him leave. He makes him write down what he needs
and sends his servant to get the equipment. Then when it arrives, he sends his
servant away for the day to get some orchids in another city. He and Alan carry
the equipment upstairs. At the door, Dorian realizes he has left the portrait
uncovered for the first time in years. He rushes over to it to cover it. He
sees that on the hands, there is a red stain. He covers it and then leaves the
room to Alan without looking at the body.
Long after seven o’clock that evening,
Alan comes downstairs and says it is finished. He says he never wants to see
Dorian again. Dorian thanks him sincerely, saying he saved him from ruin. When
Campbell leaves, Dorian rushes upstairs and sees there is no trace of the body.
CHAPTER 15
That evening, Dorian Gray goes to a dinner
party at Lady Narborough’s house. He looks perfectly dressed and perfectly at
ease. The party is small and the guests boring. Dorian is relieved when he
hears that Lord Henry will be coming. When Lord Henry arrives late, he carries
on in his usual way with one aphorism after another much to Lady Narborough’s
amusement. Dorian, for his part, cannot even eat. He is noticeably distracted.
Lady Narborough asks him several times what is the matter and when the men are
left alone after dinner for their cigars, Lord Henry questions him. Lord Henry
asks him where he went the night before since he left the party early. Dorian
first says he went home, then he says he went to the club, then he corrects
himself again and says he walked around until half past two when he got home
and had to ask his servant to let him in.
The two men chat a little longer. Dorian
is planning a party at his country house the next weekend and they discuss the
guest list. Dorian is interested in a Duchess and has invited her and her
husband. Lord Henry warns him against her, saying she is too smart, and that
women are best when they are weak and ignorant. Dorian finally says he must
leave. He goes home and opens the hiding place where he has put Basil
Hallward’s coat and bag. He puts them on the fire and waits until they are
completely burned up. Then he sits and looks at a cabinet for a long time
fascinated.
Finally, he gets up and gets a Chinese box
out of it. He opens it and finds inside a green paste with a heavy odor. He
hesitates with a strange smile and then puts the box back and closes the
cabinet. He gets dressed and leaves the house. He hails a cab telling the man
the address. The cab driver almost refuses since it is too far, but Dorian
promises him a huge tip and they drive off toward the river.
CHAPTER 16
It is raining and cold as Dorian rides to
the outskirts of the city. The ride is extraordinarily long. He hears over and
over again Lord Henry’s saying that one can cure the soul by means of the sense
and can cure the sense by means of the soul. He heard Lord Henry say that on
the first day he met him. He has repeated it often over the years. Tonight it
is all he can think of to calm himself through the long drive. The roads get
worse and worse. People chase the cab and have to be whipped away by the
driver. Finally, they arrive and Dorian gets out.
He goes into a building and passes through
several dirty and poor rooms. He passes through a bar where a sailor is slumped
over a table and two prostitutes are jeering at a crazy old man. He smells the
odor of opium and feels relieved. However, when he goes into the opium den, he
is unhappily surprised to see Adrian Darlington.
Adrian tells him he has no friends any
more and doesn’t need them as long as he has opium. Dorian doesn’t want to be
in the same place with the young man about whom Basil Hallway had just spoken
the night before. He buys Adrian a drink and is bothered by a prostitute. He
tells her not to speak to him and gives her money to leave him alone. He tells
Adrian to call on him if he ever needs anything and then he leaves. As he is
leaving, one of the prostitutes calls out to him "There goes the devil’s
bargain." He curses her and she says, "Prince Charming is what you
like to be called, ain’t it?" As she says this the sailor who has been
asleep jumps up and runs after Dorian.
Outside, Dorian is wishing he hadn’t run
into Adrian Singleton and cursing fate. He hurries along when he is suddenly
grabbed from behind and shoved against the wall. A gun is shoved into his face.
Dorian calls out and the man tells him to be quiet. The man tells him to make
his peace with God before he dies. He says he is James Vane, brother of Sibyl
Vane, who killed herself after Dorian ruined her. He plans to leave for India
that night and will kill Dorian before he goes. Dorian suddenly thinks of a way
out. He asks James when his sister died. James tells him it was eighteen years
ago. Dorian tells James to look at his face under the light.
James drags him to the street light and
looks at him. He sees a face that is too young to have been a young lover
eighteen years ago. H releases Dorian feelings shocked that he might have
killed the wrong man.
After Dorian is gone, the prostitute comes
out of the darkness and tells James he should have killed the man. She says he
has made a bargain with the devil to remain looking young. She says the same
man had ruined her eighteen years ago and left her to become a prostitute. He
is nearly forty years old now. She swears she is telling the truth. He runs
away from her but sees no trace of Dorian Gray.
CHAPTER 17
It is one week later and Dorian Gray is
entertaining guests at his country estate, Selby Royal. He is chatting with the
Duchess of Monmouth when Lord Henry interrupts them. Lord Henry has decided to
begin calling everyone Gladys as a means to combat the ugliness of names in the
modern world. He engages the Duchess in a witty repartee about women and about
values in general. The Duchess at one point mentions that Dorian’s color is
very poor. He seems not to be feeling well. Dorian tries but does not do well
in keeping up with their conversation. Finally, he volunteers to go to the
conservatory to get her some orchids for her dress that evening.
When he is gone, Lord Henry tells the
Duchess that she is flirting disgracefully with Dorian. She jokes with him in
return. He teases her that she has a rival in Lady Narborough. She asks Lord
Henry to describe women as a sex. He says women are "Sphinxes without
secrets." She notices that Dorian is taking a long time and suggests going
to find him when they hear a crash. They rush into the conservatory to find
Dorian fainted away on the floor. They carry him in to the sofa and he
gradually comes awake. He asks Lord Henry if they are safe inside. Lord Henry
tells him he just fainted and must stay in his room instead of coming down to
dinner.
Dorian insists he will come down to
dinner. At dinner, he is wildly gay. Every once in a while, he feels a thrill
of terror as he recalls the face of James Vane looking at him through the
window of the conservatory.
CHAPTER 18
The next day, Dorian Gray remains in his
house afraid to leave it for fear of being shot by James Vane. The second day
brings its own fears as well, but on the third day, Dorian wakes up and feels
that he has been imagining things. He tells himself that James Vane has sailed
away on his ship and will never find him in life.
After breakfast, he talks to the Duchess
for an hour in the garden and then he drives across the part to join the
shooting party. When he gets close, he sees Geoffrey Clouston, the Duchess’s
brother. He joins Geoffrey for a stroll. Suddenly, a rabbit appears out of the
bush and Geoffrey aims for it. Dorian tells him not to shoot it, but Geoffrey
shoots anyway. Instead of the rabbit falling, a man who was hidden by the bush
falls. The two men think it was one of the beaters (the men hired to beat the
bushes so the wildlife will run and the hunters will be able to shoot at it).
Geoffrey is annoyed at the man for getting in front of the gunfire. Lord Henry
comes over and tells Dorian they should call off the shooting for the day to
avoid appearing callous. Dorian is awfully upset by the shooting.
Lord Henry consoles him, saying the man’s
death is of no consequence, though it will cause Geoffrey some inconvenience.
Dorian thinks of it as a bad omen. He thinks he will be shot. Lord Henry laughs
his fears away, telling him there is no such thing as destiny.
They arrive at the house and Dorian is
greeted by the gardener who has a note from the Duchess. He receives it and walks
on. They discuss her. Lord Henry says the Duchess loves him. Dorian says he
wishes he could love but that he’s too concentrated on himself to love anyone
else. He says he wants to take a cruise on his yacht where he will be safe. As
they talk, the Duchess approaches them.
She is concerned bout her brother. Lord
Henry says it would be much more interesting if he had murdered the man on
purpose. He says he wishes he knew someone who had committed murder. Dorian
blanches and they express concern for his health. He says he will go lie down
to rest.
Lord Henry and the Duchess
continue their talk. He asks her if she is in love with Dorian. She avoids
answering. He asks if her husband will notice anything. She says her husband
never notices and she wishes he would sometimes.
Upstairs in his room, Dorian lies on his
sofa almost in a faint. At five o’clock he calls for a servant and tells him to
prepare his things for his leave-taking. He writs a note to Lord Henry asking
him to entertain his guests. Just as he is ready to leave, the head keeper is
announced. He says the man who was shot was not one of the beaters, but seems
to have been a sailor. No one knew the man. Dorian is wildly excited at the
thought hat it might be James Vane. He rushes out to go and see the body. When
the cloth is lifted from the face, he cries out in joy because it is the face
of James Vane. He rides home with tears of joy knowing he’s safe.
CHAPTER 19
Lord Henry tells Dorian he doesn’t believe
him when he says he is now going to be good. He says Dorian is already perfect
and shouldn’t change at al. Dorian insists that he has done many terrible
things and has decided to stop that and become a good person. He says he’s been
staying in the country lately and has resolved to change. Lord Henry says
anyone can be good in the country. Dorian says he has recently done a good
thing. He wooed a young girl as beautiful as Sibyl Vane was and loved her. He
has been going to see her several times a week all month. They were planning to
run away together and suddenly he decided to leave her with her innocence. Lord
Henry says the novelty of the emotion must have given Dorian as much pleasure
as he used to get in stealing the innocence of girls. Dorian begs Henry not to
make jokes about his reform. Lord Henry asks him if he thinks this girl will
now ever be able to be happy after she was loved by someone as beautiful and
graceful as he is. Now she will be forever dissatisfied with love. He wonders
if the girl will even commit suicide.
Dorian begs Henry to stop making fun of
him. He tells him he wants to be better than he has been in life. After a
while, he brings up the subject of Basil’s disappearance. He asks Henry what
people are saying about it and wonders if anyone thinks foul play was involved.
Henry makes light of it. He imagines that Basil fell off a bus into the Seine
and drowned. Dorian asks Henry what he would think if he said he had killed
Basil. Henry laughs at the idea, saying Dorian is too delicate for something as
gross as murder.
Lord Henry says he hates the fact that
Basil’s art had become so poor in the last years of his life. After Dorian
stopped sitting for him, his art became trite.
Lord Henry begs Dorian to play Chopin for
him and talk to him. Dorian begins playing and remembers a line from Hamlet
that reminds him of the portrait Basil painted of him: "Like the painting
of a sorrow,/ A face without a heart." He repeats the line over again
thinking how much it suits the portrait Basil painted of him.
Lord Henry thinks of a line he heard when
he passed by a preacher in the park last Sunday: "What does it profit a
man if he gain the whole world and lose his own soul?" Dorian is shocked
at the saying and wonders why Henry would ask him this question. Henry laughs
it off and moves on to another topic.
Henry urges Dorian to stop being so
serious. He tells him he looks better than he ever has and wonders what his
secret is for warding off old age. He revels in the exquisite life Dorian has
led and wishes he could change places with him. He tells Dorian his life has
been a work of art. Dorian stops playing and tells Lord Henry that if he knew
what he had done in life, he would turn from him.
Lord Henry urges Dorian to come to the
club with him. He wants to introduce him to Lord Poole, Bournemouth’s eldest
son who has been imitating Dorian and wants to meet him terribly. He then
suggests that Dorian come to his place the next day and meet Lady Baranksome
who wants to consult him about some tapestry she is going to buy. He asks
Dorian why he no longer sees the Duchess and guesses that the Duchess is too
clever, one never liking being around clever women. Finally, Dorian leaves
after promising to come back later.
CHAPTER 20
The night is beautiful. Dorian walks home
from Lord Henry feeling good about himself. He passes some y young men who
whisper his name. He no longer feels the thrill he used to feel when he is
spoken of with such reverence by young men. He wonders if Lord Henry is right,
that he can never change. He wishes he had never prayed that the portrait bear
the burden of his age. He knows that his downfall has come because he has never
had to live with the consequences of his actions.
He gets home and looks in a mirror. He
feels sickened by the idea that youth spoiled his soul. He throws down the
mirror smashing it on the floor. He tries not to think of the past. Nothing can
change it. He knows Alan Campbell died without telling anyone of Dorian’s
secret. He doesn’t even feel too badly about the death of Basil. He doesn’t
forgive Basil for painting the portrait that ruined his life. He just wants to
live a new life.
He thinks of Hetty Merton and he wonders
if the portrait upstairs has changed because of his good deed toward her. He
gets the lamp and rushes up the stairs, hopeful that the portrait will have
already begun to change back to beauty. When he gets there, he is horrified to
see that the portrait looks even worse. Now the image has an arrogant sneer on
its face. More blood has appeared on its hands and even on its feet.
Dorian wonders what he should do. He
wonders if he will have to confess the murder before he will be free of the
guilt of it. He doesn’t want to confess because he doesn’t want to be put in
jail.
He wonders if the murder will follow him
all his life. Finally he decides to destroy the portrait. He finds the knife he
used to kill Basil. He rushes to the portrait and stabs at it.
Downstairs on the street below, two men
are passing by when they hear a loud scream. They rush for a policeman who
knocks on the door, but no one comes. The men ask the policeman whose house it
is. When they hear it is Dorian Gray’s, they sneer and walk away. Inside, the
servants rush up to the room from whence the sound came. They try the door but
it’s locked. Two of them go around by way of the roof to get in through the
window. When they get inside, they find Dorian Gray stabbed in the heart and
above him a glorious portrait of him hanging on the wall. The man stabbed on
the floor is wrinkled and ugly. They don’t eve recognize him until they see the
rings on his fingers.
CONFLICT
PROTAGONIST
Dorian Gray, a man who is jolted out of
oblivion at the beginning of the novel and made aware of the idea that his
youth and beauty are his greatest gifts and that they will soon vanish with
age.
ANTAGONIST
Lord Henry Wotton, the bored aristocrat
who tells Dorian Gray that he is extraordinarily beautiful. He decides to
dominate Dorian and proceeds to strip him of all his conventional illusions. He
succeeds in making Dorian live his life for art and forget moral
responsibility.
A secondary antagonist is age. Dorian Gray
runs from the ugliness of age throughout his life. He runs from it, but he is
also fascinated with it, obsessively coming back again and again to look at the
signs of age in the portrait.
CLIMAX
The climax follows Sibyl Vane’s horrible
performance on stage when Dorian Gray tells her he has fallen out of love with
her because she has made something ugly. Here, Dorian rejects love for the
ideal of beauty. The next morning, he changes his mind and writes an
impassioned letter of apology, but too late; Sibyl has committed suicide.
OUTCOME
Dorian Gray becomes mired in the
immorality of his existence. He places no limit on his search for pleasure. He
ruins people’s lives without qualm. His portrait shows the ugliness of his
sins, but his own body doesn’t. His attempts at reform fail. He even kills a
messenger of reform--Basil Hallward. Finally, he kills himself as he attempts
to "kill" the portrait. He dies the ugly, old man and the portrait
returns to the vision of his beautiful youth.
Type of Work: Fantasy / science
fiction novel
Setting: England; late nineteenth century, and
Principle
Characters:
The Time
Traveller, an inquisitive, scientific man
Weena, a future woman
Story Overview
One Thursday
evening, four or five men assembled for dinner at a friend's home near London.
But as the evening passed, their host failed to appear. Finally, at half past
seven the guests agreed it was a pity to spoil a good dinner and seated
themselves to a delicious meal. The main topic of their conversation was time
travel, a subject their host had seriously argued as a valid theory during an
earlier dinner.
He had gone so far
as to show them the model of a curious machine he had built, which, he
declared, could travel through the fourth dimension - time. While the guests conversed, the door
suddenly opened and in limped their host. He was in a state of disarray. His
coat was dusty, dirty and smeared with green; his hair was markedly grayer than
the last time they had seen him, his face pale, and his expression haggard and
drawn as if by
intense suffering. As he
stumbled back through the door in tattered, bloodstained socks, he promised his
guests that be would return shortly with an explanation for his actions and
appearance.
Soon after, the
gentleman did reappear, and commenced with his remarkable story:
That morning, his
machine at last completed, he had begun his journey through time. Increasing
the angle of his levers, at first he was able to maintain a sense of time and
place. His laboratory still looked the same, but slowly its image dimmed. Then,
faster and faster, night followed day, until the palpitation of night and day
merged into one continuous grayness. New questions sprung up in the Traveller's
mind: What had happened to civilization? How had humanity changed?
Now he saw great
and splendid architecture rising about him, while the surrounding expanse
became a richer green, with no interruptions made by winter. The Time Traveller
decided to stop.
He fell from his
machine to find himself at the foot of a colossal, winged, sphinx-like figure
carved out of white stone on a bronze pedestal. The huge image, outlined by
early morning mist, made him somewhat ill at ease. Then he noticed figures
approaching, - slight creatures, perhaps four feet high, very beautiful and
graceful, but indescribably frail. These beings advanced toward the Time
Traveller, laughing without fear, and began touching him all over. "So
these are the citizens of the future," he mused. They acted like five-year
old children, and the Traveller was disappointed with their lack of
intelligence and refinement.
These gentle
people, called Eloi, bore their visitor to a towering building that appeared
ready to collapse. Their world in general seemed in disrepair - a beautiful,
tangled waste of bushes and flowers; a long-neglected and yet weedless garden.
The Eloi served their guest a meal that consisted entirely of fruit. During
this repast, they all sat as close to the Time Traveller as they could.
With much
difficulty he began to learn their language, but the Floi, with their very
short attention spans, tired easily of teaching him. That evening the Traveller
began to hypothesize how these people, who all looked identical, dressed alike,
and reacted to life in the same way, had evolved. Perhaps, he thought, mankind
had overcome the numerous difficulties of life facing it in the late 19th and
early 20th centuries. Under new conditions of perfect comfort and security,
perhaps power and intellect - the very qualities he most valued - had no longer
been necessary. He decided that he had emerged into the sunset of humanity; a
vegetarian society - for he had noticed no animals - where there was no need
for either reasoning or strength. As night drew near, the Time Traveller
suddenly realized that his time machine had vanished. Engulfed by the fear of
losing contact with his own age and being left helpless in this strange new
world, he flew into a desperate rampage, a futile attempt to find his machine.
Soon the voyager's
panic faded as he realized his machine was probably inside the huge stone
figure near the spot where he had "landed." He pounded on the bronze
doors without effect, but he was certain he had heard some voice from inside -
a distinct little chuckle. Calm, welcome sleep, finally overcame the
adventurer, and he reasoned that in time he would succeed in breaking into the
stone behemoth to regain his machine.
Another day passed.
The Time Traveller came to realize that he had been wrong about the little
beings. The Eloi had no machinery or appliances of any kind, yet they were
clothed in pleasant fabric and their sandals were fairly complex specimens of
metalwork. Perhaps this was a truly advanced society.
Later, the Time
Traveller rescued an Eloi woman from drowning. Her name was Weena. Weena,
unable to vocally express her gratitude and regard for the Time Traveller,
slept by his side in the dark. This took great courage because the Eloi feared
darkness and never ventured from their buildings after sunset. This point also
puzzled the Time Traveller: If the Eloi lived in a perfect society, then why
were they afraid of the dark?
On the fourth day
of his adventure, the Traveller came across other earth creatures. These
subterranean, ape-like vermin were called Morlocks. Summoning courage, the Time
Traveller warily descended into their world to learn what he could about them.
There he found the machines that he had not seen above ground. Morlocks were
apparently another race of man's descendants, no longer able to tolerate the
sun-lit surface of the planet. Here were the enemies who had taken his time
machine. By their smell and appearance they were obviously carnivores.
Suddenly the Traveller
understood why the Eloi feared darkness. They were like fatted calves, kept
well and healthy, only to be seized and eaten when the Morlocks grew hungry.
Eloi society wasn't perfect after all.
A few days later,
Weena and the Time Traveller set out to search for a weapon they could use to
break into the pedestal where the machine was hidden. Coming across an ancient
museum, they collected matches, some camphor for a candle, and, most important
of all, an iron mace. The sun was setting as they emerged from the museum.
Though filled with a sense of doom, and having several miles of forest between
them and safety, they nevertheless started for home in the shadowy darkness.
Morlocks proceeded
to close in on them along the way. The beasts were temporarily driven off each
time the Time Traveller lighted a match, but finally, in an effort to slow them
down, he ignited a larger fire. In minutes the entire forest was in flames. The
Traveller was able to escape - but Weena was lost in the flames. Standing on a
knoll, he looked out over the burning wasteland, and mourned the loss of his
devoted Eloi friend.
When morning came,
the Time Traveller began retracing his steps to the place where he bad
originally landed. On the way he pondered how brief the reign of human
intellect had been. Our priceless, heroic, human existence had been traded for
a life of comfort and ease.
Now, as the voyager
approached the stone relic, he found the door of the pedestal open. Inside was
his time machine. It was an obvious trap, but the Morlocks had no idea how the
device worked. The Traveller sprinted to his machine and adjusted the lever,
while fighting off several Morlocks. Then he found himself enveloped by the
same welcome grey light and tumult he had before observed. He had escaped that
dismal future.
The visit to the
Eloi took place in the year 802,701. The Time Traveller next journeyed through
millions of years, seeing even more alien creatures than before. Finally
halting thirty million years after he had departed, he found a distant age
where the sun no longer shone brightly. In bitter cold and deathly stillness,
the horrified Traveller started back toward the present.
The guests listened
with mixed emotions to the last of this tale. Their host seemed sincere; but
was such a feat possible? A few days later one of his friends came to hear
more. Again, the Traveller excused himself, asking his guest to wait
momentarily and he would be back with evidence of this excursion. Three years
elapsed and the Time Traveller had not reappeared. He was considered by his
friends as a lost wanderer, somewhere in time.
Ulysses by J.Joyce
Chapter One: Telemachus
When James Joyce began writing his novel
Ulysses, he had in mind a creative project that brought together aspects of his
two major works Dubliners and Portrait of the Artist as a Young Man, while at
the same time incorporating aspects of Homer's epic The Odyssey. The novel
Ulysses encompasses a total of eighteen chapters, tracing the actions of
various Dubliners beginning at 8 am on the day of June 16, 1904.
Chapter One opens with the breakfast of
three young men: Haines, a British student who is in Dublin on temporary leave
from Oxford; Malachi "Buck" Mulligan, a medical student; and Stephen
Dedalus, the protagonist from Portrait and the central character in the first
three chapters of Ulysses. The three young men are living in Martello Tower,
for which only Stephen pays rent as he is the one who has rented it from the
Ministry of War. We immediately discover that there are tense relations between
Mulligan and Stephen; particularly, Stephen feels increasingly ostracized, as
Mulligan and Haines become closer. Further, Buck spares no sympathy in his
constant tormenting of Stephen in regards to the recent death of his mother,
Mary Dedalus. Stephen is, in general, the butt of most of Mulligan№s jokes.
Particularly, Mulligan teases Stephen that
he is responsible for his mother's death because upon seeing her on her
deathbed, he refused her pleas for him to pray, having distanced himself from
organized religion. In this, Mulligan jokes that his aunt has refused to allow
him to keep company with Stephen, as his apostasy is made worse by being the
murderer of his mother. Further, Stephen feels distanced from Haines; Stephen
feels that Haines is somewhat patronizing in his attitude towards Stephen's
desire to become a poet. Haines is a British native and both Mulligan and
Stephen despise him, though Mulligan masks his true thoughts with hypocrisy and
flattery. Haines appears as a spoiled student and a shallow thinker. He argues
that British oppression is not the cause of Ireland№s problems; rather
"history" is to blame. Interrupting the young men's conversation
about Ireland and its international politics, an old lady arrives to deliver
the morning milk and Stephen finds that he is forced to pay the bill. Soon
after breakfast, the three men leave the Tower to walk along the beach. After
making plans to meet Stephen at a bar called the Ship around noon, Mulligan
asks him for his key to the tower. After, forfeiting his key to Mulligan,
Stephen departs from his two roommates, feeling that he has been usurped from
his position.
Chapter Two: Nestor
About an hour after "Telemachus"
ends, we find Stephen teaching ancient history and the classics to a disrespectful
class of wealthy boys. Neither Stephen nor the students are particularly
interested in the lesson which concerns the martial exploits of the Greek hero,
Pyrrhus. Armstrong, the class clown, is disruptive and Talbot, a lazy cheater
who is reading the answers out of his book, does not bother to hide his act
from Stephen, who tells him to 'turn the page" when he stammers at his
final response. Stephen struggles to keep the class in order and it is clear
that they disrespect him. Eventually, even Stephen is distant and half-hearted
in his participation and he eventually gives up his attempt to quiz the
students on their classics lesson.
Later, the young boys ask Stephen to tell
them ghost stories and riddles instead of their lesson. Upon recess, one pathetic
student named Cyril Sargent asks Stephen for assistance with his multiplication
tables and Stephen is reminded of his mother as he considers the fact that only
a mother could love as pitiful a creature as what he and Cyril must have been.
Stephen considers his roommate Haines to be much like the spoiled students to
whom he must cater. Because he feels that his students are incapable of
learning, and because he feels that his intellectual talents are being wasted
in his current position, Stephen does not care about his job and is already
considering leaving his position.
At the end of the chapter, the
schoolmaster, Mr. Deasy, gives Stephen his meager pay for the month. and annoys
the young teacher with trite advice on lending money, pro-British and anti-Semitic
rhetoric. Mr. Deasy continues with an unintelligent attempt at philosophy as
well as Shakespearean criticism. At the close of the chapter, Mr. Deasy asks
Stephen to examine his letter on a cattle-disease that has caused foreign
economic powers to consider an embargo on Irish cattle. Deasy intends for
Stephen to use his contacts to get the letter, which is full of misstatements
and incorrect assertions, printed in the Evening Telegraph.
Chapter Three: Proteus
After 11 AM, Stephen Dedalus wanders along
Sandymount strand (a beach) to waste time before he is to go to the Ship at
12:30 to meet Mulligan and Haines. Though, in the end, Stephen decides not to
go to the Ship to see Mulligan. This occurs immediately after the
"Nestor" episode at Mr. Deasy's school and Stephen is still
disgruntled by his unpleasant experience with Mr. Deasy and also feels burdened
because he has to carry Mr. Deasy№s inane letter to the Evening Telegraph.
Later in the chapter, Stephen sits on a rock and pencils in a few corrections,
in an effort to make his upcoming trip to the newspaper office less
embarrassing.
After walking for several miles, Stephen
considers visiting his mother's family (the Gouldings) but after imagining what
his father's objections would be, he decides against it. Stephen imagines a
vivid scene of what would transpire if he did decide to visit the Gouldings. He
imagines his Uncle Richie Goulding who is laid up in bed as he suffers the
consequences of decades of alcoholism. As usually, "nuncle Richie" would
be singing Italian opera while cousin Walter ran around the house in search of
backache pills for his father. In another room, Mrs. Goulding would no doubt be
bathing one of the myriad young children running around the house.
As he walks on the beach, Stephen
considers different philosophical questions on what is real and what is only
perceived, on the relationship of the symbol versus the symbolized, as well as
the human senses and how they interact and overlap. Stephen expresses his
feelings of solitude as his mind wanders on the real and imagined figures that
surround him on Sandymount and he imagines himself to be in Paris, in the
company of his friend, Kevin Egan. Dedalus№ friend, Egan, was reputed to be a
socialist and after exiling himself to Paris, unlike Stephen, he never returned
to Ireland.
Chapter Four: Calypso
Chapter Four marks the opening of Part
Two, beginning at 8am with Leopold Bloom in his house on 7 Eccles Street. It is
breakfast time at the Bloom residence as was the case in Martello, and the
scene that we encounter is one of fractured domesticity. Bloom's wife, Molly,
is asleep in the bed and their daughter Milly is away. Joyce's focus on Bloom's
thoughts is a contrast to Stephen's intellectualism. When he wakes up, Bloom№s
primary concern is to get breakfast made before his wife is stirring. He likes
to serve Molly breakfast in bed, and Molly is very specific about how she likes
her toast corners cut and her morning tea served. After beginning preparations
for her breakfast and serving the cat her milk, Bloom quickly departs for the
butcher shop in search of a nice cut of pork kidney for his own breakfast. He
later burns the kidney when he spends too much time assisting Molly upstairs.
Indeed, Joyce's Ulysses is more of a comic
hero than an epic figure, a resemblance to Cervantes' Don Quijote. Bloom is
doomed to wander for the day because he has left his key in the pair of pants
that he wore the previous day and he is afraid to go upstairs and disturb his
wife Molly. Like Stephen, Bloom is rather submissive in his relationships.
Bloom, for example, is aware of the fact that his wife is having an affair with
Blazes Boylan, a younger man with whom she professionally sings. Molly has
received a letter from Boylan that morning and Bloom is aware that Molly and
Boylan plan to consummate their relationship that very afternoon. Additionally,
Bloom is also concerned that his daughter's innocence may be imperiled on
account of her new suitor; Bloom simply shrugs this off and is passive, if not
fatalistic.
We learn a little about Bloom's sexual
preferences in his rather obsessive voyeurism. When Bloom goes to the Dlugacz
butcher shop, he attempts to pursue a young girl at the hope of catching a
glimpse of her underwear. Towards the end of the chapter, Bloom is dressing in
all black on account of the funeral of his acquaintance, Paddy Dignam. And the
chapter ends when Bloom takes a trip to the outhouse and expresses his concern
about again while reading a serialized story which leads him to consider taking
up a literary career to make more money.
Chapter Five: The Lotus Eaters
Chapter Five begins close to 10am as a
keyless Bloom leaves his house and takes a circuitous route to the post office
in order to pick up any responses to an advertisement in which he inquired for
a secretary. As a result of his advertisement, Bloom has been in correspondence
with a flirtatious woman who uses the pseudonym "Martha Clifford" to
his "Henry Flower, Esquire." Despite the fact that he has already
found an answer to his advertisement, Bloom continues to check the post office
box and his advertisement has netted over forty responses and in the end Martha
Clifford was the final consideration, narrowly defeating Lizzie Twigg for the
"position." Regardless of Bloom№s initial intent and whether or not
he was initially searching for a secretary, Martha Clifford has become a
platonic pen-pal and now it seems that the relationship is escalating. Upon
reading Clifford's letter, Bloom regrets the fact that he has goaded Clifford
by responding to her letters and he is afraid that she may want to meet him
instead of continue a Clifford-Flower relationship with non-committed, teasing
love letters. As if to confirm her romantic intentions, Clifford, the coquette,
has included a flower along with her letter.
After leaving the post office, Bloom
travels to the Belfast and Oriental Tea Company, though he only looks through
the window and admires the various spiced teas from the outside. Looking
through the large window of the store, Bloom is lost in a daydream as he
imagines the various advertisement possibilities for the establishment. Bloom
continues on his wandering course until he reaches F.W. Sweny's chemist shop
where he buys a bar of lemon soap and makes plans to return with a recipe for
Molly's lotion. He had forgotten to bring it with him. Bloom sees Bantam Lyons
on the street and Lyons misunderstands Bloom's offer of the newspaper that he
has just finished reading.
Bloom's statement that he was just going
to throw away the paper is misheard by Lyons who thinks that Bloom is giving
him a tip on the racehorse, Throwaway. This rather strained comic scene has
unfortunate consequences for Bloom, later in the novel. Towards the end of the
chapter, Bloom contemplates a Turkish bath, but his peaceful thoughts are
interrupted by his memory of his father's suicide. Bloom№s father, Rudolph,
took an overdose of monkshood poison and died in a resort in Italy.
Chapter Six: Hades
Soon before 11am, Bloom enters a funereal
carriage with other friends of Paddy Dignam. Jack Power, Martin Cunningham,
Simon Dedalus (the father of Stephen) and Bloom, follow Dignam's hearse to
Glasnevin Cemetery where Father Coffey delivers the conclusion of the religious
interment ceremony. Along the way, the carriage passes throngs of urban poor,
the small hearse of an orphan, a widow, Blazes Boylan, as well as Stephen
Dedalus. As the funeral procession passes through the city, all of Dublin№s
bleakest characteristics are exposed and magnified. Bloom imagines it as a city
of the dead and when he passes an old lady, he thinks to himself that she is
somewhat relieved to see the hearse pass by her as she lives in the constant
fear that the next death she sees will be her own. The carriage has a few
navigational problems as the course to Glasnevin Cemetery requires that they
pass over four different rivers including the Liffey, Dublin№s largest river.
Bloom's outsider status is revealed even
in the stilted congeniality of the cramped carriage. Power and Dedalus are
extremely terse in their comments to Bloom, though Cunningham does make an
effort to express his kindness. Still, the conversation is triangular and Bloom
spends most of his time thinking of ways to jump into the conversation. His
attempt to be sociable is more of a faux pas than anything else and his
comments expose him as a non-Catholic. One of the carriage members comments on
the unfortunate nature of Paddy Dignam№s death, given that he died in a drunken
and unconscious stupor. For the three Catholics, it need not be said that
Dignam was unable to receive last rites, jeopardizing the status of his soul in
the afterlife. Bloom, an outsider, has missed the nuance of the conversation
and he argues that Paddy was lucky, for dying in ones sleep is the least
painful exit. Later the conversation turns to the subject of suicide and Jack
Power makes an inconsiderate remark about the eternal damnation suffered by suicides.
Unlike Power, Cunningham is aware of the fact that Bloom№s father committed
suicide and he steers the conversation to a lighthearted topic. Despite the
stiff sobriety of the occasion though, Bloom's opinions of the Roman Catholic
ceremony provide comic relief from the somber subject matter of the chapter.
Chapter Seven: Aeolus
After the Dignam funeral, Bloom goes
downtown to the newspaper office (an office for three different publications)
to work on his newest advertising assignment, a two-month renewal for Alexander
Keyes. Bloom appears close to accomplishing his goal because Keyes previous ad
is easily recovered. Problems arise when the business manager, Nannetti,
decides that Keyes should take out a three-month advertisement and he is largely
unwilling to compromise. Nannetti№s tone is sarcastic when he addresses Bloom
and so the ad canvasser is unclear as to whether or not he will have to
re-negotiate his contract with Keyes, though in the end it seems that this is
the case.
To further complicate manners, Bloom
learns that he will have to trek to the National Library to retrieve a specific
graphic image of two crossed keys. The Keyes house wanted to use this image and
though it was the same image that they used in their last advertisement, Bloom
is unable to find a copy of it in the office. Bloom's escapades in the office
are interrupted by the entrance and exit of both Simon and Stephen Dedalus at
different times and within different groups. Simon Dedalus has arrived with a
few of his friends who were also in attendance at the funeral and they
eventually leave for drinks. While they are there, the men discuss and ridicule
a recent patriotic speech that has printed in the paper.
When Stephen arrives, he sends a telegraph
to Mulligan, notifying him that he will not be going to the Ship. Instead,
Mulligan and Stephen will cross paths in the National Library, though Stephen
is wholly unaware of Leopold Bloom and his plans. Stephen is also engaged in a
political discussion in which he tells what he calls the Parable of the Plums,
describing the Irish condition as that of two old women who have begun to climb
the tall statue of the British Lord Nelson. Having stopped midway, they take a
break to eat plums, spitting the pits down into the Irish soil. At this point,
the two old women are horrified and unable to move, frightened by the distance
between their current position and ground level. At the same time though, they
find Lord Nelson№s face to be unwelcoming and menacing and they refuse to climb
any further on the statue, resigned to live the rest of their lives clutching
on Lord Nelson№s midsection. After telling the parable to his enthusiastic and
older audience, Stephen delivers Mr. Deasy's letter on Irish cattle, which the
staff reluctantly agrees to print. Bloom re-appears towards the end of the
chapter as he attempts to call Keyes to confirm the three-month renewal before
beginning the work but all of his attempts at communication are unsuccessful as
his co-workers are disrespectful and only make Bloom's assignment more
difficult than it needs to be.
Chapter Eight: The Lestrygonians
Chapter Eight is a chronology of Bloom's
early afternoon. Rather than directly venturing to the National Library, Bloom
wanders for a little over an hour and the narrative of the chapter follows his
course as he decides to get something to eat. A young proselytizer affiliated
with the YMCA hands Bloom a "throwaway" tract and when Bloom first
reads the words: "blood of the lamb," he mistakes the letters B-L-O-O
for the beginning of his own name. Soon after, Bloom sees one of Simon Dedalus'
daughters waiting for him outside a bar. Bloom then feeds the gulls, watches
the five men advertising H.E.L.Y.S. establishment, listens to Mrs. Breen's
story concerning her husband, Denis, who is losing his mind. Mr. Denis Breen
has received a postcard in the mail that reads "U. p: up" and
enraged, by the unintelligible prank, he has ventured to a lawyer in order to
press charges. Denis Breen intends to sue for libel, though he is unaware of
the intent or sender of the postcard.
Mrs. Breen also shares the story of Mina
Purefoy, who has been in labor for three days. Purefoy is losing her strength
and apparently, Mrs. Breen has recently visited her in the National Maternity
Hospital. Concerned for Mrs. Purefoy, Bloom decides that he will visit the
pregnant woman and a little after this decision, Bloom encounters an in/famous
character by the name of Cashel Boyle O'Connor Fitzmaurice Tisdall Farell.
Farrell is another Dublin crazyman who spends him time walking in between the
lampposts. After avoiding Farrell's track, a hungry Bloom enters the Burton
Restaurant but he leaves, disgusted by the exceptionally poor habits of the
savage customers. Bloom, in fact, does not even give himself the chance to sit
down in the Restaurant, whose somewhat opulent dйcor contrasts the loud noise
of the animated diners.
After leaving the Burton Restaurant, Bloom
continues his wandering through the city before he finally opts for Davy
Byrne's "moral pub," where he sees Nosey Flynn. Just as the
"moral pub" is considerably cleaner than the Burton Restaurant, Flynn
presents himself as a decent man‹though he too, is not the cleanest. Flynn is
constantly picking and brushing lice off his shoulders. The conversation inside
Byrne's touches upon Blazes Boylan as well as the upcoming horserace in which
Sceptre is heavily favored. After Bloom's exit, Byrne and Flynn discuss the
wanderer, concluding rather fairly that he is a decent man despite his
deliberate ambiguity and consistent refusal to sign his name to any agreement.
The chapter ends soon after Bloom is on the path to the National Library. He
helps a "blind stripling" cross street and soon after, Bloom enters a
Museum, presumably to hide from Blazes Boylan whose path has again crossed with
Bloom's.
Chapter Nine: Scylla and Charybdis
This afternoon chapter lasts for
approximately an hour and a half and ends at 3pm. "Scylla and Charybdis
takes place in the National Library and the shift in focus from Bloom to
Stephen Dedalus marks Stephen's third appearance since "Proteus."
Stephen has left the news office of "Aeolus" and after sending a
message to Mulligan, he departed for the National Library rather than The Ship.
It is unclear exactly what Stephen has been doing in the interim, though we do
see that he is not alone in the library and Stephen sees that this casual
company provides him with another opportunity to present himself as an
intellectual thinker and budding literary genius.
Despite Stephen’s continued efforts to
impress the men in his company, he finds that his ploys are mostly frustrated.
In contrast to Stephen's more receptive audience in "Aeolus," two of
his library companions, Russell and Eglington, are men of literary stature who
patronize Stephen's ideas about Shakespeare, ideas that he wedges between
commentary on Irish politics and the difficult predicament of the young Irish
literati. In his discussion of Shakespeare, Stephen aims to make use of his
various critical skills without actually believing the arguments that he makes.
Bloom is the first interruption of the narrative when we learn that he has
arrived in search of the design the Keyes advertisement. Upon Bloom№s arrival,
the head Librarian briefly departs presumably, to help Bloom locate the design
of the "Keys of Killarney."
Later, Mulligan arrives and continues his
"tongue-in-cheek" mocking of Stephen and while Bloom and Stephen do
not meet in this chapter, Bloom does pass between the two young men as he
exits, separating them. By the end of "Scylla and Charybdis," Stephen
is irked by the discussion of the Irish literary renaissance and he wonders if
he will ever achieve literary success in Ireland as Mulligan, a sarcastic
medical student, has been invited to attend a literary function with Haines,
while he remains uninvited.
Chapter Ten: Wandering Rocks
The "Wandering Rocks" chapter of
Ulysses is a narrative interlude midway through the novel. Joyce depicts the
adventures of a collection of Dubliners between 2:40 and 4pm, ending
approximately half an hour before Molly and Boylan meet. The diverse roll of
characters includes some figures that do not appear in other chapters and
Joyce's primary concern in Chapter Ten is painting a vivid portrait of Dublin.
Among these, we meet several figures of the Roman Catholic Church included
Father "Bob" Cowley, who a habitual alcoholic who has lost is collar
for previous indiscretions.
We also encounter Father Conmee, who has
the noble though naпve dream of venturing into Africa in the hopes of
converting the millions of "dark souls" who are lost in paganism.
Father Conmee№s nostalgic thoughts on his days at Clongowes College are
interrupted when he notices two young people who are kissing behind a
half-hidden bush. Joyce also offers several glimpses of the Dedalus daughters.
One of the four daughters has made a failed effort to pawn their brother
Stephen№s books in the hopes of getting some money for food. After she returns,
another daughter departs for the bars there father is none to frequent. While
she accosts him in the hope of getting a few coins to purchase some food, her
sisters are at home boiling laundry before taking a break to drink some
discolored pea soup.
We receive separate views of Boylan and
Molly before they meet. Molly appears on Eccles Street, offering a coin to a
beggar sailor before preparing her home for her upcoming tryst. Boylan exposes
himself as a hopeless flirt in his relationship with his secretary and in his
treatment of the clerk of the flower shop. Stephen Dedalus appears without
mulligan; a few mourners meet again to discuss Dignam's funeral and two
viceregal carriages cast their shadows over beggars and barmaids, among others.
Bloom's path intersects with Boylan's yet again and Bloom busies himself with
the purchase of a book.
Chapter Eleven: The Sirens
"The Sirens" takes place in the
bar and restaurant of the Ormond Hotel, where Lydia Douce and Mina Kennedy are
barmaids. The chronology of the chapter overlaps with the previous one. Douce
and Kennedy have entered the Ormond bar before the "Wandering Rocks"
episode has concluded and Bloom only arrives at the Ormond after he has made
his purchase of Sweets of Sin. Because Bloom is in the restaurant area of the
Ormond he can only hear the noise coming from the bar area. Boylan arrives at
the Ormond to meet Lenehan and the singer enters and exits without Bloom
noticing; all the while, Bloom sits in dread of his upcoming cuckolding. A
despondent Leopold Bloom accompanies Richie Goulding to a restaurant table. The
physical consequences of Richie's drinking are visible to Bloom who suspects
that Goulding will soon die. Soon after sitting at the table, Bloom begins
writing a letter to Martha while talking to Goulding, disguising his efforts
and insisting that he is only replying to a newspaper advertisement and not
writing a letter as Goulding had suspected.
The piano sets a lively tone for those who
are in the bar, including Simon Dedalus, Douce, Kennedy, Lenehan, Boylan, a
singer named Ben Dollard, Father Cowley and Tom Kernan. This lively group
provides intermittent comic relief from Bloom№s depressing meal. Dedalus is a
strong singer and he engages in several rounds of a few Irish folk songs
including the patriotic ballad, "The Croppy Boy." Ben Dollard, a
professional singer, is also rather obese and he is the butt of a few of the
barmaids№ jokes. For their parts, Douce and Kennedy, fully thrust themselves
into their "siren" roles, luring Boylan and after he departs for 7
Eccles, focusing their attentions on Lenehan who squanders a significant amount
of money in their bar.
Chapter 12: The Cyclops
During the time of Molly's affair, Leopold
Bloom wanders into Barney Kiernan's pub. Bloom is not a drinker and this is not
a pub that he regularly frequents; indeed, Bloom seems to be lost in thought
when he literally wanders into Kiernan№s where he is to meet Cunningham and
Power for a trip to see the Widow Dignam. The pub's fierce scene is a severe
contrast to the mellow drunkenness of the Ormond's bar and Bloom is immediately
uncomfortable. A rabid Irish nationalist called Citizen, terrorizes Kiernan's
pub and focuses most of his verbal attack on Bloom. Citizen, like many of
Joyce№s patriots, is both anti-Semitic and isolationist in his thinking.
Citizen initially begins his drunken
discourse on the subject of the lost Celtic culture. Though he briefly touches
upon the death of the Irish language, Citizen№s primary focus is on the
renaissance of the ancient Celtic games. Citizen№s verbal spouting is not held
in regard, though none of the pub№s patrons feel as uncomfortable as Bloom. A
large dog named Garryowen is equally menacing for Bloom, and despite
Garryowen№s allegiance with Citizen, who feeds the dog biscuits, Citizen is not
the dog№s owner.
Lenehan is present and his conversation
reveals the results of the horserace where Throwaway has upset the heavily
favored Sceptre. When Citizen's anti-Semitism flares, Bloom is forced to assume
a heroic role in defending himself. Specifically, the Citizen accuses Bloom of
stealing from widows and orphans and he goes further, insinuating that Jews can
never be true Irish citizens. Bloom defends himself as an honest person before
offering Citizen a brief catalogue of Jews who have made significant
contributions to European and Irish culture. When Bloom informs Citizen that
his own God (Christ) also happened to be a Jew, Citizen becomes enraged and as
Bloom exits the pub victorious, Citizen chases behind him, throwing an empty
biscuit tin at Bloom's head. The sun temporarily blinds Citizen, whose missile
falls far short of the target. Upon exiting Kiernan№s pub Bloom continues on
his mission to visit the Dignam widow, accompanied by Martin Cunningham and
Jack Power. They intend to discuss the specifics of Paddy Dignam№s insurance
policy and help the widow get her finances in order.
Chapter 13: Nausicaa
Nausicaa takes place several hours after
"The Cyclops," and ends with the clock striking nine. In the interim
between the chapters, Bloom has visited the Dignam widow to discuss Paddy's
insurance policy and in this chapter he is walking along Sandymount strand, the
same beach where Stephen strolled during "Proteus." There is a group
of young people on the beach including a young woman named Cissy Caffrey who is
watching Tommy and Jacky Caffrey and a smaller baby. Alongside Cissy is her
friend Gertrude "Gerty" MacDowell. Gerty's mostly thinks about her
previous boyfriend and later she considers thoughts of marriage. In her
conversation with Caffrey, MacDowell hides the emotional disappointment that
she has suffered. Even as she maintains a rigid and impassive exterior,
MacDowell is deep in thought, considering (apparently, for the first time) that
she may not be able to find a boyfriend whom she might convince or seduce into
marriage.
Midway through her thoughts, Gerty notices
the voyeur, Bloom. Leopold Bloom is still dressed in all black on account of
Dignam№s funeral and he is a somber contrast to the white sand of the beach.
MacDowell can easily detect that Bloom is watching her though he continues his
failed attempts to conceal his furtive staring. Cissy Caffrey suspects that
something is awry when MacDowell appears to be distracted and focused in the
direction of the dark stranger. MacDowell then decides to use Caffrey in a ploy
to get a better look at Bloom who is sitting in the distance. Knowing the
Caffrey did not have a timepiece with her, MacDowell asks her for the time and
when Cissy replies that she does not know, MacDowell ventures over to Bloom, an
"uncle" of hers, so that she might find out.
Upon returning to her original seat with
Caffrey, MacDowell feels sympathy for Bloom, who she decides must be the
saddest man alive. In place of her thoughts on her boyfriend, Reggie Wylie,
MacDowell suggests to herself that Bloom might be a character worth saving, as
only she could truly understand him. It is not long before MacDowell notices
that Bloom is again engaged in furtive behavior, masturbating himself with a
hand cloaked in his pocket. After a brief consideration, Gerty decides to
"loves" him back, teasing Bloom by displaying her garters as he
masturbates. Soon after this, MacDowell and the Caffreys depart from the beach,
having stayed for the display of the nearby Bazaar№s fireworks. After
MacDowell№s flirtatious departure, Bloom's considers his wife Molly and at the
end of "Nausicaa," our hero confesses that his nauseous post-orgasmic
lassitude is a sure sign that he is aging.
Chapter 14: The Oxen of the Sun
"The Oxen of the Sun" begins no
earlier than 10 pm and ends at approximately 11pm. After the
"Nausicaa" episode, Bloom finally arrives at The National Maternity
Hospital to visit Mina Purefoy who has been in labor for three days. Because
Bloom is concerned that Purefoy has not been able to deliver the child, he
waits in the hospital before briefly seeing Mrs. Purefoy, whose husband,
Theodore, is not present. After a brief discussion with one of the midwives,
Bloom decides to wait outside the maternity room, until he has received word
that, with the aid of Dr Horne and midwives, Mina Purefoy has given birth to a
healthy son.
While Bloom is waiting for information
regarding Purefoy's labor, he meanders into a darkened waiting room where he
encounters Stephen Dedalus, who is sitting at a long table, drinking absinthe
in the company of several other young men who are also drinking. Apparently,
Stephen№s acquaintances, including Buck Mulligan, are mostly medical students
and interns at the hospital. When Bloom sits at the drinking table of the
younger men, he is initiating the first union between the novel's principal
characters (Bloom and Dedalus). Buck Mulligan is a menacing presence in the
hospital and Bloom consciously assumes a paternal role, fearing that Mulligan
has laced Stephen's drink with a harmful substance.
Even after Bloom joins the conversation of
the semi-inebriated men, Mulligan remains as bawdy and irreverent as before,
making crass references to contraception, sexual intercourse, masturbation and
procreation. And Bloom№s paternal aura seems to only extend to Stephen, who he
singles out as the one decent character in the group. Repeatedly, the young men
are cautioned to lower the volume of their laughter and profanity. After
Stephen separates from Mulligan at the chapter's end, Bloom worries for
Stephen's safety and he decides to follow Stephen who has departed for
"Baudyville," alongside his friend Vincent Lynch; presumably, the
young men intend to visit a brothel.
Chapter 15: Circe
Bloom follows Stephen and Lynch out of the
maternity hospital as they head to Bawdyville, a brothel in the red-light
district of Dublin that Joyce refers to as Nighttown. The reader is presented
with grisly scenes of street urchin and deformed children, rowdy British
soldiers and depraved prostitutes. Bloom follows the young men by train but he
gets off at wrong stop and has initial difficulty keeping track of them. He is then
accosted by a stranger who refuses to let him pass and a
"sandstrewer" runs him off the road.
As Bloom progresses deeper into Nighttown
with the hopes of finding young Stephen, the frenetic pace of the red-light
district provokes several hallucinations in Bloom and his secret thoughts and
hidden fears are played out before us. A sober Bloom is greeted by the spirits
of his dead parents as well as the image of his wife Marion (Molly) who speaks
to him in "Moorish." The farce continues when Bloom's bar of lemon
soap begins to speak and Mrs. Breen, the wife of the lunatic Denis, appears in
the road and flirts with Bloom before mocking him for getting caught in the
red-light district. Bloom is suddenly in a courtroom, charged with accusations
of lechery. Several young girls recount sordid stories of his Bloom, the
conspicuous voyeur, and the courtroom's roll includes various characters from
earlier in the day including Paddy Dignam and Father Coffey, who presided over
Dignam's funeral.
The narrative abruptly shifts when Bloom
finally arrives at Bella Cohen's brothel. When Bloom finds Stephen inside, he
immediately seeks to protect the young man from being swindled. Stephen
continues his own descent into drunken madness and Bloom holds Dedalus' money
to avoid any further losses. Stephen's despairing hallucinations reach their
climax when he encounters the vengeful ghost of his mother who begs him to
return to the Roman Catholic Church. Dedalus breaking his symbolic chains to
past by smashing Cohen's cheap chandelier with his walking stick. Chaos ensues
when Bella Cohen tries to overcharge Stephen for the damage and Bloom must
defend Stephen's interests. Again, as they are leaving the brothel, Bloom comes
to the defensive when Private Carr assaults Stephen. Carr attacks the
intoxicated young man despite Bloom's insistence that Stephen is incapable of
protecting himself. Stephen has lost his glasses, his hand wounded and he
immediately faints after Carr's blow. Vincent Lynch deserts Dedalus in
Nighttown and Bloom directs Stephen towards shelter. In the final scene of
"Circe," Bloom is distracted by the vision of his dead son, Rudy, not
as a newborn infant but at the age that he would have been had he lived.
Chapter Sixteen: Eumaeus
After Stephen is revived, Bloom directs
him towards a "cabman's shelter," a coffeehouse owned by a man named
"Skin-the-Goat" Fitzharris. As Stephen begins to slowly sober up,
Bloom begins a conversation in earnest, discussing his ideas of love and
politics. Bloom's desperation makes his desire for a "son"
transparent and even when Stephen is sober, he does not seem to be particularly
interested in Bloom's thoughts. The conversation between Bloom and Dedalus
resembles the conversation in the Dignam funeral carriage, where Bloom appears
as a man who is desperate for acceptance.
In his efforts to win Stephen№s favor,
Bloom attempts to play the role of an intellectual. Upon entering the cabman№s
shelter, Bloom hears a few Italians speaking their native language and he turns
to Stephen, to proclaim his love of the Italian language, specifically its
phonetics. Stephen (who knows Italian) calmly replies that the Italian melody
that Bloom has heard, was a base squabble over money. Though Bloom soon
realizes that he does not know the brooding young Dedalus very well, he
believes that the student's company would be beneficial for the Blooms. He
could perhaps be a singer like his father and his economic potential is all the
more pleasant to Bloom because he considers Stephen to be an "edifying"
partner in conversation. Later in the conversation, Bloom demonstrates his
intellectual deficiencies as he attempts to discuss politics with Dedalus
arguing a shallow and superficial Marxist Leninism. Bloom№s reform calls first,
for all citizens to "labor" and second, for all citizen№s needs to be
secured regardless of their varying abilities, provided that this reform is
carried out "in installments." Perceiving Stephen№s negative reaction
to be a non-intellectual aversion, Bloom seeks to immediately assuage Dedalus
by explaining that poetry is "labor."
Bloom leaves the cabman's shelter and
invites Stephen to his home at 7 Eccles Street and the young man grudgingly
accepts. While inside the coffeehouse, Stephen's paid less attention to Bloom
and more attention to a man named W. B. Murphy, a self-described world sailor
who had just come home to see his wife after many years. The comic sea bard
adds a comic note to the tiring chapter, with his stories of acrobats,
conspiracies and tattoos. As he is leaving the cabman's shelter, Stephen sees
his dissipated friend, Corley. When Corley explains that he is in need of work,
Stephen suggests that Corley visit Mr. Deasy's school to apply for an opening,
as Dedalus intends to vacate his post.
Chapter Seventeen: Ithaca
The novel's penultimate chapter marks the
pre-dawn hours of June 17, 1904. Stephen returns with Bloom to his residence at
7 Eccles Street and after a strained conversation and a cup of cocoa, Dedalus
departs, turning down Bloom's invitation to stay for the night. When the two
gentlemen reach 7 Eccles, Bloom realizes that he does not have his key and he
is forced to literally jump over a gate in order to gain entry into the house.
After navigating his way through the dark house, Bloom retrieves a candle and returns
to lead Stephen through the dark house. Their conversation is more spirited as
Stephen is considerably more conscious and lucid than he was in the fourteenth
and fifteenth chapters. And unlike his demeanor in the cabman№s shelter,
Stephen is less sullen as he sits in the Bloom residence drinking cocoa.
Bloom№s conversation eventually tires Dedalus though, and despite Bloom№s
efforts, he departs without committing to Bloom№s offer for a future engagement
for "intellectual" conversation. Dedalus does not know where he is
going to go, as he declines returning to his father№s house and is locked out
of Martello. Guiding Stephen outside of the house, Bloom lingers outside to
stare at the multitude of early morning stars. Upon re-entering the house,
Bloom retires for the night, focusing his thoughts on the untidy house.
There is visible evidence of Boylan's
earlier visit and after briefly contemplating a divorce, Bloom silently climbs
into bed, offering Molly a kiss on the rear end. It seems that Bloom is eager
to forget the matter, and will sacrifice his self-respect for comforts of
married stability. Bloom's submissiveness presents a sharp contrast to the
triumphal actions of Homer's Ulysses. In the original "Ithaca"
episode, Ulysses and his son Telemachus attack Penelope's suitors, executing
them all before re-establishing Ulysses on his throne.
Chapter Eighteen: Penelope
"Penelope" is Ulysses'
eighteenth and final chapter. Molly Bloom thinks on her life before marriage
and she defends and regrets her affair with Boylan, while bemoaning the social
restrictions on women. Mrs. Bloom catalogues the detriments of her married
life, describing her nagging loneliness, the deceptive allures of adultery and
the betrayals she has suffered on account of her emotionally absent
"Poldy." Molly№s narrative quickly slides between the distant and
recent past and we learn of her years as an unmarried and attractive young lady
in Gibraltar, a British colony on the southernmost tip of Spain. Her years with
her mother Lunita and her father, a military man named Tweedy, seem to offer
her the most pleasure as she is largely displeased with Boylan№s rough manners
and her husband№s effeminate deficiencies.
For all of the negative assessments of
hearth and home, "Penelope" is emphatically braced with the word
"Yes" at the beginning and conclusion, and we have every reason to
believe that-at least for June 17-the Bloom's intend to preserve their
marriage. Perhaps in irritation and gratitude for Bloom's "kiss on the
rump," Molly intends to turn his servility on its head by waking up early
to serve Bloom "his breakfast in bed with a couple of eggs." After
analyzing Bloom№s faults, Molly suggests that she knows Bloom better than
anyone else and that their shared memories represent an emotional wealth that
she would be unable to duplicate in a relationship with Boylan.
Chapter 1. Chiswick Mall
Two young ladies-Amelia Sedley and
Rebecca (Becky) Sharp are preparing to leave Miss Pinkerton’s finishing school.
Amelia is the kind hearted, conventional beauty who is loved by all, while
Rebecca is a defiant young woman, who is disliked by almost everyone, including
Miss Pinkerton. Only Miss Pinkerton’s sister, Jemima, and Amelia seem to be
fond of Becky. Becky is to leave with Amelia and spend some time at her home
before she can take her job as a governess at Queen’s Crawley.
Owing to the difference in the social
status as well as their temperaments, only Amelia is gifted a copy of Dr
Johnson’s Dictionary, as per the tradition of Chiswick Mall, as a parting gift.
Miss Pinkerton refuses to give Becky a copy. Just as their carriage is about to
move, Miss Jemima runs to Becky and hands over a copy of the Dictionary to her,
but Becky, in her defiance, flings the gift out of the carriage, leaving Miss
Jemima shocked!
Chapter 2 In which Miss Sharp and Miss
Sedley prepare to open the campaign.
Becky is wickedly satisfied with the heroic act she
has just performed. She tells Amelia that she was treated with contempt and
compelled to teach French at the mall and that she was glad to bid it goodbye.
Amelia, excitedly, shows Becky around her house and
gifts her a Cashmere shawl (which her brother had brought for her from India),
besides a lot of other things. The knowledge that Amelia’s brother, Joseph
Sedley is rich and unmarried fills hope into Becky’s heart and she is
determined to make an attempt to woo him.
Chapter 3 Rebecca is in presence of the
Enemy.
Joseph Sedley is a very stout man, vain as a young
girl usually is. He is greatly flattered, by the fact that Becky considers him
to be handsome. Becky tries all her charms on him. She shows immense interest
in tales about India and suffers the spicy Indian curries and the hot chillies
to win Jos over.
Notes
Chapter 4 The Green Silk Purse
Rebecca is all set to please everyone at the Sedley
House. She makes the right moves towards Jos. Amelia insists that Jos take her
and Becky to Vauxhall. It is decided that Lieutenant George Osborne, the godson
of Mr. Sedley, is to accompany Amelia while Jos is to lead Becky to Vauxhall.
Mr. Sedley and Mr. Osborne are good friends and wish to see Amelia and George
married.
Due to a thunderstorm, the young couples
are prevented from going to Vauxhall that night and so they spend the evening
indoors. George and Amelia sing songs, while a besotted Jos helps Becky in
weaving a silk purse. Later he is in ‘a state of ravishment,’ when he hears
Becky performing. Jos makes up his mind to ask Becky to marry him.
Chapter 5 Dobbin of ours
This chapter begins with a flashback. Years ago, at
Dr. Swishtail’s famous school, a boy named Dobbin used to be constantly
ridiculed because his father was a grocer and it was said that he paid for
Dobbin’s education, not in money but in goods.
One day, Dobbin saw the dreadful school
bully, Cuff, harassing a scared boy. Dobbin stood in support of the poor victim
and as a result, had to fight with Cuff. At his victory over Cuff, Dobbin was
made the hero of the school and the little boy, who was George Osborne, began
to love him as a friend. Humbled by the love of George, Dobbin, since that day,
became George’s shadow, his devoted friend.
Back to the present, the party prepares to
go to Vauxhall and George requests them to take Dobbin along. Dobbin enters the
Sedley House and notices the young, beautiful Amelia, singing happily, and
instantly falls in love with her.
Chapter 6 Vauxhall
As the possibility of a match between Jos and Rebecca
increases, Mr. Sedley becomes more and more indifferent towards his son. The five
people, at their best, go to Vauxhall- Becky full of hope and expectations,
with Jos and Amelia extremely happy with George. All Dobbin does at Vauxhall
is, takes care of the shawls, and make payments at the gate.
When the time actually comes for Jos to propose
marriage to Becky, he gets drunk, and in his nervousness creates such a riot
that everyone is miserably embarrassed. Disappointed though, Rebecca does not
leave hope. The next day, George pays a visit to Jos at his apartment and
narrates to him all the foolish things he (Jos) had done the previous night.
Thoroughly ashamed he flees to Scotland, in order to avoid Becky.
This completely crashes all of Becky’s
attempts and with all her pretense at work she bids a tearful goodbye to a
dejected Amelia and gifts the purse to Mr. Sedley. Becky is sure that George
Osborne has a hand in her misery and is therefore determined to take her
revenge.
Chapter 7 Crawley of Queen’s Crawley
The narrator traces the history of the Crawley
family. Sir Pitt Crawley first marries Grizzel who bears him two sons-Pitt and
Rawdon. Many years after her demise, Sir Pitt marries Rose Dawson. The job that
Becky gets at Queen’s Crawley, is to look after the two daughters of Sir Pitt
and Rose Dawson.
Rebecca, dusting off her disappointment at
the Sedley’s, becomes excited at the prospect of living with a Baronet. Sir
Pitt Crawley is a dirtily dressed, foul-mouthed old man. He has very crude
manners and a heavy Hampshire accent. The old house too seems almost
dilapidated. Sir Pitt is to take Becky to Crawley’s mansion the next day.
Chapter 8 Private and Confidential
Becky writes a detailed letter to Amelia, describing
Sir Pitt Crawley; her adventures during her journey as she was made to sit
outside in the rain, for a passenger wanted an inside place in Sir Pitt’s
coach, the Crawley estate, and finally the old-fashioned, red-brick mansion.
Becky also gives her an account of the family members: Lady Crawley, who
constantly weeps for the loss of her beauty; Pitt Crawley who is lean with ‘hay
colored whiskers’ and dresses with the pomp of an undertakes; the two girls
Rose and Violet who are simple and nice and of course Sir Pitt who drinks in
the company of Horrocks, his butler.
Chapter 9 Family Portraits
Sir Pitt Crawley with his taste for low life marries
Rose, daughter of an ironmonger. He gets drunk more than often and beats his
pretty Rose. He has a brother, a Rector, Bute Crawley, whose wife refused to
call on Lady Crawley because she is the daughter of a petty tradesman. After
giving birth to two daughters, Lady Crawley remains as a mere machine in the
house. She is only faintly attached to Pitt Crawley who is a polite, gentle and
disciplined man. He is also an ambitious and industrious person.
Sir Pitt gets great pleasure in making his
creditors wait and go from court to court. He asks, "What is the good of
being in Parliament if you must pay your debts?"
Sir Pitt has an unmarried half sister,
Miss Crawley, who has a large fortune. She helps the Crawleys often, to pay
their debts. The members of her family love and respected her because of her
vast bank balance.
Chapter 10 Miss Sharp Begins to make
friends.
Rebecca’s main aim is to make herself agreeable to
her benefactors. She knows that to survive in the world she has to fend for
herself. She easily pleases Lady Crawley and her daughters. Her respect and
obedience towards Pitt Crawley wins her, his good opinion. She finds ways to be
useful to Sir Pitt and within a year, she becomes indispensable to him. She
becomes his constant companion.
Rawdon Crawley of the LifeGuards Green
does not get along with his brother Pitt and pays a visit to the house, only
when the aunt comes to stay with them. He is a favorite of his aunt and there
is mutual contempt between Pitt and Miss Crawley.
Miss Crawley is a rich woman, who loves
everything associated with France. She enjoys life (though Pitt considers her
to be ‘godless’) and loves to pamper her nephew, Rawdon.
Chapter 11 Arcadian Simplicity
Bute Crawley and his wife form the nearest relatives
and neighbors of Sir Pitt. The two brothers are entirely against each other.
Mrs. Crawley keeps a close watch on the Crawley house for news. She is quite
suspicious about Rebecca’s growing influence over the Crawleys. Therefore she
writes to Miss Pinkerton to enquire about her past for which Miss Pinkerton
gladly fills in the information that her parents had been disreputable.
Becky writes a letter to Amelia informing
her about the perfect peace and happiness in the house due to the arrival of Miss
Crawley. The two brothers make best chaperons for her while they wait for her
to kick the bucket. Becky also gives an account of Rawdon Crawley who lives a
lavish life under the favor of his aunt. She does not forget to mention how he
constantly showers attention over her while he is around.
Besides charming Mrs. Bute Crawley,
Rebecca also has Miss Crawley tied to her little finger in no time, (who is
immensely impressed by her) and becomes her constant companion.
Chapter 12 Quite a sentimental chapter.
Sisters of George as well as of Dobbin believe that
Amelia is not worthy enough for a charming man like George. They feel that
George is making a great sacrifice in loving Amelia. George plays truant and in the evenings is neither at
his own house nor at Amelia’s. Amelia is heartbroken waiting for George. She
writes frantic letters to George, who replies in very few words - in a soldier
like manner.
Chapter 13 Sentimental and otherwise
While Amelia suffers in George’s absence, George is
busy enjoying in the company of other women. Unable to hear people talking
about George and his lady in a light manner, Dobbin, to the great displeasure
of George, blurts out the truth about George’s engagement with Amelia. Dobbin
also rebukes George for neglecting the angelic Amelia. George, with some
hesitation, accepts money from Dobbin to buy a gift for Amelia. But he is
driven by self-love, and buys a diamond shirt pin for himself. Amelia is
euphoric to see George.
George’s father, John Osborne, is worried
about John Sedley’s business. He makes it clear to George that he is not to
marry Amelia unless she brings along ten thousand pounds.
Chapter 14 Miss Crawley at Home
Miss Crawley falls severely ill and is
transported back to her house. Rebecca nurses her throughout her illness. Miss
Crawley refuses to be looked after by anyone else, not even her old loyals,
like Miss Briggs and Mrs. Firkin. These two companions are greatly threatened
by Becky’s presence. Rawdon comes regularly to ask Becky about the improvement in
the patient.
After great caring and watching over on
Becky’s part, Miss Crawley recovers. Becky keeps her entertained and
accompanies her on drives. On one such drive they pay a visit to Amelia, which
again Amelia returns after a few days. Amelia is invited for dinner in which
George Osborne is also a guest. George tells Rawdon to be careful of a
desperate flirt like Becky.
Sir Pitt becomes a widower again.
Throughout the time of Miss Crawley’s convalescence, he writes frantic letters
to Rebecca to return to Queen’s Crawley. One day, he personally comes to fetch
her and proposes marriage to her. Rebecca has only tears to shed at this
marriage proposal; she confesses between her sobs that she is already married.
Chapters 15 & 16 In which Rebecca’s
husband appears for a short time and the letter on the Pincushion
Miss Crawley is astonished to know that
Rebecca has turned down Sir Pitt’s proposal. After much explanation to Miss
Crawley, Becky admits that she loves someone else. Becky is a little remorseful
that she has missed the position of a Lady, but she has enough ‘resolution and
energy of character,’ to not continue mourning for what is lost.
She writes a letter to her secret husband, who is
none other than Rawdon, and plans an elopement. Becky is sure that Miss Crawley
will be hysterical for a while and then forgive her two favorites. She runs
away leaving a letter for Miss Briggs, who does not have a clue about how to
break the news and sends for Mrs. Bute Crawley. Together they inform Miss
Crawley, who is frantic. Sir Pitt is furious. All this while Becky and Rawdon,
together, are hoping that Miss Crawley will sooner or later come around and
forgive them.
Chapter 17 &18 How Capt. Dobbin bought
a piano and who played on the piano Capt. Dobbin bought.
Mr. John Sedley goes bankrupt and the
family moves to a modest house in Fulham Street. There is an auction in their
old house where Rawdon and Becky buy a painting of Jos Sedley on an elephant
and Dobbin buys the old piano and sends it to its previous owner, Amelia.
Jos arranges financial help for his
parents but does not come down to meet them. After his marriage, Rawdon Crawley
is a much-altered man. Becky just avoids the ruined Sedleys.
Everybody is sure that George Osborne will
not marry Amelia and speaks ill about her. Aware of this fact, John Sedley asks
the heartbroken Amelia to return all the gifts that George had given her and
break the relationship. George is moved by Amelia’s letter and, on Dobbin’s
insistence, goes to meet her.
Chapter 19 Miss Crawley at Nurse
Mrs. Bute Crawley tries every way to make
Miss Crawley despise Rawdon and Becky. For this, she reminds Miss Crawley of
every vice of Rawdon and takes Miss Crawley to Miss Pinkerton’s, who helps them
trace Becky’s earlier life. Thus, she fortifies the Park Lane house against the
enemy.
Seeing Miss Crawley weak, Mrs. Bute
Crawley presses upon the old woman to alter her will but does not succeed. At a
drive in a park, Miss Crawley’s carriage passes by Rawdon’s carriage, who
acknowledges the party but is coldly spurned. For Mrs. Bute it is a sure
triumph. She plans to take Miss Crawley to Brighton to avoid such encounters in
the future.
Chapters 20 & 21 In which Capt. Dobbin
acts as the messenger of Hymen and Quarrel about on heiress.
Dobbin volunteers to convince Mr. Sedley
about Amelia’s marriage. Amelia is as happy as she can be. George tells Amelia
that his parents and sisters have formed a new acquaintance with a Miss Swartz,
who is an extremely beautiful and rich heiress. John Osborne plans to get
George married to Miss Swartz and he keeps giving his son, hints about this
wish of his.
Miss Swartz is invited home for dinner
where George is ordered to be present. During the meetings instigated by the
foul words of his sisters towards Amelia, George declares to Miss Swartz that
he loves Amelia and even rises against his father to defend her. His father is
enraged and warns him not to argue with him if he wants to remain in the
family. George defies his father’s orders and tells Dobbin that he will marry
Amelia the very next day.
Chapter 22 A marriage and part of a
Honeymoon.
Like a typical patriarch, Old Osborne is
sure that George will return the moment his supplies fall short. Amelia and
George tie the knot at a chapel near Fulham Road. Immediately after the
marriage, the couple leaves for Brighton. Dobbin stays back to overcome his
depression caused due to Amelia’s marriage and also to inform Mr. Osborne.
At Brighton, the young couple, later
joined by, Jos meets the Crawley couple, who is enjoying their stay. However,
the Crawley couple is also worried about Miss Crawley’s acceptance as she still
refuses to yield. Dobbin too joins them later, bringing the news that all the
soldiers are ordered to Belgium.
Chapters 23 & 24 Capt. Dobbin proceeds
on his canvass and in which Mr. Osborne takes down the family Bible.
Dobbin tries very hard to convince
George’s sisters, to be supportive of his marriage to Amelia. Miss Osbornes are
moved, but they dare not oppose their father. Sure about the fact that, George
will lose his share of the property, Mr. Fredrick Bullock, a businessman, at
heart becomes more interested in Miss Maria Osborne. This is because; he
realizes that now she is worth thirty thousand pounds more.
Very gradually, Dobbin breaks the news
about George’s marriage to Mr. Osborne, who is shattered, angry and deeply
disappointed. He decides to disown George and disinherit him. He sends a letter
for George through Dobbin.
Chapter 25 In which all the principal
personages think fit to leave Brighton.
Before leaving town, Becky insists on
getting back a sum lent to George, which he does, and appeasing Miss Crawley.
The latter becomes easy as Mrs. Bute Crawley, the only great obstacle, rushes
to her home because Mr. Bute Crawley had injured himself. Rebecca seizes the
opportunity and sends feelers through honest Miss Briggs. Becky also dictates a
letter to Rawdon for Miss Crawley. Miss Crawley refuses to see Rawdon. On
further insistence, she asks him to see her lawyer. On following her
instruction, Rawdon is shocked to see that she leaves a meager sum of twenty
pounds for him!
Chapters 26, 27 & 28 Between London
and Chatham, in which Amelia joins her Regiment, in which Amelia invades the
Low Countries.
On their way to Brussels, George, Amelia,
Jos and Dobbin stop at London. George keeps Amelia in the lap of luxury, but
does not spend time with her. He is back to his vices, of gambling and
flirting. A happy Amelia pays a visit to her parents. George meets his father’s
solicitor for the final little sum of 2000 pounds that his father has spared
for him.
At Chatham, Amelia meets George’s regiment.
They are all impressed by Amelia’s sweet and kind nature and George feels proud
of her. Amelia takes a liking for the garrulous and imposing Mrs. Peggy O’Dowd,
who is the wife of Mayor O’Dowd, the commander of George’s regiment.
The regiment is transported by water to
Ostend. Before the war can begin, there is great merriment in the regiment. In
such parties, Amelia is extravagantly dressed, Jos, excessively drunk and
George extremely flirtatious.
Chapter 29 Brussels
Following the others, the Crawley couple
arrives at Brussels. George enjoys in their company but Amelia is jealous of
the admiration Rebecca receives from George. George continuously loses his
money to Rawdon, at gambling and loses his heart to Becky.
On June 15, 1815 a noble duchess hosts a
lavish ball in which Crawleys, Osbornes and Dobbin are invited. Amelia, half-
expecting what would happen, is quite without enthusiasm.
George, as usual, chaperones Rebecca, dances with her
and in the end, gives her a piece of paper crumpled in her bouquet. Amelia,
totally neglected, requests Dobbin to take her back to her room.
George Osborne is having a great time at
the ball when Dobbin announces that their regiment is to march to the
battlefront. George, the brave soldier, is excited. On his way to his room, he
bitterly regrets his behavior towards Amelia and wonders what will happen to
her and their unborn child if he were to die in the war. He feels guilty for
his ingratitude towards his father and writes a farewell letter to him.
Chapter 30 "The girl I left behind
me"
Major O’Dowd, Rawdon, George, and Dobbin
prepare to leave for the battlefield. Rawdon is worried about the debts he is
leaving behind and gives Becky all his savings and valuables out of which she
can make a little fortune and live comfortably if he were to die. Rawdon is
overwhelmed with emotions while Rebecca bears it all with ‘Spartan equanimity.’
Before leaving, Dobbin extracts a promise
from Jos Sedley that he will not leave Amelia alone and will take care of her
while George is away. After a brief parting with Amelia, George rushes to join
the march, full of enthusiasm and overflowing with excitement.
Chapter 31 In which Jos Sedley takes care
of his sister.
Jos is comfortable while Amelia is very
ill and disturbed in George’s absence. Becky comes to pay Amelia a visit, but
Amelia is furious at her and behaves rudely towards her. In a fit of rage and
jealousy, she assures Becky that George loves only her (Amelia) and that none
of Becky’s tricks would work. For the first time, Amelia gathers enough courage
to confront Becky, who is stunned. She leaves Peggy to take care of Amelia.
Before this confrontation with Amelia,
Becky flatters and praises an impressed Jos Sedley so that she can use him
whenever she needs to. While Jos and Peggy are at dinner, they hear cannons
being fired and it perturbs them.
Chapter 32 In which Jos takes flight and
the war is brought to a close.
With the noise of cannons, there are
rumors that the French will overpower the British army. Mrs. O’Dowd courageously
consoles Amelia while Jos is mortally frightened. He puts forth his plan to
flee to Ghent but his servant Isidor informs him that all the horses are gone.
Pauline’s (the cook’s) lover, Regulus returns from the battlefield bringing the
news of the war that, the British army was butchered. They are all scared. Jos
plans to shave his moustaches so that no one will mistake him for an army man.
Like Jos, even the Bareacres are panic
struck and wish to flee but a paucity of horses prevents them. Rebecca has two
horses to sell but she doesn’t sell them to the Lady Bareacres, as she is angry
with the Lady for ignoring her at the parties. She sells the horses to Jos at a
very high price.
The news of victory arrives. Amelia is
even more hysterical. She spots an injured ensign and mistakes him for George.
This ensign, Tom Stubble, brings news that George and Dobbin are fine. He tells
them how Capt. Dobbin had carried him to the surgeon and has sent him back with
a message for Mrs. Osborne that her husband is well.
When all are at peace, they hear the
cannons of Waterloo strike again and this scares Jos very much. Jos once more
implores upon Amelia to leave with him, but when she refuses, he goes away with
his servant. After the roaring of cannons all day, the British are finally
triumphant. While Amelia is praying for George, he lies dead with a bullet
through his heart.
Chapter 33 In which Miss Crawley’s
relations are very anxious about her.
Miss Crawley reads about Rawdon’s bravery
and learns that he has been honored with the title of Colonel. She receives a
letter and tokens of war from his nephew Rawdon from Paris. Mrs. Bute Crawley
is disappointed, for her absence has resulted in her losing her hold over Miss
Crawley and her household.
After Becky leaves Queen’s Crawley, Sir Pitt does not
care to mend his lifestyle. He drinks with the peasants and showers attention
on his servant Miss Horrocks.
Mr. Pitt is to marry Lady Jane, daughter
of Countess Southdown. Mr. Pitt Crawley, together with Lady Southdown and Lady
Jane, decides that he must cultivate Miss Crawley’s friendship and win her
favor as well as her fortune.
Chapter 34 James Crawley’s pipe is put
out.
Miss Crawley instantly likes Jane and asks
her to visit her often. Mrs. Bute Crawley, immensely jealous of the improvement
Pitt is making with Miss Crawley, sends her son James Crawley to please the
rich lady. Miss Crawley asks James to live in her house. Pitt is envious of
James for Miss Crawley had never invited him to stay with her. So he tries
various ways to make Miss Crawley fed up of James. One day, he instigates James
to smoke a pipe in the house. This pollutes the atmosphere of the home and
results in Miss Crawley bidding farewell to James.
Meanwhile, Becky creates a place for
herself in the Parisian society. She delivers a boy and Miss Crawley
immediately orders for the marriage of Pitt and Lady Jane. They come and stay
with Miss Crawley and decide to give them (Pitt and Jane) a thousand pounds a
year till she lives and all the bulk of her property after her death.
Chapter 35 Widow and mother.
Old Osborne and his family is wholly
shaken and shattered at the news of George’s death. His heart melts, when he
reads the letter that George had written to him on the eve of the battle. He
goes to see his son’s tomb. He sees Amelia in her sorrowful widowhood but
remains unmoved and refuses to accept her as his son’s widow.
Amelia lives a passive and melancholic
life till the arrival of her son, which brings life back into her. Dobbin is
the godfather of the little George and takes care that he does not lack
anything. One day, Dobbin comes and informs Amelia that he is leaving and will
not be back for a long time. She promises to write to him about little George.
Chapters 36 & 37 How to live well on
nothing a year & the subject continued.
Rebecca and Rawdon live comfortably on
debt, in Paris, for 3 - 4 years. Rebecca becomes a favorite in the aristocratic
circle. Rawdon has a lucky hand at gambling but their rising debts compel them
to return to England. Becky makes the scene pretty easy in England, by
appeasing Rawdon’s old debtors. By promising them a fairly good dividend on the
previous debt, Becky gets ten times more from them.
The news of Miss Crawley’s death arrives.
In London, Becky and Rawdon stay in Raggles’ house at Curzon Street, Mayfair.
Raggles is an old loyal of the Crawley family. He was their (Crawley’s) butler,
who had spent all his hard-earned money to buy the apartment, which he now
lends Becky. Becky and Rawdon never pay him anything, and in time, poor Raggles
becomes a ruined man.
Miss Crawley leaves Bute Crawley five
thousand pounds, Rawdon inherits only a hundred pounds, and the rest of the
fortune is left to Pitt. Rebecca advises Rawdon to keep a friendly relationship
with Pitt and his wife. Rebecca is a failure as a mother. In fact, she finds
little Rawdon a great botheration, but father and son share a special bond.
Rebecca totally overshadows Rawdon. While Rawdon is
busy with his son, Becky charms rich men like Lord Styne. One day, while
playing at a park, Rawdon and his son meet John Sedley and Georgy.
Chapter 38 A Family in a small way
Jos Sedley goes to India, straight from
Brussels, without meeting anyone. He sends his parents a small sum of money,
which is their chief income. Amelia develops into a possessive mother and hurts
her own mother by suspecting that she wants her Georgy to be poisoned. Reverend
Mr. Binney, who offers to teach Georgy Latin, proposes marriage to Amelia,
which she turns down kindly. She refuses to send her son away to school and
creates havoc if he falls ill.
Dobbin writes frequently and sends
numerous expensive gifts for Georgy, Amelia, and her parents. Her parents are
sorry about the fact that she does not want to marry Dobbin. Georgy grows up to
be pompous and proud like his father. Sometimes, Dobbin’s sisters take Georgy
out for a ride in their carriage or to spend a day with the ladies. One day
they inform Amelia that Dobbin is about to marry Glorvina O’Dowd at Madras.
Amelia expresses a great deal of happiness at the news.
Chapter 39 A Cynical chapter
Lady Jane and Pitt pay a visit to Sir
Pitt, soon after their wedding. Sir Pitt’s condition is lamentable, so is the
state of his house. Miss Horrocks rules the entire home. Mrs. Bute Crawley,
with her close eye on Queen’s Crawley, catches Miss Horrocks red handed as she
is trying to steal. She brings along her husband and James to bear witness.
While Miss Horrocks is busy robbing, her father and a doctor try to murder Sir
Pitt, but Bute Crawley foils their plan and throws them out of Queen’s Crawley.
Chapters 40 & 41 In which Becky is
recognized by the family and in which Becky revisits the halls of her
ancestors.
The news of the death of Sir Pitt makes
his son Pitt secretly delighted, as now he will be Sir Pitt Crawley with a seat
in the Parliament. He quickly communicates the news to Rawdon. Rawdon and
Rebecca rush to Queen’s Crawley, dressed correctly to the occasion, leaving
little Rawdon with Miss Briggs who has been living with them since Miss
Crawley’s demise.
Becky and Rawdon’s homecoming is warm.
Pitt notices that marriage to Becky has made Rawdon a better person. Pitt
volunteers to pay for little Rawdon’s education. Becky is touched by the
goodness of Lady Jane. Knowing that Pitt is at odds with Bute Crawley and his
family, Becky gladly blames Mrs. Bute Crawley for her marriage to Rawdon and
their eventual falling out of Miss Crawley’s favor.
Becky and Rawdon leave for London with
many gifts from Lady Jane. During their short stay Rebecca pleases everyone at
the house, while Rawdon misses his beloved son and keeps track of his
activities back home.
Chapters 42 & 43 Which treats of the
Osborne family and In which the reader has to double the cape.
Maria Osborne is married to Fredrick
Bullock, the greedy materialistic man, and they are almost cut off from the
family due to their social superiority. Miss Jane leads a monotonous life with
her tyrannical father. One day, she meets Georgy and gifts him a gold watch and
a chain. Her father begins to flush up and tremble at the news.
Amelia writes to Dobbin wishing him and
his wife all the best. It is believed that, Dobbin will marry Glorvina, sister
of Peggy O’Dowd, but he is too involved with Amelia to even think about the
match. So he is deeply hurt to read Amelia’s letter, blessing the couple, and
yearns to go back to England. Soon, he receives his sister’s letter informing
him that Amelia may be marrying a Reverend Mr. Binney. With this knowledge,
Dobbin rushes to England.
Chapters 44 & 45 A roundabout chapter
between London and Hampshire and between Hampshire and London.
Becky is to take care of the renovation of
the Great Gaunt House of Sir Pitt. Sir Pitt comes for a short stay with them,
during which Becky impresses him with everything she does. Sir Pitt realizes
that, Rawdon was supposed to inherit the money that he has, and so helps him
with small sums every now and then. The frequent visits of men like Sir Pitt
and Lord Styne helps Becky to extract more credit, for the creditors believe
that if she stays in such rich company, she can surely return their debts.
During this time Rebecca gets more and more estranged from her son.
While Sir Pitt frequents Becky’s house,
Rawdon and his son spend a happy time with Lady Jane and her children, who they
are very fond of. Sir Pitt is elected as a Member of the Parliament. Becky
dislikes Lady Jane for being a simple and good woman. Becky also introduces Sir
Pitt to Lord Styne.
Chapter 46 Struggles and trials.
Amelia is too possessive to send Georgy to
school, therefore she teaches him at home. After one of the rides in the
Dobbin’s carriage, Georgy tells his mother that an old man had come to see him.
Old Mr. Osborne sends his attorney to get Georgy in his custody with the
following proposal: Amelia is to get a fair allowance, which will not be
withdrawn, even if she marries again. She will be allowed to see her son
sometimes but at her own residence. Amelia is furious at the attorney for
bringing such a proposal.
The monetary condition of the Sedley
family goes from bad to worse. Amelia has no money to gift Georgy on Christmas,
so she sells one of the exquisite shawls that Dobbin had sent for her from
India. She buys new clothes and books for Georgy from the money obtained. But
her mother is thoroughly disappointed. According to her, Amelia should not
spend lavishly on her son’s books and on providing him with other luxuries,
when they don’t have enough money to live. The main reasons for this poor
financial condition of the Sedleys are; the money sent by Jos does not arrive,
Amelia’s pension is insufficient, and Mr. Sedley’s business always incurs
losses.
Amelia soon begins to feel guilty for her
selfishness. She knows that, Georgy will be provided for in a better manner in
his grandfather’s house. She realizes that she cannot do very much for her son
and is afraid that she may have to part with him.
Chapter 47 Gaunt House
Tom Eaves, an inhabitant of Vanity Fair,
tells the narrator about the history of Lord Styne’s family. Lord Styne an extremely
affluent man, has a brief unhappy married life and due to a low- spirited wife,
he is lured by pleasures and merriment. His son George loses his mental balance
due to a disease that runs in their family and of which Lord Styne is
petrified. To escape his fears, he throws lavish balls and invites everyone. In
spite of all his notorious and immoral escapades, everyone belonging to the
high society attends his parties.
Chapter 48 In which the reader is
introduced to the very best of company.
Becky is rewarded with a chance to go to
Court with Sir Pitt and Lady Jane. She is dazzling in her best clothes and
large diamonds which Sir Pitt secretly gives her. Rawdon goes in his old shabby
uniform, which is now too tight for him. Becky therefore achieves her aim in
life.
Lord Styne is a frequent visitor at
Rebecca’s place, but he feels uneasy in the presence of Miss Briggs. He asks
Becky to send her away, but Becky replies that she will not be able to do so,
as she owes Miss Briggs some money. Becky then quotes almost double the amount.
Later, Lord Styne sends her a check and an invitation for dinner. Rebecca buys
Briggs a beautiful, silk gown and pays Raggles and her coachman fifty pounds
each to silence them for sometime. The rest she keeps for herself.
Chapter 49 In which we enjoy three courses
and a Dessert.
Lord Styne receives great opposition from
his family, for wanting to invite Rebecca Crawley for his party. His mother-in-
law being Lady Bareacres, this opposition is not surprising. Rebecca is eventually
invited. Though in the former part of the evening she is not very successful,
she enchants Lady Styne by singing sweetly for her.
Chapter 50 Contains a vulgar incident.
After a lot of pondering, Amelia decides
to send Georgy to his grandfather. At this decision, Mr. Osborne sends her a
hundred pounds. Georgy is excited to go to his new lavish home. After he is
gone, Amelia is sad and depressed. He comes often to meet her and on other
days, she walks up to his house and watches the window of his room.
Amelia still does not know that it is not
Jos who has stopped sending money, but it is her father who has already sold
away Jos’s future allowances for his unsuccessful businesses.
Chapter 51 In which a charade is acted
which may or may not puzzle the reader.
Becky gets more and more popular in the
aristocratic circle. In a party at Gaunt House, Becky participates in the
charades. The audience is spell bound with Becky’s performance. After the
charade, Becky is placed at a grand exclusive table, with all the distinguished
guests, and eats out of a gold plate.
At the end of the party, Becky leaves by carriage
while Rawdon prefers to walk. On the way, he is arrested on account of an
unpaid debt.
Chapter 52 In which Lord Styne shows
himself a most amiable light.
This chapter is a flashback. Due to the
generosity of Lord Styne, little Rawdon is sent to a very good school. His
father misses him during his absence and longs for him to return home on
Saturdays. Rawdon’s relationship with Becky is growing more and more estranged.
One day Lord Styne, in a conversation with
Miss Briggs realizes that Becky had told him a falsehood and taken double the
amount she needed, giving none of it to Miss Briggs. When he questions Becky
about this, she tells him another lie, where she puts the entire blame on
Rawdon’s greed and his constant bullying asking her to ask Styne for money.
Lady Jane warns Rawdon to keep an eye on
Becky’s activities. Lord Styne gives Miss Briggs a better place, that of a
housekeeper at Gauntly Hall. Rawdon orders Becky to refuse invitations, which
are only for her and where he is not on the guest list. Becky agrees and they
live in each other’s company and to Rawdon, this feels like the blissful days,
just after their marriage.
Chapter 53 A rescue and a catastrophe
Rawdon, who has been arrested, writes to
Becky asking her to arrange for a hundred pounds to bail him out (for he has
only seventy pounds). Becky writes a sympathetic letter, in, which she makes an
excuse of her bad health and puts off his rescue to the next day. A furious
Rawdon sends a letter to Sir Pitt asking for help. Lady Jane comes to his
rescue.
Rawdon rushes home and is enraged to see
Becky and Lord Styne spending a great evening together. Becky is bedecked with
numerous diamond trinkets, which Lord Styne has presented to her. Rebecca is
mortally scared on being caught red handed. Rawdon strikes Lord Styne, who
claims to have paid large sums of money to his wife. Rawdon makes Becky open
her secret drawer and finds a thousand-pound note from Lord Styne. Becky only
screams that she is innocent. Rawdon, in a fit of rage, goes away.
Chapters 54 & 55 Sunday after the
battle and in which the same subject is pursued.
Fuming with anger, Rawdon goes over to Sir
Pitt and informs him about what has happened. He assures Pitt that he has come
just to request him to take care of his son whom he loves dearly.
Then he goes to Gaunt House and leaves his card for
Lord Styne, expressing his wish to meet him. He goes to Captain Macmurdo (Mac) and
asks him for help, which the latter gladly extends. Mac takes the
responsibility of returning Styne’s note back to him.
At Curzon Street, Becky’s maid robs her of
all her jewelry and her servants harass her for money. Now that they know that
she is out of favor of both Lord Styne and Rawdon, they are worried about their
repayments. Becky meets Sir Pitt and convinces him of her innocence by saying
that she was entertaining Lord Styne so that she could acquire a good
employment for Rawdon. Lady Jane is furious to see Becky in her house.
In the meanwhile, Rawdon is spending his
time with Mac, when two acquaintances inform him about his appointment as the
Governor of Coventry Island. He has obtained this position due to the patronage
of Lord Styne. Rawdon meets his emissary, Mr. Wenham. Styne’s emissary tries to
prove to Rawdon that Becky is innocent, but Rawdon refuses to believe him.
Capt. Mac hands over the note (given by Lord Styne to Becky) to Wenham and the
ex-col. accepts the job on the insistence of Mac and Sir Pitt. Sit Pitt
however, is unable to bring about a reconciliation between Becky and Rawdon.
Rawdon fixes an annuity for his wife,
writes regularly to his son and sends Lady Jane all the possible goodies
Coventry Island has to offer. Rawdon also repays all his debts and takes Capt.
Mac with him as his secretary.
Chapter 56 Georgy is made Gentleman
Georgy lives with his grandfather, in
great comfort and luxury. He has the best of everything. Old Osborne is as
proud of him as he was of his dead son. He exceedingly pampers Georgy and the
little boy playfully bullies the entire household. He regularly comes to visit
Amelia. One day, while Georgy is taking lessons, Dobbin and Jos Sedley come to
meet him. Georgy instantly recognizes one to be Major Dobbin, about whom his
mother had always spoken to him.
Chapters 57 & 58 Eцthen and our friend
the major.
Amelia’s mother dies. She now looks after
her ill father with the help of the money given by Old Mr. Osborne. Dobbin
proceeds for England, but he falls seriously ill. His peers wonder if he would
survive. Jos Sedley is traveling back
home on the same ship as Dobbin and, in one of his conversations, assures
Dobbin that Amelia has no plans of marrying. After this assurance Dobbin begins
to recover and becomes more and more excited at the prospect of seeing Amelia.
Amelia is very happy to see Dobbin and
talks to him in very buoyant spirits about Georgy. He is greatly relieved to
see Mrs. Binney (the wife of the man whom he thought Amelia was marrying). Dobbin
also informs them of Jos’ arrival.
Chapter 59 The old Piano
While watching over the shifting of the
Sedley household to a better place, Dobbin tells Amelia that he is glad that
she has still kept her old piano. Amelia does not realize at first, but later
it strikes her that, perhaps it was not George but Dobbin who had sent it for
her. She apologizes to Dobbin for attributing the kind deed to her dead
husband.
Dobbin tells her how much he loves her and
has loved her since the first time he saw her. She reminds him that George is
and would always be her husband. But at the same time, she requests Dobbin to
be a friend to both her and Georgy.
Chapters 60 & 61 Returns to the
genteel world and In which two lights are put out.
Amelia’s good fortune makes her friends
happy for her. Georgy is very fond of Dobbin, while there is no great
attachment between Jos and Georgy. Jos and Amelia become a part of the genteel
society. Jos invites his friends home for frequent parties and himself goes to
Court.
John Sedley dies after a prolonged
illness, during which he was loved and cared for by Amelia. He too is very fond
of Amelia in his last days, even more than when she was a little girl. After
Mr. Sedley’s death, Osborne invites Jos to his house, saying that he has
nothing against him. Dobbin also implores Mr. Osborne to reconcile with Amelia
and he agrees for a meeting. Unfortunately, the old patriarch dies soon but he
leaves half his property to Georgy, an annuity of 500 pounds for Amelia and
restores Georgy to his mother. Dobbin too is left a sum, sufficient to buy him
his commission as Lieutenant Colonel. Affluent people from all quarters,
including the haughty Maria Bullock, (nee Osborne) come to pay a visit to Mrs.
Osborne owing to the knowledge of her newly acquired nobility. Jos, Amelia,
Georgy, and Dobbin plan a foreign trip.
Chapter 62 Am Rhein
Jos Sedley, Amelia, Georgy, and Dobbin
leave for Pumpernickel for a pleasure trip. They enjoy themselves and
most of all Amelia begins to brim with excitement and radiance of happiness.
Dobbin is glad to see her so. She sketches the beautiful mountains and is
enchanted by musical performances, which they attend.
Chapter 63 In which we meet an old
acquaintance.
Lord Tapeworm, the heir and nephew of one
of Major Dobbin’s late Marshal, accompanies Jos and the rest of the party as
their friend. Tapeworm suggests a doctor for Jos to loose weight, who plans to
stay and get treatment. They move in aristocratic society and attend their
festivities.
One day, Georgy meets a mysterious woman
at a gambling house, for whom he plays and wins. Jos recognizes her to be
Rebecca. Dobbin extracts a word from Georgy that he will never gamble again.
Chapter 64 A vagabond chapter.
After separating from Rawdon, Becky is
left with a bad reputation, which compels her to leave the country. Before
quitting England, she writes to little Rawdon, to which he replies as per his
duty. First she goes to Bologne. Soon she feels the pangs of loneliness. She is
driven out of the hotel in which she lives, as she is deemed unfit to stay
there.
Every time Becky makes her little circle
of friends, some past acquaintance pours cold water on her efforts. She begins
again from square one. She realizes that Amelia and the other people she knew
are kind people. Bored of all her show of being a respectable lady, she throws
all her guard and her taste for low life grows more remarkable. She travels all
over Europe and mingles with coarse men. At Rome, she finds Lord Steyne at a
ball and hopes to reestablish their acquaintance, but a warning from his
confidential man forces her to flee to save her life, as Steyne is livid about
his confrontation with Rawdon.
The news comes later, that Lord Steyne has
died is Naples, due to a series of fits, as a result of the downfall of French
Monarchy at the French Revolution.
Chapter 65 Full of business and pleasure.
Jos goes to see Becky at her dingy room in
the ‘Elephant’ Hotel. Becky succeeds in winning his favor and tells him the
saddest story of her life, which is absolutely false. Jos, much affected,
reports about her condition to Dobbin and Amelia. Initially, Amelia is unmoved,
but as soon as she learns that Becky’s son was torn from her arms, she
instantly leaves to see her dear friend. Becky watches Amelia and Dobbin
approach, yet pretends to give a shriek the moment she sees them at her door.
Chapter 66 Amantium Irae
In spite of repeated polite warnings from
Dobbin, Amelia and Jos are determined to bring Becky home with them. Dobbin is
opposed to this view because he overhears the two boys with whom she comes from
Leipzig, talk very lightly about her. Dobbin is the only one who can see
through all of Becky’s pretensions. Finally, Dobbin tries to remind Amelia of
Becky’s behavior with George, before the battle. This infuriates her and she
refuses to see Dobbin anymore. Dobbin too, angry with her for the first time,
admits to himself as well as her that, she is and never was worth all the
devotion he has given her, and he leaves, never to return. Georgy is very sad
to hear that Dobbin is leaving. When he goes to bid Dobbin goodbye, Becky sends
him a note imploring upon him to stay, which Dobbin tears in spite.
Chapter 67 Which contains births,
marriages, and deaths
While Amelia is silent and depressed due
to her behavior towards Dobbin, Becky takes charge of the house. She becomes
popular in society because of her wit and talents. The news of Dobbin
re-joining the service arrives. The party (Amelia, Becky, Jos and Georgy) moves
to Ostend on Jos’ health grounds. Becky has many low acquaintances there, who
forcefully impose themselves upon her and pay tipsy comments on Amelia. Amelia
yearns to go back, but Jos cannot discontinue his treatment. Amelia writes to
Dobbin. When Becky’s luggage arrives from Leipzig, she impresses Jos by showing
him his portrait, which she has preserved, and the letter, asking Becky to
elope, which George had written to her and given her at the ball just before
the war. Amelia is even more determined to marry Dobbin and she does. Becky
roots her anchor on Jos and follows him wherever he goes. After his marriage to
Amelia, Dobbin leaves the service and they live in Hampshire, close to Queen’s
Crawley. Lady Jane and Amelia become great friends and Georgy and Rawdon study
together and both fall in love with Lady Jane’s daughter. Dobbin and Amelia
have a daughter who is named after her godmother Lady Jane.
Jos Sedley dies, leaving half of his money
to Mrs. Crawley, who is suspected as the cause of his death. Col. Rawdon
Crawley dies of yellow fever in Coventry Island, six weeks before the death of
Sir Pitt. As Sir Pitt’s son had died in infancy, Rawdon is made the next
Baronet. He makes his mother a liberal allowance but does not meet her. Becky
calls herself Lady Crawley and becomes engaged in charity activities.
Act I: Theseus, Duke of Athens, is preparing to marry Hippolyta in his palace.
He is solving a dispute between Egeus (who wants his daughter, Hermia, to marry
Demetrius) and Lysander, who has Hermia's love. Theseus declares that Hermia
must marry D emetrius as the law specifies, or marry no one. Hermia and
Lysander plan to escape to the woods and elope, and they tell Helena. Helena
loves Demetrius, and plans to impress him by telling him of the lovers' plans.
In the wood, six laborers meet to arrang e the production of a play for
Theseus's wedding.
Act II: In the wood, a Fairy talks with Robin Goodfellow about how Oberon, King
of the Fairies, is mad that his wife Titania has stolen an Indian child from
him. To get him, Oberon tells Puck to find and use a magic flower's juice to
make Titania f all in love with a beast. Meanwhile, Oberon pities Helena's
grief at Demetrius hating her, and tells Puck to also use the juice to make
Demetrius love Helena.
Act III: Puck (Robin) accidently puts the juice on Lysander instead of Demetrius.
He then turns Bottom's head into that of an ass, for Titania. Oberon sees
Puck's mistake, tells him to anoint Demetrius, and now both are following
Helena, leading he r to believe they are mocking her. Hermia does not know what
to think, as the two men begin to fight. Titania is so entranced with Bottom
that she freely gives up the Indian boy. Now Oberon tells Puck to release her
from the spell and fix the lover's quad rangle.
Act IV: Theseus and Hippolyta enter the woods for their marriage. They find the
lovers, and despite Egeus' request, Theseus declares that since all four are
happy (Demetrius with Helena and Lysander with Hermia), they shall all be
married on the sa me day. Bottom finds himself restored, and so the play be
performed.
Act V: At the wedding, Theseus asks for the play "Pyramus and
Thisbe," and it is performed. It is awful. The married people retire to
bed, and Puck ends the play with a nice anecdote.
Act I: Antonio, the Merchant of Venice, discusses his sadness with Salerio and
Solanio. Bassanio asks him for a loan, and Antonio says he may borrow on his
credit because his money is at sea. In Belmont, Portia discusses her distaste
with her suito rs with Nerissa. Back in Venice, Bassanio gets money from
Shylock on the condition that if Antonio does not repay in three months, he
gets a pound of his flesh.
Act II: The Prince of Morocco arrives to try for Portia's hand. Bassanio and
company plan their dinner. In Venice, Shylock tells his daughter Jessica not to
go out, but she loves Lorenzo and they escape that evening with her father's
valuables. Mor occo picks the Golden Casket, which is wrong, and leaves.
Salerio and Solanio, the gossipers, talk of Shylock's anger at finding his
daughter and money taken. The Prince of Aragon arrives and tries to win
Portia's hand, but incorrectly chooses the silver casket.
Act III: The gossipers reveal that one of Antonio's ships has sunk and that he may
be in trouble. Bassanio correctly picks the leaden casket, but later finds out
that Antonio owes a pound of flesh to Shylock. Because he will die, he wants to
see Ba ssanio again. Bassanio goes to Venice to see him.
Act IV: Shylock rejects an offer from Portia for three times the initial loan
because he wants his enemy Antonio dead. Portia and Nerissa disguise themselves
as doctor and clerk and go to help Antonio. Portia points out that because the
'bond' they made said Shylock could not have Antonio's blood, he cannot take
the flesh and also loses all of his possessions.
Act V: Lorenzo and Jessica are enjoying the night, when Portia and Nerissa
return just ahead of Bassanio, Graziano, and Antonio. The wives reveal
themselves and the rings they had deceitfully taken.
Act I: The play begins with a dispute between Bolingbroke and The Duke of
Norfolk. Richard wants John of Guant, Bolingbroke's father, to solve the
matter, but when he cannot he says they will fight it out. Then, Richard
cancels this idea and instea d banishes Mowbray for life and Bolingbroke for
ten years.
Act II: Gaunt dies after insulting Richard, and the King claims his wealth to
help finance his war with Ireland. Northumberland reveals that Bolingbroke is
returning to England with an army to overtake Richard. He, with York and
Willoughby, join hi m. Richard's troops under the Earl of Salisbury dispurse
because they think Richard is dead.
Act III: Bolingbroke executes Bushy and Green, both loyal to the King. Richard
returns to England happily after defeating the Irish, but loses that zest when
he finds out that he has lost his troops and Bolingbroke will surely defeat
him. Bolingbro ke discovers that Richard is nearby in Berkeley Castle, goes and
asks him to surrender, and Richard does.
Act IV: The Bishop of Carlisle reluctantly lets Bolingbroke, who has been
questioning Bagot about whether the King ordered an execution or not, overtake
his castle. After some dramatic speech, Richard is sent to the Tower by
Bolingbroke, now known as King Henry IV.
Act V: Richard's loving and grief-stricken wife sees him on his way to
detention. A plot is hatched against Bolingbroke by Aumerle and others, but his
father York finds out and tells. Aumerle is spared but the other rebels are
not. Richard is kille d by Exton, news the new king says he is not happy to
hear, and so he decides to launch a crusade to ease his conscience.
Act I: Guards on duty discuss seeing the Ghost of Hamlet's late father, the
dead King, and then see him again. Hamlet's mother, Gertrude, has remarried to
Hamlet's uncle Claudius, putting the King's murderer on the throne. The
courtier Polonius pre pares his son Laertes for a journey to Paris. He then
orders his daughter to stay away from Hamlet, her love, because he fears Hamlet
is going mad. The Ghost appears to Hamlet and tells him he wants revenge on
Claudius.
Act II: After a time lapse, Hamlet feigns madness, but cannot as easily fool
Claudius as he does others. The two both want to kill each other, but both need
a reason to justify it. The attacking Fortinbras is reported to have called off
his strike on Denmark, but that remains to be seen. Polonius and Claudius try
to trick Hamlet, but he stays ahead of them. Hamlet meets his old friends,
Rosencrantz and Guildenstern, and is at first delighted to see them. But, he
immediately realizes they are there to spy on him. Hamlet devises to use a play
which show's Claudius's crime to prove him guilty.
Act III: Hamlet contemplates suicide, but Claudius is still not fooled and
decides to send Hamlet to England, most likely to kill him. The play is done,
and Claudius knows he must act or he will fall. Foolish Plonius asks Gertrude
to question Hamle t. While the two are talking, Hamlet begins to grow angry at
his mother, but the Ghost reappears and tells Hamlet to remember who it is that
he is after. Inadvertently, Hamlet kills Polonius who was listening in from
behind the curtain.
Act IV: Laertes is angry at Claudius because he thinks he killed his father, but
the king consoles him. Claudius hatches a plan to kill Hamlet, who is back in
Denmark because he escaped death in England via some wit and some pirates.
Act V: Hamlet finds out from a gravedigger that Ophelia is dead, and upon
seeing her funeral, announces his love for her. Laertes challenges him to a
match, but they do not fight just yet. They go back to the castle for a
jousting match where...the Queen drinks a poisoned glass meant for Hamlet, Laertes
wounds Hamlet, Hamlet kills Laertes, Laertes announces Claudius's evil
intentions, Hamlet kills Claudius, and then Hamlet dies because Laertes was
fighting with a poisoned sword. Before his death, H amlet tells Horatio to give
authority to the approaching Fortinbras.
Act I: Iago is discussing his desire for revenge against Othello (for his
passing over of the lieutenant position that was given to Michael Cassio) with
the idiot Roderigo, who desires Desdemona (Othello's wife). Iago tells Desdemona's
father that she has eloped with Othello. He then tells Othello to take heed of
Brabantio's hostility, a warning the Moor shrugs off. The two almost fight, but
both are summoned by the Duke.
Act II: The scene shifts to Cyprus, and news comes that a tempest has elimated a
Turkish war threat. Othello declares a holiday and Iago uses this to get
Michael Cassio drunk. Iago cleverly sets the scene for a trashed Cassio to
chase Roderigo and wound Montano, followed by Othello conveniently being woken
and forced to discharge Cassio.
Act III: Now Iago tries to break up Othello and Desdemona by telling Cassio to
try and earn reinstatement by getting Desdemona to like him and talk to Othello
for him. Iago cleverly puts people in the right places so that Othello begins
to think Ca ssio is pursuing Desdemona. He also steals a hankerchief Othello
gave to Desdemona and puts it in Cassio's possession. He lies some more and
gets Othello to order Cassio's assassination, question Desdemona, begin to lose
rational thought, and ultimately d estroy his noble record.
Act IV: Ludovico and other Venetian officials arrive, saying they want Othello
back. Desdemona speaks well of Cassio in hopes that he might succeed the Moor,
and for that Othello slaps and degrades her. Ludovico wonders if Othello is
sane, and Iago seizes the moment to cast Othello in a bad light. Roderigo
starts to realize that the jewels he has been giving Iago to give to Desdemona
have not been making it past Iago, and he threatens to kill him. But Iago uses
his rhetoric to convince Roderigo to just wait a little longer.
Act V: Roderigo attacks Cassio, both are wounded, and Iago comes upon them and
kills Roderigo. Othello decides to kill Desdemona by strangling her in her bed.
Emilia then enters and tells him the news. She screams at seeing Desdemona and
the others come into the room as well. Emilia tells about how she gave the
hankerchief to Iago, and the truth starts to come out. Othello realizes what
Iago has done, and although he cannot kill him, Iago is captured. Othello kills
himself.
Act I: King Lear announces that he wants to give his kingdom to his three
daughters. He has them all tell him they love him, but when Cordelia refuses to
pour on the compliments, she gets nothing. Kent is banished for trying to tell
the King he is making a mistake, but returns disguised and serves the King
again. Regan and Goneril discuss their problems with their father. Burgundy
loses interest in Cordelia, but France does not. The Earl of Gloucester's
bastard son, Edmund, tricks his father into t hinking that his other son,
Edgar, plans to kill him. Edmund then makes Edgar flee by telling him that he
is in danger.
Act II: Regan and Cornwall arrive at Gloucester's castle. Edmund fools his father
into thinking Edgar has struck him and left. Kent insults Oswald for his
refusal to respect the King and is thrown in the stocks by Cornwall as an
insult to the King. Lear continues to lose his sanity along with his
authoritative presence. After running to Regan, Lear finds that she, too, will
not be hospitable to him.
Act III: Lear rages out at a storm. The fool continues his important commentary.
Kent finally brings the King to safety in a rock sheltering. Edmund turns his
back on his father by informing Cornwall that France is coming with Cordelia to
restore t he King's power. A disguised Edgar meets the King and Co. in their
shelter. Gloucester then comes by and sends them all to Dover. Gloucester
returns to his castle, is tied up by Regan and Cornwall, has his eyes plucked
out, and is thrust outside towards D over.
Act IV:Edgar meets a suicidal Gloucester and agrees to help him. Albany shows
his nobility, Cornwall dies, and Edmund moves closer to control of the English
army. Cordelia longs for her father as France prepares for a battle. Regan
discloses to Osw ald her affection for Edmund and tells him to kill Gloucester.
Edgar saves Gloucester by tricking him into believing he survived a huge fall,
and then by killing Oswald. Lear remorsely meets Cordelia.
Act V: France loses to England and Lear and Cordelia are taken prisoners by
Edmund. Edgar kills Edmund. Goneril poisons Regan and then kills herself. Lear
is unable to save Cordelia from Edmund's ordered execution and then dies
himself after a touch ing moment of remorse.
Act I: This follows Richard II, and King Henry begins by again putting off his
promised crusade because of Westmoreland's reports of battles at home.
Shakespeare introduces the conflict between Hotspur and Prince Hal. Prince Hal
is the son of King Henry and Hotspur the son of Westmoreland, who will
eventually try to take down the King. In a tavern, Hal and Falstaff engage in a
battle of wits, and then Poins enters and plans with Hal to use a robbery to
embarrass Falstaff. Back at Windsor Castle, Ho tspur will not give the King
prisoners he has captured because the King will not agree to ransom his
brother-in-law Mortimer. Worcester and others plan out how to overtake the
King.
Act II: Falstaff and others rob the traveling pilgrims and are then robbed by a
disguised Poins and Hal. Falstaff returns to the tavern and exaggerates what
happened to Poins and Hal, not knowing they are playing a trick on him. Hal
hides Falstaff from the sherriff, who comes looking for him. Hotspur receives
news of when the rebellion will occur, but does not tell his curious wife.
Act III: An exuberant Hotspur makes his fellow conspirators angry with his brash
statements. Meanwhile, the King gives Hal a scolding for his behavior, and Hal
promises to shape up, for he had originally intended to be bad so that he could
eventual ly look all the better. Hal gives Falstaff a post in the royal forces.
Act IV: The confident conspirators receive a blow when they learn that the Earl
of Northumberland is sick and they will not have his forces. Also, the royal
army is now swiftly approaching them and Glendower's forces are also
unavailable to the reb ellion. Falstaff admits he has wasted his money and
hired beggars for his battalion, surely leading them to their deaths.
Act V: The rebels forces will surely lose, and the King offers Worcester
amnesty for all if they will surrender. But he does not trust the King and
tells Hotspur they will fight. Prince Hal saves the King from death, and his
own reputation, by kill ing Douglas. Then the climax - Hal fights Hotspur.
Hotspur falls. Falstaff takes credit for this killing, which takes the hope
away from the rebels. They dispurse, but the rebellion carries on into part
two.
Act I: Caesar has just emerged victorious in a series of Roman civil wars. The
populous swarms to see his homecoming, but tribunes question the celebration. A
Soothsayer foreshadows the play by giving Caesar a warning, which he ignores.
Cassius beg ins to subtly sway Brutus against Caesar. The conspirators meet and
decide they need Brutus to join them, for tomorrow they must kill Caesar before
he becomes king.
Act II: Brutus joins, but Cicero is left out. Brutus foolishly decides they
should not kill Mark Antony. Calpurnia tells her husband Caesar to stay home
that day, but Caesar still goes to the senate.
Act III: The conspirators pretend to petition for a recall so that they may crowd
around him, and then stab him to death. Caesar fights back at first, but when
Brutus takes his turn, Caesar gives in dramatically. As the conspirators try to
calm the city, Mark Antony steps in and wins Brutus over with flattery. Cassius
fears him, but Brutus foolishly lets him speak to the crowds. At the funeral,
Brutus gives a short but well-put speech and then his mistake proves costly.
Antony riles up the crowd ag ainst the conspirators with a magnificent oration.
Antony agrees to join Octavius Caesar and General Lepidus in a three-man
government.
Act IV: Civil war now erupts between the new government and the conspirators. In
Asia Minor, Cassius' army comes to join Brutus' army. Cassius and Brutus argue
and make up. Brutus finds out that Portia is dead, along with many senators
including Ci cero. Caesar's ghost visits Brutus and says they will meet again.
Act V: The armies sit opposite each other near Philippi, waiting for battle.
Antony tells Cassius things might be better had he been in charge instead of
Brutus. Cassius and Brutus exchange good-byes, knowing they may never see each
other again. Br utus poorly leads his men, and turns a sure victory into a
possible defeat. Cassius mistakenly thinks he is prisoner when in fact the
conspirators are winning, and commits suicide. Brutus continues to mislead,
avoiding a sure victory, and eventually it co sts him. He commits suicide in
the face of defeat. Antony's forces win.
Act I: The Witches foreshadow the evil in Macbeth. King Duncan decides to kill
the traitorous Thane of Cawdor. Back to the witches - after some junk-talk,
they are encountered by Macbeth with Banquo, and they say that he is now Thane
and will be Ki ng. However, the King tells Macbeth he will make Malcolm the
next king. Macbeth plans to kill the King when he dines at his house that
night, and Lady Macbeth helps convince him to go ahead with that plan.
Act II: Lady Macbeth drugs the guards, Macbeth kills the king, and then the
guards are framed. Macduff arrives with Lennox at the door, goes to get the
king, and discovers his murder. Macduff is suspicious, but Macbeth is in the
clear for now. Malc olm and Donalbain flee, fearing their lives since they are
prime suspects. Macbeth has killed the servants, and the nobility feels they
were the murderers. Macbeth is now king, but the tragedy is starting to unfold.
Act III: Macbeth makes arrangements to have Banquo and his son killed. At dinner,
Macbeth is told the Banquo was killed but his son escaped. Banquo's ghost then
appears, but only Macbeth can see it. Hecate, the witch queen, scolds the
witches for d ealing with Macbeth without her. With Banquo dead, Lennox joins
Macduff in increasing suspiscion.
Act IV: Macbeth visits the sisters and three apparitions are shown to him: an
armed head (signifying war), a bloody child (showing that no man born of a
woman shall harm Macbeth), and a crowned child with a tree (saying that
"Macbeth shall never va nquished be until Great Birnam Wood to high
Dunsinane Hill Shall come against him"). Macduff has gone to England to
get Malcolm.
Act V: Lady Macbeth is now unstable and walks and talks in her sleep. The
Scottish noblility has mostly joined the English against Macbeth, but he is not
scared because of the witches' prophecy. Lady Macbeth kills herself. Macbeth
then learns that the enemy is walking towards the castle with trees from Birnam
Wood, and that Macduff was ripped from his mother's womb early, both explaining
the witches' apparitions. Macduff kills Macbeth and Malcolm is now King of
Scotland.
Act I: Chorus gives a play overview. Sampson and Gregory fight with Abraham and
Balthasar. Benvolio breaks it up, fights with Tybalt, and a riot erupts.
Escalus, joined by the Capulets and Montagues, enters and stops the fight.
Afterwards the Monta gues speak with Benvolio about Romeo. Romeo follows his
parents exit with an entrance and talks with Benvolio about his love life.
Paris works on his hopes for a marriage to Juliet. He is invited to a ball,
which Romeo and Benvolio find out about from Cap ulet's Servant. Juliet finds
out about Paris' offer. Romeo and Co. head to the Capulet's masked ball. At the
ball, Romeo and Juliet meet each other, and the Nurse tells them who each other
is.
Act II: Chorus explains the problems Romeo and Juliet face. After climbing into
a back orchard and hearing Benvolio and Mercutio mock him, Romeo finds Juliet
speaking out of her window. The reveal their love and decide to marry. Friar
Lawrence agre es to marry them. With help from the Nurse, arrangements are made
and the two are wed.
Act III: Tybalt taunts Romeo, battles Mercutio and kills him, and is then killed
by Romeo. Romeo flees, Benvolio reports what happened, and Escalus exiles
Romeo. Juliet weeps, but gets a visit from Romeo that night. Romeo goes to
Mantua. Juliet doe s not want to marry Paris, but sees no way to disobey her
father.
Act IV: Friar Lawrence hatches a plan in which Juliet will fake her death: he
gives her a potion that will put her to sleep for a few days. Found to be dead,
everyone mourns the loss.
Act V: Friar John was supposed to tell Romeo that Juliet is not really dead,
but he reveals that he could not do it. Romeo visits the tomb and finds Paris
already there. Romeo kills him. Romeo kills himself after kissing Juliet.
Juliet awakes, sees Romeo dead, kisses him, and stabs herself. Everyone comes
after the watchmen send for Escalus. Friar Lawrence explains his mistake.
Montague and Capulet put aside their strife.
Act One, Scene One
Francisco, a soldier standing watch
outside the gates of Elsinore Castle in Denmark, is met by Barnardo who has
arrived to replace him. They are soon joined by Marcellus, another guard, and
Horatio. Horatio is a scholar who speaks Latin, and he has been brought along
because Barnardo and Marcellus claim they have seen a ghost. While Barnardo
describes to Horatio exactly what he has seen, the ghost appears in front of
them. Horatio tries to speak with the ghost in Latin, saying, "Stay,
speak, speak, I charge thee speak" (1.1.49), but the ghost remains silent
and then leaves.
Horatio tells Barnardo that the
ghost looks like the deceased King Hamlet, also known as Old Hamlet. Horatio
sees that the ghost was dressed the same way as King Hamlet was when he
defeated King Fortinbras of Norway. The story is that King Hamlet went to
Norway and fought Fortinbras in single combat. The loser agreed to yield all
his land to the other king. However, in the time since King Hamlet died, the
son of King Fortinbras, known as young Fortinbras, has been gathering together
troops and is threatening to attack Denmark.
The ghost enters a second time and
Horatio again begs it to speak to him. Just as it seems the ghost is about to
say something, a cock crows and the ghost disappears. Horatio tells Marcellus
that he will inform young Hamlet, the Prince of Denmark and the son of King
Hamlet, that a ghost keeps appearing in the shape of his father. Marcellus
knows where young Hamlet is and leaves with Horatio to find him.
Act One, Scene Two
King Claudius, who has assumed the
throne since his brother King Hamlet died, is accompanied by Queen Gertrude and
other lords and attendants in Elsinore Castle. He addresses the people, telling
them that although his brother's death is fresh in their minds, it is time for
them to celebrate his royal marriage to Queen Gertrude, who was also his
brother's former wife. He further informs the people that young Fortinbras of
Norway has assembled armies against Denmark. In response to this threat,
Claudius sends two men, Valtemand and Cornelius, as messengers to the uncle of
young Fortinbras with a letter in which he asks the older uncle to stop young
Fortinbras from attempting to attack Denmark.
Claudius next asks a young nobleman
named Laertes why he has requested an audience. Laertes informs him that
although he has been fulfilled his duties and attended the coronation in
Denmark, he would rather return to France. Claudius asks Polonius, Laertes'
father, if he has given permission for his son to go. Polonius assents, and
Laertes is allowed to leave Denmark.
Turning to Hamlet, Claudius asks his
nephew why he is still in mourning for his father's death, hinting that Hamlet
might only be pretending to be grief-stricken. Hamlet's mother, Queen Gertrude,
also asks him why he still dresses in black clothing. Hamlet replies that his
grief is quite real and that he will continue grieving. Claudius tells him it
is unnatural for a man to remain sorrowful for such a long time. Both Claudius
and Gertrude then beg Hamlet to stay with them in Denmark instead of returning
to Wittenberg where his university is located. Hamlet agrees to stay, and
watches as everyone leaves the hall to celebrate his uncle's and his mother's
marriage.
He is upset about the fact that his
mother married Claudius within less than two months after the death of King
Hamlet. Hamlet says, "O most wicked speed, to post / With such dexterity
to incestuous sheets!" (1.2.157). He is interrupted by the arrival of
Horatio, Barnardo, and Marcellus, who have come to tell him about the ghost
they have seen.
Horatio tells Hamlet about seeing
the ghost of King Hamlet. Hamlet asks them if they have the watch again that
night, and Barnardo says they do. At this information, Hamlet agrees to join
them that night in order to see the ghost and hopefully to speak with it.
Act One, Scene Three
Laertes, about to leave for France,
says farewell to his sister Ophelia. He warns her to beware of Hamlet, whom he
tells her is insincere. "For Hamlet and the trifling of his favour, / Hold
it a fashion and a toy in blood, / ...sweet not lasting" (1.3.5-6, 8).
Laertes then lectures Ophelia, telling her that Hamlet will say anything to win
her heart. He tells her to hold off, and if Hamlet still loves her after he has
been made king, only then should she consider marrying him. Ophelia agrees to
remember what he has told her.
Polonius then arrives and tells
Laertes to hurry up and catch his ship before it leaves the harbor. As he walks
Laertes towards the ship, Polonius gives his son fatherly advice. "Be thou
familiar but by no means vulgar. / The friends thou hast, and their adoption
tried, / Grapple them to thy soul with hoops of steel" (1.3.61-63).
Laertes promises to obey his father, and leaves after he reminds Ophelia to
remember what he has said.
Polonius asks Ophelia what advice
Laertes gave her. Ophelia tells him, and Polonius gets mad at her for believing
what Hamlet has told her. He orders her to give less of her time to Hamlet in
the future, saying, "From this time, daughter, / Be somewhat scanter of
your maiden presence" (1.3.120-121). Ophelia tells her father she will do
what he commands: "I shall obey, my lord" (1.3.136).
Act One, Scene Four
Hamlet and Horatio are outside
waiting for the ghost to arrive. They hear a cannon go off, and Hamlet tells
Horatio that the cannon is fired whenever the king empties a draught of Rhenish
wine. Hamlet is upset about the custom, because he thinks it makes Denmark
appear to be a land of drunkards. The ghost arrives and Hamlet tries to speak
to it, but it only beckons him to follow it. Horatio and Marcellus try to make
him stay, but Hamlet tells them to let go of him. Marcellus and Horatio watch
him leave and decide to follow him. Marcellus remarks, "Something is
rotten in the state of Denmark" (1.4.67).
Act One, Scene Five
Hamlet follows the ghost, who
finally speaks and informs Hamlet that he is the spirit of Old Hamlet, Hamlet's
father. The ghost indicates that he is in purgatory, "I am thy father's
spirit, / Doomed for a certain term to walk the night / And for the day
confined to fast in fires / Till the foul crimes done in my days of nature /
Are burned and purged away" (1.5.9-13). The ghost then tells Hamlet to
listen to him closely.
Old Hamlet orders his son to revenge
his murder. Hamlet is confused, not understanding what the ghost is speaking
about. The ghost tells him that "sleeping in mine orchard, / A serpent
stung me" (1.5.35-36), alluding to the fact that he was murdered. He goes
on to say that the serpent is his brother, Claudius, who entered the garden
where he was sleeping and poured poison into his ear. He died without having a
chance to confess his sins, and is therefore forced to suffer in Purgatory
until his sins are burned away.
The ghost leaves Hamlet with the
words, "Adieu, adieu, Hamlet. Remember me" (1.5.91). Hamlet wonders
about what he has heard, and decides that he believes the ghost. He makes
Marcellus and Horatio swear to never reveal what they have seen. He then makes
them swear a second time, this time on his dagger which is shaped like a cross.
He tells Horatio, "There are more things in heaven and earth, Horatio, /
Than are dreamt of in our philosophy" (1.5.168-169). They all swear yet
again and return to the castle.
Act Two, Scene One
Polonius is in his apartments with
his servant Reynaldo. He is sending Reynaldo to France with instructions to
keep tabs on the behavior of Laertes. Polonius tells Reynaldo to first inquire
what other Danes are in the area, and then to tell them that he knows Laertes.
He wants Reynaldo to hint to the other Danes that Laertes has a reputation for
gambling, drinking, or whoring. The purpose of this lie is to see if the other
Danes agree with Reynaldo and tell him about real things that Laertes has done.
Polonius is careful to insist that Reynaldo does not harm his son's honor in
the process, saying, "none so rank / As may dishonour him, take heed of
that" (2.1.20-21). Reynaldo leaves the room to depart for France.
Ophelia arrives and tells Polonius
that she thinks Hamlet has gone mad. She claims that while she was sowing he
came to her looking completely disheveled. Hamlet took her by the wrist and
looked at her for a long time. He then turned to walk away, all the while
keeping his eyes on Ophelia and even walking through the doors without averting
his gaze. Polonius is upset when he hears this, and he concludes that her
refusal to see Hamlet anymore has driven the young prince mad. Polonius takes
Ophelia to go see King Claudius and tell him what has happened.
Act Two, Scene Two
Claudius and Gertrude meet with
Rosencrantz and Guildenstern, two former friends of Hamlet. Claudius informs
them that he has summoned them to Denmark due to Hamlet's madness. He wants
them to spend time with Hamlet and find out what the reason for the madness is.
They both agree to do this, and leave to find Hamlet.
Polonius arrives and informs
Claudius that the ambassadors he sent to Norway have returned. Claudius tells
him that he always brings good news. Polonius, delighted by the compliment,
further tells him that he thinks he knows the cause of "Hamlet's
lunacy" (2.2.49). Claudius is excited by this news as well, but orders the
ambassadors to enter first.
Valtemand, one of the ambassadors,
tells Claudius that Old Norway, the uncle of Fortinbras, was unaware that his
nephew was raising an army against Denmark. He informs Claudius that Old Norway
summoned Fortinbras to meet him as soon as he heard about his nephew's plans.
Fortinbras complied with the summons and was forced to vow to never attack
Denmark. His uncle, believing him, immediately gave him an annual income of
three thousand crowns and also gave him permission to attack Poland instead.
Old Norway further wrote a letter to Claudius asking him to allow Fortinbras a
safe passage through Denmark on the way Poland.
Claudius is very pleased with the
way things appear to have turned out, and heartily agrees to allow Fortinbras
to march through Denmark. After the ambassadors leave, Polonius turns to
Claudius and Gertrude and tells them that Hamlet is mad. They both become
impatient to hear what he is saying, and Polonius finally produces a letter
from Hamlet to Ophelia in which Hamlet professes his love to her. Gertrude then
asks Polonius how Ophelia received Hamlet's overtures of love. Polonius is
forced to tell them that at his request she ignored Hamlet or rebuked his love.
Claudius is not completely convinced that this is the full cause of Hamlet's
insanity. He and Polonius decide to put Ophelia into the hall where Hamlet is
known to spend hours pacing each day. They plan to hide behind a tapestry and
watch what happens.
Hamlet arrives at this moment
dressed as if he is mad and reading a book. Polonius asks the king and queen to
leave so that he may speak with Hamlet alone. Hamlet pretends not to recognize
Polonius, whom he calls a fishmonger. He then asks Polonius if he has a daughter,
and tells him to keep her out of the sun. When Polonius, thoroughly convinced
that Hamlet is deranged, asks what he is reading, Hamlet tells him,
"Words, words, words" (2.2.192). Polonius gives up trying to reason
with Hamlet and leaves.
Rosencrantz and Guildenstern arrive
and are greeted warmly by Hamlet who immediately drops all pretense of madness.
He recognizes them and asks them what brings them to Denmark, referring to it
as a "prison". They refuse to give him a straight answer, and Hamlet
infers from this that "you were sent for, / and there is a kind of
confession in your looks which your modesties have not craft enough to
colour" (2.2.271-272). Guildenstern finally admits that Hamlet is correct
in his assumption that they were sent for. Hamlet tells them that he has been
extremely melancholy during the past few months.
The two friends of Hamlet inform him
that some players, a theatrical group, arrived in Denmark with them that day.
Hamlet discusses the actors with Rosencrantz and Guildenstern until a trumpet
announces the arrival of the performers. He then personally goes to greet them
and welcome them to Denmark. Polonius arrives at that moment and, still
thinking that Hamlet is mad, tells Hamlet that the best actors in the world
have arrived. Hamlet plays word games with Polonius until he starts to ignore
him.
Hamlet asks one of the players to
perform a speech for him. The player asks him which speech he is so keen to
hear, and Hamlet begins to recite lines from Dido and Aeneas, taken from Virgil's
Aeneid. Finally he stops and asks the actor to continue the speech. The man
does, describing how Pyrrhus kills Priam (the king of Troy). Polonius starts to
get bored and soon Hamlet is forced to stop the actor. He orders Polonius to
take care of the actors and ensure their comfort for the night. Hamlet also
asks the actors whether they can perform a play about the murder of Gonzago.
They tell him they can, and he then asks them whether they can also perform
some lines he wishes to write for them. They agree to do this as well and then
leave, following Polonius. Hamlet tells Guildenstern and Rosencrantz that he
will see them that night.
Left alone onstage, Hamlet speaks to
himself. He wishes that he were able to act as eloquently as the actor who
performed the speech. Hamlet is still torn with indecision about revenging the
murder of his father on Claudius or keeping silent due to uncertainty about
whether Claudius really killed his father. He decides to try and make the
player's enact the murder scene as it was described to him by the ghost. Hamlet
is hoping that Claudius, when he sees the scene, will reveal himself as the
true murderer of King Hamlet. "I have heard that guilty creatures sitting
at a play / Have by the very cunning of the scene / Been struck so to the soul
that presently / The have proclaimed their malefactions" (2.2.566-569). By
watching Claudius when the actors perform this scene, Hamlet expects to
discover whether the ghost told him the truth.
Act Three, Scene One
Rosencrantz and Guildenstern are
reporting to Claudius and Gertrude what they have noticed about Hamlet. They
tell the king and queen that Hamlet has not revealed to them why he acts mad
some of the time, but that he also seems distracted. They mention that Hamlet
seemed much happier when the actors arrived and that he ordered them to perform
for the court that very night. Polonius interrupts and mentions that Hamlet had
asked him to invite Claudius and Gertrude to the evening's performance.
Claudius happily accepts the invitation.
Claudius then asks Gertrude to
leave, telling her that they will put Ophelia alone in the room so that she and
Hamlet may "accidentally" meet. She agrees to depart and wishes
Ophelia luck in bringing Hamlet out of his supposed madness. Claudius and Polonius
proceed to hide themselves behind a curtain or tapestry in order to spy.
Hamlet enters the room giving his
famous soliloquy, "To be, or not to be; that is the question"
(3.1.58). He is grappling with the difficulty of taking action against Claudius
and the fact that he has not been able to revenge his father's murder yet.
Hamlet's introspective commentary is interrupted when he sees Ophelia.
Ophelia greets Hamlet and tries to
hand him back some of the tokens of his affection he previously gave her.
Hamlet tells her that she should never have believed him when he told her he
loved her, and that she was deceived. He tells her, "Get thee to a
nunnery. Why wouldst thou be a breeder of sinners?" (3.1.122). Hamlet then
says that women are liars and should not be allowed to marry, unless the men
they marry are fools. He is likely alluding to the fact that Ophelia rejected
him after he proclaimed his love for her.
Ophelia is upset by his reactions,
and says, "O what a noble mind is here o'erthrown!" (3.1.149).
Claudius and Polonius emerge from their hiding-place and tell her they heard
everything. Polonius still thinks the cause of Hamlet's misery is Ophelia's
rejection of his love. Claudius, however, is convinced that Hamlet is not mad,
merely deeply depressed and possibly dangerous. He tells Polonius that he will
send Hamlet to England as soon as possible.
Act Three, Scene Two
Hamlet has written a scene for the
actors and he is instructing them on how to perform it. He tells them not to be
overdramatic, but also "Be not too tame, neither" (3.2.15). The
actors tell him they can perform it exactly as he desires it to be.
Polonius, Guildenstern and
Rosencrantz arrive and Hamlet sends them all to make the actors hurry up and
get ready. Horatio soon shows up and Hamlet tells him that one scene in the
play that night directly mimics the murder of his father. He asks Horatio to,
"observe mine uncle" (3.2.73) in order to determine whether the ghost
was lying or not. They plan to meet afterwards and compare their separate
judgments as to what the reaction of Claudius means.
Horatio goes to find a seat, and
Claudius enters along with the rest of the court. He greets Hamlet and asks him
how he is. Hamlet gives a nonsensical answer and then asks Polonius if he was
an actor during his university days. Polonius says he was a good actor, and
that he played Julius Caesar.
Gertrude asks Hamlet to sit by her,
but he says, "No, good-mother, here's mettle more attractive"
(3.2.99) and sits next to Ophelia instead. He proceeds to make bawdy comments
to her, all of which Ophelia tries to respond to appropriately.
The actors come out onto the stage
and proceed to perform a dumb show, a silent scene in which they enact the
murder of a king through poisoning. Ophelia is confused by the show, but
assumes it foretells the actual plot. The players emerge a second time and
start to perform the actual play. They pretend to be a king and queen. The
queen protests her love for the king, telling him that she will never consider
marrying a second man. The king tells her that such vows are quickly forgotten,
but the queen continues to swear she will never marry a second time.
Hamlet turns to Queen Gertrude and
asks her what she thinks of the play. Gertrude tells him that the queen
"protests too much" (3.2.210). Claudius is worried that the play may
be offensive, and asks Hamlet what the play is called. Hamlet says, "The
Mousetrap" (3.2.217), alluding to the fact that he wants to catch
Claudius.
An actor named Lucianus arrives
onstage, and Hamlet tells them that he is meant to portray the nephew of the
king. Lucianus pours poison in the king's ears, and Hamlet comments that he
kills the king in order to steal his estate. Ophelia informs Hamlet that
Claudius has stood up out of rage, thereby stopping the performance. Hamlet
happily replies, "What, frighted with false fire?" (3.2.244).
Claudius demands light to shone on him and leaves the room, followed by
everyone except Hamlet and Horatio.
The two friends remain behind and
Hamlet gleefully tells Horatio, "O good Horatio, I'll take the Ghost's
word for a thousand pound" (3.2.263-264). Horatio agrees with him that
Claudius is guilty. Rosencrantz and Guildenstern arrive and tell Hamlet that
the king is in a terrible mood and that Gertrude has sent for him. He agrees to
meet with his mother soon, but they continue to ask him why he is so
"distempered" (3.2.308). Hamlet gets mad at them for their insistence
and grabs a recorder from one of the actors. He shows it to them and demands
that Guildenstern play it. When he refuses, saying he does not know how, Hamlet
says,
Why, look you now, how unworthy a
thing you make of me! You would play upon me, you would seem to know my
stops...do you think I am easier to be played on than a pipe?"
(3.2.334-335,339-340).
Polonius enters and Hamlet
immediately pretends to be crazy again. Polonius also tells Hamlet that his
mother wants to see him in her private chamber. Hamlet plays with him a little,
pointing to the clouds and pretending to see various animals. Finally he makes
Polonius leave, and tells Rosencrantz and Guildenstern to depart as well. In a
soliloquy, Hamlet indicates that he will be "cruel, not unnatural. / I
will speak daggers to her, but use none" (3.2.365-366). He wants to make
his mother aware of the fact that Claudius murdered her former husband, but not
physically harm her in the process.
Act Three, Scene Three
Claudius meets with Guildenstern and
Rosencrantz. He tells them that Hamlet has become too dangerous to keep in
Denmark, and that he is therefore sending him to England. He orders the two
young men to prepare to accompany Hamlet on the voyage, to which they readily
assent.
Polonius informs Claudius that
Hamlet will meet with his mother in her private chamber. Polonius decides to
conceal himself behind a tapestry in order to overhear their conversation. He
promises to tell Claudius everything that happens.
Claudius, finally alone, states,
"O, my offense is rank! It smells to heaven" (3.3.36). He then admits
to killing his brother and laments the fact that he cannot repent his crime. He
prays to the angels to help him. Hamlet enters behind him and draws his sword,
preparing to kill Claudius. However, when he realizes that Claudius has been
praying, and therefore would be absolved of all his sins, he decides not to
kill him. "A villain kills my father, and for that / I, his sole son, do
this same villain send to heaven.../ When he is drunk asleep, or in his
rage.../ At gaming, swearing, or about some act / That has no relish of
salvation in't, / And that his soul may be as damned and black / As hell
whereto it goes" (3.3.76-78,89,91-92,94-95). Hamlet chooses to wait and
kill Claudius when he is sure that Claudius will be sent to hell.
Act Three, Scene Four
Polonius admonishes Gertrude to
rebuke Hamlet for the way he has acted. He quickly hides himself as soon as he
hears Hamlet coming. Hamlet arrives and is immediately rude to his mother; he
mentions her incestuous marriage to Claudius and tells her she has offended his
father. He promises to hold up a mirror to her face so that she can see what
she has become. "You go not till I set you up a glass / Where you may see
the inmost part of you" (3.4.19-20). Queen Gertrude becomes afraid of her
life and cries for help, a cry that Polonius foolishly answers.
Hamlet, having heard Polonius make a
sound behind the curtain, pulls out his sword and thrusts it through the
curtains, killing him. Hamlet asks Gertrude if it is the king, but then
realizes he has instead killed Polonius. Gertrude is upset, but Hamlet comments
that his act is, "A bloody deed - almost as bad, good-mother, / As kill a
king and marry with his brother" (3.4.27-28). Gertrude does not understand
what Hamlet means, and he is forced to explain to her. He pulls out two
miniatures of King Hamlet and Claudius and compares them for her, telling her
that Claudius killed King Hamlet in order to seize the throne.
Gertrude is upset and confused,
struggling to believe Hamlet. The ghost reappears at that moment and Hamlet
speaks to it, saying, "What would you, gracious figure?" (3.4.95).
Gertrude, who is unable to see the ghost, believes that Hamlet has gone
completely mad. The ghost tells Hamlet to keep speaking to Gertrude and to
convince her, but she becomes even more convinced that Hamlet is mad as she
watches him speak to empty air. Hamlet points to his father and urges her to
look, but she cannot see anything and finally exclaims, "this is the very
coinage of your brain" (3.4.128).
Hamlet shows her that his pulse is
constant, convincing her that it is not a hallucination. She finally asks him
what she must do. Hamlet tells Gertrude to go to bed that night, but to avoid
sleeping with Claudius. He further tells her to let Claudius know that he is
not mad, but rather merely cunning. Hamlet then leaves to get ready to go to
England, tugging Polonius out of the room behind him.
Act Four, Scene One
Claudius asks Gertrude to tell him
what the matter is. She informs him that Hamlet is completely mad and describes
how he killed Polonius behind the curtain. Claudius decides to pardon Hamlet's
life, but calls Guildenstern and Rosencrantz into the chamber. He orders them
find Hamlet and Polonius' body, and to bring the body into the chapel.
Act Four, Scene Two
Hamlet hears someone calling for him
and responds to them. Rosencrantz and Guildenstern run onstage and demand to
know where Polonius' body is. Hamlet riddles with them, and tells them that
they are like sponges who soak up the king's favors. He refuses to reveal where
he has hidden Polonius and runs away from them.
Act Four, Scene Three
Claudius is upset that Hamlet is
running around the palace but cannot order Hamlet killed because the populace
likes him. Rosencrantz arrives and tells Claudius that he cannot find the body,
but that Guildenstern is holding Hamlet. Claudius orders Guildenstern to bring
in Hamlet, and then asks him where Polonius is. Hamlet riddles some more,
telling Claudius to seek for Polonius in heaven or possibly hell.
Hamlet finally gives them a hint,
and says, "you shall nose him as you up the stairs into the lobby"
(4.3.35-36). Rosencrantz immediately goes to seek the body. Claudius tells
Hamlet that because of his "deed", the murder of Polonius, he must
leave Denmark for England. Hamlet walks out after calling Claudius his
"mother" and is followed by Guildenstern. Claudius, now alone, prays
that the King of England will obey his letters, which ask the King of England
to kill Hamlet for him.
Act Four, Scene Four
Fortinbras has reached the Danish
castle and orders a captain to inform Claudius that his army is there and that
he requests safe passage through Denmark so that he may invade Poland. The
Captain leaves to deliver the message.
Hamlet arrives, accompanied by
Rosencrantz and Guildenstern, and approaches the captain. He asks the man whose
army it is, and learns that Fortinbras has marched into Denmark on his way to
"Poland". The captain is ambiguous about the exact location, saying
only that they are fighting over a worthless piece of ground.
Hamlet sends Rosencrantz and Guildenstern
on ahead and remains to ponder the fact that nearly twenty thousand men are in
the army, all willing to die for nothing. He realizes that he has been unable
to revenge his father's death, but decides that now is the time for decisive
action. Hamlet says, "O, from this time forth / My thoughts be bloody or
be nothing worth" (4.4.9.55-56).
Act Four, Scene Five
Horatio begs Queen Gertrude to come
see what has happened to Ophelia. She reluctantly agrees, and Ophelia enters
singing to herself. Ophelia has gone completely mad due to the death of her
father and the loss of Hamlet, and she incoherently sings her songs rather than
respond to Gertrude.
Claudius arrives and Gertrude shows
him what has happened to Ophelia. She continues singing, the songs getting
raunchier as she continues. Finally Ophelia tells them that Laertes must find
out about the death of their father, and she leaves to go find him. Horatio
follows her in order to keep an eye on her.
Claudius tells Gertrude that they
made a mistake in trying to secretly dispose of Polonius. He further informs
her that Laertes has secretly come from France to Denmark to avenge his
father's death. A noise interrupts him, and a messenger rushes in telling
Claudius to save himself. He asks what the problem is, and learns that Laertes
has gathered a mob of citizens together and rushed the castle, breaking past
all the guards. The mob wants to make Laertes king and is therefore fighting
for him.
Laertes bursts through the doors and
tells the mob to wait for him outside. He then demands that Claudius reveal to
him why Polonius was killed. Gertrude intervenes and informs Laertes that
Claudius did not kill his father. Laertes then demands to know who his real
enemy is. Ophelia enters at that moment, completely mad, and gives them each
some flowers. Claudius turns to Laertes after Ophelia leaves and tells him that
he will personally arrange his revenge.
Act Four, Scene Six
Horatio receives a letter from
Hamlet which tells him a strange story. The ship Hamlet was on was caught by
pirates, and Hamlet alone boarded the pirate ship. After the battle was over he
became their prisoner but was treated well because he could do them a favor.
Guildenstern and Rosencrantz are still on their way to England.
Act Four, Scene Seven
Claudius has explained to Laertes
that Hamlet killed Polonius. Laertes asks why Hamlet was not punished at the
time and Claudius says that it was for his mother's sake. Laertes tells
Claudius that his revenge will come soon.
Some messengers arrive and hand
Claudius letters from Hamlet. He is surprised to receive the letters, and reads
his out loud. The letter indicates that Hamlet is returning to Denmark alone.
Laertes is excited by this because it means that he will be able to revenge his
father's death. Claudius asks him to "be ruled" and listen to a plot
which will make Hamlet's death seem like an accident, even though Laertes will
be allowed to kill him.
Claudius proposes that Laertes fight
Hamlet in a fencing match with rapiers. Laertes agrees to this provided he be
allowed to put poison on the tip of his rapier so that even the slightest
scratch will cause Hamlet to die. Claudius is uncertain as to whether they can
trust the poison, and so he offers to also create a poison drink for Hamlet. That
way, they will have two ways of killing Hamlet and will not fail.
Gertrude enters the room and informs
Laertes that Ophelia has drowned herself while sitting on a willow branch over
a brook. Laertes is overcome with grief and starts to shed tears for his
sister. He leaves the room but Claudius urges Gertrude to follow him for fear
that Laertes will erupt in rage again.
Act Five, Scene One
Two gravediggers (clowns) are
digging out Ophelia's grave. They discuss the fact that Ophelia drowned
herself, and therefore should not receive a Christian burial under Christian
law. However, the one gravedigger points out that the coroner has declared it a
natural death rather than a suicide, and therefore they must dig the grave for
her.
Hamlet overhears the first gravedigger
singing to himself and remarks on the fact that the man is so cheerful at his
occupation. Horatio tells him that it must come from doing the job for such a
long time. Hamlet approaches the man and asks him whose grave it is. The
gravedigger, taking every word literally, tells him, "Mine, sir"
(5.1.109). Hamlet finally gives up asking and instead inquires for news about
Prince Hamlet while pretending to be someone else.
The gravedigger tells him that
Hamlet was sent to England because he was mad. He then informs Hamlet that a
body will last in the grave for eight or nine years at the most. He picks up a
skull and shows it to Hamlet, telling him it has been in the earth for
twenty-three years. Hamlet asks whose skull it is, and is shocked to learn that
it is the skull of Yorick, a jester who entertained him as a youth. He comments
that even parts of Alexander the Great's body might now be used as a flask
stopper and they would never know it.
Hamlet and Horatio run and hide when
they hear Claudius, Gertrude, Laertes, and other attendants arriving. Hamlet
wonders whose corpse they are carrying with them to the grave. He overhears
Laertes arguing with the priest about the last rites. Due to the strange manner
of Ophelia's death, the priest will only allow the body to be buried in holy
ground, but he refuses to read her the prayers. Hamlet soon realizes that the
body is that of Ophelia.
Laertes is so overcome with emotion
once the coffin has been placed into the grave that he leaps in after it.
Hamlet, seeing this, reveals himself and jumps into the grave as well. Laertes
immediately grabs Hamlet by the throat and starts to choke him. Claudius order
the other men present to pull them apart and Hamlet shouts that he loved
Ophelia more than forty thousand of her brothers combined. He tells Laertes
that, "I loved you ever. But it is no matter. / Let Hercules himself do
what he may, / The cat will mew, and dog will have his day" (5.1.275-278).
Hamlet leaves and Horatio follows him.
Act Five, Scene Two
Hamlet tells Horatio what really
happened on the way to England. He rose on night and stole the letters that
Rosencrantz and Guildenstern were taking to the King of England. The letters
told the king to kill Hamlet and listed several reasons why this would benefit
both nations. Hamlet immediately wrote out several new letters and sealed them
using his signet. The new letters ordered that the two men accompanying him
should be put to death.
Hamlet is not at all upset about
ordering his two "friends" to die in England since, "they did
make love to this employment" (5.2.58). Horatio warns Hamlet that Claudius
will soon discover what has happened when news arrives from England.
A man named Osric arrives and tells
Hamlet that he has news from the king for him. Hamlet plays a game with the
man, telling him to alternately put on and take off his hat. Osric finally gets
frustrated with the game and informs Hamlet that Laertes, whom he describes in
glowing terms, has placed a wager with Claudius. Claudius has bet Laertes that
he cannot beat Hamlet by at least three hits in a fencing match with twelve
passes. Hamlet agrees to the match and orders Osric to have them bring out the
foils.
A lord soon enters and tells Hamlet
that everything is prepared and that they are waiting for Hamlet to come. He
further tells Hamlet that Gertrude wishes that he would treat Laertes with
respect and courtesy, to which Hamlet agrees. Horatio tells Hamlet that,
"You will lose this wager, my lord" (5.2.147), but Hamlet tells him
that he has been in continual practice since Laertes left for France. Horatio
again tries to dissuade him from fencing with Laertes, and again Hamlet tells
him that he will go and fight.
Claudius and the rest of the court
arrive and Claudius orders Hamlet to greet Laertes. Hamlet offers Laertes an
apology for killing Polonius and blames the act on his madness. Laertes stiffly
asserts that his honor is still at stake and that he must therefore have his
revenge. They then call for the foils and prepare for the match.
Claudius orders his attendants to
bring him a cask of wine. He then announces that if Hamlet is able to score a
hit in the first, second or third exchange then he will drink some wine and
drop a pearl of exceptional value into the cup for Hamlet. Claudius then drinks
to Hamlet as a salute for good luck and orders them to begin.
Hamlet and Laertes fight until
Hamlet shouts, "One" (5.2.220). Laertes disputes the hit and Osric
decides in favor of Hamlet. Claudius halts the match and drops a pearl into his
wine cup. He then offers the cup to Hamlet, who refuses to take it and tells
him that he would rather continue the match. They fight and Hamlet again claims
a hit that Laertes grants him. Gertrude takes the cup with the pearl in it and
offers to drink for Hamlet. Claudius begs her not to, but she ignores him and
drinks anyway, thereby ingesting the poison that Claudius had planned to give
to Hamlet.
Laertes meanwhile has poisoned his
rapier's tip and in the next scuffle he manages to wound Hamlet. They continue
fighting and Hamlet accidentally exchanges rapiers with Laertes after which he
wounds him as well. Both men stop fighting when they realize that Gertrude has
fallen onto the ground. She tells Hamlet, "The drink, the drink - I am
poisoned" (5.2.253) before she dies. Laertes also falls to the ground from
the poison he received when Hamlet wounded him. He tells Hamlet that both of
them are poisoned to death and blames the king for everything.
Hamlet, realizing that the point of
the rapier is envenomed, slashes at Claudius and wounds him with it. The
courtiers cry out, "Treason, treason!" (5.2.265), but they cannot
stop Hamlet who has also grabbed the poisoned wine and is making Claudius drink
it. Claudius quickly dies from the poison. Laertes, still barely alive, tells
Hamlet that he forgives him for Polonius' death before he too dies.
Hamlet orders Horatio to stay alive
and report everything he knows to the public. Horatio instead has grabbed the
cup and is preparing to commit suicide, but at Hamlet's plea he relinquishes
the poison. Osric enters the room and tells them that Fortinbras has arrived
with his army. Hamlet gives Fortinbras his vote to become the next King of
Denmark before he dies.
Fortinbras and the English
ambassadors arrive together. Fortinbras looks over the scene of carnage and
compares it too a massacre. The Englishmen inform Horatio that Rosencrantz and
Guildenstern have been put to death. Horatio takes charge and tells Fortinbras
and the ambassadors to put the bodies on a stage in view of the public so that
he may tell the full story of what has happened. Fortinbras agrees with this
and orders his men to obey Horatio. He compares the scene to a battlefield and
ends the play by ordering the soldiers to shoot their guns in honor of Hamlet's
death.
Act I Summary: scene i:
Gloucester and Kent, loyal to King Lear, objectively discuss his
division of the kingdom (as Lear is preparing to step down) and to which dukes,
Cornwall and Albany, they believe it will equally fall. Kent is introduced to
Gloucester's illegitimate son, Edmund. Gloucester nonchalantly admits that the
boy's breeding has been his charge ever since impregnating another woman soon
after his legitimate son, Edgar, was born. Kent is pleased to meet Edmund.
Gloucester mentions that Edmund has been nine years in military service and
will return shortly.
Lear enters and sends Gloucester to find France and Burgundy, Cordelia's
suitors. He then begins to discuss the partitioning of Britain he has devised
to each of his three daughters and their husbands. Lear decides to ask each of
his daughters to express how much they love him before he hands over their
piece of the kingdom. As oldest, Goneril speaks first, expressing her love as
all encompassing. Regan adds that she is enemy to other joys. Lear gives each
their parcel, wishing them well. Cordelia, as the youngest and most liked
daughter, is saved the choicest piece of land. However, she responds to her
father's request by saying she has nothing to add. She loves only as much as
her obligation entitles and will save some of her love for a husband. Lear is
enraged and hurt. After giving her a few chances, he strips Cordelia of any
title or relation. Kent intercedes on her behalf but he too is estranged by
Lear. Kent cries that honesty will continue to be his guide in any kingdom.
Cordelia's suitors enter. Lear apprises them of Cordelia's new state of
non-inheritance. Burgundy cannot accept her under the circumstances, but France
finds her more appealing and takes her as his wife. Cordelia is not unhappy to
leave her sisters and leaves with France. Goneril and Regan conspire to take
rule away from Lear quickly as he is becoming more unreasonable.
scene ii:
The scene centers around Edmund, at first alone on stage, crying out
against his position as bastard to the material world. He is envious of Edgar,
the legitimate son, and wishes to gain what he has by forging a treasonous
letter concerning Gloucester from Edgar. Gloucester enters, amazed at the
events which have occurred during the last scene. He wishes to know why Edmund
is hiding a letter and demands to see it. He shrewdly acts as if he is
embarrassed to show it to Gloucester and continually makes excuses for Edgar's
apparent behavior. Gloucester reads the letter detailing "Edgar's"
call to Edmund to take their father's land from him. Edmund asks that he not
make too quick a judgment before they talk to Edgar as perhaps he is simply
testing Edmund. He suggests forming a meeting where Edmund can ask Edgar about
his proposals while Gloucester listens in secret. Gloucester agrees, musing on
the effects of nature and its predictions. He leaves directly before Edgar
enters. Edmund brings up the astronomical predictions he had discussed with
Gloucester and alerts Edmund that Gloucester is very upset with him, though he
knows not why. Edmund offers to take Edgar back to his lodging until he can
bring he and Gloucester together and advises him to go armed. Edgar leaves and
Edmund notes that he will soon take his due through wit.
scene iii:
Scene iii reintroduces Goneril, as she is outraged by the offenses she
contends Lear has been showing her since moving into her residence. He has
struck Oswald for criticizing his fool, his knights are riotous and so on, she
claims. Lear is out hunting. Goneril commands Oswald to allow her privacy from
Lear and to treat Lear with "weary negligence". She does not want him
to be happy, hoping that he will move to Regan's where she knows he will face
the same contempt. She demands Oswald to treat his knights coldly as well. She
leaves to write Regan.
scene iv:
Kent enters, disguised and hoping to serve in secret as a servant to
Lear so that he can help him though he is condemned. Lear accepts to try him as
a servant.Oswald comes in quickly before exiting again curtly. A knight tells
Lear that Goneril is not well and that Oswald answered him curtly as well. The
knight fears Lear is being treated wrongly. Lear had blamed himself for any
coldness but agrees to look into a problem in Goneril's household. Lear's fool
has hidden himself since Cordelia's departure so Lear sends the knight for him.
Oswald reenters, showing Lear the negligence Goneril had suggested. Lear and
Kent strike him, endearing Kent in Lear's eyes. Oswald exits as Fool enters.
Fool persistently mocks and ridicules Lear for his actions in scene i, his
mistreatment of Cordelia, trust in Goneril and Regan, and giving up of his
authority. He calls Lear himself a fool, noting he has given away all other
titles. The fool notes that he is punished by Lear if he lies, punished by the
household if he speaks the truth, and often punished for staying silent.
Goneril harps on the trouble Lear and his retinue are causing, such as
the insolence of Fool and the riotous behavior of the knights. She states that he
is not showing her the proper respect and consideration by allowing these
actions to occur. Lear is incredulous. Goneril continues by adding that as
Lear's large, frenzied train cannot be controlled she will have to ask him to
keep fewer than his hundred knights. Outraged, Lear admits that Goneril's
offense makes Cordelia's seem small. As Albany enters, Lear curses Goneril with
infertility or, in its stead, a thankless child. He then finds that his train
has already been halved and again rages against the incredible impudence
Goneril has shown him. He angrily leaves for Regan's residence. Albany does not
approve of Goneril's behavior and is criticized by her for being weak. Goneril
sends Oswald with a letter to her sister, detailing her fear that Lear is dangerous
and should be curtailed as soon as possible.
scene v:
Impatient, Lear sends the disguised Kent to bring letters to Gloucester.
The Fool wisely warns that Regan will likely act no better than her sister had.
He criticizes Lear for giving away his own home and place, using examples such
as a snail carrying his shell. Lear recognizes he will have to subdue his
fatherly instincts toward Regan as well. Fool points out that Lear has gotten
old before he is wise. Lear cries out, praying that he will not go mad.
Act II Summary: scene i:
Act II begins with a return to the secondary plot of Edmund, Edgar, and
Gloucester. Edmund speaks with the courtier, Curan, who advises him that Regan
and Cornwall will arrive shortly at Gloucester's castle. He also passes on the
gossip that there may soon be a war between Cornwall and Albany. After Curan
leaves, Edmund expresses his delight over the news he has learned as he can use
that in his plot. Edgar enters and Edmund cleverly asks if he has offended
Cornwall or Albany. Edgar says he has not. Edmund cries that he hears
Gloucester coming and forces Edgar to draw his sword with him. Telling Edgar to
flee, Edmund then wounds himself with his sword before calling out to
Gloucester for help. Gloucester arrives quickly and sends servants to chase
down the villain. Edmund explains that he would not allow Edgar to persuade him
into murdering their father causing Edgar to slash him with his sword. He
continues that Edgar threatened him and by no means intended to permit Edmund,
an "unpossessing bastard", to stop him from his evil plot. Gloucester
is indignant and claims that Edgar will be captured and punished. He promises
that Edmund will become the heir of his land.
At this point, Cornwall and Regan enter the scene, wondering if the
gossip they had heard about Edgar is correct. Gloucester confirms it is. Edmund
cleverly confirms Regan's fear that Edgar was acting as part of Lear's riotous
knights. Cornwall acknowledges the good act Edmund has done for Gloucester and
promises to take him into their favor. After Gloucester and Edmund thank them,
Regan explains why she and Cornwall have come to Gloucester's castle. She had
received a letter from Goneril and so had left home to avoid Lear. She asks for
Gloucester's assistance.
scene ii:
Oswald, Goneril's servant, and Kent, still disguised as Lear's servant
Caius, meet at Gloucester's castle after first trekking to Cornwall's residence
with messages. Oswald does not first recognize Kent but Kent recognizes him and
responds to him curtly with curses and name-calling. He claims that Oswald
comes with letters against the King and sides with his evil daughter. He calls
Oswald to draw his sword at which Oswald cries out for help. The noise brings
in Edmund, Cornwall, Regan, Gloucester, and some servants.
When asked what the commotion is, Kent continues to insult Oswald, who
is breathless. Oswald claims that he has spared Kent because of his grey beard
at which Kent scoffs. He describes that Oswald is like a dog, ignorantly
following a master. To Cornwall's incredulousness, Kent says that he does not
like the look of his face. Oswald explains that Kent had no reason to strike
him in Lear's company or to draw on him at Gloucester's. Kent refers to
Cornwall and Regan as cowards and they call for the stocks. Regan comments that
they should leave him not only until noon, as Cornwall had suggested, but for
over a day. Gloucester protests but is overruled. After the others have exited,
Gloucester apologizes to Kent and admits that the Duke is to blame. Alone, Kent
muses over a letter he has received from Cordelia, implying that she knows he
has taken disguise and promises to try to save her father from the evil of her
sisters. Kent recognizes he is at the bottom of luck. He falls asleep.
scene iii:
Scene iii is solely a soliloquy by Edgar discussing his transformation
into poor Tom, the beggar. He tells us that he has just missed being hunted as
he heard them coming for him and hid in a hollow tree. In order to remain safe,
he proposes to take on "the basest and most poorest shape", that of a
beggar. He covers himself with dirt and filth, ties his hair in knots, strips
off much of his clothing, and pricks his skin with pins and nails and so on. He
no longer resembles Edgar.
scene iv:
Lear enters the scene with his fool and a gentleman, who tells him that
he was not advised of Regan and Cornwall's removal to Gloucester's castle. They
come upon Kent, still in the stocks. Lear does not believe that Regan and
Cornwall would commit such an offense to Lear has to place his servant in the
stocks but Kent reassures him that they have. He stresses that their punishment
came only because he was angered enough by Oswald's presence and his letter to
Regan to draw his sword upon Oswald. Fool comments on human nature, retorting
that children are only kind to their parents when they are rich and that the
poor are never given the chance for money. Lear feels ill and goes to look for
Regan. Kent asks why Lear's train has shrunk to which Fool replies that many
have lost interest in Lear as he has lost his riches and power. He advises all
that are not fools to do the same.
Lear returns, amazed that Regan and Cornwall refuse to speak with him
over weariness from travel. Gloucester attempts to excuse them by mentioning Gloucester's
"fiery quality". Lear is enraged by this excuse. Although he
momentarily considers that Gloucester may truly be ill, he is overwhelmed by
anger and threatens to beat a drum by their door until they speak to him.
Gloucester leaves to get them and shortly returns with them. They appear to act
cordial at first to Lear and set Kent free. Lear is cautious toward Regan and
tells her that if she is not truly glad to see him he would disown her and her
dead mother. He expresses his grief to her over his stay with Goneril and
Goneril's demands on him. Regan replies that he is very old and should trust
their counsel. She advises him to return to Goneril and ask for her forgiveness
as she is not yet prepared to care for him. Lear admits that he is old but pleads
with Regan to care for him. She again refuses even with his arguments that
Goneril has cut his train and his subsequent curses of Goneril. Regan is
horrified. Lear pleads with her to act better than her sister. He finally asks
who put Kent in the stocks.
Goneril arrives, as forecast in a letter to her sister. Lear calls on
the gods to help him and is upset that Regan takes Goneril by the hand. He asks
again how Kent was put in the stocks and Cornwall replies that that it was his
order and Lear is appalled. Regan pleads again for him to return to Goneril's
but he still holds hope that Regan will allow him all hundred of his train.
However, Regan assures him that she has no room for the knights either and
alerts him that he should only bring twenty-five with him after his month stay
with Goneril. Lear replies that he has been betrayed after giving his
daughter's his all, his land, authority and his care. He decides to go then
with Goneril as she must love him more if she will agree to fifty knights. At this
point, Goneril diminishes her claim, asking him if needs twenty-five, ten, or
five? Regan adds that he does not even need one. Lear cries that need is not
the issue. He compares his argument to Regan's clothes which are too scant for
warmth. She wears them not for need but for vanity just as a King keeps many
things he does not need for other reasons. He hopes that he will not cry and
fears that he will go mad. He leaves with Fool, Kent, and Gloucester. A storm
is heard approaching and Cornwall calls them to withdraw. Regan and Goneril
discuss how it is Lear's own fault if they leave him out in the storm.
Gloucester asks them to reconsider but is again overruled. Regan has the house
boarded up.
Act III Summary: scene i:
As it continues to storm, Kent enters the stage asking who else is there
and where is the King. A gentleman, one of Lear's knights, answers, describing
the King as struggling and becoming one with the raging elements of nature. The
King has been left alone except for his fool. Kent recognizes the gentleman and
fills him in on the events he has learned concerning the Dukes and the news
from France. He explains that a conflict has grown between Albany and Cornwall
which is momentarily forgotten because they are united against Lear. He then mentions
that French spies and soldiers have moved onto the island, nearly ready to
admit openly to their invasion. He urges the gentleman to hurry to Dover where
he will find allies to whom he can give an honest report of the treatment to
the King and his declining health. Kent gives him his purse and a ring to
confirm his honor and to show to Cordelia if he sees her. They move out to look
for Lear before the gentleman leaves on his mission.
scene ii:
We meet Lear, raging against the storm, daring the storm to break up the
Earth. Fool pleads with him to dodge his pride and ask for his daughters'
forgiveness so that he can take shelter in the castle. Lear notes that the
storm, unlike his daughters, owes him nothing and has no obligation to treat
him any better. Still, the storm is joining to help his ungrateful daughters in
their unnecessary punishing of him. The fool says he is foolish, nevertheless,
to reside in the house of of the storm but Lear responds that he will say
nothing to his daughters.
Kent enters, pleased to have found the King, and remarks that he has
never witnessed a more violent storm. Lear cries that the gods will now show
who has committed any wrongs by their treatment in the storm and Kent pushes
him toward a cave where they can find a little shelter. Lear agrees to go,
recognizing the cold which must be ravaging he and his fool. Before entering
the hovel, Fool prophecies that when the abuses of England are reformed, the
country will come into great confusion.
scene iii:
Gloucester and Edmund speak in confidence. Gloucester complains of the
unnatural dealings of Cornwall and Regan, taking over his home and forbidding
him to help or appeal for Lear. Edmund feigns agreement. Taking him further in
confidence, Gloucester alerts him to the division between Albany and Cornwall.
He then tells him that he has received a letter, which he has locked in the
closet because of it dangerous contents, divulging that a movement has started
to avenge Lear at home. Gloucester plans to go find him and aid him until the
forces arrive to help. He tells Edmund to accompany the Duke so that his
absence is not felt and if they ask for him to report that he went to bed ill.
Gloucester notes that he is risking his life but if he can save the King, his
death would not be in vain. After he departs, Edmund tells the audience that he
will alert Cornwall immediately of Gloucester's plans and the treasonous
letter. The young will gain, he comments, where the old have faltered.
scene iv:
Kent and Lear find their way to the cave, where Lear asks to be left
alone. He notes that the storm rages harsher in his own mind and body due to
the "filial ingratitude" he has been forced to endure. Thinking it
may lead to madness, Lear tries not to think of his daughters' betrayal. Feeling
the cruelty of the elements, Lear remarks that he has taken too little care of
the poor who often do not have shelter from such storms in life. The fool
enters the cave first and is frightened by the presence of Edgar disguised as
poor Tom. Edgar enters, speaking in confused jargon and pointing to the foul
fiend who bothers him greatly. Lear decides that Tom must have been betrayed by
daughters in order to have fallen to such a state of despair and madness. Kent
attempts to tell Lear that Tom has no daughters, but Lear can comprehend no
other reason. Fool notes that the cold night would turn them all into madmen.
Lear finds Tom intriguing and asks him about his life, to which Edgar replies
that Tom was a serving man who was ruined by a woman he had loved. Lear
realizes that man is no more than what they have been stripped to and begins to
take off his clothes before Fool stops him.
Gloucester finds his way to the cave. He questions the King's company
before remarking that he and Lear must both hate what their bodies have given
birth to, namely Edgar, Regan, and Goneril. Although he has been barred from
securing shelter in his own castle for Lear, Gloucester entreats the King to
come with him to a better shelter. Lear wishes to stay and talk with Tom, terming
him a philosopher. Kent urges Gloucester to plead with Lear to go, but
Gloucester notes it is no surprise that Lear's wits are not about him when his
own daughters seek his death. Lear is persuaded to follow Gloucester when they
agree to allow Tom to accompany him.
scene v:
Cornwall and Edmund converse over the information Edmund has shared with
him. Edmund plays the part of a tortured son doing his duty for the kingdom.
Cornwall muses that Edgar's disloyalty is better understood in terms of his own
father's betrayal. Handing over the letter Gloucester had received, Edmund
cries out wishing that he were not the filial traitor. Cornwall makes Edmund
the new Earl of Gloucester and demands he find where his father is hiding. In
an aside, Edmund hopes he will find Gloucester aiding the King to further
incriminate him although it would be greater filial ingratitude on his part.
Cornwall offers himself as a new and more loving father to Edmund.
scene vi:
Gloucester finds the group slightly better shelter and then heads off to
get assistance. Edgar speaks of the foul fiend and Fool tells the King a rhyme,
concluding that the madman is the man who has too greatly indulged his own
children. Lear pretends to hold a trial for his evil daughters, placing Edgar,
the fool, and Kent on the bench to try them. Lear tries Goneril first and then
Regan before crying that someone had accepted a bribe and allowed one to
escape. Kent calls for him to remain patient as he had often been in the past
and Edgar notes in an aside that he has nearly threatened his disguise with
tears. He tells Lear that he will punish the daughters himself. Lear
appreciates the gesture and claims that he will take Tom as one of the hundred
in his train if he will agree to change his seemingly Persian garments. As
Gloucester returns, he urges Kent to keep the King in his arms due to the death
threats circulating. There is a caravan waiting which will take Lear to Dover
and safety if they hurry. Edgar is left on stage and soliloquizes that the
King's pains are so much greater than his own and he will pledge himself to
helping him escape safely.
scene vii:
Cornwall calls for Goneril to bring the letter concerning France's
invasion to her husband and calls to his servants to seek out the traitor,
Gloucester. Regan and Goneril call for tortuous punishment. Edmund is asked to
accompany Goneril so as not to be present when his father is brought in. Oswald
enters and alerts the court to the news of Gloucester's successful move of the
King to Dover. As Goneril and Edmund depart, Cornwall sends servants in search
of Gloucester. Gloucester enters with servants and Cornwall commands that he be
bound to a chair. Regan plucks his beard as he protests that they are his
guests and friends.They interrogate him on the letter he received from France
and his part helping King Lear. Gloucester responds that he received the letter
from an objective third-party but he is not believed. He admits that he sent
the King to Dover, explaining that he was not safe out in the terrible storm
nor in the company of those who would leave him in such conditions. He hopes
that Lear's horrific children will have revenge light upon them. Cornwall
answers that he will see no such thing, blinding one of his eyes.
A servant speaks up in Gloucester's defense and is quickly stabbed by
Regan using the sword Cornwall had drawn. Before the servant dies, he cries
that Gloucester has one eye remaining to see harm come to the Duke and Duchess.
Cornwall immediately blinds the other eye. Gloucester calls out for Edmund to
help him in the time of peril to which Regan replies that it was Edmund who had
alerted them to Gloucester's treachery. At this low point, Gloucester realizes
the wrong he has shown Edgar if Edmund has done such evil. Regan has Gloucester
thrown out of the castle and then helps Cornwall, who has received an injury,
out of the room. Two servants discuss the incomprehensible evil of Cornwall and
Regan, proposing to aid Gloucester in his blind stumbles. One of the servants
leaves to find him while the other searches for ointments to sooth Gloucester's
wounds.
Act IV Summary: scene i:
Edgar is alone on stage soliloquizing about his fate. He seems more
optimistic than earlier, hoping that he has seen the worst. This changes when
Gloucester and an old man enters, displaying to Edgar the cruelty of Regan and
Cornwall's punishment. Gloucester urges the old man aiding him to leave him,
noting that his blindness should not affect him as "I have no way, and
therefore want no eyes;/ I stumbled when I saw" (IV.1.18-19). He then
laments the fool he has been toward his loyal son, Edgar. The old man tells him
a mad beggarman is present to which Gloucester replies that he cannot be too
mad if he knows to beg. Ironically, he notes that his introduction to a madman
the night before (who was poor Tom) had made him think of Edgar. This causes
Edgar further pain. Gloucester again urges the old man to leave, commenting
that poor Tom can lead him. He reasons that the time is such that madmen will
lead the blind and tells the old man to meet them in a mile with new clothes
for the beggar. The old man agrees to and leaves.
Edgar wishes he did not have to deceive his father but reasons that he
must. He speaks in his poor Tom manner of all of the fiends whom have plagued him.
Gloucester gives him his purse, hoping to even out some of the inequality which
exists between them, and asks him to lead him to the summit of the high cliff
in Dover and leave him there.
scene ii:
Goneril and Edmund are en route to Goneril's home when Goneril asks
Oswald why her husband has not met them. Oswald answers that Albany is a
changed man. To all events Oswald expects he would be pleased by, he is upset
and vice versa. The examples Oswald gives are the landing of the French army at
which Albany smiled and Edmund's betrayal of Gloucester to which Albany was
very displeased. Goneril is disgusted and sends Edmund back to Cornwall's with
a kiss, telling him that she will have to become master of her household until
she can become Edmund's mistress.
After Edmund's departure, Albany enters and greets Goneril with disgust
toward her character and the events with which she and Regan have been
involved. He notes that humanity is in danger because of people like her.
Goneril responds that he is weak, idly sitting by and allowing the French to
invade their land without putting up protest or guarding against traitors. He
lacks ambition and wisdom. The woman form she takes, Albany proclaims,
disguises the fiend which exists beneath and if it were not for this cover, he
would wish to destroy her.
A messenger enters, conveying the news that Cornwall has died from the
wound given him during the conflict with the servant who had stood up for
Gloucester after one of his eye's had been blinded. In this manner, Albany
learns of the treatment and subsequent blindness imparted to Gloucester by the
hands of Regan and Cornwall. Though horrified, Albany remarks that the gods are
at least conscious of justice and have already worked toward avenging the death
of Gloucester by killing Cornwall. The messenger then delivers a letter to
Goneril from Regan. In an aside, Goneril comments that the news of Cornwall's
death is bad for her in that it leaves Regan a widow so she could easily marry
Edmund. However, it may be a positive event since it takes Cornwall's threat to
her reign out of the picture. She leaves to read and answer the letter. Albany
asks the messenger of Edmund's location when Gloucester was blinded. The
messenger informs him that Edmund was with Goneril at the time but that Edmund
knew of the events which were to take place because it was he who had informed
on Gloucester's treason. Albany swears to fight for Gloucester who has loved
the good king and received such horrible treatment.
scene iii:
We learn from Kent's conversation with a gentleman that the King of
France has had to return to France for important business and has left the
Marshal of France in charge. The gentleman informs him also of Cordelia's
response to Kent's letter. She was very moved, lamenting against her sisters
and their treatment of her father. Kent comments that the stars must control
people's characters if one man and one woman could have children of such
different qualities, like Cordelia and her sisters. Kent notifies the gentleman
that Lear refuses to see Cordelia as he is ashamed of his behavior toward her.
The gentleman confirms that Albany and Cornwall's powers are advancing.
Deciding to leave Lear with him, Kent goes off to handle confidential business.
scene iv:
Pained, Cordelia laments the mad state of Lear and asks the doctor if
there is a way to cure him. Rest might be the simple answer, the doctor
replies, since Lear has been deprived of it. Cordelia prays for him and hopes
that he will be revived. She must leave briefly on business for France.
scene v:
Regan and Oswald discuss how Albany's powers are afoot. Oswald points
out that Goneril is the better soldier and informs Regan that Edmund did not
have a chance to speak with Albany. Regan asks what the letter which Oswald
brought from Goneril for Edmund says but Oswald knows only that it must be of
great importance. Regan regrets blinding Gloucester because allowing him to
live arouses sympathy which results in more parties turned against Regan and
her company. Stating that Edmund has gone in search of Gloucester to put him
out of his misery, she then claims that he is checking out the strength of the
enemy forces. She urges Oswald to remain with her because the roads are
dangerous. She is jealous of what she fears the contents of the letter may be,
namely entreaties to Edmund for his love. Advising him to remind Edmund of the
matters he had discussed with her considering their marriage, Regan allows
Oswald to continue. Oswald agrees to halt Gloucester if he comes upon him and
thus show to whom his loyalty lies.
scene vi:
Edgar leads Gloucester to Dover and pretends they are walking up the
steep hill Gloucester wished to be taken to. Edgar says that it is steep and he
can hear the ocean, noting that Gloucester's other senses must have grown dim
as well if he cannot feel these things. Gloucester comments that poor Tom's
speech seems much more elevated than before so Edgar attempts to drop back into
his beggarman dialect. Edgar says they have reached the highest spot and
Gloucester asks to be placed where he is standing. He then takes out another
purse for Tom and requests to be left. Thinking Tom has gone, Gloucester prays
to the gods to bless Edgar and then wishes the world farewell and falls forward
of the cliff, he believes. Edgar approaches again as another man entirely,
playing along with the idea that Gloucester has fallen off the high cliff and
survived, calling it a miracle. Gloucester believes what the man says, though
he cannot look up to verify. Edgar helps him up and questions the thing which
left him at the top of the cliff, making it sound like it was not an actual man
but a spirit. Gloucester is skeptical at first but realizes that would make
sense for why he lived.
Stumbling onto the scene is Lear, still mad and wearing weeds. He
rambles on about being king and then bitterly speaks of Goneril and Regan
agreeing to all he said and then stabbing him in the back. Gloucester
recognizes the voice and Lear confirms he is the King. He lectures about
Gloucester's adultery being no cause to fear because his bastard son treated
him better than Lear's own daughters. He then rages on the evil nature of women
in his daughter's shapes, similar to Centaurs but fiends from the waist down
instead of horses. Gloucester is saddened by this diatribe and wonders if Lear
knows him. He does, but refuses to be saddened by Gloucester's blindness since
one sees the world better through other venues than the eyes. In his ranting,
Lear touches on such issues as the artifice of politicians and others in
positions of authority who cover up their evil-doing and self-centered ambition
with wealth and fashion. Edgar notices the sanity in his madness. Lear then
identifies Gloucester and rages bitterly against the state of the world which
has made them as they are.
A gentleman enters and, glad to find Lear, calls for them to put a hand
upon him. Lear is afraid he is being taken prisoner but they are the attendants
of Cordelia and happy to follow Lear as King. Still confused and mad, Lear runs
out so they will not catch him. The gentleman informs Edgar that the army is
approaching speedily, except for Cordelia's men who are on a special purpose
and have moved on. When he leaves, Edgar assures Gloucester that he will lead
him to a biding place. Oswald enters, pleased to have found Gloucester, and
draws his sword upon him. Edgar interposes, using a rustic accent to play the
part of a peasant. They fight and Oswald falls. Before dying, Oswald pleads
with Edgar to take his purse and deliver his letter to Edmund, "Earl of
Gloucester". Edgar reads the letter which is from Goneril, pleading with
Edmund to slay Albany so Goneril can be free and they can be together. Edgar
vows to defend Albany and defeat the lechers. Gloucester muses that he is
self-centered to worry about his plight when Lear is mad. He wishes though that
he too were mad in order to numb the pain he feels.
scene vii:
Cordelia thanks Kent for the goodness he has shown her father and the
bravery he has espoused. She asks him to discard his disguise but he knows that
he will be able to work better for Lear if he remains disguised. The Doctor
remarks that Lear has slept for a long while so that they may try waking him.
Lear is brought in, still sleeping. Hoping to resolve the horrors committed by
her sisters, Cordelia kisses Lear and reflects on the vileness and ingratitude
of her sisters, treating Lear worse than a dog by shutting their doors on him
in the storm. Lear wakes and Cordelia addresses him. Lear feels awakened from
the grave and wishes they had left him. Very drowsy at first, Lear thinks
Cordelia is a spirit and then realizes he should know her and Kent (disguised)
but has difficulty putting his memory together. Finally he recognizes Cordelia,
to her delight, but thinks he is in France. The Doctor advises them to give
Lear his space so Cordelia takes him for a walk. The gentleman remains and asks
Kent if the rumors of Cornwall's death and Edgar's position in Germany with the
Earl of Kent are true. Kent confirms the first, but leaves the latter unanswered.
The gentleman warns that the battle to come will be bloody.
Act V Summary: scene i:
Edmund sends an officer to learn of Albany's plans since he has become
so fickle. Regan approaches Edmund, sweetly asking him if he loves her sister
and if he has ever found his way into her bed. He replies that though he loves
in "honored love" he has done nothing adulterous or to break their
vow. Warning him to stay away from Goneril, Regan threatens that she will not
put up with her sister's entreaties to him. Goneril and Albany enter as Goneril
tells the audience that her battle for Edmund is more important to her than the
battle with France. Albany informs Regan of Cordelia and Lear's reunion. Regan
wonders why he brings up the subject of the King and his grievances. Goneril
points out that they must join together against France and ignore their
personal conflicts.
As the two camps separate, Regan pleads with Goneril to accompany her
instead of the other camp where Edmund will be present. Goneril refuses at first
but then sees Regan's purpose and agrees. Edgar finds Albany alone and asks him
to read the letter to Edmund from Goneril he had intercepted. Though he cannot
stay while Albany reads it, he prays him to let the herald cry when the time is
right and he will appear again. Albany leaves to read it when Edmund reenters
to report of the oncoming enemy. In soliloquy, Edmund wonders what he will do
about pledging his love to both sisters. He could take both of them, one, or
neither. He decides to use Albany while in battle and after winning, to allow
Goneril to kill him. Moreover, he plans to forbid any mercy Albany may show
Cordelia and Lear because his rule of the state is his highest priority.
scene ii:
The army of France, accompanied by Cordelia and Lear, crosses the stage
with their battle colors and drums and exits. Next, Edgar and Gloucester enter.
Edgar offers Gloucester rest under a nearby tree while he goes into battle. The
noises of the battle begin and end, at which time Edgar reenters the stage to speak
with Gloucester. He calls for Gloucester to come with him as Cordelia and Lear
have lost and been taken captive. Entertaining ideas of suicide again,
Gloucester tries to remain but Edgar talks him into accompanying him, noting
that men must endure the ups and downs of life.
scene iii:
Edmund holds Cordelia and Lear prisoner. Trying to keep Lear's spirits
up, Cordelia tells him that they are not the first innocent people who have had
to endure the worst and she will be happy to endure for the King. She asks if
they will see Goneril and Regan but Lear rejects that notion. He wants them to
spend their days in prison enjoying their company, conversing and singing and
playing and debating the "mystery of things". As they are taken away
at Edmund's command, Lear encourages Cordelia to dry her tears and enjoy their
reunion as they will never again be separated. Edmund demands the subordinate
captain follow Lear and Cordelia to prison and carry out the punishment
detailed by his written instructions. Threatened with demotion, the captain
agrees.
Albany praises Edmund for his work in the battle and in obtaining his
prisoners. He then commands Edmund to turn Cordelia and Lear over into his
protection. Edmund replies that he thought it best to send Lear and Cordelia
into retention so that they did not arouse too much sympathy and start a riot,
but he assures Albany that they will be ready the next day to appear before
him. Albany warns Edmund to remember that he is only a subordinate to which
Regan replies that Edmund is in fact her husband and thus an equal. Goneril
proclaims that he is more honorable on his own merit than as Regan's partner.
Not feeling well, Regan implores Edmund to accept all of her property and
herself. Goneril asks if she means to be intimate with him to which Albany
retorts that the matter does not relate to her. Edmund disagrees and Regan
calls for him to take her title. Albany interrupts, arresting Edmund for
treason and barring any relationship between Goneril and Edmund. He calls
Edmund to duel, throwing down his glove. Edmund throws down his glove as well
and Albany alerts him that all of his soldiers have been sent away. Feeling
very ill, Regan is taken off.
The herald reads aloud Albany's notice, calling for anyone who holds
that Edmund is a traitor to come support that claim. The trumpet is sounded
three times and Edgar, still disguised, appears after the last. Asked why he
has responded, Edgar states that he is a noble adversary who desires to fight
with Edmund, a traitor to "thy gods, thy brother, and thy father".
They fight and Edmund falls. Albany calls for him to be spared while Goneril
supports Edmund for fighting an unknown man when not required, noting that he
cannot be defeated. Albany quiets her with the letter she wrote desiring
Edmund's hand but Goneril retorts that as she is the ruler, he can bring no
punishment upon her. She leaves before he can take command over her. Dying,
Edmund asks his conqueror to reveal himself. Edgar tells of his identity and
their relation, noting that Edmund has rightly fallen to the bottom as a result
of his father's adulterous act, which also cost Gloucester his sight. Edmund
agrees that he has come full circle and Albany rejoices in Edgar's true
identity, sorrowful that he had ever worked against him or his father. Edgar
describes his disguise and how he led his blinded father, protecting him and
sheltering him. He had never revealed his identity until a half hour before,
telling his father the entire story. Gloucester was so overwhelmed by the news
that his heart gave out. Furthermore, after learning who Edgar was, Kent
revealed his identity to Edgar, embracing him and spilling all of the horrid
details of Lear's state and treatment. Edgar then learned that Kent too was
dying but was forced to rush off as he heard the trumpet call.
A gentleman runs onto the stage with a bloody knife, informing the
company that it was just pulled from Goneril's heart. She had stabbed herself
after admitting that she had poisoned Regan. Edmund notes that as he had been
contracted to both sisters, now all three would die. Albany calls for the
gentleman to produce the bodies and comments on the immediate judgment of the
heavens. Kent enters, hoping to say goodbye to Lear. Realizing that he has
forgotten about the safety of Cordelia and Lear in the excitement, Albany
demands Edmund to tell of their circumstances. Edmund admits that he had
ordered their murders but as he hopes to do some good, he sends an officer to
try to halt Cordelia's hanging. He and Goneril had commanded it look like a
suicide. Lear stumbles in, carrying the body of Cordelia. Overcome by grief,
Lear rages against the senseless killing of Cordelia, admitting that he killed
the guard who was hanging her. Lear recognizes Kent, though he can hardly see, and
Kent informs him that he has been with him all along, disguised as his servant
Caius. It is not clear if Lear ever understands. Kent tells him that his evil
daughters have brought about their own deaths. A messenger enters to tell them
that Edmund has died. Albany tries to set things right, reinstating Lear's
absolute rule and Kent and Edgar's authority, promising to right all of the
good and punish the evil. Lear continues to mourn the loss of Cordelia and then
dies himself. Albany thus gives Kent and Edgar the rule of the kingdom to which
Kent replies that he must move on to follow his master, leaving Edgar as the
new ruler.
Act 1 Summary Act 1, scene 1
On a heath in Scotland, three
witches, the Weird Sisters, wait to meet Macbeth amid thunder and lightning.
Their conversation is filled with paradoxes; they say that they will meet
Macbeth "when the battle's lost and won," when "fair is foul and
foul is fair."
Act 1, scene 2
As the play opens, the Scottish army
is at war with the Norwegian army. Duncan, king of Scotland, meets a soldier
returning from battle. The soldier informs them of Macbeth and Banquo's bravery
in battle, and describes Macbeth's attack on the castle of the traitorous
Macdonwald, in which Macbeth triumphed and planted the severed head of
Macdonwald on the battlements of the castle. The Thanes (lords) of Ross and
Angus enter with the news that the Thane of Cawdor has sided with Norway.
Duncan decides to strip the traitor Thane of his title and give the title of
Thane of Cawdor to Macbeth.
Act 1, scene 3
The Weird Sisters meet on the heath
and wait for Macbeth. He arrives with Banquo, confirming the witches'
paradoxical prophecy by stating "So foul and fair a day I have not
seen." The witches hail him as "Thane of Glamis" (his present
title), "Thane of Cawdor" (which title Macbeth does not know he has
been granted yet), and "king hereafter." Their greeting startles and
seems to frighten Macbeth. Banquo questions the witches as to who they are, and
they greet him as "lesser than Macbeth and greater," "not so
happy, yet much happier," and a man who "shall get kings, though [he]
be none." When Macbeth questions them further, the witches vanish like
bubbles into the air. Almost as soon as they disappear, Ross and Angus appear,
bearing the news that the king has granted Macbeth the title of Thane of
Cawdor. Macbeth and Banquo step aside to discuss this news; Banquo is of the
opinion that the title of Thane of Cawdor might "enkindle" Macbeth to
seek the crown as well. Macbeth questions why good news like this causes his
"seated heart [to] knock at [his] ribs / Against the use of nature,"
and his thoughts turn immediately and with terror to murdering the king in
order to fulfill the witches' second prophesy. When Ross and Angus notice Macbeth's
distraught state, Banquo dismisses it as Macbeth's unfamiliarity with his new
title.
Act 1, scene 4
Duncan demands to know if the
ex-Thane of Cawdor has been executed, and his son Malcolm assures him that he
has. While Duncan muses about the fact that he mistakenly placed his
"absolute trust" in the traitor Thane, Macbeth enters. Duncan thanks
Macbeth and Banquo for their loyalty and bravery, and announces his decision to
make his son Malcolm the heir to the throne of Scotland (something he should not
have done, since his position was elected, not inherited). Duncan then states
that he plans to visit Macbeth at his home in Inverness. Macbeth leaves to
prepare his home for the royal visit, pondering the stumbling block that the
king has just placed in front of his ambitions with the announcement of his
heir. The king follows with Banquo.
Act 1, scene 5
At Inverness, Lady Macbeth reads a
letter from Macbeth telling of his meeting with the witches. She fears that his
nature is not ruthless enough, is "too full o' th' milk of human
kindness," to murder Duncan and assure the completion of the witches'
prophesy. He has ambition enough, she claims, but lacks the gumption to act on
it. She then implores him to hurry home so that she can "pour [her]
spirits in [his] ear," in other words, goad him on to the murder he must
commit. When a messenger arrives with the news that Duncan is coming, Lady
Macbeth calls on the heavenly powers to "unsex me here" and fill her
with cruelty, taking from her all natural womanly compassion. When Macbeth
arrives, she greets him as Glamis and Cawdor and urges him to "look like
th'innocent flower, / but be the serpent under Œt," and states that
she will make all the preparations for the king's visit and subsequent murder.
Act 1, scene 6
Duncan arrives at Inverness with
Banquo and exchanges pleasantries with Lady Macbeth. He asks her where Macbeth
is, and she offers to bring him to where Macbeth waits.
Act 1, scene 7
Alone, Macbeth agonizes over whether
or not to kill Duncan, stating that he knows the king's murder is a terrible
sin. He struggles not so much with the horrifying idea of regicide as with the
actual fact and process of murdering a man a relative, no less who trusts
and loves him. He would like the king's murder to be over and done with
already. He hates the fact that he has "only / Vaulting ambition"
without the motivation or ruthlessness to ensure the attainment of his
ambitions. Lady Macbeth enters, and Macbeth tells her that he "will
proceed no further in this business." Taunting him for his fears and
ambivalence, she tells him he will only be a man when he commits this murder.
She states that she herself would go so far as to take her own nursing baby and
dash its brains out if she had to in order to attain her goals. She counsels
him to "screw [his] courage to the sticking place" and details the
way they will murder the king. They will wait until he is asleep, she says,
then they will get his bodyguards drunk. Then they will murder Duncan and lay
the blame on the two drunken bodyguards. Macbeth, astonished at her cruelty,
warns her to "bring forth male children only," since she is too tough
and bloodthirsty to bear girls. He resigns to follow through with her plans.
Act 2 Summary Act 2, scene 1
Banquo, who has also come to
Inverness with Duncan and Fleance, wrestles with the witches' prophesy; unlike
Macbeth, he restrains the desire to act on it that tempts him in his dreams.
Macbeth enters and, when Banquo questions him, pretends to have forgotten the
witches' prophesy. When Banquo and Fleance leave Macbeth alone, Macbeth
imagines that he sees a bloody dagger pointing toward Duncan's chamber.
Frightened by this "dagger of the mind," he prays that the earth will
"hear not [his] steps" as he completes his bloody plan. The bell
rings a signal from Lady Macbeth and he exits into Duncan's room.
Act 2, scene 2
Lady Macbeth waits for Macbeth to
return from killing Duncan. Hearing the hoot of an owl an omen of death she
assumes that he has done it, and waits fitfully for him to appear. She hears a
noise within and worries that the bodyguards have awakened before Macbeth had a
chance to plant the evidence on them. Macbeth enters, still carrying the bloody
daggers with which he killed Duncan. He is shaken because as he entered
Duncan's chamber he heard the bodyguards praying and could not say
"Amen" when they finished their prayers. He takes this as a bad sign.
Lady Macbeth counsels him not to think "after these ways; so, it will make
us mad." Unheeding, Macbeth goes on to tell her that he also thought he
heard a voice that said, "sleep no more! / Macbeth does murder sleep . . .
. Glamis [Macbeth] hath murdered sleep, and therefore Cawdor [also Macbeth] /
Shall sleep no more." Lady Macbeth warns him not to think of such "brainsickly
things" but to wash the blood from his hand. Seeing the daggers he
carries, she chastises him for bringing them in and tells him to plant them on
the bodyguards according to the plan. When Macbeth, still horrified by the
crime he has just committed, will not do it, Lady Macbeth herself takes the
daggers and brings them into the guards' chamber.
While she is gone, Macbeth hears a
knocking and imagines that he sees hands plucking at his eyes. He mourns the
fact that not even an entire ocean could wash the blood from his hand. Lady
Macbeth enters here and, hearing this, states that her hands are just as
stained as his, but she is not a coward like him. She claims that "a
little water clears us of this deed" that washing the blood from their
hands will wash the guilt from them as well. She, too, hears knocking, and
tells Macbeth to retire with her to their chamber and put on their nightgowns;
they cannot be out in the hall and in their clothes when the others enter.
Act 2, scene 3
Macbeth enters, and Macduff asks him
if the king is awake yet. On hearing that the king is still asleep, Macduff
leaves to wake him. While he is gone, Lennox tells Macbeth that the night was
full of strange events in the weather chimneys were blown down, birds
screeched all night, the earth shook, and ghostly voices were heard prophesying
bad fortune. A stunned Macduff returns with the news that the king is dead. He
tells them to go see for themselves and calls to the servants to ring the alarm
bell and wake the other guests.
Lady Macbeth and Banquo enter and
Macduff informs them of the king's death. Macbeth and Lennox return and Macbeth
laments the king's death, claiming that he witches he was dead instead of the
king. Malcolm and Donalbain appear and ask who murdered their father. Lennox
tells them that the bodyguards must have done it because they still had the
king's blood on their faces and hands and the daggers on their pillows. Macbeth
tells them that he has already killed the bodyguards in a grief-stricken rage.
When Malcolm and Donalbain question this act, Lady Macbeth pretends to faint in
order to distract them. Aside, Malcolm and Donalbain confer and decide that
their lives are threatened and they should flee. As Lady Macbeth is being
helped to leave, Banquo counsels the others to get together to analyze what
just happened and figure out what to do next. Leaving Malcolm and Donalbain
alone, they leave to meet in the hall. Malcolm decides that he will flee to
England, and Donalbain says that he will go to Ireland.
Act 2, scene 4
Ross and an old man discuss the
unnatural events that have taken place recently: days are as dark as nights,
owls hunt falcons, and Duncan's horses have gone mad and eaten each other.
Macduff enters, and Ross asks him who killed the king. Macduff tells him that
the bodyguards did it, but that Malcolm and Donalbain's hasty flight from
Inverness has cast suspicion on them as well. Ross comments that Macbeth will
surely be named the next king, and Macduff says that he has already been named
and has gone to Scone to be crowned. Ross leaves for Scone to see the
coronation, and Macduff heads home to Fife.
Act 3 Summary Act 3, scene 1
At Macbeth's court, Banquo voices
his suspicions that Macbeth has killed Duncan in order to fulfill the witches'
prophesies. He muses that perhaps this means that the witches' vision for his
future will come true as well, then pushes this thought from his mind. Macbeth
and Lady Macbeth enter to the sound trumpets, along with Lennox and Ross.
Macbeth announces that he will hold a banquet that evening, and that Banquo
will be the chief guest. Banquo states that he must ride this afternoon, but he
will be back in time for supper. Macbeth tells him that Malcolm and Donalbain
will not confess to killing their father, and asks if Fleance will accompany
Banquo on his trip (he will), then wishes Banquo a safe ride.
Left alone, Macbeth summons the two
murderers he has hired. While he waits for them, he gives voice to his greatest
worry of the moment that the witches' prophesy for Banquo will come true, and
that Banquo's children will inherit the throne instead of his own. He will put
an end to that thought by killing Banquo and Fleance. The murderers enter.
These men are not "murderers" by trade but poor men who are willing
to do anything to make some money. Macbeth has evidently sent them letters
stating that although they think Macbeth is the cause of their present poverty,
the real cause is Banquo, and that he will reward them richly if they would
kill Banquo for him. The Murderers respond that they are so "weary with
disasters [and] tugged with fortune" that they are "reckless what /
[they] do to spite the world." Macbeth tells them that Banquo is his own
enemy as well as theirs, but that loyal friends of Banquo's prevent him from
killing him himself. Macbeth tells them the particulars of the murder: they
must attack him as he is coming back from his ride, at a distance from the
palace in order to avert suspicion. They must also kill Fleance, and perform
these murders at exactly the right time.
Act 3, scene 2
Alone, Lady Macbeth expresses her
unhappiness: there seems to be no end to her desire for power, and she feels
unsafe and doubtful. Macbeth enters, looking upset, and she again counsels him
not to spend his time alone worrying about what they have done. Macbeth states
that their job is not done, and that he spends every waking moment in fear and
each night embroiled in nightmares. He says that he envies Duncan, who sleeps
peacefully in his grave. Lady Macbeth warns him to act cheerful in front of
their dinner guests, and Macbeth says that he will, and asks her to pay special
attention to Banquo tonight, both in speech and looks. Lady Macbeth tries to
comfort him by reminding him that although Banquo and Fleance live, they are
not immortal, and he should not fear them. Macbeth responds elusively, telling
her that "a deed of dreadful note" will be done tonight; he will not
tell her more.
Act 3, scene 3
The two murderers are joined by a
third, who says that he has also been hired by Macbeth. Horses are heard
approaching, and Banquo and Fleance enter. The murderers attack Banquo, but
Fleance flees. The murderers leave to report back to Macbeth.
Act 3, scene 4
At the banquet, Macbeth is just
welcoming his guests when one of the murderers comes to the door. He informs
Macbeth that Banquo is dead but Fleance has escaped. Shaken, Macbeth thanks him
for what he has done and arranges another meeting the next day. The murderer
leaves and Macbeth returns to the feast. Standing next to the table, he
announces that the banquet would be perfect if only Banquo were there. At this
point, unseen by any, Banquo's ghost appears and sits in Macbeth's seat. The
guests urge Macbeth to sit and eat with them, but Macbeth says that the table
is full. When Lennox points to Macbeth's empty seat, Macbeth is shocked to see
Banquo sitting there. He addresses the ghost, saying, "Thou canst not say
I did it. Never shake / Thy gory locks at me." The guests, confused by his
behavior, think that he is ill, but Lady Macbeth reassures them, saying that he
has had "fits" like this since youth, and that he will soon be well.
She draws Macbeth aside and tries to talk some sense into him, telling him that
this is just a hallucination brought on by his guilt, like the dagger he saw
before he killed Duncan. Ignoring her, Macbeth charges the ghost to speak, and
it disappears. Disgusted, Lady Macbeth scolds him for being "unmanned in
folly." Turning back to his guests, Macbeth tells them that he has "a
strange infirmity" that they should ignore.
Just as the party begins again and
Macbeth is offering a toast to Banquo, the ghost reappears, and Macbeth again
yells at it. Lady Macbeth again tries to smooth things over with the guests.
The ghost exits again and Lady Macbeth scolds Macbeth him. This time Macbeth
responds in kind, telling her that he is shocked that she can look on sights
such as this and not be afraid. Ross asks what sights Macbeth means, and Lady
Macbeth tells the guests that they should leave, because Macbeth's
"illness" is getting worse.
The guests leave, and Macbeth, frightened,
says that he takes this appearance as an omen. He decides that he will go back
to the Weird Sisters the next day and ask to hear more.
Act 3, scene 5
On the heath, the witches meet
Hecate, queen of witches, who chastises them for meddling in Macbeth's affairs
without involving her or showing him any fancy magic spectacles. She tells them
that Macbeth will visit them tomorrow, and that they must put on a more
dramatic show for him.
Act 3, scene 6
Lennox and another lord discuss
politics. Lennox comments sarcastically on the recent deaths of Duncan and
Banquo, saying that it seems almost impossible for Malcolm and Donalbain to be
inhuman enough to kill their father, and that Macbeth's slaying of the
bodyguards was pretty convenient, since they would probably have denied killing
Duncan. Lennox proposes that if Malcolm, Donalbain, and Fleance were in
Macbeth's prison, they would probably be dead now too. He also reveals that
since Macduff did not attend Macbeth's feast, he has been denounced. The lord with
whom Lennox speaks comments that Macduff has joined Malcolm at the English
court, and that the two of them have asked Siward to lead an army against
Macbeth. Lennox and the lord send their prayers to Macduff and Malcolm.
Act 4 Summary Act 4, scene 1
The witches circle their cauldron,
throwing into it the elements of their magic spell while chanting "double,
double toil and trouble; / Fire burn, and cauldron bubble." Hecate
appears, and they all sing together, then Hecate leaves again. Macbeth enters, demanding
answers. The witches complete their magic spell and summon forth a series of
apparitions. The first is an Armed Head (a head wearing a helmet), that warns
Macbeth to beware the Thane of Fife (Macduff). The second apparition is a
bloody child, who tells him that "none of woman born / Shall harm
Macbeth." Hearing this, Macbeth is bolstered, and states that he no longer
needs to fear Macduff then. The third apparition is a child wearing a crown,
with a tree in its hand, who says that "Macbeth shall never vanquished be
until / Great Birnam Wood to high Dunsinane Hill [Macbeth's castle] / Shall
come against him." This cheers Macbeth even more, since he knows that
nothing can move a forest. Macbeth now asks his last question: will Banquo's
children ever rule Scotland?
The cauldron sinks, and a strange
sound is heard. The witches now show Macbeth the "show of kings": a
procession of eight kings, the eighth of whom holds a mirror in his hand,
followed by Banquo. As Banquo points at this line of kings, Macbeth realizes
that they are indeed his family line, and that the witches' words were true.
The witches dance and disappear, and Lennox enters, with the news that Macduff
has fled to England. Macbeth resolves that from now on he will act immediately
on his ambitions, and the first step he will take will be to seize Fife and
kill Macduff's wife and children.
Act 4, scene 2
At Fife, Ross visits Lady Macduff,
who is frightened for her own safety now that her husband has fled. He
reassures her by telling her that her husband did what he had to do, and takes
his leave, telling her that he will return soon. After he leaves, Lady Macduff
engages her son in a conversation about his missing father. The little boy
shows wisdom beyond his years in his side of the discussion. A messenger
interrupts them with a warning to flee the house immediately. But before Lady
Macduff can go anywhere, Macbeth's hired murderers attack the house and kill
everyone in it.
Act 4, scene 3
Macduff has arrived at the English
court and meets with Malcolm. Malcolm, remembering his father's mistaken trust
in Macbeth, tests Macduff by confessing that he is a greedy, lustful and sinful
man, who makes Macbeth look like an angel in comparison. Macduff despairs and
says that he will leave Scotland forever if this is the case, since there seems
to be no man fit to rule it. Hearing this, Malcolm is convinced of Macduff's
goodness and reveals that he was merely testing him; he has none of these
faults to which he has just confessed. In fact, he claims, the first lie he has
ever told was this false confession to Macduff. He then announces that Siward
has assembled an army of ten thousand men and is prepared to march on Scotland.
A messenger appears and tells the
men that the king of England is approaching, attended by a crowd of sick and
despairing people who wish the king to cure them. The king, according to
Malcolm, has a gift for healing people with the laying on of hands.
Ross enters, just come from
Scotland, and reports that the country is in a shambles. When Macduff asks how
his wife is, Ross replies "Ay, well," meaning that they are now
beyond Macbeth's grasp. Pressed further, he relates the story of her death.
Macduff is stunned speechless, and Malcolm urges him to cure his grief by acting,
and getting revenge on Macbeth. Macduff replies "he has no children,"
meaning perhaps that Malcolm does not know what it feels like to lose a child,
or that Macbeth could never have killed another man's children if he had
children of his own. He is overcome with guilt that he was gone from his house
when it happened. Again Malcolm urges him to put his grief to good use and seek
revenge, and all three men leave to prepare for battle.
Act 5 Summary Act 5, scene 1
Back at Dunsinane, the Scottish
royal home, a gentlewoman who waits on Lady Macbeth has summoned a doctor
because Lady Macbeth has been walking in her sleep. The doctor reports that he
has watched her for two nights already and has not seen anything strange. The
gentlewoman describes how she has seen Lady Macbeth rise, dress, leave her
room, write something on a piece of paper, read it and seal it, and return to
bed, all without waking up. When the doctor asks if the Lady said anything
while sleepwalking, the gentlewoman says that what the Lady said she does not
dare to repeat. They are interrupted by the sleepwalking Lady Macbeth, who
enters carrying a candle. The gentlewoman reports that Lady Macbeth asks to
have light by her all through the night. The doctor and the gentlewoman watch
as Lady Macbeth rubs her hands as if washing them and says " yet here's a
spot . . . . Out, damned spot, out I say!" As she continues to
"wash" her hands, her words betray her guilt to the watchers. She
seems to be reliving the events of the nights of Duncan and Banquo's deaths.
She cannot get the stain or smell of blood off her hand: "will these hands
ne'er be clean? . . . . All the perfumes of Arabia will not sweeten this little
hand." The doctor is shocked and understands that Lady Macbeth's words
have heavy implications. The sleepwalking lady imagines she hears knocking at
the gate and returns to her chamber. The doctor concludes that Lady Macbeth
needs a priest's help, not a physician's, and takes his leave, warning that he
and the gentlewoman had better not reveal what they have seen and heard.
Act 5, scene 2
Menteith, Caithness, Angus, and
Lennox march with a company of soldiers toward Birnam Wood, where they will
meet up with Malcolm and the English army. They claim that they will
"purge" the country of Macbeth's sickening influence.
Act 5, scene 3
At Dunsinane, Macbeth tires of
hearing reports of nobles who have fled from him to join the English forces. He
recalls the witches' prophesy that he has nothing to fear until Birnam Wood
comes to Dunsinane or until he meets up with a man not born of woman, and since
these events seem impossible, he feels unstoppable. A servant enters with the
news that then thousand men have gathered to fight against them, and Macbeth
sends him away, scolding him for cowardice. He calls for his servant Seyton to
help him put on his armor, and asks the doctor who has been treating Lady
Macbeth how she is. The doctor replies that she is not sick but troubled with
visions, and that she must cure herself of these visions (presumably by
confessing the crimes she has committed). Macbeth is not pleased with this
answer. As his attendants begin to arm him, he facetiously asks the doctor if
it he could test the country's urine to find out what disease ails it, and give
it a purgative medicine to cure it. Fully armed, Macbeth begins to leave the
room. As he goes, he professes that he will not be afraid of anything until
Birnam Wood comes to Dunsinane. Aside, the doctor confesses that he would like
to be as far away from Dunsinane as possible.
Act 5, scene 4
Malcolm, Siward, Young Siward,
Macduff, Mentieth, Caithness, and Angus march toward Birnam Wood. When they
approach the forest, Malcolm instructs each soldier to cut a branch from the
trees and carry it in front of him as the group marches on Dunsinane, in order
to disguise their numbers. Siward informs Malcolm that Macbeth confidently
holds Dunsinane, waiting for their approach. Malcolm comments that Macbeth must
be incredibly optimistic, since almost all of his men have deserted him. The
army marches on toward Dunsinane.
Act 5, scene 5
Macbeth confidently orders his men
to hang his banners on the outer walls of the castle, claiming that his castle
will hold until the men who attack it starve of famine. If only the other side
was not reinforced with men who have deserted him, he claims, he would not
think twice about rushing out to attack the English army head-on. He is
interrupted by the sound of women screaming within, and Seyton leaves to see
what the trouble is. Macbeth comments that he had almost forgotten what fear
felt and tasted like. Seyton returns and announces that Lady Macbeth is dead.
Seemingly unfazed, Macbeth comments that she should have died later. He stops
to muse on the meaning of life, which he says is "but a walking shadow, a
poor player / That struts and frets his hour upon the stage / And then is heard
no more. It is a tale / Told by an idiot, full of sound and fury, / Signifying
nothing."
A messenger enters and reports that
he has seen something unbelievable: as he looked out toward Birnam Wood, it
looked like the forest began to move toward the castle. Macbeth is stunned and
begins to fear that the witch's words may come true after all. He instructs his
men to ring the alarm.
Act 5, scene 6
Malcolm tells his soldiers that they
are near enough to the castle now to throw down the branches they carry. He
announces that Siward and Young Siward will lead the
first battle, and that he and Macduff will follow behind. He tells his
trumpeters to sound a charge.
Act 5, scene 7
Macbeth waits on the battlefield to
defend his castle. He feels like a bear that has been "baited": tied
to a stake for dogs to attack. Young Siward enters and demands his name.
Macbeth responds that he will be afraid to hear it: it is Macbeth. The two
fight, and Macbeth kills Young Siward, commenting, as he does, that Young
Siward must have been born "of woman." He exits. Macduff enters and
shouts a challenge to Macbeth, swearing to avenge his wife and children's
deaths. He asks Fortune to let him find Macbeth, and exits. Malcolm and Siward
enter, looking for the enemy, and exit.
Act 5, scene 8
Macbeth enters, contemplating
whether or not he should kill himself, and resolving that he is too brave to do
so. Macduff finds him and challenges him. Macbeth replies that he has avoided
Macduff until his point, but now he will fight. Macduff unsheathes his sword,
saying that his sword will speak for him. The men fight. As they fight, Macbeth
tells him that he leads a charmed life; he will only fall to a man who is not
born of woman. Macduff replies that the time has come for Macbeth to despair:
"let the angel whom thou still hast served / Tell thee Macduff was from
his mother's womb / Untimely ripped" (Macduff was born through the
medieval equivalent of a caesarian section)! Hearing this, Macbeth quails and
says that he will not fight. Macduff replies by commanding him to yield, and
allow himself to be the laughing stock of Scotland under Malcolm's rule. This
enrages Macbeth, who swears he will never yield to swear allegiance to Malcolm.
They fight on, and exit fighting.
Malcolm, Siward, and the other
Thanes enter. They have won the battle, but Malcolm states that Macduff and
Young Siward are missing. Ross reports that Young Siward is dead, and eulogizes
him by stating that "he only lived but till he was a man, / The which no
sooner had his prowess confirmed / In the unshrinking station where he fought,
/ But like a man he died." Siward asks if his son's wounds were in his
front (in other words, did he fight until the end, instead of running away),
and when he learns that they were, he declares that he will mourn no more for
him then, because he died a hero's death, and Siward could not wish for a
better death for any of his sons.
Macduff enters,
carrying Macbeth's severed head, and shouts "Hail, King of Scotland!"
All the men return this shout and the trumpets flourish as Malcolm accepts the
throne. He then announces that he will make the thanes earls now up until
then they had only been called thanes. He will call back all the men whom
Macbeth has exiled, and will attempt to heal the scars Macbeth has made in the
country. All exit, headed toward Scone to crown Malcolm King of Scotland.
Act I, Scene One
Antonio, a merchant, is in a
melancholic state of mind and unable to find a reason for his depression. His
friends Salerio and Solanio attempt to cheer him up by telling him that he is
only worried about his ships returning safely to port. Antonio, however, denies
that he is worried about his ships and remains depressed. His two friends leave
after Bassanio, Graziano and Lorenzo arrive. Graziano and Lorenzo remark that
Antonio does not look well before exiting, leaving Bassanio alone with Antonio.
Bassanio informs Antonio that he has
been prodigal with his money and that he currently has accumulated substantial
debts. Bassanio reveals that he has come up with a plan to pay off his
obligations by marrying Portia, a wealthy heiress in Belmont. However, in order
to woo Portia, Bassanio needs to borrow enough money so that he can act like a
true nobleman. Antonio tells him that all his money is invested in ships at
sea, but offers to borrow money for him.
Act I, Scene Two
Portia, the wealthy heiress,
discusses her many suitors with her noblewoman Nerissa. She points out the
faults that each of them has, often stereotyping each suitor according to the
country from which he has arrived. Nerissa, a gentlewoman who works for Portia,
asks her if she remembers a soldier who stayed at Belmont several years before.
Portia recalls the man, and says, "Yes, yes, it was Bassanio"
(1.2.97). Portia's servingman then arrives with news that four of her suitors
are leaving, but another, the Prince of Morocco, has arrived.
Act I, Scene Three
Bassanio in engaged in conversation
with Shylock, a Jew who makes his living as a moneylender. Bassanio has asked
him for a loan of three thousand ducats, a very large sum at the time, for a
period of three months. He further tells Shylock that Antonio is to "be
bound," meaning that Antonio will be responsible for repaying the loan.
Shylock knows Antonio's reputation
well, and agrees to consider the contract. He asks Bassanio if he may speak
with Antonio first, and Bassanio invites Shylock to dinner. Shylock responds
that he will never eat with a Christian.
Antonio arrives at that moment and
Bassanio takes him aside. Shylock addresses the audience and informs them that
he despises Antonio. He bears an old grudge against Antonio which is not
explained, but Shylock is further upset that Antonio lends out money without
charging interest, thereby lowering the amount he is able to charge for lending
out his own money. Shylock turns to Antonio and tells him why interest is
allowed in the Hebrew faith by quoting a biblical passage in which Jacob receives
all the striped lambs from his father-in-law. Antonio asks him if the passage
was inserted into the bible to defend interest charges. He states, "Was
this inserted to make interest good, / Or is your gold and silver ewes and
rams?" (1.3.90-91). Shylock replies that, "I cannot tell. I make it
breed as fast" (1.3.92).
Antonio is upset that Shylock is
considering charging him interest on the loan, and asks Shylock to loan the
money without any interest. Shylock tells him that, "I would be friends
with you, and have your love" (1.3.133). He offers to seal the bond,
"in a merry sport" (1.3.141) without charging interest, but as
collateral for the loan demands a pound of Antonio's flesh. Antonio thinks
Shylock is only joking about the pound of flesh, and is happy to seal the
contract. He remarks that, "The Hebrew will turn Christian; he grows
kind" (1.3.174).
Act II, Scene One
The Prince of Morocco meets with
Portia and tells her that he is often considered very handsome on account of
his black skin. She tells him that unfortunately she does not have the right to
choose the man who will marry her. Instead, her father created three caskets
from among which each suitor must choose. Portia warns the Prince that if he
chooses the wrong casket, he must swear to never propose marriage to a woman
afterwards. The Prince of Morocco agrees to this condition and joins Portia for
dinner before attempting to choose.
Act II, Scene Two
Lancelot, referred to as a clown, is
the servant to Shylock. He tells the audience that he is thinking about running
away from his master, whom he describes as a devil. However, he cannot make up
his mind about whether to run away or not because his conscience makes him
guilty when he thinks about leaving Shylock.
Lancelot's father, and old man named
Gobbo, arrives with a basket. He is nearly completely blind and cannot see
Lancelot clearly. Gobbo asks his son which way leads to the Jew's house,
meaning Shylock's house. He mentions that he is searching for his son Lancelot.
Lancelot decides to have some fun with his father, and so he pretends to know a
"Master Lancelot" (a term for a gentleman's son, not a servant). He
informs Gobbo that "Master Lancelot" is deceased.
Gobbo is clearly upset by this, and
Lancelot kneels down in front of him and asks his father for his blessing.
Gobbo at first does not believe that Lancelot is really his son, but then he
feels his head and recognizes him.
Lancelot tells his father that he is
wasting away serving Shylock and that he will turn into a Jew himself if he
stays there much longer. Gobbo has brought a present for Shylock, but Lancelot
instead convinces his father to give it to Bassanio, whom Lancelot hopes to
have as his new master. Bassanio, coming onto stage at that moment, accepts the
gift of doves and tells Lancelot that he may leave Shylock and join his
service. He then orders one of the men to get Lancelot a new uniform to wear,
and sends Lancelot away.
Graziano arrives and tells Bassanio
that he wants to join him on the trip to Belmont, where Bassanio plans to go
and woo Portia. Bassanio feels that Graziano is too loud and rude and asks him
if he will be able to act more appropriately. Graziano says that he can, and
that he will "put on a sober habit" (2.2.171). Bassanio then agrees
to take him to Belmont.
Act II, Scene Three
Jessica, the daughter of Shylock,
meets with Lancelot and tells him that she will miss him after he leaves to go
work for Bassanio. She hands him a letter to take to Lorenzo, who is supposed
to be a guest of Bassanio's that night. After Lancelot leaves, Jessica remarks,
"Alack, what heinous sin is it
in me
To be ashamed to be my father's child!
But though I am a daughter to his blood,
I am not to his manners. O Lorenzo,
If thou keep promise I shall end this strife,
Become a Christian and thy loving wife.
Jessica thus informs the audience
that she is in love with Lorenzo, a Christian. She intends to meet him soon and
run away from her father's house in order to marry Lorenzo.
Act II, Scene Four
Lorenzo, Graziano, Salerio and Solanio
are preparing for a masque that night. Lancelot arrives with the letter from
Jessica and hands it to Lorenzo. Lorenzo reads it and tells Lancelot to inform
Jessica that he will not fail her. Lancelot leaves to bring the news to
Jessica, and also to invite Shylock to Bassanio's house for dinner.
After the other two men leave,
Lorenzo shows Graziano the letter from Jessica. He tells his friend that he and
Jessica plan to steal away from her father's house that night, along with a
great deal of her father's gold and jewels.
Act II, Scene Five
Shylock informs Lancelot that he
will have to judge for himself whether Bassanio is a better master. He then
calls Jessica, hands her the keys to the house, and tells her that he must
leave for dinner that evening. Lancelot tells Shylock that there will likely be
a masque that night. At this news, Shylock orders Jessica to lock up the house
and not look out the windows. He says, "Let not the sound of shallow
fopp'ry enter / My sober house" (2.5.34-35).
As Shylock gets ready to depart,
Lancelot privately tells Jessica that Lorenzo will come for her that night. She
is grateful for the message, and after Shylock leaves she comments that,
"I have a father, you a daughter lost" (2.5.55).
Act II, Scene Six
Salerio and Graziano are part of the
masquers partying through the street of Venice. They stop and wait for Lorenzo,
who has asked them to meet him at a certain spot. Lorenzo arrives and thanks
them for their patience. He then calls out to Jessica, who appears in the window
of Shylock's house dressed as a man. She throws out a casket to Lorenzo filled
with much of her father's gold and jewels. Jessica then goes back inside and
steals even more ducats (golden coins) before joining the men on the street.
Everyone departs except for
Bassanio, who unexpectedly meets Antonio. Antonio tells him to get to the ship
heading for Belmont, because the wind has started blowing the right way and the
ship is ready to depart.
Act II, Scene Seven
The Prince of Morocco is brought
into a room containing three caskets, gold, silver and lead. Portia tells him
to make his choice. The Prince reads the inscriptions on all the caskets. Gold
reads: "Who chooseth me shall gain what many men desire" (2.7.5). The
silver casket has, "Who chooseth me shall get as much as he deserves"
(2.7.7). Finally, the dull lead casket bears the inscription, "Who
chooseth me must give and hazard all he hath" (2.7.9).
Portia tells the Prince that the
correct casket, or the one that will allow him to marry her, contains a
miniature picture of her likeness. The Prince looks over all the inscriptions a
second time, and decides that lead is too threatening and not worth risking
anything for. He also spurns the silver, which he feels is too base a metal to
hold such a beautiful woman as Portia. The Prince therefore chooses gold.
Portia hands him the key, and he
opens the casket to reveal a golden skull. The skull holds a written scroll
that poetically indicates that he chose superficially. The Prince departs after
a hasty farewell. Portia watches him go, and remarks, "A gentle riddance.
Draw the curtains, go. / Let all of his complexion choose me so"
(2.7.78-79).
Act II, Scene Eight
Salerio and Solanio meet in the
street and discuss the hasty departure of Bassanio and Graziano for Belmont.
They further tell the audience that Shylock returned home and discovered his
daughter had run away with Lorenzo. Shylock then woke up the Duke of Venice and
tried to stop Bassanio's ship, which had already set sail. Antonio assured
Shylock that Jessica was not on board the ship, but rather had been seen in a
gondola with Lorenzo. However, Shylock continues to blame Antonio for the loss
of his daughter and his money.
Solanio informs Salerio that Shylock
was later seen in the streets crying,
"My daughter! O, my ducats! O,
my daughter!
Fled with a Christian! O, my Christian ducats!
Justice! The law! My ducats and my daughter!
A sealed bag, two sealed bags of ducats,"
Solanio is worried about Antonio, whom he says had better repay his bond with
Shylock on time, because Shylock is furious about losing his daughter and his
money and blames Antonio for it. Salerio indicates that a Frenchman mentioned a
Venetian vessel had sunk in the English Channel the day before. Both men hope
that it is not Antonio's ship.
Act II, Scene Nine
The Prince of Aragon arrives in
Belmont and decides to choose from among the three caskets. Portia takes him
into the room and makes him recite the oath never to reveal which casket he
chooses, and further to promise never to marry should he choose the incorrect
casket. The Prince of Aragon agrees and starts to read the inscriptions.
He rejects lead because of the
ominous warning, and thinks that gold refers to the foolish populace. Instead
he chooses silver which indicates he will receive what he deserves. The Prince
takes the key and opens the casket to reveal a "blinking idiot"
(2.9.53). The scroll indicates that those who are self-loving deserve to be
called idiots, and would not make good husbands for Portia. The Prince is upset
by his choice, but is forced to leave.
Portia is happy that the Prince has
chosen the wrong casket. Her messenger comes into the room at that moment and
informs her that a young Venetian has just arrived. Portia goes to see who it
is, while Nerissa secretly wishes that it might be Bassanio.
Act III, Scene One
Solanio and Salerio discuss the
rumor that Antonio has lost yet a second ship. Shylock enters and complains
that both Solanio and Salerio had something to do with his daughter's flight.
They do not deny it, but instead ask Shylock if he has heard about Antonio's
losses.
Shylock tells them that Antonio
should "look to his bond" and make sure he repays the money, or else
Shylock is planning on taking his pound of flesh. Shylock is furious with
Antonio, whom he blames for the loss of Jessica, and also bears an older grudge
against the man. He then delivers his famous soliloquy, "Hath not a Jew
eyes? Hath not a Jew hands, organs, dimensions, senses, affections,
passions..." (3.1.49-50). The speech concludes with Shylock saying that he
will be revenged for all the times he has been treated badly by Christians.
One of Antonio's servants arrives
and bids Solanio and Salerio to go to Antonio's house. They leave, and Tubal,
another Jew, arrives to speak with Shylock. Tubal has been in Genoa, where he
tried to locate Jessica. He tells Shylock that Jessica had been in the city,
and had spent over eighty ducats while there. She had also traded a turquoise
ring for a monkey, a ring which Shylock regrets losing because he had received
it from his wife Leah. However, Tubal also brings Shylock news that Antonio has
lost yet a third ship, and is almost certain to go bankrupt in the near future.
Shylock is excited by this news, since he has decided that he would rather
exact revenge on Antonio than receive his three thousand ducats back.
Act III, Scene Two
Portia tells Bassanio that she wants
him to wait a month or two before choosing from the caskets so that she may be
guaranteed his company for a while longer. Bassanio tells her that he is
desperate to choose, and feels like he is being tortured the longer he waits.
Portia finally agrees to take him into the room with the caskets.
Portia orders music to be played for
Bassanio, and one of her servants starts to sing a song in which the rhymes all
rhyme with lead. Bassanio speaks directly to the audience and tells them that
too many things are gilded and coated with ornaments. He therefore decides to
do away with gold, comparing it to Midas' greed. The silver casket he also
ignores, saying it resembles money and is therefore too common. He thus chooses
the lead casket and finds Portia's picture inside.
Bassanio is overjoyed by the picture
and remarks that it is a beautiful "counterfeit". He then takes the
scroll and reads it: "You that choose not by the view / Chance as fair and
choose as true" (3.2.131-132). Bassanio goes over to Portia with the note,
and she offers him everything she owns, including herself. Portia then hands
Bassanio a ring as a token of her love and commitment and tells him never to
lose it. He promises, telling her that if he ever stops wearing the ring it
will be because he is dead.
Graziano then informs them that he
would like to be married as well. He tells Bassanio and Portia that he and
Nerissa (the chambermaid to Portia) are in love. Bassanio is thrilled for his
friend and agrees to let them get married as well.
Jessica, Lorenzo and Salerio arrive
at Belmont. Bassanio is happy to see all of them, but Salerio then hands him a
letter from Antonio. Bassanio turns pale at the news that Antonio has lost his
fortune and his ships, and he asks Salerio if it is true that all of Antonio's
ventures have failed. Salerio tells him it is true, and that Shylock is so
excited about getting his pound of flesh that even if Antonio could repay him
he would likely refuse it.
Portia asks what amount of money
Antonio owes to Shylock, and then orders Bassanio to return to Venice and offer
Shylock six thousand ducats to destroy the contract. She informs Bassanio and
Graziano that she and Nerissa will live like widows in their absence. They all
agree to get married first and then go straight to Venice to rescue Antonio.
Act III, Scene Three
Shylock has come to watch Antonio be
taken away by a jailer. Antonio pleads with Shylock to listen to him, but
Shylock says, "I have sworn an oath that I will have my bond,"
(3.3.4) and refuses to listen to any of the pleas for mercy. After Shylock
departs, Antonio tells Solanio that Shylock hates him because he used to loan
money to men who were in debt to Shylock, thus preventing Shylock from
collecting the forfeiture. Antonio is prepared to pay his "bloody
creditor" the next day in court, but prays that Bassanio will arrive in
time to watch him die.
Act III, Scene Four
Portia and Nerissa, worried about
their new husbands, tell Lorenzo that they are going to stay at a local
monastery for a few days in order to pray. After Lorenzo and Jessica leave,
Portia sends her servant Balthasar to her cousin Doctor Bellario with instructions
that Balthasar should bring anything Bellario gives him to Venice. Portia then
informs Nerissa that they are going to dress up as men and go to Venice in
order to help their husbands.
Act III, Scene Five
Lancelot and Jessica are in an
argument over whether she can be saved by God since she was born a Jew.
Lancelot tells her that since both her parents are Jews, she is damned. She
protests that she can be saved once she becomes a Christian because her husband
Lorenzo is a Christian. Lancelot then makes a joke, and says that Lorenzo is a
bad man because by converting all the Jews he is raising the price of pork
(since Jews do not eat pork, but Christians do). Lorenzo then arrives and
orders Lancelot to go inside and prepare the table for dinner. He and Jessica
praise Portia for being such a wonderful hostess before entering the house to
get their dinner.
Act IV, Scene One
Antonio is brought before the Duke
and the magnificoes of Venice to stand trial for failing to pay off his
obligation to Shylock. The Duke is upset about the penalty, a pound of
Antonio's flesh, but cannot find any lawful way of freeing Antonio from his
bond. Shylock enters the court and the Duke tells him that all of the men
gathered there expect him to pardon Antonio and forgive the debt.
Shylock replies that he has already
sworn by his Sabbath that he will take his pound of flesh from Antonio. He is
unable to provide a good reason for wanting to punish Antonio in this manner,
other than to say, "So can I give no reason, nor I will not, / More than a
lodged hate and a certain loathing / I bear Antonio" (4.1.58-60).
Bassanio then comes forward and
offers Shylock the six thousand ducats as repayment for the loan. Shylock tells
him that even if there were six times as much money offered to him, he would
not take it. The Duke asks Shylock, "How shalt thou hope for mercy,
rend'ring none?" (4.1.87). Shylock responds that he is doing nothing
wrong, and compares his contract with Antonio to the Christian slave trade. He
tells the Duke that he does not demand that the Christians should free their
slaves, and therefore the Christians should not demand that he free Antonio.
The Duke threatens to dismiss the
court without settling the suit brought by Shylock if Doctor Bellario fails to
arrive. Salerio tells him that a messenger has just come from Bellario, and
Nerissa enters dressed as a man and informs the Duke that Bellario has sent a
letter to him. Shylock whets his knife on his shoe, confident that he will
receive his pound of flesh.
The letter from Bellario recommends
a young and educated doctor to arbitrate the case. The Duke asks where the
young doctor is, and Nerissa tells him that he is waiting outside to be
admitted into the court. The Duke orders him to be brought in, and Portia enters
dressed as a man, pretending to be a doctor named Balthasar.
Portia tells the Duke that she has
thoroughly studied the case and then asks, "Which is the merchant here,
and which the Jew?" (4.1.169). Antonio and Shylock both step forward, and
Portia asks Antonio if he confesses to signing the contract. He does, and
Portia then says that Shylock therefore must be merciful. She delivers a short
speech on mercy, but Shylock ignores it and demands the contract be fulfilled.
Portia then asks if no one has been able to repay the amount, but since Shylock
has refused the money there is nothing she can do to make him take it. She
comments that she must therefore side with Shylock.
Shylock, impressed that Portia is
supporting his case, says, "A Daniel come to judgment, yea, a
Daniel!" (4.1.218). Portia rules that Shylock has the right to claim a
pound of flesh from next to Antonio's heart according to the bond. Antonio's
bosom is laid bare and Shylock gets ready to cut. Portia asks him if he has a
surgeon ready to stop the bleeding once he has taken his pound of flesh.
Shylock says, "I cannot find it. 'Tis not in the bond" (4.1.257).
Just as Shylock is about to start
cutting again, Portia says that the bond does not give him permission to shed
Antonio's blood. The laws of Venice are such that if any Venetian's blood is
shed, all the goods and lands of the perpetrator may be confiscated by the
state. Shylock realizes that he cannot cut the flesh without drawing blood, and
instead agrees to take the money instead. However, Portia is not willing to
back down and instead only gives him the pound of flesh, further saying that if
he takes a tiny bit more or less he will be put to death himself. Shylock,
unable to comply with this stipulation, decides to withdraw his case.
Portia tells Shylock to remain in
the court. She says that Venice has a further law which says that if any
foreigner tries to kill a Venetian, the foreigner will have half of his
property go to the Venetian against whom he plotted, and the state will receive
the other half. In addition, the life of the foreigner will be in the hands of
the Duke, who may decide to do whatever he wants to. Shylock is forced to kneel
on the ground before the court, but the Duke pardons his life before he can beg
for mercy.
Shylock instead asks the Duke to
kill him, saying, "Nay, take my life and all, pardon not that. / You take
my house when you do take the prop / That doth sustain my house; you take my
life /When you do take the means whereby I live" (4.1.369-373). Antonio
intervenes on Shylock's behalf, and asks the Duke to allow Shylock to keep half
of his wealth. He further offers to take care of the half he was awarded as a
form of inheritance for Jessica and Lorenzo. The only requirements Antonio puts
on his offer are that Shylock must convert and become a Christian, and further
that he must give everything he owns to Lorenzo upon his death.
Shylock, wretched and having lost
everything he owns, tells the court that he is content to accept these
conditions. The Duke leaves and tells Antonio to thank the young doctor who has
saved his life. Bassanio and Graziano go to Portia and thank her profusely, and
Bassanio offers the young doctor anything he wants. Portia decides to test her
husband's trustworthiness, and asks him for the engagement ring, the ring which
she made him vow never to part with. He refuses, and Portia and Nerissa leave.
However, at Antonio's urging, Bassanio takes off the ring and gives it to
Graziano, telling him to take it to Portia and invite her to dinner that night
at Antonio's.
Act IV, Scene Two
Portia gives Nerissa the deed by
which Shylock will pass his inheritance to Lorenzo. She tells Nerissa to take
it to Shylock's house and make him sign it. At the moment Graziano catches up
with the two women and gives the ring to Portia. She is surprised that Bassanio
parted with it after all, and Nerissa decides to test Graziano in the same way.
Nerissa takes the deed and asks Graziano to show her the way to Shylock's
house.
Act V, Scene One
Lorenzo and Jessica, still at
Belmont, sit outside and enjoy the night. They compare the night to the stories
of Troilus and Cressida, Pyramus and Thisbe, and Dido and Aeneus, and then
extend the analogy to their own love affair. They are interrupted by Stefano,
who tells them that Portia is returning home with Nerissa. Lancelot then
arrives and informs Lorenzo that Bassanio will also be back by morning. Both
Lorenzo and Jessica return to the house and listen to music.
Portia and Nerissa, dressed as
themselves again, return home and enter the building. Lorenzo recognizes
Portia's voice and comes to greet her. She orders the servants to pretend as if
she had never left, and asks Lorenzo and Jessica to do the same. Soon
thereafter Bassanio, Graziano and Antonio arrive.
Nerissa demands that Graziano show
her the ring he gave away to Portia's "clerk" in Venice. They start
to argue over it, with Graziano defending his action as a form of kindness for
Antonio. Portia overhears them and pretends to "discover" what
happened. She then demands that Bassanio show her his ring, which he of course
cannot do. Portia and Nerissa then berate their husbands for giving away the
rings, and even tell them that they would prefer to sleep with the doctor and
his clerk rather than with their unfaithful husbands.
Antonio offers his assurance that
neither Bassanio nor Graziano will ever give away their wives' gifts again.
Portia thanks him and asks him to give Bassanio another ring to keep. Bassanio
looks at the ring and recognizes it as being the same ring he gave away. Portia
then tells him that the doctor came back to Belmont and slept with her.
Bassanio is amazed and does not know how to respond.
Portia finally clears up the
confusion by informing Bassanio that she and Nerissa were the doctor and the
clerk. She further has good news for Antonio, namely a letter that indicates
that three of his ships arrived in port safely. Nerissa then hands Lorenzo the
deed from Shylock in which he inherits everything after Shylock dies. The play
ends with Graziano promising to forever keep Nerissa's ring safe.
Act I, scene i:
Othello begins in the city of Venice, at night; Roderigo is having a
discussion with Iago, who is bitter at being passed up as Othello's lieutenant.
Though Iago had greater practice in battle and in military matters, Cassio, a
man of strategy but of little experience, was named lieutenant by Othello. Iago
says that he only serves Othello to further himself, and makes shows of his
allegiance only for his own gain; he is playing false, and admits that his
nature is not at all what it seems. Iago is aware that the daughter of
Brabantio, a Venetian nobleman of some stature, has run off with Othello, the
black warrior of the Moors. Desdemona is Brabantio's daughter, and Brabantio,
and many others, know nothing of this coupling; Iago decides to enlist
Roderigo, who lusts after Desdemona, and awaken Brabantio with screams that his
daughter is gone.
At first, Brabantio dismisses these cries in the dark; but when he
realizes his daughter is not there, he gives the news some credence. Roderigo
is the one speaking most to Brabantio, but Iago is there too, hidden, yelling
unsavory things about Othello and his intentions toward Desdemona. Brabantio
panics, and calls for people to try and find his daughter; Iago leaves, not
wanting anyone to find out that he betrayed his own leader, and Brabantio
begins to search for his daughter.
Act I, scene ii:
Iago has now joined Othello, and has told Othello about Roderigo's
betrayal of the news of his marriage to Brabantio's daughter. He tells Othello
that Brabantio is upset, and will probably try to tear Desdemona from him.
Cassio comes at last, as do Roderigo and Brabantio; Iago threatens Roderigo
with violence, again making a false show of his loyalty to Othello. Brabantio
is very angry, swearing that Othello must have bewitched his daughter, and that
the state will not decide for him in this case. Othello says that the Duke must
hear him, and decide in his favor, or else all is far from right in Venice.
Act I, scene iii:
Military conflict is challenging the Venetian stronghold of Cyprus; there
are reports that Turkish ships are heading toward the island, which means some
defense will be necessary. Brabantio and Othello enter the assembled Venetian
leaders, who are discussing this military matter, and Brabantio announces his
grievance against Othello for marrying his daughter. Othello addresses the
company, admitting that he did marry Desdemona, but wooed her with stories, and
did her no wrongs. Desdemona comes to speak, and she confirms Othello's words;
Brabantio's grievance is denied, and Desdemona will indeed stay with Othello.
However, Othello is called away to Cyprus, to help with the conflict there; he
begs that Desdemona be able to go with him, since they have been married for so
little time. Othello and Desdemona win their appeal, and Desdemona is to stay
with Iago, until she can come to Cyprus and meet Othello there.
Roderigo is upset that Desdemona and Othello's union was allowed to
stand, since he lusts after Desdemona. But Iago assures him that the match will
not last long, and at any time, Desdemona could come rushing to him. Iago wants
to break up the couple, using Roderigo as his pawn, out of malice and his
wicked ability to do so.
Act II, scene i:
A terrible storm has struck Cyprus, just as the Turks were about to
approach. This might mean that the Turkish attack will not happen; but it also
bodes badly for Othello's ship. A messenger enters, and confirms that the
Turkish fleet was broken apart by the storm, and that Cassio has arrived,
though Othello is still at sea. They spot a ship coming forth; but Iago,
Desdemona, and Emilia are on it, not Othello. Cassio greets them all,
especially praising Desdemona; somehow, Iago and Desdemona enter into an
argument about what women are, and Iago shows how little praise he believes
women deserve. Othello arrives at last, and is very glad to see his wife
arrived, much earlier than expected; he and Desdemona make public signs of
their love, and then depart. Iago speaks to Roderigo, convincing him that
Desdemona will stray from Othello, as she has already done with Cassio. He
convinces Roderigo to attack Cassio that night, as he plans to visit mischief
on both Othello and Cassio.
Act II, scene ii:
Othello's herald enters, to proclaim that the Turks are not going to
attack, all should be joyful, and Othello is celebrating the happiness of his
recent marriage.
Act II, scene iii:
Iago and Cassio are on the watch together; Iago gets Cassio to drink a
bit, knowing that he cannot hold his liquor at all. Iago also tries to get
Cassio's feelings about Desdemona, and make her seem tempting to him; but his
intentions are innocent and friendly, so this approach fails. Cassio leaves for
a bit, and Iago says that he intends to get Cassio drunk, that will hopefully
cause a quarrel between Cassio and Roderigo, who has been stirred up against
Cassio. Iago wants to see Cassio discredited through this, so that he might
take Cassio's place. Montano and others come, and Iago entertains them with
small talk and song; soon, Cassio is drunk, and Roderigo has approached. Cassio
fights offstage with Roderigo, and comes forth, chasing him; Montano tries to
hinder Cassio, but Cassio just ends up injuring him. All the noise wakes Othello,
who comes down to figure out what has happened. Montano tells what he knows of
it all, and Iago fills in the rest‹making sure to fictionalize his part in it
all too. Cassio is stripped of his rank, and all leave Cassio and Iago alone.
Cassio laments that he has lost his reputation, which is very dear to
him. Iago tries to convince him that a reputation means little; and, if he
talks to Desdemona, maybe he can get her to vouch for him with Othello. This
will help Iago get the impression across that Desdemona and Cassio are
together, which will make Othello very angry if it works. Iago then gives a
soliloquy about knowing that Desdemona will speak for Cassio, and that he will
be able to turn that against them both.
Act III, scene i:
The third act begins with a little bit of comic relief; a clown is
mincing words with a few musicians, then has a little wordplay with Cassio, who
bids the clown to go and see if Desdemona will speak with him. Iago enters, and
Cassio tells him that he means to speak to Desdemona, so that she may clear
things up with Othello. Emilia comes out, and bids Cassio to come in and speak
with Desdemona about his tarnished reputation.
Act III, scene ii:
Othello gives Iago some letters that need to be delivered back to Venice,
which Iago is in turn supposed to give to a ship's pilot who is sailing back to
Venice.
Act III, scene iii:
Desdemona decides that she wants to advocate for Cassio. She tells Emilia
so, and that she believes Cassio is a good person, and has been wronged in this
case; she pledges to do everything she can to persuade her husband to take
Cassio back. Cassio speaks with her briefly, but leaves just as Othello enters
because he does not wish for a confrontation. Iago seizes on this opportunity
to play on Othello's insecurities, and make Cassio's exit seem guilty and
incriminating. Othello then speaks to Desdemona, and Desdemona expresses her
concern for Cassio; she is persistent in his suit, which Othello is not too
pleased about. Othello says he will humor her, and the subject is dropped for a
while.
Iago then plays on Othello's insecurities about Desdemona, and gets
Othello to believe, through insinuation, that there is something going on
between Desdemona and Cassio. Othello seizes on this, and then Iago works at
building up his suspicions. Soon, Othello begins to doubt his wife, as Iago
lets his insinuations gain the force of an accusation against her. Othello
begins to voice his insecurities when it comes to Desdemona, and himself as
well. Desdemona enters, and they have a brief conversation; Othello admits that
he is troubled, though he will not state the cause.
Desdemona drops the handkerchief that Othello gave her on their
honeymoon; Emilia knew that her husband had wanted it for something, so she
doesn't feel too guilty about taking it. Emilia gives it to Iago, who decides
to use the handkerchief for his own devices. Othello re-enters, and tells Iago
that he now doubts his wife; Othello demands "ocular proof" of
Desdemona's dishonesty, so Iago sets about making stories up about Cassio
talking in his sleep, and says that Cassio has the handkerchief that Othello
gave to Desdemona. Iago knows how important this handkerchief is to Othello; it
was his first gift to Desdemona, and was given to him by his mother. Othello is
incensed to hear that Desdemona would give away something so valuable, and is
persuaded by Iago's insinuations and claims to believe that Desdemona is
guilty. Othello then swears to have Cassio dead, and to be revenged upon
Desdemona for the non-existent affair.
Act III, scene iv:
Desdemona asks the clown where Cassio is; the clown goes off to fetch
him. Desdemona is looking everywhere for the handkerchief, very sorry to have
lost it; she knows that her losing it will upset Othello greatly, although she
claims he is not so jealous that he will think ill of the loss. Othello enters,
and asks for Desdemona's handkerchief; she admits that she does not have it,
and then Othello tells her of its significance and alleged magical powers.
Desdemona does not like Othello's tone; he seems obsessed with this object, and
Desdemona is so frightened by him that she wishes she had nothing to do with
it. She interrupts Othello's inquiry by bringing up Cassio's attempt to get
back into Othello's favor; Othello becomes angry, and storms out. Desdemona and
Emilia both note that Othello is much changed; he is unkind and seems jealous,
and they are suspicious of the change in him.
Cassio then enters, with Iago; he laments that his suit is not
successful, and that Othello does not seem likely to take him back. Desdemona
is sorry for this, since she knows that Cassio is a man of worth; she tells
Cassio and Iago that Othello has been acting strange, and is upset, and Iago
goes to look for him, feigning concern. Emilia thinks that Othello's change has
something to do with Desdemona, or Othello's jealous nature; they still cannot
fathom what has happened, and exit, leaving Cassio.
Bianca comes in, and Cassio asks her to copy the handkerchief that he
found in his room; it is Desdemona's handkerchief, though Cassio has no idea.
He claims he does not love her, and gets angry at her for allegedly suspecting
that the handkerchief is a gift of another woman. But, Bianca is not disturbed,
and leaves with the handkerchief.
Act IV, scene i:
Othello is trying, even after swearing that Desdemona was unfaithful, not
to condemn her too harshly. He is talking with Iago about the handkerchief
still, and its significance in being found; but, soon, Iago whips Othello into
an even greater fury through mere insinuation, and Othello takes the bait.
Othello falls into a trance of rage, and Iago decides to hammer home his false
ideas about his wife. Iago calls Cassio in, while Othello hides; Iago speaks to
Cassio of Bianca, but Othello, in his disturbed state, believes that Cassio is
talking of Desdemona, which is the last "proof" he needs before
declaring his wife guilty. Bianca comes in, and gives the handkerchief back to
Cassio, since she swears she will have nothing to do with it.
Othello is incensed by Cassio, still believing that he was speaking of
Desdemona, rather than Bianca. Now, Othello is resolved to kill Desdemona
himself, and charges Iago with murdering Cassio. Ludovico, a noble Venetian
whom Desdemona knows, has recently landed; Desdemona and Othello welcome him
there. But, when Desdemona mentions Cassio, Othello becomes very angry and
slaps her in front of everyone; she rushes off, very upset. Ludovico especially
is shocked at this change in Othello, and has no idea how such a noble man could
act so cruelly.
Act IV, scene ii:
Othello questions Emilia about Desdemona's guilt, or the chance she has
had an affair with Cassio. Emilia admits to having seen nothing, though Othello
does not believe her. Emilia swears that she has seen and heard all that has
gone on between Cassio and Desdemona, and that Desdemona is pure and true.
Othello believes that Emilia is in on all this too; he accuses Desdemona, and
her insistence that she is innocent only infuriates him further. Othello
leaves, and Desdemona and Emilia try to figure out what has happened to
Othello, and what they can do; Desdemona feels especially helpless, and Emilia
is very angry. Emilia thinks that someone has manipulated Othello into accusing
Desdemona, and has poisoned his mind; however, Iago is there to dispel this
opinion, so that Emilia does not inquire further into her theory. Upon leaving
the women, Iago comes across Roderigo; he is not pleased with how Iago has
handled things, and knows that although Iago is promising him Desdemona's
favor, he has done nothing to indicate that he has worked to achieve this. Iago
quiets him by making him believe that if he kills Cassio, then he will win
Desdemona; Roderigo decides to go along with it, but Iago is coming dangerously
close to being revealed.
Act IV, scene iii:
Othello tells Desdemona to go to bed, and dismiss Emilia; Emilia regrets
Desdemona's marriage, although Desdemona cannot say that she does not love
Othello. Desdemona knows that she will die soon; she sings a song of sadness
and resignation, and decides to give herself to her fate. Desdemona asks Emilia
whether she would commit adultery to win her husband the world. Emilia, the
more practical one, thinks that it is not too big a price for a small act;
Desdemona is too good, and too devout, to say that she would do so.
Act V, scene i:
Iago has Roderigo poised and ready to pounce on Cassio, and kill him; if
either of them is killed, it is to Iago's benefit, although he would like to
have both of them disposed of, so that his devices might not be discovered.
Roderigo and Cassio fight, and both are injured; Othello hears the scuffle, is
pleased, and then leaves to finish off Desdemona. Iago enters, pretending that
he knows nothing of the scuffle; Gratiano and Ludovico also stumble upon the
scene, having no idea what has happened. Roderigo is still alive, so Iago
feigns a quarrel, and finishes him off. Bianca comes by, and sees Cassio
wounded; Iago makes some remark to implicate her; Cassio is carried away, and
Roderigo is already dead. Emilia also comes in, and pins more blame on Bianca;
she has done nothing, but Iago has some quick work to do if he is to exonerate
himself in this mess.
Act V, scene ii:
Othello enters Desdemona's room while she is asleep; and though she is
beautiful, and appears innocent, he still is determined to kill her. He
justifies this with images, metaphors, and ideas of her rebirth after death,
and though his rage is softened, he is still much mistaken about her. Desdemona
awakens, and he tells her to repent of any sins before she dies; she believes
there is nothing she can do to stop him from killing her, and continues to
assert her innocence. Othello tells her that he found her handkerchief with
Cassio, though Desdemona insists it must not be true; she pleads with Othello
not to kill her right then, but he begins to smother her. Emilia knocks,
curious about what is going on; Othello lets her in, but tries to conceal
Desdemona, who he thinks is already dead. Emilia brings the news of Roderigo's
death, and Cassio's wounding.
Emilia soon finds out that Desdemona is nearly dead, by Othello's hand;
Desdemona speaks her last words, and then Emilia pounces on Othello for
committing this horrible crime. Othello is not convinced of his folly until
Iago confesses his part, and Cassio speaks of the use of the handkerchief;
then, Othello is overcome with grief. Iago stabs Emilia for telling all about
his plots, and then Emilia dies; the Venetian nobles reveal that Brabantio,
Desdemona's father, is dead, and so cannot be grieved by this tragedy now.
Othello stabs Iago when he is brought back in; Othello then tells all present
to remember him how he is, and kills himself. Cassio becomes temporary leader
of the troops at Cyprus, and Lodovico and Gratiano are supposed to carry the news
of the tragedy back to Venice. Iago is taken into custody, and his crimes will
be judged back in Venice.
Act One, Scene One
Richard gives a short speech
detailing his plot against his brother Clarence, who comes before him as heir
to the throne of England. Richard has just succeeded in having Clarence
arrested and it as a prisoner that Clarence walks onto the stage, guarded by
Sir Robert Brackenbury.
Richard asks Clarence what
the reason for his arrest is. Clarence replies that someone told King Edward
that a person with a name starting with the letter "G" would cause
his family to lose the throne. Since Clarence's full name is George, Duke of
Clarence, he was considered to be the primary suspect. Richard complains that
this arrest is the result of the women plotting against Clarence, most notably
Queen Elizabeth and possibly also Mrs. Shore.
Brackenbury tells the men he
is not allowed to let anyone converse with the prisoner, and takes Clarence
into the Tower of London. Richard comments that he will soon remove Clarence
permanently and thus clear the path to the throne for himself.
Lord Hastings, also known as
Lord Chamberlain, emerges from the Tower, having just been freed. Lord Hastings
tells Richard that King Edward IV is sickly and ailing, and cannot hope to live
much longer. After he departs, Richard remarks that he will first have Edward
kill Clarence. This will put Richard into a position where upon Edward's death
he can assume the throne. He also plots to marry Lady Anne Neville, who is the
widow of Edward, Prince of Wales and the daughter-in-law of Henry VI, whom
Richard just killed.
Act One, Scene Two
Lady Anne enters the stage
accompanied by halberdiers who are carrying an open coffin with King Henry VI
in it. She asks the men to stop, during which time she laments the death of the
king. Lady Anne then curses any future children which Richard might have, and
prays that after Richard's death his future wife will know even more grief than
Lady Anne currently feels.
Richard enters and is
immediately cursed by Lady Anne for his role in the death of her husband.
Richard tries to woo her by telling how lovely he thinks she it, but Lady Anne
scorns him after each attempt. He finally tells her that he killed her husband
so that he alone could love her. In a moment of decision, Richard bends down on
his knees and tells her to kill him if she cannot forgive him. She replies,
"I will not be thy executioner" (1.2.172)
Richard stands up and
proposes marriage to her, succeeding in making Lady Anne wear his ring. He
tells her to go wait for him in one of his London residences while he mourns
the death of Henry VI. Lady Anne leaves after saying farewell to Richard, who
delivers a soliloquy in which he expresses surprise about the fact that she seems
to like his looks.
Act One, Scene Three
Queen Elizabeth enters the
stage with Lord Rivers and Lord Gray. They discuss the fact that King Edward is
ill. Queen Elizabeth is apprehensive about her future if he should die. She
remarks that Richard Gloucester becomes her son's Protector if Edward passes
away, and that Richard does not like her or her companions.
The Duke of Buckingham and
Lord Stanley arrive. They have just been to see the king, and they inform Queen
Elizabeth that he is looking well. Buckingham informs her that the king want to
meet with her brothers and with Richard in order to get them to make peace.
Richard and Lord Hastings
enter the room, with Richard complaining bitterly about the lies which
"they" tell the king. When asked who "they" are, Richard
implicates the queen's brother, Lord Rivers, and her two sons. He then blames
them for the recent imprisonment of Lord Hastings, and for the current jailing
of his brother Clarence. Queen Elizabeth is outraged at these suggestions, and
threatens to tell the king.
Queen Margaret arrives, she
is the widow of Henry VI and the mother of Edward whom Richard killed. She
speaks directly to the audience, without the other characters hearing her. She
remarks that Queen Elizabeth has her to thank for the throne, and calls Richard
a devil for the murders he committed.
Richard defends himself
vehemently, pointing out his fierce loyalty to his brother Edward. He then
points out the fact that the Queen and her brother fought against his brother
in the war between the House of Lancaster and the House of York, to which
Richard belongs.
Queen Margaret, fed up with
the arguments and accusations, steps forward and addresses them all. She plans
to tell them once again about how Richard killed her son Edward, but all of the
gathered characters attack her for having killed Rutland. This refers to a
previous play in which Margaret crowns the Duke of York with a paper crown and
waves a handkerchief dipped in his son Rutland's blood in front of his eyes.
She tells them that because her Edward died, so too must the current Edward,
Prince of Wales meet his death.
Following several curses
made by Margaret, most of which are directed at Richard, the entire company is
summoned into King Edward's chambers. Richard remains behind and meets with two
murderers whom he sends to kill Clarence. A revealing quote is when Richard
says, "And thus I clothe my naked villainy / With odd old ends, stol'n
forth of Holy Writ," meaning he hides his crimes with Christian behavior.
Act One, Scene Four
Clarence and Brackenbury
enter the stage. Clarence has had a terrible nightmare in which he breaks free
of the Tower and attempts to cross to Burgundy accompanied by his brother
Richard. While on the ship, Richard stumbles. When Clarence tries to help
support him, he is flung into the ocean by Richard, where he slowly drowns.
Clarence falls asleep with
Brackenbury sitting next to him for protection. The two murderers sent by
Richard arrive and hand Brackenbury their commission. He acknowledges the paper
which says to hand his prisoner over to the two men.
The first murderer has a
sudden attack of conscience. He is able to overcome this by remembering the
large reward which Richard is paying him. The second murderer tells his
companion to drive the devil out of his mind, since the devil is only confusing
him. Clarence wakes up and asks for a cup of wine.
The murders engage Clarence
in conversation, and inform him that he will die. He pleads to their sense of
Christianity, at which they list his many sins, most notably the killing of
Henry VI's son Edward. Clarence then begs the men to talk to Richard, whom he
promises will reward them well. They inform him that Richard is the man who
sent them, a fact that Clarence cannot believe. He seems about to overcome them
with his persuasive words when the first murderer stabs and kills him. The
second murderer refuses to participate, and even declines to receive his part
of the reward.
Act Two, Scene One
King Edward enters, followed
by most of court who previously went to his chambers. He carefully orchestrates
a scene of friendship after ordering them to forgive each other. His orders to
each man tell them exactly how he wants them to behave, including whose hand to
shake, or who should kiss the hand of the queen.
Richard enters this farce
and is ordered to forget his hatred of the Queen and her family. He does this,
but when the Queen tells him to bring Clarence back to court, he immediately
destroys the entire scene. Richard replies, "Who knows not that the gentle
Duke is dead?" (2.1.80), at which all the other actors are shocked.
King Edward delivers a brief
speech lamenting the fact that his brother Clarence has been killed by his
orders. He recalls the many times that Clarence saved his life or helped him
attain the throne. King Edward then departs. Richard asks Buckingham if he
noticed how guilty the Queen's kindred looked when the news of Clarence's death
was announced.
Act Two, Scene Two
The old Duchess of York, the
mother of King Edward, Clarence and Richard, enters with Clarence's two
children. She is mourning the death of Clarence, but for the children's sake
instead pretends to be upset about Edward's bad health. However, after a few
moments Queen Elizabeth enters with her hair disheveled, and announces that
King Edward has also died.
The Duchess of York remarks
that all she has left is Richard, about whom she says, "And I for comfort
have but one false glass" (2.2.53). The children tell the Queen that since
she did not grieve for their father, they will not grieve for King Edward. The
Duchess tells them all that she accepts all of their suffering and will lament
for them.
Richard enters and convinces
them to travel to Ludlow where the young Prince Edward is staying. They all
agree that it is safer for them all to go, before leaving the stage. Buckingham
tells Richard to go with them, so that no one will think that he is plotting to
seize the throne.
Act Two, Scene Three
Some citizens discuss the
fact that King Edward is dead. They are afraid of a fight to seize the thrown,
with one of them commenting, "Woe to the land that's governed by a
child" (2.3.11). Their fear is that Richard or the sons and brother of the
Queen will attempt to overthrow the young monarch.
Act Two, Scene Four
Queen Elizabeth, the Duchess
of York, the Lord Cardinal, and the young Duke of York discuss the the stories
of Richard's childhood. Shakespeare alludes to a myth that he was born with
teeth. Dorset enters the room with bad news.
He tells them that
Buckingham and Richard have imprisoned Lord Rivers and Lord Gray. The Queen is
frightened for her family, which she clearly sees being wiped out if Richard
can get his way. She decides to go into sanctuary, meaning a church, with the
young Duke of York so that they will have protection. The sanctuary is
initially for forty days.
Act Three, Scene One
The young Prince Edward,
accompanied by Richard and Buckingham and several other men, has arrived in
London. He immediately asks where his mother and brother York are, and why they
have not come to see him. Hastings tells the prince that his mother sought
sanctuary. Buckingham cleverly argues that the young York may not have
sanctuary since he is only a child and therefore has not reason to hide, since
he has obviously not committed any crimes.
Richard then asks the prince
if he is willing to spend the night in the Tower of London, which is the
traditional place for kings to stay on the night before their coronation.
Edward, however, fears the Tower as a prison and is reluctant. Richard
convinces him it is better to stay there since it is so well protected.
The young York arrives and
he and Prince Edward depart for the Tower. Richard tells Catesby to see whether
Lord Hastings can be won over to his side, rather than supporting Prince
Edward. Catesby thinks that Hastings will defend Prince Edward, and Richard
indicates that he will kill him if that is the case. Richard also mentions that
there will be "divided councels" the next morning, meaning a public
council for Edward's coronation, and a private council to plot for Richard.
Act Three, Scene Two
Lord Hastings is rudely
awakened at four in the morning by a messenger. He is told that Lord Stanley is
there to see him, having had a bad dream in which he was beheaded by a boar
(Richard's emblem is the boar). Catesby arrives before Stanley and tells
Hastings that Richard wants the crown of England, but Hastings announces that
he will die before Richard be allowed to wear the crown.
Catesby then tells Hastings
that his enemies, the Queen's sons and her brother, are to be executed that
day. Stanley arrives and announces that he is upset about the fact that there
are two separate councils. He and Catesby leave for the Tower of London. A
pursuivant (basically, a messenger with the authority to serve an arrest
warrant) enters and receives some money from Hastings. Buckingham then enters
and Hastings tells him that he will eat lunch at the Tower. Buckingham
indicates to the audience that Hastings will also eat supper there, although he
does not yet know it.
Act Three, Scene Three
Gray and Rivers are forced
onto stage as prisoners, while Ratcliffe watches over them. The two condemned
men remark that it is Margaret's curse which has condemned them to die. Rivers
remarks, "Then cursed she Hastings; then cursed she Buckingham; Then
cursed she Richard." (3.3.16) The men then embrace and agree to meet again
in heaven.
Act Three, Scene Four
A council meets in the Tower
to discuss when the coronation day for Edward should be held. Richard enters late,
bids the men a good day, and calls Buckingham aside. Buckingham tells Richard
that Hastings will never support him.
Hastings says that it is a
good thing that Richard is in such good spirits, because it means he does not
dislike any of the men present. Buckingham and Richard reenter the room.
Richard asks what the punishment for traitors should be, to which Hastings
replies that they deserve death. Richard then blames the Queen and Mrs. Shore
(who is the mistress of Hastings) with having caused his malformed arm. He
accuses Hastings of protecting Shore, and orders the council to behead
Hastings. Richard then leaves, followed by most of the council.
Act Three, Scene Five
The Lord Mayor of London
arrives at the Tower. Catesby delivers Hastings' head, at which point both
Buckingham and Richard must try to mollify the Lord Mayor. They tell him that
Hastings was plotting against them both, and that he confessed as much in the
Tower. They ask the Lord Mayor to inform the people of what happened, since he
is better placed to placate the masses then they are.
Richard then sends
Buckingham to follow the Lord Mayor. He wants Buckingham to tell the people
that the children of Edward are illegitimate, which would require that the
eldest illegitimate child should take the throne. Richard then wants Buckingham
to convince the people that he is also an illegitimate child of Edward, and
thus he should receive the throne.
Act Three, Scene Six
A scrivener enters, with a
paper that fully details the treachery of Lord Hastings. The paper is meant to
support Richard and Buckingham, but the scrivener points out that it took
eleven hours to write, during which time Hastings was still alive. The
scrivener asks who is so foolish that they cannot see the discrepancy in times,
but he answers his own question by remarking, "Yet who so bold but says he
sees it not?" (3.6.12)
Act Three, Scene Seven
Buckingham informs Richard
that his speech to the crowd went over very badly. He says that having told the
crowd everything, he asked them to shout out their support of Richard. Since
not a single person responded, he then had the Recorder tell them again, at
which point only a few of his own men threw up their caps and yelled, "God
save King Richard!"
In order to overcome this
problem, Buckingham and Richard plan to stage a silent play. Richard grabs a
prayer book and goes to stands between two churchmen on the balcony. The Lord
Mayor arrives with some aldermen and citizens. Buckingham tells them that
Richard is currently meditating, and does not wish to speak with anyone.
Buckingham finally speaks to
Richard, who remains on the balcony, and offers him the throne in front of all
the assembled masses. Richard declines, saying it is better for Edward to be
the king. Buckingham pleads with him, and Richard again turns him down.
Buckingham then exits. A citizen tells Richard that the land will fall into
chaos if he does not accept his position. Richard then calls them back, saying,
"Call them again. I am not made of stone" (3.7.214) He accepts the
throne and begs the Lord Mayor to tell everyone how reluctant he was to become
the king.
Act Four, Scene One
Queen Elizabeth, the Duchess
of York and Lady Anne (now Richard's wife) ask to be let into the Tower to see
Prince Edward and young York. Brackenbury forbids them to enter, saying,
"The King hath strictly charged the contrary" (4.1.17). He realizes
his slip of the tongue and corrects himself by saying, "I mean, the Lord
Protector."
Stanley enters and orders
Lady Anne to Westminster Abbey, where she is to be crowned queen. Queen
Elizabeth, realizing that Richard has succeeded at seizing the throne, orders
her son Dorset to go to Henry Tudor, Earl of Richmond. Stanley agrees with her
and sends the young man away. Elizabeth decides to return to sanctuary, while
the other women choose to flee to Richmond.
Act Four, Scene Two
King Richard asks Buckingham
if he will support him in killing Prince Edward. Buckingham is reluctant, and
begs for a while to consider the issue. Richard thinks that Buckingham is too
ambitious, and becomes suspicious of him.
Richard then calls a page
over, and asks if the man know anyone willing to kill for a sum of money. The
page tells him that a man named Tyrell would be happy to serve him. Richard
then tells the audience that he is plotting to kill Buckingham.
Next he speaks with Catesby,
telling him to start rumors that Lady Anne is ill. Richard also plans to marry
Clarence's daughter to a non-nobleman, but will let her brother Edward live
since he is "simpleminded."
Tyrell is being dispatched
to kill the two young boys still living in the Tower when Buckingham arrives.
Buckingham asks Richard for the Dukedom he was promised earlier in the play.
Richard instead talks about the fact that Richmond is prophesied to become the
king, and that he was told he would not live long after seeing Henry Tudor's
face. Buckingham continues asking, but Richard then remarks that he is not in
the "giving vein." Buckingham realizes his life is in danger, and
prepares to flee.
Act Four, Scene Three
Tyrrell, the murderer sent
by Richard to kill the Edward's children, returns having done the deed. He
tells Richard that they are dead, and is invited to dinner that night in order
to tell how he killed them.
Ratcliffe enters running,
and informs Richard that the Bishop of Ely has fled to join Richmond, while
Buckingham has started raising an army. Richard is shaken by the fact that all
of his top lieutenants are either dead or have fled from him. He orders his
armies to be quickly assembled so that he can overcome his traitors.
Act Four, Scene Four
Old Queen Margaret emerges
and says that she has patiently watched the destruction of her enemies. She
informs the audience of her plan to go to France where she hopes to see the few
remaining enemies die tragic deaths. She then tells Queen Elizabeth that her
curse is coming true, and that she is being revenged for her losses. Elizabeth
begs Margaret to teach her how to curse, so that she too may have revenge.
Richard enters and is
immediately abused by the women present. His mother, the Duchess of York,
demands that he listen to her, which he unwillingly does. She finishes her
remarks with a curse on Richard, namely that he should die in the battles he is
about to fight.
Richard then speaks with
Queen Elizabeth. He tells her that he wants her daughter Elizabeth to be his
queen. She scorns his suggestion, and tells him to write her daughter a letter
describing all of her relatives that he has killed. Richard does not like the
way she mocks him, and continues pleading with her to help him win her
daughter's hand. She finally agrees to go talk with her daughter, and Richard
assumes that he is victorious.
Ratcliffe enters and tells
Richard that Richmond is already arriving with ships on the western shore. Richard,
in the first moment of confusion he has ever shown, hastily issues orders and
then is forced to contradict himself. He states, "My mind is changed"
(4.4.387)
Stanley enters and informs
Richard that Richmond is almost upon them. Richard accuses him of treachery,
and orders him assemble an army. Stanley, in order to prove his
trustworthiness, allows Richard to keep his son.
Several messengers arrive
and give both mixed good and bad news. Richmond manages to finally land at
Milford, a relatively unpopulated area which is ideal for and invading army.
However, Catesby enters the scene to tell Richard that Buckingham has been
captured.
Act Four, Scene Five
Stanley tells a priest to go
to Richmond and inform him that Stanley is unable to join his side because
Richard is holding Stanley's son in custody. He also mentions that Queen
Elizabeth has agreed to let Richmond marry her daughter once he defeats
Richard.
Act Five, Scene One
Buckingham, having been
captured, is led on stage and gives his last speech. He comments that it is
All-Souls' Day, a day when all executions are normally postponed, and also a
day when spirits are supposed to walk on the earth, as will happen in the next
scenes. Buckingham then recalls Margaret's curse on him, and says, "Thus
Margaret's curse falls heavy on my neck / .../ Remember Margaret was a
prophetess" (5.1.25,27).
Act Five, Scene Two
Henry of Richmond enters and
encourages his men. He gives them images of peace and prosperity as their
payoff for defeating Richard. "The wretched, bloody, and usurping boar, /
That spoils your summer fields and fruitful vines, / .../ In God's name,
cheerly on, courageous friends, / To reap the harvest of perpetual peace"
(5.2.7-8, 14-15).
Act Five, Scene Three
Richard enters on the other
side of the stage and tells his men to set up camp on Bosworth field. He
ascertains that his army is three times the size of Richmond's, and plans to be
busy with the battle plans the next morning.
Act Five, Scene Four
Henry of Richmond enters and
prophetically says, "the weary sun hath made a golden set," implying
the demise of Richard (who now represents the sun, the symbol of the king).
Richmond then sends a note to Stanley, who is willing to betray Richard. The
men wish each other a "quiet rest tonight."
Act Five, Scene Five
Richard decides that he will
not eat, saying, "I will not sup tonight" (5.5.3). He then has his
men post several guards and makes Ratcliffe set up a pen and paper for him.
Richard also orders Catesby to tell Stanley to bring his force the next
morning, or have his son killed. He writes some, and then falls asleep.
On the other side of the
stage Richmond enters, accompanied by Stanley. Stanley informs him that he will
try to deceive Richard as best he can, and will delay for as long as possible.
Richmond then attempts to fall asleep, worried that he will not be fresh for
the battle. After a short prayer, he too falls asleep.
A parade of ghosts
representing those whom Richard has killed during his lifetime comes out onto
the stage. Each ghost stops and tells Richard, "Despair, and die." To
Richmond they say, "Live and flourish." The ghosts appear almost in
the order in which they were killed, starting with Prince Edward, King Henry,
Clarence, Rivers, Gray, Vaughan, the two young Princes, Hastings, Lady Anne,
and lastly Buckingham.
Richard awakes and holds an
internal dialogue in which he berates his conscience for giving him bad dreams.
"What do I fear? Myself? There's none else by" (5.5.136). He
continues in this vein, first blaming and then defending himself for a short
while. Ratcliffe enters and gets Richard to come join his troops.
Richmond awakes and happily
remembers his dream in which the dead souls promised him victory. He then gives
a speech to rally his troops, promising to protect their wives, free their
children, and create peace throughout the land.
Act Five, Scene Six
The sun refuses to rise when
it should, causing Richard to state that, "A black day will it be to
somebody." He then gives his oration to his army. It is about disorder,
and he encourages them to fight to prevent Richmond from destroying their lands
and abusing their wives. His last words are, "Shall these enjoy our lands?
Lie with our wives? Ravish our daughters?" (5.6.66).
A messenger then informs
Richard that Stanley has defected to Richmond's side. Richard calls out for
Stanley's son to be killed, but the enemy is already so close that he cannot
carry out that command.
Act Five, Scene Seven
Richard's horse has been
overthrown, and he now fights on foot. Richard calls out, "A horse! A
horse! My kingdom for a horse!" (5.7.7) He then remarks that there must be
six Richmonds on the field, since he has already slain five and none of them
were Richmond. (This alludes to the practice of dressing common soldiers as
kings, so that he enemy could be fooled into chasing the wrong man.)
Act Five, Scene Eight
Richmond and Richard both
come out onto stage and fight, during which Richard is killed. Stanley takes
the crown and places it on Richmond's head, making him King Henry VII. King
Henry immediately pardons the enemy soldiers, and makes sure that Stanley's son
is still alive. He then looks forward to marrying Elizabeth's daughter, which
will unite the houses of Lancaster and York and end the War of the Roses. His
final words are, "Peace lives again / That she may long live here, God
say, 'Amen'."
Prologue
The chorus introduces the play, and
tells the audience that two families in Verona have reignited an ancient feud.
Two lovers, one from each family, commit suicide after trying to run away from
their families. The loss of their children compels the families to end the
feud.
Act One, Scene One
The servants of the Capulets are on
the street waiting for some servants of the Montague's to arrive. When they do,
Samson from the Capulets bites his thumb at them, essentially a strong insult.
Abraham from the Montague's accepts the insult and the men start to fight.
Benvolio, Romeo's cousin, enters and
makes the men stop fighting by drawing his own sword. Tybalt, Juliet's cousin,
then also enters the street. Seeing Benvolio, he too draws his sword and enters
the fight.
Old Capulet runs onto the stage and
demands a sword so that he too may fight. His wife restrains him, even when Old
Montague emerges with his sword drawn as well. The Citizens of the Watch have
put up a cry, and manage to get Prince Escalus to arrive. The Prince chides
them for three times before causing the street of Verona to be unsafe. He
orders them to return home, and personally accompanies the Capulets.
The Montagues and Benvolio remain on
stage. They ask Benvolio why Romeo was not with him, and he tells them Romeo
has been in a strange mood lately. When Romeo appears, the Montagues ask
Benvolio to find out what is wrong, and then depart. Romeo informs Benvolio
that he is in love with a woman named Rosaline who wishes to remain chaste for
the rest of her life, which is why he is so depressed.
Act One, Scene Two
Paris pleads with Capulet to let him
marry Juliet, who is still only a girl of thirteen. Capulet tells him to wait,
but decides to allow Paris to woo her and try to win her heart. He then tells
his servant Peter to take a list of names and invite the people to a masked
ball he is hosting that evening.
Peter meets Romeo on the street, and
being unable to read, asks Romeo to help read the list for him. Romeo does, and
realizes that the girl he loves, Rosaline, will be attending this party. Peter
tells him that it will be held at Capulet's house, and that his is invited if
he wishes to come. Both Benvolio and Romeo decide to go.
Act One, Scene Three
Lady Capulet asks the Nurse to call
for Juliet. She does, and then tells Lady Capulet that Juliet will be fourteen
in under two weeks. She then digresses and speaks of how Juliet was as a child,
causing both Juliet and her mother embarassment.
The mother tells Juliet that Paris
has come to marry her. She then describes Paris as being beautiful, and
compares him to a fine book that only lacks a cover. Juliet does not promise
anything, but agrees to at least look at the man that night at dinner.
Act One, Scene Four
Romeo, Mercutio and Benvolio are
making their way to the masked party. Romeo is still depressed, even though he
gets to see Rosaline. Mercutio tries to cheer him up by telling a story about
Queen Mab, a fictitious elf that infiltrates men's dreams. Romeo finally
shushes him and comments that he is afraid of the consequences of going to this
party.
Act One, Scene Five
Romeo stands to the side during the
dancing, and it is from this spot that he first sees Juliet. He immediately
falls in love with her. Tybalt sees him and recognizes him as Romeo Montague.
However, before Tybalt can creat a scene, Old Capulet tells him to leave Romeo
alone, since it would look bad to have a brawl in the middle of the
festivities.
Romeo finds Juliet and touches her
hand. They speak in sonnet form to one another, and Romeo eventually gets to
kiss her. However, Juliet is forced to go see her mother. The Nurse tells Romeo
that Juliet is a Capulet, at which he is startled.
Juliet finds her Nurse at the end of
the party and begs her to find out who Romeo is. The Nurse returns and tells
her he is Romeo, the only son of the Montague family. Juliet is heart-broken
that she loves a "loathed enemy" (1.5.138).
Act Two, Introduction
The chorus introduces the next act,
saying that Romeo has given up his old desire for a new affection. Juliet is
likewise described as being in love. Both lovers share the problem that they
cannot see each other without risking death, but the chorus indicates that
passion will overcome that hurdle.
Act Two, Scene One
Romeo enters and leaps over a garden
wall. Mercutio and Benvolio arrive looking for Romeo, but cannot see him.
Mercutio then call out to him in long speech filled with obscene wordplay.
Benvolio finally gets tired of searching for Romeo, and they leave.
Romeo has meanwhile succeeded in
hiding beneath Juliet's balcony. She appears on her balcony and, in this famous
scene, asks, "Oh Romeo, Romeo, wherefore art thou Romeo?" (2.1.75).
She wishes that Romeo's name did not make him her enemy. Romeo, hiding below
her, surprises her by interupting and telling Juliet that he loves her.
Juliet warns Romeo that his
protestations of love had better be real ones, since she has fallen in love
with him and does not want to be hurt. Romeo swears by himself that he loves
her, and Juliet tells him that she wishes she could give him her love again.
Juliet's Nurse calls her, and she
disappears only to quickly reappear again. Juliet informs Romeo that if he
truly loves her, he should propose marriage and tell her when and where to
meet. The Nurse calls her a second time, and Juliet exits. Romeo is about to
leave when she emerges yet a third time and calls him back.
Act Two, Scene Two
Friar Laurence is out collecting
herbs when Romeo arrives. Romeo quickly tells him that he has fallen in love
with Juliet Capulet. The Friar is surprised to hear that Rosaline has been
forgotten about so quickly, but is delighted by the prospect of using this new
love affair to unite the feuding families.
Act Two, Scene Three
Benvolio and Mercutio speak about
Romeo's disappearance the night before. Benvolio tells Mercutio that Romeo did
not come home at all. Romeo arrives and soon engages in a battle of wits with Mercutio,
who is surprised by Romeo's quick replies. He says, "Now art thou
sociable, now art thou Romeo" (2.3.77)
Juliet's Nurse arrives with her man
Peter and asks to speak with Romeo. Mercutio starts making sexual jokes about
the Nurse, but finally exits with Benvolio. The Nurse tells Romeo her mistress
is willing to meet him in marriage. Romeo indicates the Nurse should have
Juliet meet him at Friar Laurence's place that afternoon.
Act Two, Scene Four
Juliet eagerly awaits her Nurse and
news from Romeo. The Nurse finally arrives and sits down. Juliet begs her for
information, but the Nurse comically refuses to tell her anything until she has
settled down and gotten a back rub. She finally informs Juliet that Romeo
awaits her at the chapel where Friar Laurence lives.
Act Two, Scene Five
Romeo and Friar Laurence are in the
chapel waiting for Juliet to arrive. The Friar cautions Romeo to "love
moderately." Juliet soon appears and Friar Laurence takes the two young
lovers into the church to be married.
Act Three, Scene One
Benvolio and Mercutio are on a
street in Verona waiting for Romeo to arrive. While there, Tybalt and Petruccio
see them and come over to provoke a quarrel. Tybalt is expressly looking to
find Romeo, whom he want to punish for sneaking into the masked party the
previous day.
Romeo arrives and tries to be
submissive to Tybalt by telling him that he harbors no hatred of the Capulet
house. Tybalt is unsure how to deal with Romeo, but since Mercutio is provoking
him to a duel, he draws his sword and attacks Mercutio. Romeo draws his sword
and intervenes too late to stop Tybalt from stabbing Mercutio. Tybalt and
Petruccio then exit the area.
Mercutio leaves the stage with
Benvolio, who soon returns to tell Romeo that Mercutio has died. Romeo vows
revenge on Tybalt, who soon reappears to fight with him. In the duel, Romeo
kills Tybalt. Benvolio tells Romeo to run away before the Prince arrives.
The Prince, followed by the Montague
and Capulet families, shows up at the scene. Benvolio tells him the entire
story, but the Prince refuses to believe Romeo is guiltless. He banishes Romeo
from Verona, threatening to kill him should he return.
Act Three, Scene Two
Juliet delivers one of the most
elegant soliloquys in the play about Romeo, whom she is hoping to receive news
about. Her Nurse enters with the news of Tybalt's death and Romeo's banishment,
but as in the previous scene refuses to immediately tell Juliet what she knows.
Instead, the nurse lets Juliet believe that it is Romeo who has been killed.
When the Nurse finally reveals the
truth to Juliet, Juliet immediately chides Romeo for pretending to be peaceful
when in fact he is able to kill Tybalt. She then recants, and tell the Nurse,
"Shall I speak ill of him that is my husband?" (3.2.97). Juliet
laments the fact that Romeo has been banished, and indicates that she would
rather have both her parents killed then see Romeo banished.
The Nurse promises to go find Romeo
and bring him to Juliet's bed that night. She tells Juliet that he is hiding with
Friar Laurence. Juliet gives the Nurse a ring for Romeo to wear when he comes
to see her that night.
Act Three, Scene Three
Friar Laurence tells Romeo that he
is banished from Verona, and that he should be happy that the Prince was
willing to commute the death sentence. Romeo considers banishment worse than
death, because it means that he can never see Juliet again.When the Friar tries
to console him, Romeo says, "Wert thou as young as I, Juliet thy love.../
Then mightst thou speak" (3.3.65/68).
The nurse enters and finds Romeo on
the ground weeping. She tells him to stand up. Romeo is so upset by the events
that he starts to stab himself, but the Nurse snatches away the dagger. Friar
Laurence tells Romeo that he should be happy, since he and Juliet are still
alive and want to see each other. The Friar then gets Romeo to go see Juliet
that night, with the expectation that Romeo will run away to Mantua the next
morning.
Act Three, Scene Four
The Capulets and Paris are preparing
for bed, even though it is almost morning. Old Capulet decides right then that
Juliet will marry Paris. He comments, "I think she will be ruled / In all
respects by me" (3.4.13-4). He tells Lady Capulet to speak to Juliet about
the matter immediately before going to bed.
Romeo and Juliet are in her bedroom
as daylight approaches. They pretend for a short minute that it really is still
the night, but the Nurse arrives to tell Juliet her mother approaches. Romeo
descends from the balcony to the ground and bids her goodbye.
Lady Capulet tells Juliet she has
news to cheer her up, namely the planned wedding with Paris. Juliet tells her
that she would sooner marry Romeo rather than Paris. Capulet himself enters and
becomes furious when Juliet refuses to marry Paris. He calls Juliet "young
baggage" and orders her to prepare to marry Paris the upcoming Thursday.
Lady Capulet refuses to help Juliet,
and even the Nurse tells her that Paris is a fine gentleman whom she should
marry. Juliet kicks out her Nurse and prepares to visit Friar Laurence. As the
Nurse leaves, Juliet calls her, "Ancient damnation!" (3.5.235).
Act Four, Scene One
Paris is speaking with Friar
Laurence about the wedding with Juliet. Friar Laurence, aware that Juliet
cannot marry Romeo, is full of misgivings.
Juliet enters and is forced to speak
with Paris, who acts arrogant now that the marriage is going to happen. Juliet
rebuffs him by giving vague answers to his questions. She finally asks Friar
Laurence if she can meet with him alone, meaning that Paris has to leave.
Friar Laurence comes up with a rash
plan to get Romeo and Juliet together. He gives Juliet a poison which will make
her appear dead to the world. In this way, rather than marry Paris, she will
instead be placed in the vault where all deceased Capulets are buried. Friar
Laurence will then send a letter to Romeo, telling him what is being done so
that he can return and sneak Juliet out of the tomb and also away from Verona.
Act Four, Scene Two
Juliet arrives home and tells her
father that she has repented her sin of being disobedient to him. He pardons
her and happily sends her off to prepare her clothes for the wedding day.
Capulet then goes to tell Paris that Juliet will marry him willingly.
Act Four, Scene Three
Juliet convinces both her mother and
the Nurse that she wants to sleep alone that night. She prepares to drink the
poison that Friar Laurence gave her, but cautiously puts a knife next to her
bed in case the potion should fail to work. Juliet then drinks the potion and
falls motionless onto her bed.
Act Four, Scene Four
The Nurse goes to fetch Juliet but
instead finds her lying dead. Lady Capulet enters and also starts lamenting her
daughter's demise. Capulet then arrives and, discovering his daughter has
committed suicide, orders the music to change to funeral tunes.
Act Five, Scene One
Romeo has had a dream in which
Juliet finds him dead which has disturbed him. His servant Balthasar arrives in
Mantua from Verona with news that Juliet is dead. Romeo immediately orders him
to bring a post horse so that he can return to Verona and see her for himself.
Romeo then finds a poverty stricken apothecary and pays him for some poison.
Act Five, Scene Two
Friar John arrives to tell Friar
Laurence that he was unable to deliver the letter to Romeo. His excuse is that
some people were afraid he carried the pestilence (the plague) and refused to
let him out of a house. Friar Laurence realizes that this destroys his plans,
and orders a crowbar so that he can go rescue Juliet from the grave.
Act Five, Scene Three
Romeo and Balthasar arrive at
Juliet's tomb, where Paris is standing watch to ensure no one tries to rob the
vault. Paris sees Romeo and fights him, but is killed in the process. His page
then runs off to fetch the city watchmen.
Romeo opens up the tomb and sees
Juliet. He sits down next to her, takes a cup and fills it with the poison,
then drinks it and dies kissing Juliet. Friar Laurence arrives only seconds
later and discovers that Paris has been killed by Romeo.
Juliet awakes and finds Romeo dead
beside her, with the cup of poison still next to him. She kisses him, hoping
some of the poison will kill her as well. Friar Laurence pleads with her to
come out of the vault, but instead Juliet chooses to kill herself with Romeo's
dagger.
At this point the watchmen arrive,
along with the Prince, Montague and Capulet. Friar Laurence tells them the
story as he knows it, and Balthasar gives the Prince a letter written by Romeo
which verifies the story. Montague, in order to make amends for Juliet's death,
tells them he will erect a golden statue of her in Verona for all to see. Not
to be outdone, Capulet promises the same of Romeo. The Prince ends the play
with the words, "For never was a story of more woe / Than this of Juliet
and her Romeo." (5.3.308-9)
Summary of Act I:
Act I, Scene I
On a stormy sea, mariners
try to keep a ship, with its passengers‹Alonso, the King of Naples, his
brothers Sebastian and Antonio, his son Ferdinand, and his advisor,
Gonzalo‹from running aground on the rocks. The boatswain reckons that even
kings cannot "command these elements" of wind and water, and tells
Antonio and Sebastian that they can either "keep below" or help the
sailors. The noblemen take offense at being ordered around by a mere mariner,
and both show a mean-tempered streak in this encounter. Suddenly, a panic
seizes the mariners, and they declare "all lost," surrendering
themselves, and their ship, to the vicious storm; Antonio and Sebastian also
fear the worst, and go below to say goodbye to their brother Alonso.
Act I, Scene 2
Prospero and his daughter
Miranda are the focus of this scene, and from Miranda's first speech it becomes
clear that the storm in the previous scene was somehow caused and controlled by
Prospero. Miranda is concerned that good men were lost in the wreck, but
Prospero assures her that it all went to plan, and no men were harmed. Prospero
explains his motivations for causing the storm by telling her his history with
the nobles aboard the ship; he reveals to Miranda that Antonio is his brother,
and that he was once the rightful Duke of Milan, a position Antonio now holds.
Antonio usurped Prospero's estate and wealth while Prospero became increasingly
"rapt in secret studies" and oblivious to his brother's machinations;
and in order to take Prospero's title as well, Antonio arranged to have his
brother Prospero and Prospero's daughter Miranda killed secretly. But Prospero
is widely known to be a good man, so those charged with his death decide not to
kill him, Instead, Prospero and Miranda were set adrift on the open sea in a
decayed vessel, and were able to survive off the supplies that the honest
councilor Gonzalo arranged for them to have; thus, they landed on the island
where they now live.
After Prospero's tale,
Ariel, a magical spirit, appears; it becomes clear that she is in Prospero's
service, and caused the storm, at Prospero's bidding. King Alonso and company
are now "dispersedŠ'bout the isle," and Ariel has made the
incident look like a shipwreck. Ariel also expresses her wish to be freed by
Prospero, although he rescued her from the nasty witch Syncorax. Caliban, who
was Syncorax's son, also makes an appearance; Miranda expresses her strong
dislike for him, and he has been reduced to no more than Prospero's slave.
Ferdinand, Alonso's son,
meets Miranda, and falls immediately in love with her; this appears to be of
Ariel's doing, and part of the carefully-laid plan that she must carry out to
win her freedom from Prospero.
Summary of Act II
Act 2, Scene I
King Alonso has landed on
the island, with his brothers Sebastian and Antonio, noblemen Adrian and
Francisco, and the councilor Gonzalo. Gonzalo tries to console Alonso upon
their good fortune of surviving the shipwreck‹but Alonso is grieved‹not only
because his son Ferdinand is missing and presumed dead, but because he was
returning from his daughter's wedding in Africa, and fears he will never see
her again because of the distance. Antonio and Sebastian show great skill with
mocking wordplay, and use this skill to stifle Gonzalo and Adrian's attempts to
speak frankly to the rest of the party. Ariel's magic makes the party fall
asleep, with the exception of Antonio and Sebastian.
A strange seriousness, of
Ariel's doing, falls upon Antonio and Sebastian. Antonio begins to concoct a
plan to get his brother the kingship, which will be much easier if Ferdinand,
the current heir, really is dead; and since Alonso's daughter is very far away
in Tunis, Sebastian might be able to inherit the crown with only two murders,
those of Alonso and Gonzalo. Ariel, however, hears to conspirators plan, and
wakes Gonzalo with a warning of the danger he is in. Ariel intends to let
Prospero know that the conspiracy has indeed been formed as he wished, and
Prospero in turn will try to keep Gonzalo safe, out of appreciation for his
past help in preserving the lives of Prospero and Miranda.
Act 2, Scene 2
Caliban curses Prospero, as
another storm approaches the island; he takes the storm as a sign that Prospero
is up to mischief, and hides at the approach of what he fears is one of
Prospero's punishing spirits. Trinculo, Alonso's court jester, finds Caliban
lying still on the ground and covered with a cloak, and figures him to be a
"dead Indian"; but, the storm continues to approach, so he also hides
himself, using Caliban's cloak as a shelter, and flattening himself on the
ground beside Caliban's prostrate form.
Alonso's drunken butler,
Stephano, enters, drunk and singing, and stumbles upon the strange sight of the
two men under the cloak; he figures, in his drunken stupor, that Trinculo and
Caliban make a four-legged monster. Caliban,in his delirium, thinks that
Stephano is one of Prospero's minions, sent to torment him; Stephano thinks a
drink of wine will cure Caliban of what ails him, and bit by bit, gets Caliban
drunk as well. It takes Stephano a while to recognize his old friend, Trinculo,
whom Caliban seems to be ignoring. Because of Stephano's generosity with his
"celestial liquor," Caliban takes him to be some sort of benevolent
god; much to Trinculo's disbelief, Caliban actually offers his service to
Stephano, forsaking the "tyrant" Prospero. Stephano accepts the
offer.
Summary of Act III
Ferdinand has been made to
take Caliban's place as a servant, despite his royal status; and though he does
not like Prospero, he does the work because it will benefit his new love,
Miranda. Ferdinand and Miranda express their love for each other, and both
express their desire to be married‹though they have known each other for less
than a day.
Act III, Scene 2
Stephano, Trinculo, and
Caliban are drinking; Trinculo and Sebastian continue to insult Caliban, though
Caliban only protests against Trinculo's remarks, and tries to get Stephano to
defend him. Caliban begins to tell the other two about the tyranny of his old
master, Prospero, and how he wants to be rid of Prospero forever; Ariel enters,
causes further discord among the group, and gets Caliban to form a murder plot
against Prospero. Caliban promises Stephano that if Prospero is successfully killed,
he will allow Stephano to be ruler of the island, and will be his servant. He
also promises that Stephano will get Miranda if the plot is successful‹Ariel
leaves, to tell Prospero of these developments.
Act III, Scene 3
Alonso, Adrian, Francisco, Sebastian,
Antonio, and Gonzalo are still wandering about the island, and Alonzo has
finally given up any hope of his son Ferdinand being alive. Antonio and
Sebastian decide to make their murderous move later that night, but their
conspiracy is interrupted by Prospero sending in a huge banquet via his
spirits, with he himself there, but invisible. They are all amazed, but not too
taken aback that they will not eat the food; but, as they are about to eat, a
vengeful Ariel enters, taking credit for their shipwreck, and makes the banquet
vanish. Alonso recognizes Ariel's words as being of Prospero's pen, and the
great guilt of Alonso, Antonio, and Sebastian begins to take them over, at the
thought of Prospero being alive, and so nearby.
Summary of Act IV
Prospero stops Ferdinand's
punishment, and decides to finally give Miranda to him, since he has proven his
love for her through his service. Prospero accepts the union, but issues them a
warning; if Ferdinand takes Miranda's virginity before a ceremony can be performed,
then their union will be cursed. Ferdinand swears to Prospero that they shall
wait until the ceremony to consummate their marriage, and then Prospero calls
upon Ariel to perform one of his last acts of magic. A betrothal masque is
performed for the party by some of Prospero's magical spirits; Juno, Ceres, and
Iris are the goddesses who are represented within the masque, and the play
speaks about the bounties of a good marriage, and blesses the happy couple.
This act of magic so captivates Prospero that he forgets Caliban's plot to kill
him; for a moment, he almost loses control, but manages to pull himself out of
his reverie and take action.
Caliban, Stephano, and
Trinculo come looking for Prospero, and swipe a few garments of Prospero's on
their way. Caliban still wants very much to kill Prospero, and carry out this
plot; however, Trinculo and Stephano are very drunk, as usual, and prove
completely incapable of anything but petty theft. Prospero catches them‹not
difficult, since they are making a huge amount of noise--and sends Ariel after
them as they flee.
Summary of Act V
Prospero finally has all
under his control; Ariel has apprehended Alonso, Sebastian, and Antonio, and
they are all waiting for Prospero's judgment. Finally, Prospero makes up his
mind against revenge, and makes a speech that signifies his renunciation of
magic; the accused and the other nobles enter the magic circle that Prospero
has made, and stand there, enchanted, while he speaks. Prospero charges Alonso
with throwing Prospero and his daughter out of Italy, and Antonio and Sebastian
with being part of this crime. Prospero announces Ariel's freedom after Ariel
sees the party back to Naples, and Ariel sings a song out of joy. Alonso and
Prospero are reconciled after Alonso declares his remorse and repents his
wrongs to Prospero and Miranda, and Prospero finally wins back his dukedom from
Antonio. Prospero, perhaps unwillingly, also says that he forgives Antonio and
Sebastian, though he calls them "wicked" and expresses his reservations
about letting them off the hook.
After despairing that his
son is dead, Alonso finds out that his son Ferdinand is indeed alive, and the
two are reunited; then, Ferdinand and Miranda's engagement is announced, and is
approved before the whole party by Alonso and Prospero. Gonzalo rejoices that
on the voyage, such a good match was made, and that the brothers are reunited,
and some of the bad blood between them is now flushed out. Ariel has readied
Alonso's boat for their departure, and the boatswain shows up again, telling
them about what happened to all of the sailors during the tempest.
Caliban apologizes to
Prospero for taking the foolish Stephano as his master, and Prospero, at last,
acknowledges Caliban, and takes him as his own. Stephano, Trinculo, and
Caliban's plot is exposed to the whole group, and is immediately forgiven.
Prospero invites everyone to pass one last night in the island at his dwelling,
and promises to tell the story of his and Miranda's survival, and of the
devices of his magic. The play ends with Prospero addressing the audience,
telling them that they hold an even greater power than Prospero the character,
and can decide what happens next.
Act I Summary:
Scene 1:
Count Orsino of Illyria is
introduced; he laments that he is lovesick, and wishes that "if music be
the food of love," he could kill his unrequited love through an overdose
of music. His servant, Curio, asks Orsino if he will go and hunt; Orsino
answers with another lovelorn reply, about how his love for the Lady Olivia has
been tearing him apart. Orsino's servant Valentine, whom Orsino sent to give
his affections to Olivia, returns; Valentine was not allowed to speak directly
to Olivia, but Olivia sent a message, via her handmaiden, that Olivia will continue
to mourn her dead brother, and will neither allow Orsino to see her or to woo
her. Orsino laments that Olivia does not hold the same deeply felt love that he
professes to have.
Scene 2:
Viola lands in Illyria,
after a terrible shipwreck in which she was separated from her twin brother,
Sebastian. Viola hopes that her brother was saved, as she was; the Captain, who
also managed to get ashore, tries to console her of the hopes of finding her
brother alive. The Captain recalls seeing her brother in the water after the
shipwreck, clinging onto a mast, and riding above the waves. As it happens, the
Captain is from Illyria, and tells Viola of Count Orsino, and of his love for
Lady Olivia; the Captain also mentions Olivia's recent loss of both her father
and her brother, and Viola, having lost her brother as well, commiserates with
Olivia's situation. Viola proposes that she serve Orsino, since he is a good
and just man; she conspires with the Captain that she may be presented to
Orsino as a eunuch, and that her true identity as a foreign woman be concealed.
The Captain agrees to help her, and he leads her to Orsino.
Scene 3:
Sir Toby, Olivia's drunken
uncle, is approached by Olivia's handmaiden, Maria, about his late hours and
disorderly habits. Maria also objects to one of Sir Toby's drinking buddies,
Sir Andrew Aguecheek, a rather foolish man who Sir Toby has brought as a
potential suitor to Olivia. Sir Toby has great affection for Sir Andrew, but
Maria does not; she believes that Sir Andrew is a drunkard and a fool, and not
to be suffered. Sir Toby attempts to introduce Sir Andrew to Maria; wordplay
ensues from a series of misunderstandings, puns, and differing usages of words.
Maria exits, and Sir Toby and Sir Andrew continue to quibble, with some amusing
results; at last, they decide to start drinking.
Scene 4:
Viola has now disguised
herself as a boy, Cesario, and has been taken into the service of Count Orsino.
Valentine remarks that Orsino and Viola, as Cesario, have become close in the
short time that Viola has been employed; indeed, Orsino has already told Viola
of his great love for Olivia. Orsino asks Viola to go to Olivia and make
Orsino's case to the lady; he believes that Viola/ Cesario, being younger and
more eloquent than his other messengers, will succeed. Viola says she will
obey, although she confesses in an aside that she already feels love for
Orsino, and would rather be his wife than try to woo Olivia for him.
Scene 5:
Feste's first appearance in
the play; unlike Sir Toby and Sir Andrew, who make wordplay by mincing each
other's meanings, Feste is more perceptive and quick-witted, and gets into an
entertaining argument with the equally quick-witted Maria. Olivia enters, with
her attendants, and is somewhat displeased and short with Feste; Feste says she
is a fool for mourning her brother, if she knows that her brother is in heaven.
Viola/ Cesario arrives at Olivia's house, and is admitted after much waiting,
and being examined by both Sir Toby and Malvolio. Viola is brought in to meet Olivia,
who finds out Viola is a messenger on Orsino's behalf, and Olivia discourages
Viola from wooing her for the Count. Viola tries to make Orsino's suit, though
Olivia counters this with elusive and witty remarks; Olivia begins to show
interest in Viola as Cesario in this scene, and still insists that she cannot
love Orsino. Viola is sent away at last, and Olivia has Malvolio go after
Viola, with a ring and an invitation to come back tomorrow.
Act II Summary:
Scene 1:
Sebastian, Viola's brother,
is shown alive, and in the company of Antonio, a somewhat shady sea-captain
who is wanted by Count Orsino for questionable doings on the seas. Sebastian
tells Antonio of his sister, Viola, who he fears has been drowned; he thanks
Antonio for his kindness in saving him from being drowned, and resolves that he
must be off alone. Antonio asks if he may go with Sebastian, but Sebastian
refuses this kind request, and is gone.
Scene 2:
Malvolio catches up to
Viola, with the ring he was instructed to give Viola by Olivia. Viola is
surprised, since she left no ring with Olivia; Malvolio grows impatient with
Viola's claim to know nothing of the ring, and he throws it down onto the
ground, and storms off. Viola realizes that the ring is proof that Olivia has
some affection for her as Cesario; she regrets that Olivia is in love with her
disguise, as that will come to nothing, and also that she is in love with her
master, but that she can do nothing in her present disguise.
Scene 3:
Sir Toby and Sir Andrew are
up late, drinking; Feste joins them, and they request that he sing a song about
love. They proceed to make a great deal of noise, by singing, drinking, and
talking nonsense; Maria tries to get them to be quiet, but Malvolio is awakened
by the noise, and comes down to berate them for disturbing the household. Once
Malvolio leaves, Maria concocts a plan to make Malvolio look like a complete
fool: since Maria's handwriting is similar to Olivia's, she will write love
letters to Malvolio and make it look like the letters have come from Olivia.
The party decides to try this out and see if it will work; Maria leaves to go
to bed, and Sir Toby and Sir Andrew decide to drink the rest of the night away.
Scene 4:
Orsino calls upon Feste to
sing an old song, that pleases him very well; Orsino then begins to talk to
Viola/ Cesario of love, and its imperfections. Orsino compares women to roses
"whose fair flower/ being once displayed, doth fall that very hour";
Viola does not completely approve of Orsino's slightly cynical view of women,
and will seek to correct it later in the scene. Feste begins to sing his song,
a sad one about love and death, and when he is done, he is dismissed, and makes
a remark about Orsino's extreme changeability of mood.
Viola attempts to soothe
Orsino's melancholy by getting him to accept that Olivia might not love him,
but that perhaps another woman does; Orsino counters this with the argument
that women are very inconstant in their love, and could not have a feeling as
deep as the love he has for Olivia. Viola knows that this is not true, in light
of the great amount of feeling she has for Orsino; she attempts to persuade him
that women are "as true of heart" as men, by telling him a story she
makes up about a sister that loved only too constantly and too well. Orsino
asks Viola to go again to Olivia, and make his suit; Viola obeys, and sets off
to see Olivia again.
Scene 5:
Maria appears, with the
love-letter she has written for the purposes of baiting Malvolio. Sir Toby, Sir
Andrew, and their friend Fabian are present; they hide behind a tree as
Malvolio approaches, and Maria places the letter somewhere where he is certain
to find it. Malvolio approaches, already muttering nonsense about thinking that
Olivia fancies him, and about how things would be if they were married; this
angers Sir Toby and Sir Andrew, who want to beat Malvolio for his pretension.
Malvolio finally spots the letter, and recognizes the handwriting as Olivia's;
he takes the bait completely, believing it to be proof that Olivia really does
love him. Sir Toby and Sir Andrew marvel at Maria's plan, and how it has
worked, and cannot wait to see Malvolio make an even bigger fool of himself.
Act III Summary:
Scene 1:
Viola enters, on her way to
see Olivia; she comes across Feste, who is full of wit and foolery as usual.
Feste expresses his dislike for Viola, which Viola does not take personally;
Viola gives him a few coins for his wordplay, and mentions the wit that it
takes to act the fool as well as Feste does. Viola runs across Sir Toby and Sir
Andrew on her way to visit Olivia; Olivia then comes to meet Viola, and Viola
again attempts to make Orsino's suit to Viola.
Olivia apologizes for the
confusion she brought upon Viola with sending the ring; then, Olivia confesses
her affection for Viola/ Cesario, and begs to know if Viola does indeed feel
the same way. Viola says no, then asks again if Olivia will have anything to do
with Orsino; Olivia is constant in her lack of response to Orsino, but makes
one last attempt to win Cesario over. Viola warns Olivia as best she can,
telling Olivia that "I am not what I am," though Olivia does not
guess at the statement's real meaning (III.i.139). Of course she is
unsuccessful, and Viola leaves‹but not without an entreaty to return.
Scene 2:
Sir Andrew finally comes to
his senses, realizing that Olivia favors Cesario far more than she favors him.
His friend Fabian tries to convince him that Olivia is only pretending to favor
Cesario, in order to make Sir Andrew jealous; his lie is well-intentioned, but
does not soothe Sir Andrew's anger. Sir Toby then persuades Sir Andrew that he
should challenge Cesario to a duel, and that, if Sir Andrew wins, he will
surely gain Olivia's affections. Sir Toby tells him to write a letter of
challenge, which Sir Toby will deliver; Toby actually has no intent of
sponsoring a duel, but thinks the exercise might cool Sir Andrew off a little.
Maria then enters, and begs them all to come see Malvolio, who is acting like a
complete idiot in front of Olivia.
Scene 3:
Antonio is slow to leave
Sebastian's side, as he fears some accident may happen to Sebastian since he is
completely ignorant of the country. Sebastian wants to go about and see the
sights, but Antonio tells him that he cannot; Antonio confesses that he was
involved with some piracy against Illyria, and that he is wanted by the Count
because of it. Antonio proposes that they meet up at an inn in one hour, and
that Sebastian can wander about until then; they part, hopeful of meeting up
again without accident.
Scene 4:
Maria warns Olivia of
Malvolio's very strange behavior; yet, Olivia still wishes that Malvolio be
brought before her. Malvolio is wearing yellow, cross-gartered stockings, which
Olivia abhors; he is careful to point out what he thinks is his fashionable
taste. Malvolio continues his absurdity, making remarks of unwarranted
familiarity, and completely baffling Olivia with his misguided attempts to be
amorous toward her. Olivia dismisses Malvolio's odd behavior as being some kind
of passing madness, and orders that Malvolio be looked after while she sees to
Cesario, who has supposedly returned.
Sir Toby, Maria, and Fabian
approach Malvolio; they treat Malvolio's case as an instant of witchcraft or
possession, and pretend they know nothing of the real cause of Malvolio's
strange behavior. Then, their plan takes a more malicious turn; not satisfied
with the havoc they have already caused, they decide to make Malvolio go mad,
if they can. Sir Andrew returns, with his "saucy" letter for Cesario,
and Viola as Cesario appears, having patched up any bad feelings over their
last dramatic scene.
Sir Toby conveys Sir
Andrew's challenge to Viola, and tries to make Viola shrink from the
confrontation by greatly exaggerating Sir Andrew's meanness and anger. Sir
Andrew and Viola come close to some sort of reluctant confrontation, when
Antonio stumbles on them; Antonio is arrested by officers of the Count, and
asks Viola for his purse, mistaking Viola for her brother Sebastian. Antonio is
taken aback when Viola will not give him his purse, thinking that she, as
Sebastian, is ungrateful for his help; he speaks of rescuing Sebastian from
drowning, which lets Viola know that her brother might be alive. Antonio is
dragged away, and Viola hopes that what Antonio said is indeed true, and that
her brother might have been saved from the wreck.
Act IV Summary:
Scene 1:
Feste approaches Sebastian,
thinking that Sebastian is 'Cesario'; when Sebastian tells Feste that he does
not know him, nor Olivia, whom Feste tells him to meet, Feste becomes rather
upset, and accuses Sebastian of "strangeness". Then Sir Andrew comes,
and strikes Sebastian out of anger, as if he were Cesario; Sir Toby and
Sebastian come close to getting in a duel of their own, when Olivia finds them,
and charges them to stop. Olivia dismisses Sir Toby, and asks Sebastian
"would thou'dst be ruled by me," thinking that he is Cesario, due to
his great resemblance to his sister. Sebastian decides to go along with it,
struck by Olivia's beauty, thinking it all a pleasant dream from which he hopes
he will not awaken.
Scene 2:
Maria and Feste conspire to
present Feste as Sir Topaz, the curate, to Malvolio, who is hidden from view.
Feste tries to convince that Malvolio that he is crazy, and Malvolio continues
to insist that he is not, that he has been wrongly incarcerated. Feste then
confronts Malvolio as himself, and torments him some more; he fakes a
conversation with himself as Feste and Sir Topaz, and Malvolio begs for paper
and ink so that he can send a message to Olivia. Feste promises to fetch these
things, and exits with a song.
Scene 3:
Sebastian debates with
himself whether he is mad, or whether it is the Lady Olivia; but, he recognizes
that is cannot be her, since she is able to command a large household, and
therefore would have to be sane and coherent. Olivia asks him to come with her
to the parson and be married to her; Sebastian, though he does not know her and
cannot figure out exactly what is going on, says he will marry her, and leaves
with her.
Act V Summary:
Scene 1:
Fabian asks Feste for the
letter Malvolio has written; Feste refuses this request, and then Orsino, with
Viola, finds them. Feste delays him with a bit of jesting, and gets some money
out of him; Orsino asks him to find Olivia, and Feste goes to find her, with
the promise of money for the task. Viola points out Antonio, who is being
brought to them by officers; Orsino remembers Antonio from a sea-battle, and
Viola tries to defend Antonio from charges of crime by noting his kindness to
her. Antonio claims that he rescued Viola from drowning, and that they have
been in each other's company ever since; Orsino says that this is nonsense,
since Viola has been serving him the whole time.
Then, Olivia approaches
them, still denying Orsino's love, while admitting her affection for Viola.
Orsino becomes angry at Viola, rather than Olivia, because of these
developments; he begins to suspect Viola of double-dealings, and out of his
anger, he admits his love for Viola, still disguised as a boy. Viola, for the
first time, declares her love for Orsino, much to Olivia's consternation;
Olivia counters this declaration by divulging that she was married, to Viola as
Cesario, she thinks. A priest confirms Olivia's account, and Orsino becomes
even more angry at Viola. Sir Andrew and Sir Toby enter, charging Viola with
fighting them and injuring them; Viola is again shocked, and confused.
Suddenly, Sebastian dashes
in, apologizing for injuring Sir Toby; he expresses his happiness at seeing
Antonio again, and acknowledges Olivia as his wife. Viola and Sebastian see
each other again, and there is a joyful reunion. Sebastian reveals to Olivia
that she married him, rather than his sister in disguise; Orsino swears that he
loves Viola, and will marry her.
Then, the action turns to Malvolio's
condition; his letter is read, and his condition explained. Malvolio is upset
at his mistreatment, and Olivia attempts to smooth things over; Fabian explains
his, Sir Toby's, and Maria's part in Malvolio's torment. Then, Feste inflames
Malvolio's anger, and he leaves, in a huff.
Orsino pronounces that
happiness will stay with all of them, and that his marriage to Viola will soon
be performed. Feste closes the play with a song about "the wind and the
rain," a reminder that even great happiness is not safe from life's
storms.
Wuthering Heights
Chapter 1, Summary
In Chapter 1 the narrator, Mr.
Lockwood, relates how he has just returned from a visit to his new landlord,
Mr. Heathcliff. Lockwood, a self-described misanthropist, is renting Thrushcross
Grange in an effort to get away from society following a failure at love. He
had fallen in love with a "real goddess," but when she returned his
affection he acted so coldly she "persuaded her mamma to decamp." He
finds that relative to Heathcliff, however, he is extremely sociable.
Heathcliff, "a dark skinned gypsy, in aspect, in dress, and manners a
gentleman" treats his visitor with a minimum of friendliness, and the
farm, Wuthering Heights, where he lives, is just as foreign and unfriendly.
"Wuthering" means stormy and windy in the local dialect.
Dangerous-looking dogs inhabit the bare and old-fashioned rooms, and threaten
to attack Lockwood: when he calls for help Heathcliff implies that Lockwood had
tried to steal something. The only other inhabitants of Wuthering Heights are
an old servant named Joseph and a cook. Despite his rudeness, Lockwood finds
himself drawn to Heathcliff: he describes him as being intelligent, proud and
morose, an unlikely farmer, and declares his intention to visit Wuthering Heights
again. The visit is set in 1801.
Chapter 2, Summary
Annoyed by the housework being
done in the Grange, Lockwood pays a second visit to Wuthering Heights, arriving
there just as snow begins to fall. The weather is cold, the ground is frozen,
and his reception matches the bleak unfriendliness of the moors. After yelling
at the old servant Joseph to open the door, he is finally let in by a
peasant-like young man. The bare kitchen is warm, and Lockwood assumes that the
young and beautiful girl there is Mrs. Heathcliff. He tries to make
conversation but she is consistently scornful and inhospitable, and he only
embarrasses himself. There is "a kind of desperation" in her eyes.
She refuses to make him tea unless Heathcliff said he could have some. The young
man and Heathcliff come in for tea. The young man behaves boorishly and seems
to suspect Lockwood of making advances to the girl. Heathcliff demands tea
"savagely," and Lockwood decides he doesn't really like him. Trying
to make conversation again, Lockwood gets into trouble first assuming that the
girl is Heathcliff's wife, and then that she is married to the young man, who
he supposes to be Heathcliff's son. He is rudely corrected, and it transpires
that the girl is Heathcliff's daughter-in-law but her husband is dead, as is
Heathcliff's wife. The young man is Hareton Earnshaw. It is snowing hard and
Lockwood requests a guide so he can return home safely, but he is refused:
Heathcliff considers it more important that Hareton take care of the horses. Joseph,
who is evidently a religious fanatic, argues with the girl, who frightens him
by pretending to be a witch. The old servant doesn't like her reading.
Lockwood, left stranded and ignored by all, tries to take a lantern, but Joseph
offensively accuses him of stealing it, and sets dogs on him. Lockwood is
humiliated and Heathcliff and Hareton laugh. The cook, Zillah, takes him in and
says he can spend the night.
Chapter 3, Summary
Zillah quietly shows Lockwood
to a chamber which, she says, Heathcliff does not like to be occupied. She
doesn't know why, having only lived there for a few years. Left alone, Lockwood
notices the names "Catherine Earnshaw," "Catherine Linton,"
and "Catherine Heathcliff" scrawled over the window ledge. He leafs
through some old books stacked there, and finds that the margins are covered in
handwriting evidently the child Catherine's diary. He reads some entries which
evoke a time in which Catherine and Heathcliff were playmates living together
as brother and sister, and bullied by Joseph (who made them listen to sermons)
and her older brother Hindley. Apparently Heathcliff was a "vagabond"
taken in by Catherine's father, raised as one of the family, but when the
father died Hindley made him a servant and threatened to throw him out, to
Catherine's sorrow.
Lockwood then falls asleep
over a religious book, and has a nightmare about a fanatical preacher leading a
violent mob. Lockwood wakes up, hears that a sound in his dream had really been
a branch rubbing against the window, and falls asleep again. This time he
dreams that he wanted to open the window to get rid of the branch, but when he
did, a "little, ice-cold hand" grabbed his arm, and a voice sobbed
"let me in." He asked who it was, and was answered: "Catherine
Linton. I'm come home, I'd lost my way on the moor." He saw a child's face
and, afraid, drew the child's wrist back and forth on the broken glass of the
window so that blood soaked the sheets. Finally he gets free, and insists that
he won't let the creature in, even if it has been lost for twenty years, which
it claims it has. He awakes screaming.
Heathcliff comes in, evidently
disturbed and confused, unaware that Lockwood is there. Lockwood tells him what
happened, mentioning the dream and Catherine Linton's name, which distresses
and angers Heathcliff. Lockwood goes to the kitchen, but hears on his way
Heathcliff at the window, despairingly begging "Cathy" to come in
"at last." Lockwood is embarrassed by his host's obvious agony.
Morning comes: Lockwood
witnesses an argument between Heathcliff and the girl, who has been reading. He
bullies her, and she resists spiritedly. Heathcliff walks Lockwood most of the
way home in the snow.
Chapter 4, Summary
Lockwood is bored and a little
weak after his adventures, so he asks his housekeeper, Ellen Dean, to tell him
about the history of Heathcliff and the old families of the area. She says he
is very rich and a miser, though he has no family, since his son is dead. The
girl living at Wuthering Heights was the daughter of Ellen's former employers,
the Lintons, and her name was Catherine. She is the daughter of the late Mrs.
Catherine Linton, was born an Earnshaw, thus Hareton's aunt. Heathcliff's wife
was Mr. Linton's sister. Ellen is fond of the younger Catherine, and worries about
her unhappy situation.
The narrative switches to
Ellen's voice, whose language is much plainer than Lockwood's. She is a
discreet narrator, rarely reminding the listener of her presence in the story,
so that the events she recounts appear immediate. She says she had grown up at
Wuthering Heights, and one day:
Mr. Earnshaw offered to bring
his children Hindley (14 years old) and Catherine (about 6) a present each from
Liverpool, where he was going. Hindley asked for a fiddle and Catherine for a
whip, because she was already an excelled horsewoman. When Earnshaw returned,
however, he brought with him a "dirty, ragged, black-haired child"
found starving on the streets. The presents had been lost or broken. The boy
was named Heathcliff and taken into the family, though not entirely welcomed by
Mrs. Earnshaw, Ellen, and Hindley. He and Catherine became very close, and
Heathcliff was Earnshaw's favorite. Hindley felt that his place was usurped,
and took it out on Heathcliff, who was hardened and stoical. For example,
Earnshaw gave them each a colt, and Heathcliff chose the finest, which went
lame. Heathcliff then claimed Hindley's, and when Hindley threw a heavy iron at
him, threatened to tell Earnshaw about it if he didn't get the colt.
Chapter 5, Summary
Earnshaw grew old and sick
his wife had died some years before and with his illness he became irritable
and somewhat obsessed with the idea that people disliked his favorite,
Heathcliff. Heathcliff was spoiled as a result, to keep Earnshaw happy, and
Hindley, who became more and more bitter about the situation, was sent away to
college. Joseph, already "the wearisomest, self-righteous pharisee that
ever ransacked a Bible to rake the promises to himself, and fling the curses to
his neighbors," used his religious influence over Earnshaw to distance him
from his children. Earnshaw thought Hindley was worthless, and didn't like
Cathy's playfulness and high spirits, so in his last days he was irritable and
discontented. Cathy was "much too fond" of Heathcliff, and liked to
order people around. Heathcliff would do anything she asked. Her father was
harsh to her and she became hardened to his reproofs.
Finally Earnshaw died one
evening when Cathy had been resting her head against his knee and Heathcliff
was lying on the floor with his head in her lap. When she wanted to kiss her
father good night, she discovered he was dead and the two children began to
cry, but that night Ellen saw that they had managed to comfort each other with
"better thoughts than [she] could have hit on," imagining the old man
in heaven
Chapter 6, Summary
Hindley returns home,
unexpectedly bringing his wife, a flighty woman with a strange fear of death
and symptoms of consumption (although Ellen did not at first recognize them as
such). Hindley also brought home new manners and rules, and informed the
servants that they would have to live in inferior quarters. Most importantly,
he treated Heathcliff as a servant, stopping his education and making him work
in the fields like any farmboy. Heathcliff did not mind too much at first
because Cathy taught him what she learned, and worked and played with him in
the fields. They stayed away from Hindley as much as possible and grew up
uncivilized and free. "It was one of their chief amusements to run away to
the moors in the morning and remain there all day, and after punishment grew a
mere thing to laugh at."
One day they ran off after
being punished, and at night Heathcliff returned. He told what had happened. He
and Cathy ran to the Grange to see how people lived there, and they saw the
Linton children Edgar and Isabella in a beautiful room, crying after an
argument over who could hold the pet dog. Amused and scornful, Heathcliff and
Cathy laughed; the Lintons head them and called for their parents. After making
frightening noises, the wilder children tried to escape, but a bulldog bit
Cathy's leg and refused to let go. She told Heathcliff to escape but he would
not leave her, and tried to pry the animal's jaws open. They were captured and
brought inside, taken for thieves. When Edgar recognized Cathy as Miss
Earnshaw, the Lintons expressed their disgust at the children's wild manners
and especially at Heathcliff's being allowed to keep Cathy company. They
coddled Cathy and drove Heathcliff out; he left after assuring himself that
Cathy was all right.
When Hindley found out, he
welcomed the chance to separate Cathy and Heathcliff, so Cathy was to stay for
a prolonged visit with the Lintons and Heathcliff was forbidden to speak to
her.
Chapter 7, Summary
Ellen resumes the narrative.
Cathy stayed at Thrushcross Grange for five weeks, until Christmas. When she
returned home she had been transformed into a young lady with that role's
attending restrictions: she could no longer kiss Ellen without worrying about
getting flour on her dress. She hurt Heathcliff's feelings by comparing his
darkness and dirtiness to Edgar and Isabella's fair complexions and clean
clothes. The boy had become more and more neglected in her absence, and was
cruelly put in his place by Hindley and especially by Cathy's new polish.
Cathy's affection for him had not really changed, but he did not know this and
ran out, refusing to come in for supper. Ellen was sorry for him.
The Linton children were
invited for a Christmas party the next day. That morning Heathcliff humbly
approached Ellen and asked her to "make him decent" because he was
"going to be good." Ellen applauded his resolution and reassured him
that Cathy still liked him and that she was grieved by his shyness. When
Heathcliff said he wished he could be more like Edgar fair, rich, and
well-behaved Ellen told him that he could be perfectly handsome without being
effeminate if he smiled more and was more trustful.
However, when Heathcliff, now
"clean and cheerful" tried to join the party, Hindley told him to go
away because he wasn't not fit to be there. Edgar unwisely made fun of his long
hair and Heathcliff threw hot applesauce at him, and was taken away and flogged
by Hindley. Cathy was angry at Edgar for mocking Heathcliff and getting him
into trouble, but she didn't want to ruin her party. She kept up a good front,
but didn't enjoy herself, thinking of Heathcliff alone and beaten. At her first
chance her guests gone home she crept into the garret where he was confined.
Later Ellen gave Heathcliff
dinner, since he hadn't eaten all day, but he ate little and when she asked
what was wrong, he said he was thinking of how to avenge himself on Hindley.
At this point Ellen's
narrative breaks off and she and Lockwood briefly discuss the merits of the
active and contemplative life, with Lockwood defending his lazy habits and
Ellen saying she should get things done rather than just telling Lockwood the
story. He persuades her to go on.
Chapter 8, Summary
Hindley's wife Frances gave
birth to a child, Hareton, but did not survive long afterwards: she had
consumption. Despite the doctor's warnings, Hindley persisted in believing that
she would recover, and she seemed to think so too, always saying she felt
better, but she died a few weeks after Hareton's birth. Ellen was happy to take
care of the baby. Hindley "grew desperate; his sorrow was of a kind that
will not lament, he neither wept nor prayed he cursed and defied execrated
God and man, and gave himself up to reckless dissipation. The household more or
less collapsed into violent confusion respectable neighbors ceased to visit,
except for Edgar, entranced by Catherine. Heathcliff's ill treatment and the
bad example posed by Hindley made him "daily more notable for savage sullenness
and ferocity." Catherine disliked having Edgar visit Wuthering Heights
because she had a hard time behaving consistently when Edgar and Heathcliff
met, or when they talked about each other. Edgar's presence made her feel as
though she had to behave like a Linton, which was not natural for her.
One day when Hindley was away
Heathcliff was offended to find Catherine putting on a "silly frock,"
getting ready for Edgar's visit. He asked her to turn Edgar away and spend the
time with him instead but she refused. Edgar was by this time a gentle, sweet
young man. He came and Heathcliff left, but Ellen stayed as a chaperone, much
to Catherine's annoyance. She revealed her bad character by pinching Ellen, who
was glad to have a chance to show Edgar what Catherine was like, and cried out.
Catherine denied having pinched her, blushing with rage, and slapped her, then
slapped Edgar for reproving her. He said he would go; she, recovering her
senses, asked him to stay, and he was too weak and enchanted by her stronger
will to leave. Brought closer by the quarrel, the two "confessed
themselves lovers."
Ellen heard Hindley come home
drunk, and out of precaution unloaded his gun.
Chapter 9, Summary
Hindley came in raging drunk
and swearing, and caught Ellen in the act of trying to hide Hareton in a
cupboard for safety. He threatened to make Nelly swallow a carving knife, and
even tried to force it between her teeth, but she bravely said she'd rather be
shot, and spat it out. Then he took up Hareton and said he would crop his ears
like a dog, to make him look fiercer, then held the toddler over the banister.
Hearing Heathcliff walking below, Hindley accidentally dropped the child, but
fortunately Heathcliff caught him. Looking up to see what had happened, he
showed "the intensest anguish at having made himself the instrument of
thwarting his own revenge." In other words, he hated Hindley so much that
he would have liked to have him to kill his own son by mistake. If it had been
dark, Ellen said, "he would have tried to remedy the mistake by smashing
Hareton's skull on the steps." Hindley was somewhat shaken, and began to
drink more. Heathcliff told Nelly he wished he would drink himself to death,
but he had a strong constitution.
In the kitchen Cathy came to
talk to Nelly (neither of them knew Heathcliff was in the room, sitting behind
the settle). Cathy said she was unhappy, that Edgar had asked her to marry him
and she had accepted. She asked Nelly what she should have answered. Nelly
asked her if and why she loved Edgar; she said she did for a variety of
material reasons: "he will be rich, and I shall like to be the greatest
woman in the neighborhood, and I shall be proud of such a husband." Nelly
disapproved, and Cathy admitted that she was sure she was wrong: she had had a
dream in which she went to heaven and was unhappy there because she missed
Wuthering Heights. She said:
"I have no more business to marry
Edgar Linton than I have to be in heaven; and if the wicked man in there had
not brought Heathcliff so low, I shouldn't have thought of it. It would degrade
me to marry Heathcliff, now; so he shall never know how I love him; and that,
not because he's handsome, Nelly, but because he's more myself than I am.
Whatever our souls are made of, his and mine are the same, and Linton's is as
different as a moonbeam from lightening, or frost from fire."
(Heathcliff left after hearing
that it would degrade her to marry him.)
Nelly told Cathy that
Heathcliff would be deserted if she married Linton, and she indignantly said
that she had no intention of deserting him, but would use her influence to
raise him up. Nelly said Edgar wouldn't like that, to which Cathy replied:
"Every Linton on the face of the earth might melt into nothing, before I
could consent to forsake Heathcliff!"
Later that night it turned out
that no one knew where Heathcliff was. Cathy went out in the storm looking for
him, unsuccessfully he had run away. The next morning she was sick. After some
time she went to stay with the Lintons a healthier environment and she got
better, while Edgar and Isabella's parents caught the fever and died. She
returned to Wuthering Heights "saucier, and more passionate, and haughtier
than ever." When Nelly said that Heathcliff's disappearance was her fault,
Cathy stopped speaking to her. She married Edgar three years later, and Ellen
unwillingly went to live with her at the Grange, leaving Hareton to live with
his wretched father.
Chapter 10, Summary
Catherine got along
surprisingly well with her husband and Isabella, mostly because they never
opposed her. She had "seasons of gloom and silence" though. Edgar
took these for the results of her serious illness.
When they had been married
almost a year, Heathcliff came back. Nelly was outside that evening and he
asked her to tell Catherine someone wanted to see her. He was quite changed: a
tall and athletic man who looked as though he might have been in the army, with
gentlemanly manners and educated speech though his eyes contained a
"half-civilized ferocity." Catherine was overjoyed and didn't
understand why Edgar didn't share her happiness. Heathcliff stayed for tea, to
Edgar's peevish irritation. It transpired that Heathcliff was staying at
Wuthering Heights, paying Hindley generously, but winning his host's money at
cards. Catherine wouldn't let Heathcliff actually hurt her brother.
In the following weeks,
Heathcliff often visited the Grange. Isabella a "charming young lady of
eighteen" became infatuated with him, to her brother's dismay. Isabella
became angry at Catherine for keeping Heathcliff to herself, and Catherine
warned her that Heathcliff was a very bad person to fall in love with and that
Isabella was no match for him:
"I never say to him to
let this or that enemy alone, because it would be ungenerous or cruel to harm
them, I say "Let them alone, because I should hate them to be
wronged"; and he'd crush you, like a sparrow's egg, Isabella, if he found
you a troublesome charge."
Catherine teased Isabella by
telling Heathcliff in her presence that she loved him, holding her so she
couldn't run away. Isabella scratched Catherine's arm and managed to escape,
and Heathcliff, alone with Catherine, expressed interest in marrying Isabella
for her money and to enrage Edgar. He said he would beat Isabella if they were
married because of her "mawkish, waxen face."
Chapter 11, Summary
Nelly went to visit Wuthering
Heights to see how Hindley and Hareton were doing. She saw Hareton outside; he
didn't recognize his nurse, threw a rock at her and cursed. She found that his
father had taught him how to curse, and that he liked Heathcliff because he
wouldn't let his father curse him, and let him do what he liked. Nelly was
going to go in when she saw Heathcliff there; frightened, she ran back home.
The next time Heathcliff came
to visit Nelly saw him kiss Isabella in the courtyard. She told Catherine what
had happened, and when Heathcliff came in the two had an argument. Heathcliff
said he had a right to do as he pleased, since Catherine was married to someone
else. He said: "You are welcome to torture me to death for your amusement,
only, allow me to amuse myself a little in the same style."
Nelly found Edgar, who came in
while Catherine was scolding Heathcliff. He scolded her for talking to
"that blackguard," which made her very angry, since she had been
defending the Lintons. Edgar ordered Heathcliff to leave, who scornfully
ignored him. Edgar motioned for Nelly to fetch reinforcements, but Catherine
angrily locked the door and threw the key into the fire when Edgar tried to get
it from her. Humiliated and furious, Edgar was mocked by Catherine and
Heathcliff, but he hit Heathcliff and went out by the back door to get help.
Nelly told Heathcliff that he would be thrown out by the male servants if he
stayed, so he chose to leave.
Left with Nelly, Catherine
expressed her anger at her husband and her friend: " Well, if I cannot
keep Heathcliff for my friend if Edgar will be mean and jealous, I'll try to
break their hearts by breaking my own." Edgar came in and demanded to know
whether she would drop Heathcliff's acquaintance, and she had a temper tantrum,
ending with a faked "fit of frenzy." When Nelly revealed that the fit
was faked, she ran to her room and refused to come out or to eat for several
days.
Chapter 12, Summary
After three days in which
Catherine stayed alone in her room, Edgar sat in the library, and Isabella
moped in the garden, Catherine called Nelly for some food and water because she
thought she was dying. She ate some toast, and was indignant to hear that Edgar
wasn't frantic about her; she said: "How strange! I thought, though
everybody hated and despised each other, they could not avoid loving me and
they have all turned to enemies in a few hours." It became clear to Ellen
that she was delirious, and thought she was back in her room at Wuthering
Heights: she was frightened of her face in the mirror because she thought there
was no mirror there. She opened the window and talked to Heathcliff (who was
not there) as though they were children again. Edgar came in and was much
concerned for Catherine, and angry at Ellen for not having told him what was
going on.
Going to fetch a doctor, Ellen
notices Isabella's little dog almost dead, hanging by a handkerchief on the
gate. She released it, and found Dr. Kenneth, who told her that he had seen
Isabella walking for hours in the park with Heathcliff. Ellen found that
Isabella had indeed disappeared, and a little boy told her he had seen the girl
riding away with Heathcliff. Ellen told Edgar, hoping he would rescue his sister
from her ill-considered elopement, but he coldly refused to do so.
Chapter 13, Summary
In the next two months
Catherine "encountered and conquered the worst shock of what was
denominated a brain fever," but it was realized that she would never
really recover. She was pregnant. Heathcliff and Isabella returned to Wuthering
Heights and Isabella wrote Edgar an apology and a plea for forgiveness, to
which he gave no reply. She later sent Ellen a longer letter asking whether
Heathcliff were a demon or crazy, and recounting her experiences. She found
Wuthering Heights dirty, uncivilized and unwelcoming: Joseph was rude to her,
Hareton was disobedient, Hindley was a half-demented mere wreck of a man, and
Heathcliff treated her cruelly. He refused to let her sleep in his room, which
meant she had to stay in a tiny garret. Hindley had a pistol with a blade on
it, with which he dreamed of killing Heathcliff, and Isabella coveted it for
the power it would have given her. She was miserable and regretted her marriage
heartily.
Chapter 14, Summary
Ellen, distressed by Edgar's
refusal to console Isabella, went to visit her. She told Isabella and
Heathcliff that Catherine would "never be what she was" and that
Heathcliff should not bother her anymore. Heathcliff asserted that he would not
leave her to Edgar's lukewarm care, and that she loved him much more than her
husband. He said that if he had been in Edgar's place he would never have
interfered with Catherine's friendships, although he would kill the friend the
moment she no longer cared about him.
Nelly told Heathcliff to treat
Isabella better, and he expressed his scorn and hatred for her (in her
presence, of course). He said she knew what he was when she married him: she
had seen him hanging her pet dog. Isabella told Nelly that she hated him, and
Heathcliff ordered her upstairs so he could talk to Nelly.
Alone with her, he told her
that if she did not arrange an interview for him with Catherine, he would force
his way in armed, and she agreed to give Catherine a letter from him.
Chapter 15, Summary
The Sunday after Ellen's visit
to Wuthering Heights, while most people were at church, she gave Catherine
Heathcliff's letter. Catherine was changed by her sickness: she was beautiful
in an unearthly way and her eyes "appeared always to gaze beyond, and far
beyond." Ellen had left the door open, so Heathcliff walked in and
Catherine eagerly waited for him to find the right room. Their reunion was
bitter-sweet: though passionately glad to be reunited, Catherine accused Heathcliff
of having killed her, and Heathcliff warned her not to say such things when he
would be tortured by them after her death besides, she had been at fault by
abandoning him. She asked him to forgive her, since she would not "be at
peace" after death, and he answered: "It is hard to forgive, and to
look at those eyes, and feel those wasted hands... I love my murderer but
yours! How can I?" They held each other closely and wept until Ellen
warned them that Linton was returning. Heathcliff wanted to leave, but
Catherine insisted that he stay, since she was dying and would never see him
again. He consented to stay, and "in the midst of the agitation, [Ellen]
was sincerely glad to observe that Catherine's arms had fallen relaxed...
?She's fainted or dead, so much the better...'" Linton came in, Heathcliff
handed him Catherine's body and told him to take care of her: "Unless you
be a fiend, help her first then you shall speak to me!" He told Nelly he
would wait outside for news of Catherine's welfare, and left.
Chapter 16, Summary
Around midnight Catherine gave
birth to a daughter (also named Catherine, the girl Lockwood saw at Wuthering
Heights) and died two hours later without recovering consciousness. No one
cared for the infant at first, and Ellen wished it had been a boy: as it was,
Edgar's heir was Isabella, Heathcliff's wife. Catherine's corpse looked
peaceful and beautiful, and Ellen decided that she had found heaven at last.
She went outside to tell
Heathcliff and found him leaning motionless against an ash tree. He knew she
was dead, and asked Ellen how it had happened, attempting to conceal his
anguish. Ellen was not fooled, and told him that she had died peacefully, like
a girl falling asleep. He cursed Catherine and begged her to haunt him so he would
not be left in "this abyss, where I cannot find you!... I cannot live
without my soul!" He dashed his head against the tree and howled
"like a savage beast getting goaded to death with knives and spears."
Ellen was appalled.
On Tuesday, when Catherine's
body was still lying, strewn with flowers, in the Grange, Heathcliff took
advantage of Edgar's short absence from the chamber of death to see her again,
and to replace Edgar's hair in her locket with some of his own. Ellen noticed
the change, and enclosed both locks of hair together.
Catherine was buried on Friday in a green
slope in a corner of the kirkyard, where, Ellen said, her husband lies now as
well.
Chapter 17, Summary
The next day, while Ellen was
rocking the baby, Isabella came in laughing giddily. She was pale and her face
was cut; her thin silk dress was torn by briars. She asked Ellen to call the
carriage for the nearest town, Gimmerton, since she was escaping from her
husband, and to have a maid get some clothes ready. Then she allowed Ellen to
give her dry clothes and bind up the wound. Isabella tried to destroy her
wedding-ring, and told what had happened to her in the last days:
She said that she hated
Heathcliff so much that she could feel no compassion for him even when he was
in agony following Catherine's death. He hadn't eaten for days, and spent his
time at Wuthering Heights in his room, "praying like a methodist; only the
deity he implored was senseless dust and ashes." The evening before,
Isabella sat reading while Hindley drank morosely. When they heard Heathcliff
returning from his watch over Catherine's grave, Hindley told Isabella he would
lock Heathcliff out, and try to kill him with his bladed pistol if he came in.
Isabella would have liked Heathcliff to die, but refused to help in the scheme,
so when Heathcliff knocked she refused to let him in, saying: "If I were
you, I'd go stretch myself over her grave, and die like a faithful dog... The
world is not worth living in now, is it?" Hindley came close to the window
to kill Heathcliff, but the latter grabbed the weapon so the blade shut on
Hindley's wrist; then he forced his way in. He kicked and trampled Hindley, who
had fainted from the loss of blood, then roughly bound up the wound, and told
Joseph and Isabella to clean up the blood.
The next morning when Isabella
came down, Hindley "was sitting by the fire, deadly sick; his evil genius,
almost as gaunt and ghastly, leant by the chimney." After eating breakfast
by herself, she told Hindley how he had been kicked when he was down, and
mocked Heathcliff for having so mistreated his beloved's brother, saying to
Hindley: "everyone knows your sister would have been living now, had it
not been for Mr. Heathcliff." Heathcliff was so miserable that he could
hardly retaliate, so Isabella went on and said that if Catherine had married
him, he would have beaten her the way he beat Hindley. Heathcliff threw a knife
at her, and she fled, knocking down Hareton, "who was hanging a litter of
puppies from a chairback in the doorway." She ran to the Grange.
That morning, she left, never
to return to the neighborhood again. Later, in her new home, in the south, she
gave birth to a son, named Linton, "an ailing, peevish creature," and
died when he was about 12 years old.
Edgar grew resigned to
Catherine's death, and loved his daughter, who he called Cathy, very much.
Ellen points out the difference between his behavior and Hindley's in a similar
situation.
Hindley died, "drunk as a
lord," about six months after Catherine. He was just 27, meaning that
Catherine had been 19, Heathcliff was 20, and Edgar was 21. Ellen grieved
deeply for him they had been the same age and were brought up together. She
made sure he was decently buried. She wanted to take Hareton back to the
Grange, but Heathcliff said he would keep him, to degrade him as much as he
himself had been degraded. If Edgar insisted on taking Hareton, Heathcliff said
he would claim his own son Linton, so Ellen gave the idea up.
Chapter 18, Summary
In the next twelve years,
Cathy Linton grew up to be "the most winning thing that ever brought
sunshine into a desolate house." She was fair like a Linton, except for
her mother's dark eyes. High spirited but gentle, she seemed to combine the
good qualities of both the Lintons and the Earnshaws, though she was a little
saucy and was used to getting her way. Her father kept her within the park of
the Grange, but she dreamed of going to see some cliffs, Penistone Crags, not
too far away, on the moor.
When Isabella fell ill, she
wrote to Edgar to come visit her, so he was gone for three weeks. One day Cathy
asked Ellen to give her some food for a ramble around the grounds she was
pretending to be an Arabian merchant going across the desert with her caravan
of a pony and three dogs. She left the grounds, however, and later Ellen went
after her on the road to Penistone Crags, which passed Wuthering Heights. She
found Cathy safe and sound there Heathcliff wasn't home, and the housekeeper
had taken her in chattering to Hareton, now 18 years old. She offended Hareton
though by asking whether he was the master's son, and when he said he wasn't,
saying he was a servant. The housekeeper told her he was her cousin, which made
her cry. Hareton offered her a puppy to console her, which she refused. Ellen
told her that her father didn't want her to go to Wuthering Heights, and asked
her not to tell him of her negligence, to which she agreed.
Chapter 19, Summary
Isabella died, and Edgar
returned home with his half-orphaned nephew, Linton, a "pale, delicate,
effeminate, boy," with a "sickly peevishness" in his appearance.
Cathy was excited to see her cousin, and took to babying him when she saw that
he was sickly and childish. That very evening, Joseph came and demanded the
child for Heathcliff he was after all his son. Ellen told him Edgar was
asleep, but he went into his room and insisted on being given Linton. Edgar
wished to keep Linton at the Grange, but could not legally claim him, so he
could only put it off till the next morning.
Chapter 20, Summary
The next morning, Ellen woke
Linton early and took him over to Wuthering Heights, promising dishonestly that
it was only for a little while. He was surprised to hear he had a father, since
Isabella had never spoken of Heathcliff. When they arrived there, Heathcliff
and Joseph expressed their contempt for the delicate boy, and Heathcliff told
him that his mother was a "wicked slut" not to tell him about his
father. Ellen asked Heathcliff to be kind to the boy, and he said that he would
indeed have him carefully tended, mostly because Linton was heir to the Grange,
so he wanted him to live at least until Edgar was dead and he inherited. So
when Linton refused to eat the homely oatmeal Joseph offered him, Heathcliff
ordered that he be given some toast or something instead. When Ellen left,
Linton cried for her not to leave him there.
Chapter 21, Summary
Cathy missed her cousin when
she woke up that morning, but time made her forget him. Linton grew up to be a
selfish and disagreeable boy, continually complaining about his health. On
Cathy's sixteenth birthday she and Ellen went out on the moors, and strayed
onto Heathcliff's land, where he found them. He invited them to come to
Wuthering Heights, telling Ellen that he wanted Linton and Cathy to marry so he
would be doubly sure of inheriting the Grange. Cathy was glad to see her
cousin, though she was somewhat taken back by his invalidish behavior. Hareton,
at Heathcliff's request, showed her around the farm, though he was shy of her
and she teased him unkindly. Linton mocked his ignorance also, showing himself
to be mean-spirited.
Later Cathy told her father
where she had been, and asked him why he had not allowed the cousins to see
each other (Heathcliff had told her that Edgar was still angry at him because
he thought him too poor to marry Isabella). Edgar told her of Heathcliff's
wickedness, and forbade her to return to Wuthering Heights. She was unhappy,
and began a secret correspondence with Linton. By the time Ellen discovered it,
they were writing love letters affected ones on Linton's part. Ellen
confronted Cathy and burned the letters, saying she would tell her father if
she continued.
Chapter 22, Summary
That fall Edgar caught a cold
which confined him to the house all winter. Cathy grew sadder after the end of
her little romance, and told Ellen that she was afraid of being alone when her
father and Ellen were dead. Taking a walk, Cathy ended up briefly stranded
outside of the wall of the park, when Heathcliff rode by. He told her that
Linton was dying of a broken heart, and that she would visit him if she were
kind. Ellen told her that Heathcliff was probably lying and couldn't be
trusted, but the next day she was persuaded to accompany Cathy to Wuthering
Heights.
Chapter 23, Summary
Cathy and Ellen heard "a
peevish voice" calling Joseph for more hot coals for the fire; they went
in to see Linton, who greeted them rather ungraciously: "No don't kiss
me. It takes my breath dear me!" He complained that writing to her had
been very tiring, and that the servants didn't take care of him as they ought,
and that he hated them. He said that he wished she would marry him, because
wives always loved their husbands, upon which she answered that they did not
always do so. Her father had told her that Isabella had not loved Heathcliff.
Linton was angry and answered that Catherine's mother hadn't loved her father,
but Heathcliff. She pushed his chair and he coughed for a long time, for which
she was very sorry. He took advantage of her regret and bullied her like a true
hypochondriac, and made her promise to return the next day.
When Cathy and Ellen were on
their way home, Ellen expressed her disapproval of Linton and said he would die
young "small loss." Cathy should on no account marry him. Cathy was
not so sure he would die, and was much more friendly toward him.
Ellen caught a cold and was
confined to her room. Cathy spent almost all her time taking care of her and
Edgar, but she was free in the evenings: then, as Ellen later found out, she
visited Linton.
Chapter 24, Summary
Three weeks later, Ellen was
much better, and discovered Cathy's evening visits to Wuthering Heights. Cathy
told her what had happened:
She had bribed a servant with
her books, to take care of saddling her pony and not telling about her escapades.
On her second visit, she and Linton had had an argument about the best way of
spending a summer afternoon: he wanted to lie in the heather and dream it away,
and she wanted to rock in a treetop among the birds: "He wanted to lie in
an ecstasy of peace; I wanted all to sparkle, and dance in a glorious
jubilee." They made up and played ball until Linton was unhappy because he
always lost, but she consoled him for that.
She looked forward to her next
visit, but that day when she arrived she met Hareton, who showed her how he had
learned to read his name. She mocked him for it. (Here Ellen rebuked Cathy for
having been so rude to her cousin. Cathy was surprised, and went on.) When she
was reading to Linton, Hareton came in angrily and ordered them into the kitchen.
Shut out of his favorite room, Linton staged a frightening temper tantrum,
wearing an expression of "frantic, powerless fury" and shrieking that
he would kill Hareton. Joseph pointed out that he was showing his father's
character. Linton coughed blood and fainted; Cathy fetched Zillah. Hareton
carried the boy upstairs but wouldn't let Cathy follow; she cried and he was
sorry for it. She struck him with her whip and rode home.
On the third day Linton
refused to speak to her except to blame her for the events of the preceding
day, and she left resolving not to return.
She did, however, and took
Linton to task for being so rude. He admitted that he was worthless, but said
that she was much happier than he and should make allowances. Heathcliff hated
him, and he was very unhappy. He loved her however.
Cathy was sorry Linton had
such a distorted nature, and felt she had an obligation to be a friend to him.
She had noticed that Heathcliff avoided her, and rebuked Linton when he did not
behave well to her.
Ellen told Edgar about the
visits, and he forbade Cathy to return to Wuthering Heights, but wrote to
Linton that he could come to the Grange if he liked.
Chapter 25, Summary
Ellen points out to Lockwood
that these events only happened the year before, and she hints that Lockwood
might become interested in Cathy, who is not happy at Wuthering Heights. Then
she went on with the narrative:
Edgar asked Ellen what Linton
was like, and she told him that he was delicate and had little of his father in
him Cathy would probably be able to control him if they married. Edgar
admitted that he was worried about what would happen to Cathy if he were to
die. As spring advanced Edgar resumed his walks, but although Cathy took his
flushed cheeks and bright eyes for health, Ellen was not so sure. He wrote
again to Linton, asking to see him. Linton answered that his father refused to
let him visit the Grange, but that he hoped to meet Edgar outside sometime. He
also wrote that he would like to see Cathy again, and that his health was
improved.
Edgar could not consent,
because he could not walk very far, but the two began a correspondence. Linton
wrote well, without complaining (since Heathcliff carefully censured his
letters)and eventually Edgar agreed to Cathy's going to meet Linton on the
moors, with Ellen's supervision. Edgar wished Cathy to marry Linton so she
would not have to leave the Grange when he died but he would not have wished
it if he knew that Linton was dying as fast as he was.
Chapter 26, Summary
When Ellen and Cathy rode to
meet Linton they had to go quite close to Wuthering Heights to find him. He was
evidently very ill, though he said he was better: "his large blue eyes
wandered timidly over her; the hollowness round them, transforming to haggard
wildness, the languid expression they once possessed." Linton had a hard
time making conversation with Cathy, and was clearly not enjoying their talk,
so she said she would leave. Surprisingly Linton then looked frightenedly
towards Wuthering Heights and begged her to stay longer, and to tell her father
he was in "tolerable health." She half-heartedly agreed, and he soon
fell into some kind of slumber. He woke suddenly and seemed to be terrified
that his father might come. Soon later Cathy and Ellen returned home, perplexed
by his strange behavior.
Chapter 27, Summary
A week later they were to
visit Linton again. Edgar was much sicker, and Cathy didn't want to leave him,
but he encouraged her relationship with Linton, thinking to ensure his
daughter's welfare thereby. Linton "received us with greater animation on
this occasion; not the animation of high spirits though, nor yet of joy; it
looked more like fear." Cathy was angry that she had had to leave her
father, and she was disgusted by Linton's abject admissions of terror.
Heathcliff came upon them, and asked Ellen how much longer Edgar had to live:
he was worried that Linton would die before him. He then ordered Linton to get
up and take Cathy in the house, which he did, against Cathy's will:
"Linton... implored her to accompany him, with a frantic importunity that
admitted no denial." Heathcliff pushed Ellen into the house as well and
locked the door behind them. When Cathy protested that she must get home to her
father he slapped her brutally, and made it clear that she wouldn't leave
Wuthering Heights until she married Linton. Linton showed his true character:
as Heathcliff said, "He'll undertake to torture any number of cats if
their teeth be drawn, and their claws pared." Cathy and Heathcliff declared
their mutual hatred. Ellen remained imprisoned for five days with Hareton as
her jailer: he gave her food but refused to speak to her beyond what was
necessary. She did not know what was happening to Cathy.
Chapter 28, Summary
On the fifth afternoon of the
captivity, Zillah released Ellen, and said that Heathcliff said she could go
home and that Catherine would follow in time to attend her father's funeral. He
was not dead yet, but soon would be. Ellen asked Linton where Catherine was,
and he answered that she was shut upstairs, that they were married, and that he
was glad she was being treated harshly. Apparently he was piqued that she
hadn't wished to marry him. He was annoyed by her crying, and was glad when
Heathcliff struck her.
Ellen rebuked him for his selfishness
and unkindness, and went to the Grange to get help. Edgar was glad to hear his
daughter was safe, and would be home soon: he was almost dead, at the age of
39. The men sent to Wuthering Heights to rescue Catherine returned without her,
having believed Heathcliff's tale that she was too sick to travel. Very early
the next morning, however, Catherine came back by herself, joyful to hear that
her father was still alive. She had forced Linton to help her escape. Ellen
asked her to say she would be happy with Linton, for Edgar's sake, to which she
agreed. Edgar died "blissfully." Catherine was stony-eyed with grief.
Heathcliff's lawyer gave all the servants but Ellen notice to quit, and hurried
the funeral.
Chapter 29, Summary
Heathcliff came to the Grange
to fetch Catherine to Wuthering Heights to take care of Linton, who was dying
in terror of his father, and because he wanted to get a tenant for the Grange
(Mr. Lockwood, as it turned out). Catherine agreed to go, because Linton was
all she had to love, and left the room.
Heathcliff, in a strange mood, told Ellen
what he had done the night before. He had bribed the sexton who was digging
Edgar's grave to uncover his Catherine's coffin, so he could see her face
again he said it was hers yet. The sexton told him that the face would change
if air blew on it, so he tore himself away from contemplating it, and struck
one side of the coffin loose and bribed the sexton to put his body in with
Catherine's when he was dead. Ellen was shocked, and scolded him for disturbing
the dead, at which he replied that on the contrary she had haunted him night
and day for eighteen years, and "yesternight, I was tranquil. I dreamt I
was sleeping my last sleep, by that sleeper, with my heart stopped, and my
cheek frozen against hers."
Then Heathcliff told Ellen
what he had done the night after Catherine's burial (the night he beat up
Hindley). He had gone to the kirkyard and dug up the coffin "to have her
in his arms again," but while he was wrenching at the screws he suddenly
felt sure of her living presence. He was consoled, but tortured as well: from
that night for 18 years he constantly felt as though he could almost see her,
but not quite. He tried sleeping in her room, but constantly opened his eyes to
see if she were there, he felt so sure she was.
Heathcliff finished his narrative, and
Catherine sadly bade farewell to Ellen.
Chapter 30, Summary
Ellen has now more or less
reached the present time in her narrative, and tells Lockwood what Zillah told
her about Catherine's reception at Wuthering Heights. She spent all her time in
Linton's room, and when she came out she asked Heathcliff to call a doctor,
because Linton was very sick. Heathcliff replied: "We know that! But his
life is not worth a farthing." Catherine was thus left to care for her
dying cousin all by herself (Zillah, Hareton and Joseph would not help her) and
became haggard and bewildered from lack of sleep. Finally Linton died, and when
Heathcliff asked Catherine how she felt, she said: "He's safe and I'm
free. I should feel very well but you have left me so long to struggle against
death, alone, that I feel and see only death! I feel like death!" Hareton
was sorry for her. Catherine was ill for the next two weeks. Heathcliff
informed her that Linton had left all of his and his wife's property to
himself. One day when Heathcliff was out, Catherine came downstairs. Hareton
made shy, friendly advances, which she angrily rejected. He asked Zillah to ask
her to read for them (he was illiterate, but wished to learn) but she refused
on the grounds that she had been forsaken during Linton's illness, and had no
reason to care for Hareton or Zillah. Hareton said that he had in fact asked
Heathcliff to be allowed to relieve her of some of her duties, but was denied.
She was in no mood to forgive, however, and thus became the unfriendly
Catherine Lockwood had seen at Wuthering Heights. According to Zillah:
"She'll snap at the master himself, and as good dares him to thrash her;
and the more hurt she gets, the more venomous she grows." Ellen wanted to
get a cottage and live there with Catherine, but Heathcliff would not permit
it.
Chapter 31, Summary
Lockwood went to Wuthering
Heights to see Heathcliff and tell him he didn't want to stay at the Grange any
longer. He noticed that Hareton was "as handsome a rustic as need be
seen." He gave Catherine a note from Ellen; she thought it was from him at
first and when he made it clear that it wasn't, Hareton snatched it away,
saying that Heathcliff should look at it first (he wasn't home yet). Catherine
tried to hide her tears, but Hareton noticed and let the letter drop beside her
seat. She read it and expressed her longing for freedom, telling Lockwood that
she couldn't even write Ellen back because Heathcliff had destroyed her books.
Hareton had all the other books in the house: he had been trying to read.
Catherine mocked him for his clumsy attempts at self-education: "Those
books, both prose and verse, were consecrated to me by other associations, and
I hate to hear them debased and profaned in his mouth!" Poor Hareton
fetched the books and threw them into her lap, saying he didn't want to think
about them any longer. She persisted in her mockery, reading aloud in "the
drawling tone of a beginner," following which he slapped her and threw the
books into the fire. Lockwood "read in his countenance what anguish it was
to offer that sacrifice to spleen."
Heathcliff came in and Hareton
left, "to enjoy his grief and anger in solitude." Heathcliff moodily
confided to Lockwood that Hareton reminded him much more of Catherine, than of
Hindley. He also told Lockwood that he would still have to pay his full rent
even if he left the Grange, to which Lockwood, insulted, agreed. Heathcliff
invited Lockwood to dinner, and informed Catherine that she could eat with
Joseph in the kitchen. Lockwood ate the cheerless meal and left, contemplating
the possibility of his courting Catherine and going together "into the
stirring atmosphere of the town."
Chapter 32, Summary
In the fall of 1802, later
that year, Lockwood returned to the Grange because he was passing through the
area on a hunting trip. He found the Grange more or less empty: Ellen was at
Wuthering Heights, and an old woman had replaced her. Lockwood visited
Wuthering Heights to see what had changed. He noticed flowers growing around
the old farm house, and overheard a pleasant lesson from indoors. Catherine,
sounding "sweet as a silver bell," was teaching Hareton, now
respectably dressed. The lesson was interspersed with kisses and very kind
words. Lockwood was loth to disturb them, and went around to the kitchen to
find Nelly singing and Joseph complaining as usual. She was glad to see
Lockwood and told them that he would have to settle the rent with her, since
she was acting for Catherine. Heathcliff had been dead for three months. She
told him what had happened.
A fortnight after Lockwood
left the Grange the previous spring, Nelly was summoned to Wuthering Heights,
where she gladly went her job was to keep Catherine out of Heathcliff's way.
She was pleased to see Catherine, but sorry at the way she had changed.
One day when they and Hareton
were sitting in the kitchen, Catherine grew tired of the animosity between
herself and the young man, and offered him a book, which he refused. She left
it close to him, but he never touched it. Hareton was injured in a shooting
accident in March, and since Heathcliff didn't like to see him, he spent a lot
of time sitting in the kitchen, where Catherine found many reasons to go.
Finally her efforts at reconciliation succeeded, and they became loving
friends, much to Joseph's indignation.
Chapter 33, Summary
The next morning Ellen found
Catherine with Hareton in the garden, planning a flower garden in the middle of
Joseph's cherished currant bushes. She warned them that they would be punished,
but Hareton said he would take the blame. At tea, Catherine was careful not to
talk to Hareton too much, but she put flowers into his porridge, which made him
laugh, which made Heathcliff angry. He assumed Catherine had laughed, but
Hareton quietly admitted his fault. Joseph came in and incoherently bewailed
the fate of his bushes. Hareton said he was uprooted some, but would plant them
again, and Catherine said it had been at her instigation. Heathcliff called her
an "insolent slut," and she accused him of having stolen her land and
Hareton's. Heathcliff commanded Hareton to throw her out the poor boy was torn
between his two loyalties and tried to persuade Catherine to leave. Heathcliff
seemed "ready to tear Catherine to pieces" when he suddenly calmed
down and told everyone to leave. Later Hareton asked Catherine not to accuse
Heathcliff in front of him, and she understood his position and refrained from
insulting her oppressor from then on. Ellen was glad to see her two
"children" happy together; Hareton quickly shook off his ignorance
and boorishness and Catherine became sweet again.
When Heathcliff saw them
together he was struck by their resemblances to his Catherine, and told Ellen
that he had lost his motivation for destruction. He no longer took any interest
in everyday life; Catherine and Hareton didn't appear to him to be distinct
characters of their own, but sources of past associations to his beloved. He
also felt Hareton to be very much like himself as a youth. But most
importantly, his Catherine haunted him completely: "The most ordinary
faces of men, and women my own features mock me with a resemblance. The entire
world is a dreadful collection of memoranda that she did exist, and that I have
lost her!" He told Nelly that he felt a change coming that he could no
longer exist in the living world when he felt so close to that of the dead, or
the immortal. Nelly wondered whether he was ill, but decided that he was in
fine health and mind, except for his unworldly obsession.
Chapter 34, Summary
In the next few days
Heathcliff all but stopped eating, and spent the nights walking outside.
Catherine, happily working on her garden, came across him and was surprised to
see him looking "very much excited, and wild, and glad." Ellen told
him he should eat, and indeed at dinner he took a heaped plate, but abruptly
lost interest in food, seemed to be watching something by the window, and went
outside. Hareton followed to ask him what was wrong, and Heathcliff told him to
go back to Catherine and not bother him. He came back an hour or two later,
with the same "unnatural appearance of joy," shivering the way a
"tight-stretched cord vibrates a strong thrilling, rather than
trembling." Ellen asked him what was going on, and he answered that he was
within sight of his heaven, hardly three feet away. Later that evening, Ellen
found him sitting in the dark with the windows all open. She was frightened by
the pallor of his face and his black eyes. Ellen half-wondered if he were a
vampire, but told herself that she was foolish, since she had watched him grow
up. The next day he was even more restless and could hardly speak coherently,
and stared fascinatedly at nothing with an "anguished, yet raptured
expression." Early the next morning having spent the night outside or
pacing in his room, he declared he wanted to settle things with his lawyer.
Ellen said he should eat, and get some sleep, but he replied that he could do
neither: "My soul's bliss kills my body, but does not satisfy
itself." Ellen told him to repent his sins, and he thanked her for the
reminder and asked her to make sure he was buried next to Catherine: "I
have nearly attained my heaven; and that of others is altogether unvalued, and
uncoveted by me." He behaved more and more strangely, talking openly of
his Catherine. Ellen called the doctor, but Heathcliff wouldn't see him. The
next morning she found him dead in his room, by the open window, wet from the
rain and cut by the broken window-pane, with his eyes fiercely open and wearing
a savage smile. Hareton mourned deeply for him. The doctor wondered what could
have killed him. He was buried as he had asked. People said that his ghost
roamed the moors with Catherine: Ellen once came across a little boy crying
amid his panicked lambs, and he said that Heathcliff was "yonder"
with a woman and that he didn't dare pass them.
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Catherine and
Hareton were to be married, and they would move to the Grange, leaving
Wuthering Heights to Joseph and the ghosts. Lockwood noticed on his walk home
that the kirk was falling apart from neglect, and he found the three
headstones, Catherine's, Edgar's, and Heathcliff's, covered by varying degrees
of heather. He "wondered how anyone could ever imagine unquiet slumbers,
for sleepers in that quiet earth."